Music of Indonesia |
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Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (gong), gandang, gambus, and violin. However, for traditional events such as weddings, Islamic rebana or gambus are never used. [4]
With hindsight, the beginning of Minang music has its roots, as in native folk music, including indigenous songs and Talempong gong music, [2] [3] Dendang as a Minang style of vocal music that can accompanied several forms of Minangkabau oral literature, such as kaba (stories), pantun , and salawat dulang. [3] Minang music is also played to accompany various dances such as the Pasambahan dance, the Payung dance, and the Piring dance. [1]
Qasidah which originated as the arrival and spread of Islam in the archipelago from Arabic, Gujarati and Persian, its character was readings of syair poetry and then sung. [1] Therefore, initially the poetry used was originally sung from gurindam , and was gradually used to accompany the dance. [5]
Then in the late 19th century Modern Minang music was emerged, when traditional talempong gong style incorporated into its repertoire Minang pop songs. [2] And around 1955 Contemporary Minang popular music was born, influenced by several Western genres.
Traditional Minang music whose origins are related to Malay music is characterized by the Minang style or rent and traditional Minang musical instruments. Minang traditional musical instruments (see description below), namely: saluang, agung (gong), gondang, rebana, serunai, talempong, Minang rabab, gambus, and bansi. [1] [6] However, for traditional events such as weddings, Islamic rebana or gambus are never used. [4]
Minang music was originally from such native pre-Islamic folk music genres as indigenous songs, dances and several styles of the Talempong gong ensembles that is comparable with Javanese Gamelan . [2] [3] [7]
Minang music is played to accompany various dances such as the Pasambahan dance, the Payung dance, and the Piring dance typical of the Minangkabau [1]
Dendang is a style of vocal music that developed in Minangkabau society as a singing tradition and accompanied by the saluang and other musical instruments. [3] Dendang accompanies kaba, oral stories that can be read or sung by a kaba master accompanied by the rubbing of a rebab (or matchsticks for the sijobang stories). [8] Apart from kaba, dendang with musical instruments accompanies such oral genres as pantun and salawat dulang, and some dances too. [3]
Another root was qasidah which originated as the arrival and spread of Islam in the archipelago and, especially, in West Sumatra in the 16th century. Its character is reading religious syair poetry and then reading gurindam , then gradually used also to accompany dances. The musical instruments used are only limited to percussion instruments in the form of striking bamboo, wood and stone, then also tambourines. [1]
At the time since the opening of the Suez Canal there was a flow of migration of Arabs and Egyptians to the Dutch East Indies in 1870 until after 1888, they brought gambus instruments and played Arabic music. This influence is also mixed with traditional music with Gurindam poetry and local traditional musical instruments such as the gong, saluang, serunai, tambourine, talempong, violin, etc. [9]
The emergence of modern Minang popular music that sometimes generally called Minang pop traced to the late 19th century, when traditional Talempong gong style ensembles incorporated into thear repertoire Minang pop songs. [2] Of course this style of playing music is far different from its origin as Qasidah, because the development of this period is not only singing Gurindam poetry, but has far developed as entertainment music for singing and accompaniment of dances. [10]
Contemporary Minang music was born around 1955 with Orkes Gumarang. During 1950s–60s Minang pop played by Orkes Kumbang Tjari together with singer Elly Kasim, Nurseha, Oslan Husein, Teruna Ria, Tiar Ramon, and Zaenal Combo group. [11] It is influenced by Latin music with bongo punches and marakas games, usually a rhythm similar to rumba, cha-cha-cha, or mambo. Modern Minang music is also the forerunner of Dangdut along with Malay music. The musical instruments used developed with the entry of European musical instruments such as accordion, violin, guitar, piano or keyboard, bass, drums, bongo, saxophone, clarinet, trumpet, flute, maracas, and so on. [12]
In the 1970s, a more traditional music genre emerged, namely Gamad with Minang-style vocals and Portuguese musical instruments. Albums by singer Yan Juneid Sarunai Aceh and Bunga Tanjuang are referred to as albums of the revival of Minang music which was previously dominated by Western and Indonesian songs. [13] Among other figures, songwriter and singer Rustam Raschani.
