| "Mellow Yellow" | ||||
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| Single by Donovan | ||||
| from the album Mellow Yellow | ||||
| B-side |
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| Released |
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| Recorded | October 1966 | |||
| Genre | ||||
| Length | 3:42 | |||
| Label |
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| Songwriter(s) | Donovan | |||
| Producer(s) | Mickie Most | |||
| Donovan UKsingles chronology | ||||
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| Donovan USsingles chronology | ||||
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"Mellow Yellow" is a song written and recorded by Scottish singer-songwriter Donovan. [6] Released in the US in 1966, it reached No. 2 on the Billboard Hot 100. [7] Outside the US, "Mellow Yellow" peaked at No. 8 in the UK in early 1967.
The song was rumoured to be about smoking dried banana skins, which was believed to be a hallucinogenic drug in the 1960s, though this aspect of bananas has since been debunked. [8] According to Donovan's notes, accompanying the album Donovan's Greatest Hits , the rumour that one could get high from smoking dried banana skins was started by Country Joe McDonald in 1966, and Donovan heard the rumour three weeks before "Mellow Yellow" was released as a single.
According to The Rolling Stone Illustrated Encyclopedia of Rock and Roll, he admitted later the song made reference to a vibrator; an "electrical banana" as mentioned in the lyrics. [9] Donovan stated, "I was reading a newspaper and on the back there was an ad for a yellow dildo called the mellow yellow," he said. "Really, you know the 'electric banana' was right in there and gave it away. And that's what the song's about." This definition was re-affirmed in an interview with NME magazine: "it's about being cool, laid-back, and also the electrical bananas that were appearing on the scene — which were ladies' vibrators." [10]
Paul McCartney can be heard as one of the background revellers on this track, but the "quite rightly" whispering lines in the chorus is not McCartney, but rather Donovan himself. [11] Donovan had a small part in coming up with the lyrics for "Yellow Submarine", and McCartney played bass guitar (uncredited) on portions of Donovan's Mellow Yellow album. [12]
In 2005, the track was remastered by EMI Records for the Mellow Yellow album re-issue. [13]
Cash Box called "Mellow Yellow" an "easy-going, sophisticated blues number which should be a giant." [14]
"Mellow Yellow" was covered in 1967 by soul singer Big Maybelle on her album Got a Brand New Bag. [15] It was also covered in 1968 by British R&B singer/keyboardist Georgie Fame on his album The Third Face of Fame. [16]
In 1999, "Mellow Yellow" was sung by a group of young adults, among whom were then-unknowns Alex Greenwald, Rashida Jones and Jason Thompson, in Gap's "Everybody in Cords" commercial directed by Pedro Romhanyi. The music mix was done by the Dust Brothers. [17] In 2015 the song was covered by Spanish singer Abraham Mateo for promotion of the film Minions . [18] The original by Donovan was used in the film's ending titles. In Brazil Michel Teló covered the song, adapted to Portuguese, also for the movie. [19] Israeli singer Arik Einstein covered the song in 1967 as "Ani margish k'mo melech" ("I feel like a king").[ citation needed ]
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Donovan Phillips Leitch, known mononymously as Donovan, is a Scottish musician, songwriter and record producer. He emerged from the British folk scene in early 1965, and subsequently scored multiple international hit singles and albums during the late 1960s. His work became emblematic of the flower power era with its blend of folk, pop, psychedelica, and jazz stylings.
"Sunshine Superman" is a song written and recorded by Scottish singer-songwriter Donovan. It was released as a single in the United States through Epic Records in July 1966, but due to a contractual dispute the United Kingdom release was delayed until December 1966, where it appeared on Donovan's previous label, Pye Records. The single was backed with "The Trip" on both the US and UK releases. It has been described as "[one of the] classics of the era", and as "the quintessential bright summer sing along".
"Hello, Goodbye" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. Backed by John Lennon's "I Am the Walrus", it was issued as a non-album single in November 1967, the group's first release since the death of their manager, Brian Epstein. The single was commercially successful around the world, topping charts in the United States, the United Kingdom, France, West Germany, Canada, Australia and several other countries.
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown group the Supremes, reaching number one on the Billboard Hot 100.
