Grouping | Legendary creature Fairy Sprite |
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Country | United Kingdom |
Region | Devon and Cornwall |
A pixie (also called pisky, pixy, pixi, pizkie, piskie, or pigsie in parts of Cornwall and Devon) is a mythical creature of British folklore. Pixies are speculated to be particularly concentrated in the high moorland areas around Devon [1] and Cornwall, [2] suggesting some Celtic origin for the belief and name. However, the word 'pixie' (under various forms) also appears in Dorset, Somerset and to a lesser extent in Sussex, Wiltshire and Hampshire. [3]
Similar to the Irish and Scottish Aos Sí (also spelled Aos Sidhe), pixies are believed to inhabit ancient underground sites such as stone circles, barrows, dolmens, ringforts, or menhirs. [4] In traditional regional lore, pixies are generally benign, mischievous, short of stature, and childlike; they are fond of dancing and wrestling outdoors, of which they perform through the night.
In the modern era, they are usually depicted with pointed ears, often wearing a green outfit and pointed hat. Traditional stories describe them as wearing dirty, ragged bundles of rags, which they discard for gifts containing new clothes. [5] In other depictions, their eyes are described as being pointed upwards at the outer end. These, however, are Victorian era conventions and not part of the older mythology.[ citation needed ]
The origin of the word pixie is uncertain. It could have come from the Swedish dialectal pyske, meaning 'small fairy'. [6] Others have disputed this, given there is no plausible case for Nordic dialectal records in southwest Britain, claiming instead—in view of the Cornish origin of the piskie—that the term is more Celtic in origin, though no clear ancestor of the word is known. The term Pobel Vean (Little People) is often used to refer to them collectively. [7] [8] Because of its location of origin, it is possible it comes from the Proto-Brythonic *bɨx, which has become bych, little, in Middle Welsh and bihan, in Breton.[ citation needed ] The change from b to p can be easily explained by a sandhi that occurs after the use of the old article or a pronoun.[ citation needed ]
Very similar analogues exist in closely related Irish (Aos Sí), Manx (Mooinjer veggey), Welsh Tylwyth Teg ('Fair Family'), and Breton (korrigan) culture. Although their common names are unrelated, there is a high degree of local variation of names. In west Penwith, the area of late survival of the Cornish language, spriggans are distinguished from pixies by their malevolent nature, while knockers are distinct for their association with tin mining in Cornwall.
Pixie mythology is believed to pre-date Christian presence in Britain. Romano-British Hooded Spirits genii cucullati are a possible ancient Celtic forebear—such dwarfish sprites wore traditional hooded cloaks associated with the British and concealed phallic daggers. In the Christian era, they were sometimes said to be the souls of children who had died unbaptised (similar to the belief in Limbo). These children would change their appearance to pixies once their clothing was placed in clay funeral pots used in their earthly lives as toys. A common idea in the Victorian era was that pixies were a folk memory of the Pictish people, but that has largely been disproven and is viewed in academia as Norse propaganda against the Picts [9] This suggestion is still referenced in contemporary writing, but there is no proven connection, and the etymological basis is considered ambiguous. [10] Some 19th-century researchers made more general claims about pixie origins, or have connected them with the Puck (Cornish Bucca), a mythological creature sometimes described as a fairy; the name Puck (Irish: Púca, Welsh: Pwca) is also of uncertain origin.
The earliest published version of The Three Little Pigs story is from Dartmoor in 1853 and has three little pixies in place of the pigs. [11] In older Westcountry dialect, modern Received Pronunciation letter pairs are sometimes transposed from the older Saxon spelling (waps for wasp, aks for ask, etc.) resulting in piskies in place of piksies (pixies) as commonly found in Devon and Cornwall in modern times.
Until the advent of contemporary fiction, pixie mythology was mostly localised to Britain. Some have noted similarities to "northern fairies", Germanic and Scandinavian elves, [12] or Nordic Tomte, but pixies are distinguished from them by the myths and stories of Devon and Cornwall.