Two legendary figures of Minang pop from the 1970s who did not mix the traditional Dendang singing style with non-Minang music (Malay, Arabic, Indian, Western) were songwriters and singers Adjis Sutan Sati and Sawir Sutan Mudo. [11]
Minang-language songs of the 20th – 21st century are very open in their form to the influence of other forms of music, starting from (1) Pop and disco (songwriters Agusli Taher and B. Andoeska, singers Zalmon, Betharia Sonatha, Eddy Silitonga, Ajo Buset, An Roys, Beniqno, Fauzana, Hetty Koes Endang, Irni Yusnita, Iyeth Bustami, Kintani Putri Medya, Nedi Gampo, Ria Amelia, Ratu Sikumbang, Rayola, Upiak Isil, Vanny Vabiola, Wirdaningsih), (2) Reggae (Melati and others), (3) Dangdut, both in the regional subgenre of dendang saluang dangdut (Asben, Misramolai, Upik Malay) and common dangdut (Beniqno, Daniel Saniara, Devi Rose, Fani Sun, Liza Tania, Riri Anjeli), (4) Pop rock, rock-n-roll and rock (Fabian, Elsa Pitaloka, Ipank, Rayola, Sultan Tanjung, Thomas Arya), even (5) electronic dance music similar to Indonesian Funkot (Misramolai, Fani Sun, Liza Tania, Novi Barat, Ria Amelia, Riri Anjeli).
Saluang is a traditional musical instrument typical of Minangkabau, West Sumatra. This woodwind instrument is made of thin bamboo or gutters, where the Minangkabau people believe that the best material for making saluang comes from gutters for clothespins or gutters that are found drifting in the river. [14]
In this class of musical instruments is the flute, but there are only four holes. Saluang length is approximately 40–60 cm, with a diameter of 3–4 cm. Talang is also used to make lemang, the traditional Minangkabau sticky rice cake. This instrument can produce sound by blowing it at the corner of the edge or the upper cavity. So that in accordance with the principles of acoustic physics, the blow that comes out of the mouth will vibrate the inner walls of the saluang in such a way as to produce sound. Saluang is set with several holes, usually there are 4 holes. That way saluang can produce diatonic tone frequencies. This is also one of the hallmarks of this instrument. [15]
The legendary saluang player named Idris Sutan Sati with his singer Syamsimar. [16]
The virtue of these saluang players is that they can play the saluang by blowing and inhaling simultaneously, so that the saluang player can play the instrument from the beginning of the end of the song without breaking. This mode of breathing is developed with constant practice. This technique is also known as the angok elimination technique. Not just anyone who can blow this Saluang, requires special training in order to be able to make Saluang's distinctive sound, which is dark, mysterious and ghotic. Each village in Minangkabau has developed a way of blowing the saluang, so that each village has its own style. Examples of this style are Singgalang, Pariaman, Solok Salayo, Koto Tuo, Suayan and Pauah.
The Singgalang style is considered quite difficult to play by beginners, and usually this Singgalang tone is played at the beginning of the song. The saddest style is Ratok Solok from the Solok area. Meanwhile, the type of saluang which can be said to be deadly, comes from the Payakumbuah area, has a magical nuance, as an introduction to magic, is colored with magic lyrics, known as Saluang Sirompak, derived from the root word rompak, which means force.
Basirompak is an effort to force one's mind -with the help of supernatural powers- to obey the wishes of those who pirate. This ritual is performed by a pawang (sirompak craftsman) who is assisted by a saluang sirompak player and a soybean craftsman. The handler is tasked with singing mantras and playing a top (gasiang tangkurak), one part of which is made from pieces of a human skull.
Often this ritual is performed in Saluang media, so it is known as Basirompak, an art related to shamanic ritual activities or magic song. If a man is insulted and insulted by a woman whom the man likes, then the man asks the devil for help with the help of the shaman through syringe. So, the insulting woman became crazy about him and found it difficult to forget the man.
The game of Saluang is usually in a crowd event such as a marriage ceremony, a house batagak, a pangulu batagak, and others. This game is usually held after the Isha prayer and ends near dawn. On another occasion, the beautiful Minang virgins contain messages, satire, and also subtle criticism that restore the listener's memory of their hometown or of the life that has been, is, and will be lived.
Bansi or Suling Minang with 7 holes (like a recorder), is short, and can play traditional and modern songs because it has a standard (diatonic) tone. Bansi size is about 33.5 – 36 cm with a diameter between 2.5–3 cm. Bansi is also made of gutters (thin bamboo) or sariak (a type of thin, thin bamboo). [17]
This musical instrument is a bit difficult to play, in addition to the length that is hard to reach by the fingers, it is also difficult to blow it.
