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A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles.
Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts. In many rock and metal bands (e.g., the power trio), the musicians doing backing vocals also play instruments, such as guitar, electric bass or keyboards. In Latin or Afro-Cuban groups, backing singers may play percussion instruments or shakers while singing. In some pop and hip-hop groups and in musical theater, they may be required to perform dance routines while singing through headset microphones.
Styles of background vocals vary according to the type of song and genre of music. In pop and country songs, backing vocalists may sing harmony to support the lead vocalist. In hardcore punk or rockabilly, other band members who play instruments may sing or shout backing vocals during the chorus (refrain) section of the songs.
Alternative terms for backing vocalists include backing singer, backing vocals, additional vocals or, particularly in the United States and Canada, backup singer,background singer, or harmony.
While some bands use performers whose sole on-stage role is backing vocals, backing singers commonly have other roles. Two notable examples of band members who sang back-up are The Beach Boys and The Beatles. The Beach Boys were well known for their close vocal harmonies, occasionally with all five members singing at once such as "In My Room" and "Surfer Girl".
The Beatles were also known for their close style of vocal harmonies[ opinion ] – all of them sang both lead and backing vocals at some point, especially John Lennon and Paul McCartney, who frequently supported each other with harmonies, often with fellow Beatle George Harrison joining in. Ringo Starr, while not as prominent as a backup singer due to his distinctive voice, sings backing vocals in such tracks as "The Continuing Story of Bungalow Bill" and "Carry That Weight". Examples of three-part harmonies by Lennon, McCartney and Harrison include "Nowhere Man", "Because", "Day Tripper", and "This Boy". The members of Crosby, Stills, Nash & Young and Bee Gees each wrote songs, sang backup or lead vocals, and played various instruments in their performances and recordings.
In the lyrics, the backing vocals are standardly written in parentheses to differentiate them from the main vocals, which are written without any markup. The backing vocals for a line may come in mid-line, or even after the main lyrics have already been sung. Vocalizing is fairly common so as to not detract from the meaning of the lyrics of the primary vocals. The sound of the backing vocals is often in a differing style (e.g., either more muted or pitched up) so as to complement rather than compete with the main parts.
In the recording studio, some lead singers record their own backing vocals by overdubbing with a multitrack recording system, record their own backing vocals, then recording the lead part over them. Some lead vocalists prefer this approach because multiple parts recorded by the same singer blend well.
A famous example overdubbing is Freddie Mercury's multipart intro to Queen's "Bohemian Rhapsody". [1] Other artists who have recorded multitrack lead and backing vocals include Patrick Stump of Fall Out Boy, Tom DeLonge of Blink-182 and Angels and Airwaves, Wednesday 13 in his own band and Murderdolls, Ian Gillan of Deep Purple, Brendon Urie of Panic! at the Disco, Simon Le Bon of Duran Duran, and Brad Delp of Boston.
With the exception of a few songs on each album, Michael Jackson, Janet Jackson, Prince, Dan Fogelberg, Eddie Rabbitt, David Bowie, Harry Nilsson, and Richard Marx sing all of the background vocals for their songs. Robert Smith of the Cure sings his own backing vocals in the studio, and doesn't use backing vocalists when performing live.
Prominent vocalists who provide backing vocals in other artists' recordings are often uncredited to avoid conflicts with their own recording agreements, and for other reasons. Examples include:
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. Beatles for Sale was not widely available in the US until 1987, when the Beatles' catalogue was standardised for release on CD. Instead, eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, Beatles '65, issued in North America only.
"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.
"And Your Bird Can Sing" is a song by the English rock band the Beatles. It was released on their 1966 album Revolver, apart from in the United States and Canada, where it instead appeared on Yesterday and Today. The song was written mainly by John Lennon and credited to Lennon–McCartney. The recording features an extended dual-guitar melody, played by George Harrison and Paul McCartney, which anticipated the harmonised guitar arrangements commonly used by Southern rock, hard rock and heavy metal bands.