Before the mid-19th century, the towns Cornwall and Devon had numerous cultural depictions of pixies and fairies. Books devoted to the homely beliefs of the peasantry were filled with incidents of pixie manifestations. Some locales were named for the pixies associated with them. In Devon, near Challacombe, a group of rocks were named after the pixies said to dwell there. At Trevose Head in Cornwall, 600 pixies were said to have gathered dancing and laughing in a circle that had appeared upon the turf until one of them, named Omfra, lost his laugh. After searching amongst the barrows of the ancient kings of Cornwall on St Breock Downs, he wades through the bottomless Dozmary Pool on Bodmin Moor until his laugh is restored by King Arthur in the form of a Chough. [13]
In the legends associated with Dartmoor, pixies (or piskeys) are said to disguise themselves as a bundle of rags to lure children. The pixies of Dartmoor are fond of music, dancing, and riding on Dartmoor colts. These pixies are generally said to be helpful for humans, sometimes helping needy widows and others with housework. They are not completely benign, however, as they have a reputation for misleading travellers known as being "pixy-led", and it can be cured by turning a coat inside-out. [14] [15]
The queen of the Cornish pixies is said to be Joan the Wad (torch), and she is considered to bless people with good luck. In Devon, pixies are said to be "invisibly small, and harmless or friendly to man."[ citation needed ]
In some of the legends and historical accounts, they are presented as having an anthropomorphic stature. For instance, a member of the Elford family in Tavistock, Devon, successfully hid from Cromwell's troops in a pixie house. [16] Though the entrance has narrowed with time, the pixie house, a natural cavern on Sheep Tor, is still accessible.
At Buckland St. Mary, Somerset, pixies and fairies are said to have been in a war. The pixies were victorious and visit occasionally, whilst the fairies are said to have left after their loss. [17]
By the early 19th century, their contact with humans had diminished. In Samuel Drew’s 1824 book Cornwall, Drew states: "The age of pixies, like that of chivalry, is gone. There is, perhaps, at present hardly a house they are reputed to visit. Even the fields and lanes which they formerly frequented seem to be nearly forsaken. Their music is rarely heard." [18]
Pixie Day is an old tradition which takes place annually in June at the East Devon town of Ottery St. Mary. The day commemorates a legend of pixies being banished from the town to local caves known as the "Pixie's Parlour".
The Pixie Day legend originates from the early days of Christianity, when a local bishop decided to build a church in Otteri (Ottery St. Mary), and commissioned a set of bells, or bell ringers, to come from Wales, of whom were escorted by monks on their journey.
The pixies were worried, as they knew that once the bells were installed it would be the death knell of their rule over the land. They cast a spell over the monks to redirect them from the road to Otteri to the road leading them to the cliff's edge at Sidmouth. Just as the monks were about to fall over the cliff, one of the monks stubbed his toe on a rock and said "God bless my soul", breaking the spell.
The bells were then brought to Otteri and installed. However, the pixies' spell was not completely broken; each year on a day in June, the "pixies" come out and capture the town's bell ringers, later imprisoning them in Pixies' Parlour to be rescued by the Vicar of Ottery St. Mary. This legend is re-enacted each year by the Cub and Brownie groups of Ottery St. Mary, with a specially constructed Pixies' Parlour in the Town Square—the original Pixie's Parlour can be found along the banks of the River Otter.
Pixies are described in folklore and fiction in various ways, most commonly as ill-clothed or naked. [19] In 1890, William Crossing noted a pixie's preference for bits of finery: "Indeed, a sort of weakness for finery exists among them, and a piece of ribbon appears to be... highly prized by them." [20]
Some pixies are said to steal children or lead travellers astray. This seems to be a blend from fairy mythology not originally attached to pixies; in 1850, Thomas Keightley noted that much of Devon pixie mythology may have originated from fairy myth. [21] Pixies are said to reward consideration and punish neglect on the part of larger humans, for which Keightley gives examples. By their presence, they bring blessings to those who are fond of them.