This traditional musical instrument is made from rice stalks. At the end of the stem segment is made a tongue, if it is blown it will produce a gap, causing a sound. While the ends are wrapped with coconut leaves that resemble trumpets. The sound is shrill and the tone is generated by playing the fingers on the coiled coconut leaves. Now before the new year there is a new year's trumpet which is similar to this musical instrument, the difference is that now using plastic and a funnel using cardboard, and given the color gold. [18]
The chrysanthemum, derived from the word Shehnai, is a musical instrument in the Indian Kashmir valley, consisting of two pieces of bamboo that are not equal in size; a small piece can fit into a larger piece; with a function as a tone generator. This instrument has four tone holes, which will produce a melodic sound. This tool is rarely used, in addition to being difficult to make, the resulting tone is also not used much. [19]
This musical instrument is made from buffalo horn (hoorn), and the ends are cut flat for blowing. The shape is shiny and clean black. Does not function as a singing or dance accompaniment, so as a whistle, without holes, so that only a single note. In the past, it was used for cues to the community, for example notifications at dawn and sunset or there were announcements from village leaders. In the past, the horns were used by large sailing ships as a sign or command to the crew, while the Arabs used drums and Europeans used bells and horns, and in the past, steam trains used bells when passing through crowds. [20]
Talempong , in Java it is called bonang , which is in the form of a small gong that is laid flat, and is made of brass, but some are also made of wood and stone. sounded it with a wooden punch. Usually talempong is used to accompany the Plate Dance, where the dancer rings the plate with the ring, and is interlocked. The chord starts with Do and ends with Si. How to play like marimba or kempul with a double note (left and right hand). [7]
Minang rabab comes from Arabic as rebab, there are also other areas such as Deli, Sunda, Java, etc. Rabab Minang is unique, besides being rubbed there is also a sound membrane under the bridge, so it has another effect (hoarseness). This unique property makes swiping difficult too. This rabab body is made from coconut shells (Cocos nucifera). [21] [22]
The term gong in the Minang language is aguang, the form is the same as in other areas, such as in Malay, Sundanese, Javanese, etc. The gong is usually the first, third, or closing stroke, while the gong is small in the second and fourth strokes. Then there are also variations according to the range. [23]
The term kendang drum in the Minang language is gandang (in the Karo Batak gondang language), the shape is the same as in other areas, such as in Malay, Batak, Sundanese, Javanese, etc. The way to play is the same, namely the small circle side on the left and the bigger one on the right. However, the method of hitting between each region is very different, namely in Minang depending on the type of song beat. Gandang Tasa is a traditional art of drumming which is popular in Padang Pariaman Regency. [24]
The violin later also became a traditional Minang musical instrument with several modifications according to the Minang tradition: the rabala and rabab darek. Rabab Pesisir Selatan (Rabab Pasisia) is one of the famous rabab games in West Sumatra with the famous rabab player, Hasan Basri. [25]
Minangkabau people, also known as Minang, are an Austronesian ethnic group native to the Minangkabau Highlands of West Sumatra, Indonesia. The Minangkabau's West Sumatera homelands was the seat of the Pagaruyung Kingdom, believed by early historians to have been the cradle of the Malay race, and the location of the Padri War.
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional type of music is often accompanied by its very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
Riau is a province of Indonesia. It is located on the central eastern coast of the island of Sumatra, and extends from the eastern slopes of the Barisan Mountains to the Malacca Strait, including several large islands situated within the Strait. The province shares land borders with North Sumatra to the northwest, West Sumatra to the west, and Jambi to the south, and a maritime border with the Riau Islands and the country of Malaysia to the east. It is the second-largest province in the island of Sumatra after South Sumatra, and is slightly larger than the nation of Jordan. According to the 2020 census, Riau had a population of 6,394,087 across a land area of 89,935.90 km²; the official estimate of population as of mid-2023 was 6,642,874. The province comprises ten regencies and two cities, with Pekanbaru serving as the capital and largest city.
Minangkabau is an Austronesian language spoken by the Minangkabau of West Sumatra, the western part of Riau, South Aceh Regency, the northern part of Bengkulu and Jambi, also in several cities throughout Indonesia by migrated Minangkabau. The language is also a lingua franca along the western coastal region of the province of North Sumatra, and is even used in parts of Aceh, where the language is called Aneuk Jamee.