"Oh! Darling" is a song by the English rock band the Beatles, appearing as the fourth song on their eleventh studio album Abbey Road (1969). It was written primarily by Paul McCartney and credited to Lennon–McCartney. Its working title was "Oh! Darling ". Although not issued as a single in either the United Kingdom or the United States, a regional subsidiary of Capitol successfully edited it as a single in Central America, having "Maxwell's Silver Hammer" as its B-side. It was also issued as a single in Portugal. Apple Records released "Oh! Darling" in Japan with "Here Comes the Sun" in June 1970.
"Carry That Weight" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is the seventh and penultimate song in the album's climactic side-two medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. It is preceded by "Golden Slumbers" and segues into "The End".
"Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album The Beatles. The song was written by John Lennon and credited to the Lennon–McCartney partnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi. Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song.
"I'm So Tired" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written and sung by John Lennon, though credited to Lennon–McCartney. Lennon wrote the song during the Beatles' stay in India about insomnia he was having due to constant meditation and because he missed Yoko Ono. The song was recorded in the same session as another White Album song, "The Continuing Story of Bungalow Bill".
"Cry Baby Cry" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written by John Lennon and credited to the Lennon–McCartney partnership. The coda of the song is a short segment referred to as "Can You Take Me Back", written by Paul McCartney, which was actually an outtake from the "I Will" session.
"Another Girl" is a song by the English rock band the Beatles from their 1965 album Help! and included in the film of the same title. The song was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song is addressed to the singer's girlfriend, who is informed that the singer has found "another girl."
"Mr. Moonlight" is a song written by Roy Lee Johnson and recorded by Dr. Feelgood and the Interns in 1962. The song was covered by the Beatles on their 1964 albums Beatles for Sale and Beatles '65.
"I Don't Want to Spoil the Party" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. It was featured as the twelfth track on the 1964 album Beatles for Sale. "I Don't Want to Spoil the Party" was also released on the Beatles for Sale EP. It was later released as the B-side of the US single "Eight Days a Week", and then as the fifth track on the North America-only album Beatles VI. The song reached number 39 on the Billboard Hot 100.
"You've Really Got a Hold on Me" is a song written by Smokey Robinson, which became a 1962 Top 10 hit single for the Miracles. One of the Miracles' most covered tunes, this million-selling song received a 1998 Grammy Hall of Fame Award. It has also been selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was recorded by the Beatles for their second album, With the Beatles (1963). Many other musicians also recorded versions.
"Do You Want to Know a Secret" is a song by English rock band the Beatles from their 1963 album Please Please Me, sung by George Harrison. In the United States, it was the first top ten song to feature Harrison as a lead singer, reaching No. 2 on the Billboard chart in 1964 as a single released by Vee-Jay, VJ 587. In the UK, Billy J. Kramer released a cover of the song as his debut single, reaching No. 1 on the NME singles chart and No. 2 on the Record Retailer chart.
"There's a Place" is a song by the English rock band the Beatles from their debut album, Please Please Me, released in March 1963. It was written primarily by John Lennon and credited to McCartney–Lennon. In the United States, the song was released in July 1963 on the group's first US LP, Introducing... The Beatles, later reissued in January 1964 as Beatlemania surged there. It was also issued as a non-album single in the US, in March 1964, as the B-side to "Twist and Shout", reaching number 74 in the Billboard Hot 100.
"I'll Get You" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney, and released by the Beatles as the B-side of their 1963 single "She Loves You". The song was initially titled "Get You in the End".
"Julia" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It is performed as a solo piece by John Lennon. The song was written by Lennon about his mother Julia Lennon, who died in 1958 at age 44.
"Come Go With Me" is a song written by C. E. Quick, an original member of the American doo-wop vocal group the Del-Vikings. The song was originally recorded by The Del-Vikings in 1956 but not released until July 1957 on the Luniverse LP Come Go With The Del Vikings. The final version was released in the second week of January 1957 and was led by Gus Backus. When Joe Averbach, the owner of Fee Bee Records couldn't handle the demand, he signed with Dot Records in late January 1957; the song became a hit, peaking at No. 5 on the US Billboard Top 100 Pop Charts. It also reached No. 2 on the R&B chart.
"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the progression that leads to the end of the album. The two songs were recorded together as a single piece, and both contain strings and brass arranged and scored by producer George Martin.
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