Pixies are said to have a spiritual connection to horses, riding them for pleasure and making tangled ringlets in the manes of those horses. [22]
In mythology, pixies are sometimes said to be of human origin or to "partake of human nature", in distinction to fairies whose mythology is traced to immaterial and malignant spirit forces. In some discussions, pixies are presented as wingless, pygmy-like creatures. However, this is probably a later accretion to the mythology.
One British scholar stated his belief that "Pixies were evidently a smaller race, and, from the greater obscurity of the ... tales about them, I believe them to have been an earlier race." [23]
Many Victorian-era poets saw pixies as magical beings. An example is Samuel Minturn Peck. In his poem, "The Pixies", he writes: [24]
The late 19th-century English poet Nora Chesson summarised pixie mythology in a poem entitled "The Pixies". [25] She gathered all the speculations and myths into verse:
Have e’er you seen the Pixies, the fold not blest or banned? They walk upon the waters; they sail upon the land, They make the green grass greener where’er their footsteps fall, The wildest hind in the forest comes at their call. They steal from bolted linneys, they milk the key at grass, The maids are kissed a-milking, and no one hears them pass. They flit from byre to stable and ride unbroken foals, They seek out human lovers to win them souls. | The Pixies know no sorrow, the Pixies feel no fear, They take no care for harvest or seedtime of the year; Age lays no finger on them, the reaper time goes by The Pixies, they who change not, nor grow old or die. The Pixies though they love us, behold us pass away, And are not sad for flowers they gathered yesterday, To-day has crimson foxglove. If purple hose-in-hose withered last night To-morrow will have its rose. |
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Pixies are "in-between", not cursed by God or especially blessed. They do the unexpected, they bless the land, and are forest creatures whom other wild creatures find alluring and non-threatening. They love humans, taking some for mates, and are nearly ageless. They are winged, flitting from place to place.[ citation needed ]
The Pixie Day tradition in Samuel Taylor Coleridge’s hometown of Ottery St Mary in East Devon was the inspiration for his poem "Songs of the Pixies". [26]
The Victorian-era writer Mary Elizabeth Whitcombe divided pixies into tribes according to personality and deeds. [27] The novelist Anna Eliza Bray suggested that pixies and fairies were distinct species. [28]
A fairy is a type of mythical being or legendary creature, generally described as anthropomorphic, found in the folklore of multiple European cultures, a form of spirit, often with metaphysical, supernatural, or preternatural qualities.
In Welsh mythology and folklore, Cŵn Annwn, singular Ci Annwn, were the spectral hounds of Annwn, the otherworld of Welsh myth. They were associated with a form of the Wild Hunt, presided over by either Arawn, king of Annwn in Pwyll Pendefig Dyfed, the First Branch of the Mabinogi and alluded to in Math fab Mathonwy the Fourth Branch of the Mabinogi, or by Gwyn ap Nudd as the underworld king and king of the fair(y) folk is named in later medieval lore.
The Tamar is a river in south west England that forms most of the border between Devon and Cornwall. A large part of the valley of the Tamar is protected as the Tamar Valley National Landscape, and some is included in the Cornwall and West Devon Mining Landscape due to its historic mining activities.
The Mên-an-Tol is a small formation of standing stones in Cornwall, UK. It is about three miles northwest of Madron. It is also known locally as the "Crick Stone".
The púca, pucapwca, pooka, phouka, puck is a creature of Celtic, English, and Channel Islands folklore. Considered to be bringers both of good and bad fortune, they could help or hinder rural and marine communities. Púcaí can have dark or white fur or hair. The creatures were said to be shape-changers that could take the appearance of horses, goats, cats, dogs, and hares. They may also take a human form, which includes various animal features, such as ears or a tail.
Fairies, particularly those of Irish, English, Scottish and Welsh folklore, have been classified in a variety of ways. Classifications – which most often come from scholarly analysis, and may not always accurately reflect local traditions – typically focus on behavior or physical characteristics.