Dangdut is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic, and, to a lesser extent, Malay, Minangkabau, Javanese, Sundanese and local folk music. Dangdut is the most popular musical genre in Indonesia and very popular in other Maritime Southeast Asian countries because of its melodious instrumentation and vocals. Dangdut features a tabla and gendang beat.
West Sumatra is a province of Indonesia. It is on the west coast of the island of Sumatra and includes the Mentawai Islands off that coast. West Sumatra borders the Indian Ocean to the west, as well as the provinces of North Sumatra to the north, Riau to the northeast, Jambi to the southeast, and Bengkulu to the south. The province has an area of 42,119.54 km2 (16,262.45 sq mi), or about the same size as Switzerland, with a population of 5,534,472 at the 2020 census. The official estimate at mid 2023 was 5,757,210. The province is subdivided into twelve regencies and seven cities. It has relatively more cities than other provinces outside Java, although several of them are relatively low in population compared with cities elsewhere in Indonesia. Padang is the province's capital and largest city.
The culture of Indonesia has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 1,300 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism, Buddhism, Confucianism, Islam, and Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures.
Brunei is a southeast Asian country located on Borneo between the states of Sabah and Sarawak which are part of Malaysia. There is a wide array of native folk music, and dance. Brunei shares some Cultural perspectives and links with the countries of Southeast Asia such as Malaysia, Singapore, Indonesia, Thailand, and the Philippines. The strong Islamic influence means that dance performances and music are somewhat restricted.
Zapin is one of the most popular dance and musical forms in traditional Malay performing arts. Dance movements are choreographed to melodies, which are performed using musical instruments such as the gambus, accordion, and rebana. It is believed to have been introduced by Persian and Arab Muslim missionaries from the Middle East to the Malay Archipelago around the fourteenth century, where back then only males were allowed to perform; nowadays, female dancers are included. It used to be performed exclusively for religious ceremonies but through the years it has become a form of traditional entertainment, hence the participation of female dancers is allowed.
The rebana or terbangan is a tambourine that is used in Islamic devotional music in Southeast Asia, particularly in Indonesia, Malaysia, Brunei, and Singapore. The sound of the rebana often accompany Islamic ritual such as the zikir. The name rebana came from the Arabic word robbana. The rebana is also used by the Cham people of Cambodia and also gave rise to the Rabana which is used by the Sinhalese people of Sri Lanka.
The saluang is a traditional musical instrument of the Minangkabau people of West Sumatra, Indonesia. It is similar to the ney in general, in that it is an oblique flute, but made of bamboo. It is related to the suling of other parts of Indonesia.
Talempong is a traditional musical instrument of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms.
Hj Wandly Yazid is an acclaimed composer, arranger and musician, recognised for his contribution to the Malay film and music industry in the 1940s to the 1960s. He performed as a violinist with the Singapore Symphony Orchestra. In 2001, he received the COMPASS Meritorious Award by Composers and Authors Society of Singapore. Fondly remembered as Pak Wandly, he is renowned for the popular evergreen Gurindam Jiwa, the theme song for the classic film of the same name. In 2015, the song bagged the Top Song Award at Viva Musik SG50 by Suria, Warna 94.2FM, and Ria 89.7 FM in 2015.
Sakai is a tribal community in Indonesia, traditionally living in the interior of Riau, Sumatra. Some of them still lead a nomadic and hunter-gatherer lifestyle in the remote interior of Sumatra, while most settled into major cities and towns in Sumatra with the rise of industrialization.
Talempong orchestra is an Indonesian orchestra that uses the diatonic scale, played on Minang instruments. This orchestra is formed by the Conservatory Minang in Padang Panjang in 1960. Most of the instruments used in this orchestra are metallophone and idiophone, including the namesake instrument talempong. Talempong orchestra plays Minang song like Tak Tontong and other traditional songs.
Rangkiang is a granary or rice barn that the Minangkabau people used to keep rice in. The rangkiang is a distinctive feature of Minangkabau architecture. The structure is traditionally found in the courtyard of a rumah gadang, the traditional house of Minangkabau people.
A balairung is a village hall of the Minangkabau people of West Sumatra, Indonesia. It has a similar architectural form to the rumah gadang, the domestic architecture of the Minangkabau people. Whereas a rumah gadang is a proper building, the balairung is a pavilion-like structure used solely for holding a consensus decision-making process in the Minang society.
Minangkabau culture is the culture of the Minangkabau ethnic group in Indonesia, part of the Indonesian culture. This culture is one of the two major cultures in the Indonesian archipelago which is very prominent and influential.
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