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship. Eyewitness testimony from several independent sources, including George Martin and Pete Shotton, supports McCartney's claim to authorship.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"I'm a Believer" is a song written by Neil Diamond and recorded by the American band the Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number-one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966, and remained there for seven weeks becoming the last number-one hit of 1966 and the biggest-selling single for all of 1967. Billboard ranked the record as the number-five song for 1967. While originally published by Screen Gems-Columbia Music (BMI), it is now published by Stonebridge Music/EMI Foray Music (SESAC), with administration passed to Sony Music Publishing and Universal Music Publishing Group.
Sunshine Superman is the third studio album by Scottish singer-songwriter Donovan. It was released in the United States on August 26, 1966, but was not released in the UK because of a contractual dispute. In June 1967, a compilation of tracks from this album and the follow-up Mellow Yellow was released as Sunshine Superman in the UK.
Mellow Yellow is the fourth album from Scottish singer-songwriter Donovan. It was released in the US in February 1967 (Epic Records LN 24239 / BN 26239, but not released in the UK because of a continuing contractual dispute that also prevented Sunshine Superman from a UK release. In June 1967, a cross-section of both albums was released as Sunshine Superman in the UK. "Mellow Yellow" was the name of Donovan's hit single released the previous November.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a number-one hit on the UK Singles Chart for the week ending September 12, 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a number-one hit on both the Billboard Hot 100 and R&B Singles charts.
"Lady Madonna" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. In March 1968 it was released as a mono non-album single, backed with "The Inner Light". The song was recorded on 3 and 6 February 1968, before the Beatles left for India, and its boogie-woogie style signalled a more conventional approach to writing and recording for the group following the psychedelic experimentation of the previous two years.
"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the Billboard Hot 100 chart.
"Addicted to Love" is a song by English rock singer Robert Palmer released in 1986. It is the third song on Palmer's eighth studio album Riptide (1985) and was released as its third single. The single version is a shorter edit of the full-length album version.
"Silly Love Songs" is a song by the British–American rock band Wings that was written by Paul and Linda McCartney. The song first appeared in March 1976 on the album Wings at the Speed of Sound, then it was released as a single backed with "Cook of the House" on 1 April in the US, and 30 April in the UK. The song, which features disco overtones, was seen as being written in response to music critics accusing McCartney of predominantly writing "silly love songs" and "sentimental slush"; however, McCartney has since clarified that the song was actually directed to John Lennon who accused him of writing such songs.
"Bang Bang (My Baby Shot Me Down)" is the second single by American singer-actress Cher from her second album, The Sonny Side of Chér (1966). It was written by her husband Sonny Bono and released in 1966. It reached No. 3 in the UK Singles Chart and No. 2 on the Billboard Hot 100 for a week (behind "(You're My) Soul and Inspiration" by The Righteous Brothers), eventually becoming one of Cher's biggest-selling singles of the 1960s.
"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio.
"Take It Away" is a single by the English musician Paul McCartney from his third solo studio album Tug of War (1982). The single spent sixteen weeks on the Billboard Hot 100 singles chart, reaching #10 and spending five consecutive weeks at that position. It reached #15 in the UK. The music video, directed by John Mackenzie, features former Beatles drummer Ringo Starr, long-time producer George Martin, and songwriting collaborator Eric Stewart, all of whom played on the track, as well as actor John Hurt, Linda McCartney and Barbara Bach.
"I Dig Rock and Roll Music" is a 1967 song by the American folk group Peter, Paul and Mary, written by Paul Stookey, James Mason and Dave Dixon.
"Darling Be Home Soon" is a song written by John Sebastian of the Lovin' Spoonful for the soundtrack of the 1966 Francis Ford Coppola film You're a Big Boy Now. It appeared on the Lovin' Spoonful's 1967 soundtrack album You're a Big Boy Now. Sebastian performed his composition at Woodstock; it was the fourth song out of the five he performed at the 1969 music festival in White Lake, New York.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
Donovan (...) did change styles to make a couple of enormously successful pop singles, "Mellow Yellow" and "Sunshine Superman", before disappearing from the front ranks.
Donovan wrote medieval fantasies and pop collages like "Sunshine Superman" and "Mellow Yellow."
A further move into psychedelic pop spawned another million-seller in "Mellow Yellow" — [Donovan's] best-known song
Hits like "Mellow Yellow" (1967) and "Hurdy Gurdy Man" (1968) saw Donovan become the public face of fanciful British psychedelic pop in the latter part of the decade.