Ottery St Mary, known as "Ottery", is a town and civil parish in the East Devon district of Devon, England, on the River Otter, about 10 miles (16 km) east of Exeter on the B3174. At the 2001 census, the parish, which includes the villages of Metcombe, Fairmile, Alfington, Tipton St John, Wiggaton, and West Hill, had a population of 7,692. The population of the urban area alone at the 2011 census was 4,898.
Pixie Day is a tradition that takes place in Ottery St. Mary, England, annually on the Saturday nearest Mid-Summer's Day in June. Dating from 1954, and based on a pamphlet written by R. F. Delderfield for the 500th anniversary of the installation of the bells of the Church of St. Mary, the event commemorates a legend of Ottery St. Mary's 'pixies' being banished from the town to a local cave known as 'Pixies' Parlour'.
In Breton folklore, a Korrigan is a fairy or dwarf-like spirit. The word korrigan means in Breton "small-dwarf". It is closely related to the Cornish word korrik which means gnome. The name changes according to the place. Among the other names, there are korrig, korred, korrs, kores, couril, crion, goric, kornandon, ozigan, nozigan, teuz, torrigan, viltañs, poulpikan, poulpiquet, and paotred ar sabad.
A spriggan is a legendary creature from Cornish folklore. Spriggans are particularly associated with West Penwith in Cornwall.
The Knocker, Knacker, or Tommyknocker (US) is a mythical, subterranean, gnome-like creature in Cornish and Devon folklore. The Welsh counterpart is the coblyn. It is closely related to the Irish leprechaun, Kentish kloker and the English and Scottish brownie. The Cornish described the creature as a little person 2 ft 0 in (0.61 m) tall, with a disproportionately large head, long arms, wrinkled skin, and white whiskers. It wears a tiny version of standard miner's garb and commits random mischief, such as stealing miners' unattended tools and food.
Yumboes are supernatural beings in the mythology of the Wolof people of Senegal, West Africa. Their alternatively used name Bakhna Rakhna literally means good people.
In Scottish and Northern English folklore, a shellycoat is a type of bogeyman that haunts rivers and streams.
Peter and the Piskies: Cornish Folk and Fairy Tales is a 1958 anthology of 34 fairy tales from Cornwall that have been collected and retold by Ruth Manning-Sanders and illustrated by Raymond Briggs. It was the first in a long series of such anthologies by Manning-Sanders.
The black dog is a supernatural, spectral, or demonic hellhound originating from English folklore that has also been seen throughout Europe and the Americas. It is usually unnaturally large with glowing red or yellow eyes, is often connected with the Devil, and is sometimes an omen of death. It is sometimes associated with electrical storms, and also with crossroads, barrows, places of execution and ancient pathways.
Bucca is a male sea-spirit in Cornish folklore, a merman, that inhabited mines and coastal communities as a hobgoblin during storms. The mythological creature is a type of water spirit likely related to the Púca from Irish, the Pwca from Welsh folklore, and the female mari-morgans, a type of mermaid from Welsh and Breton mythology. Rev W. S. Lach-Szyrma, one 19th-century writer on Cornish antiquities, suggested the Bucca had originally been an ancient pagan deity of the sea such as Irish Nechtan or British Nodens, though his claims are mainly conjecture. Folklore however records votive food offerings made on the beach similar to those made to the subterranean Knockers and may represent some form of continuity with early or pre-Christian Brittonic belief practices.
Cornish mythology is the folk tradition and mythology of the Cornish people. It consists partly of folk traditions developed in Cornwall and partly of traditions developed by Britons elsewhere before the end of the first millennium, often shared with those of the Breton and Welsh peoples. Some of this contains remnants of the mythology of pre-Christian Britain.
Joan the Wad is a mythological character in Cornish folklore. She is the Queen of the Pixies, which are tiny mythical creatures usually associated with the counties of Cornwall and Devon in England.
The River Ottery is a small river in northeast Cornwall, England, United Kingdom. The river is about twenty miles (32 km) long from its source southeast of Otterham to its confluence with the River Tamar at Nether Bridge, two miles (3.2 km) northeast of Launceston.
In short, everything that is done elsewhere by fairies, boggarts, or other like beings, is done in Devon by the Pixies.
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