Talempong

Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes, a bowed string instrument called a rebab, and a zither-like instrument called a siter, used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as sindhen for females or gerong for males.

Silat Melayu, also known as Seni Persilatan Melayu or simply Silat, is a combative art of self-defence from the Malay world, that employs langkah ('steps') and jurus ('movements') to ward off or to strike assaults, either with or without weapons. Silat traced its origin to the early days of Malay civilisation, and has since developed into a fine tradition of physical and spiritual training that embodies aspects of traditional Malay attire, performing art and adat. The philosophical foundation of modern Malay Silat is largely based on the Islamic spirituality. Its moves and shapes are rooted from the basis of Silat movements called Bunga Silat, and Silat performances are normally accompanied with Malay drum assembles.

As it is a country with many different tribes and ethnic groups, the music of Indonesia itself is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.

The angklung is a musical instrument from the Sundanese in Indonesia that is made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to produce a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an angklung ensemble is typically responsible for just one pitch, sounding their individual angklung at the appropriate times to produce complete melodies.

The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.

Songket or sungkit is a tenun fabric that belongs to the brocade family of textiles of Brunei, Indonesia, Malaysia, and Singapore. It is hand-woven in silk or cotton, and intricately patterned with gold or silver threads. The metallic threads stand out against the background cloth to create a shimmering effect. In the weaving process the metallic threads are inserted in between the silk or cotton weft (latitudinal) threads in a technique called supplementary weft weaving technique.

The gong ageng is an Indonesian musical instrument used in the Javanese gamelan. It is the largest of the bronze gongs in the Javanese and Balinese gamelan orchestra and the only large gong that is called gong in Javanese. Unlike the more famous Chinese or Turkish tam-tams, Indonesian gongs have fixed, focused pitch, and are dissimilar to the familiar puke crash cymbal sound. It is circular, with a conical, tapering base of diameter smaller than gong face, with a protruding polished boss where it is struck by a padded mallet. Gongs with diameter as large as 135 centimeters have been created in the past, but gongs larger than about 80 centimeters are more common especially to suit the budget of educational institutions.

Kolintang is a traditional Minahasan percussion instrument from North Sulawesi, Indonesia, consisting of wooden blades arranged in a row and mounted on a wooden tub. Kolintang is usually played in ensemble music. Kolintang in the Minahasan community is used to accompany traditional ceremonies, dance, singing, and music. The wood used to make Kolintang blades is light but strong local wood such as Telur wood, Wenuang wood, Cempaka wood, Waru wood, and the like which have a fiber construction. parallel. Meanwhile, kolintang resonator crates are usually made of hardwood materials such as teak or mahogany.

Gamelan, although Indonesia is its origin place, is found outside of that country. There are forms of gamelan that have developed outside Indonesia, such as American gamelan and Malay Gamelan in Malaysia.

The Calung is a type of Indonesian bamboo xylophone originating from Baduy culture and commonly used in Baduy, Bantenese, Sundanese, Banyumasan, and Balinese performances. The calung (instrument) consists of multiple bamboo tubes which are struck at the base to produce a woody sound.

Dance in Indonesia reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies.

A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular, and may have one or two rows of gongs. They are played by one to four musicians, each using two padded sticks to strike them. They are an important instrument in many Southeast Asian musical ensembles, such as Indonesian gamelan, kulintang, or Thai pi phat. For this reason, such ensembles are sometimes called "gong chime ensembles" or "gong chime orchestras," and the broad variety of music "gong chime music."

The National Intangible Cultural Heritage of Indonesia is a "living culture" that contains philosophical elements from the traditions of society and is still handed down from generation to generation. Edi Sedyawati added an important element in the notion of intangible cultural heritage is the nature of culture that cannot be held (abstract), such as concepts and technology, its nature can pass and disappear in time with the times such as language, music, dance, ceremony, and various other structured behaviors. Thus, cultural heritage is shared by a community or community and experiences development from generation to generation, in the flow of a tradition. The Ministry of Education and Culture of Indonesia records and establishes a list of intangible cultural heritage. As of June 2020, a total of 9,770 cultural heritages have been recorded and 1,086 of them have been designated.

Payung dance is a folk dance-drama tradition of the Minangkabau-Malay ethnic group in Sumatra, Indonesia. This dance is a Minangkabau version of other Malay dances from Sumatra. Folk theatre such as toneel and sandiwara often incorporate payung dance as part of the show. The payung (umbrella) is the main prop used in this dance. The payung dance symbolizes affection and the relationship of young people and is usually performed by three or four dancers. The dance originates from Western Sumatra, Indonesia.

Traditional Malaysian instruments are the musical instruments used in the traditional and classical music of Malaysia. They comprise a wide range of wind, string, and percussion instruments, used by both the Malay majority as well as the nation's ethnic minorities.

A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang and a set of tifa drums. It can also include a large gong.

Music of Minang is a traditional and living genre of Indonesian music that grows and develops in the Minangkabau culture area. Music whose origins are related to Malay Music is generally played by musical instruments such as Talempong, Saluang, Minang rebab, Serunai, Tmbourine, Aguang, Gandang, and Violin. Minang music is also played to accompany various dances such as the Pasambahan dance and the Piring dance.

Tarawangsa is a traditional Sundanese musical instrument from West Java, Indonesia, in the form of a stringed instrument that has two strings made of steel or iron wire. Tarawangsa is an ensemble of chordophones of two musical instruments. One is called tarawangsa itself, played by swiping and the other is called jentreng played by picking. The art of Tarawangsa is performed in the Ngalaksa ceremony, which is a ceremony for abundant harvests. The ceremony in the traditional agrarian society of the Sundanese is always identified with the figure of Nyai Sri Pohaci or Nyi Pohaci Sanghyang Dangdayang Asri or Dewi Asri or Dewi Sri as the Sundanese goddess of rice.