Millennium | ||||
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Studio album by | ||||
Released | May 18, 1999 | |||
Recorded | October 1998 –March 1999 | |||
Studio |
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Genre | Pop [1] | |||
Length | 46:00 | |||
Label | Jive | |||
Producer |
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Backstreet Boys chronology | ||||
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Singles from Millennium | ||||
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Millennium is the third studio album by American boy band Backstreet Boys, released by Jive Records on May 18, 1999. It was a highly anticipated follow-up to both their U.S. self-titled 1997 album and their second released album, Backstreet's Back (1997).
Millennium held the record for most shipments in one year, with 11 million shipments sold in the United States in 1999. It was nominated for five Grammy Awards and became one of the best-selling albums of all time, selling 24 million copies worldwide. The Backstreet Boys promoted Millennium through the Into the Millennium Tour, which became one of the fastest-grossing tours ever.
Following the release of their 1997 albums Backstreet's Back and Backstreet Boys selling a combined 27 million copies worldwide, the Backstreet Boys were met with critics accusing them of being a "flash in the pan" and misconceptions that they earned a lot of money. From 1997 to 1998, the band filed a lawsuit against manager Lou Pearlman, stating that they only received $300,000 from recording and touring while he kept over $10 million. Pearlman claimed to be the "sixth Backstreet Boy" and revealed to them that he managed rival boy band NSYNC, who sold over 6 million copies of their debut album, stating that "it's business." [2] On September 18, 1998, the band left their management company Wright Stuff, which was formerly associated with Pearlman's record company Trans Continental Records. [3]
During the same period, the band also dealt with personal tragedies; Kevin Richardson suffered two family deaths, [4] Brian Littrell needed to undergo open heart surgery, [2] Howie Dorough lost his sister from lupus, [5] and the band's producer Denniz Pop died of stomach cancer. The album was initially titled Larger Than Life, which Dorough described as "almost like a thank-you song for all they've done" because they always supported the band. [4]
Every version of Britney Spears' debut album ...Baby One More Time that was released before Millennium contained previews of three songs as hidden tracks, placed at the end of the album against Spears' wishes. [6] The band appeared on Saturday Night Live and Total Request Live during the album's release date, [4] and filmed a Disney Channel concert special called Backstreet Boys in Concert the same day. [7]
Four singles were released from the album:
The album's supporting tour, Into the Millennium Tour, started on June 2, 1999, and ended on March 15, 2000, with a total of 123 shows in 84 cities spanning three legs. [13] Their concert at the Georgia Dome in Atlanta, was the fifth most attended concert in American history, and the most attended concert by a pop artist. [14]
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Christgau's Consumer Guide | [15] |
Entertainment Weekly | B− [16] |
Rolling Stone | [17] |
The Rolling Stone Album Guide | [18] |
Spin | 7/10 [19] |
Writing for AllMusic, Stephen Thomas Erlewine wrote that "Millennium has no pretense of being anything other than an album for the moment, delivering more of everything that made Backstreet's Back a blockbuster." [1] Robert Christgau gave Millennium a two-star honorable mention, stating that the album is "softening it a little up for their younger demographic, sexing it up a little for their own peace of mind," specifically praising "I Want It That Way" and "Larger than Life." [15] Jim Farber of Entertainment Weekly gave the album a B−, stating that they have taken risks in their lyrics, as "Teen acts normally can’t acknowledge their romantic power. They have to remain the longing ones in order to seal the twin fantasies of purity and accessibility". [16]
Arion Berger of Rolling Stone commented that the album was "prefabricated, too pretty, suspiciously well-choreographed", criticizing Nick Carter's straining vocals on "I Need You Tonight," stating that "It's Gotta Be You" was a rehash of their 1997 single "Everybody (Backstreet's Back)" and mentioned how "The Perfect Fan" evaporated throughout the song. However, he praised "Show Me the Meaning of Being Lonely," describing it as "digging its melodic claws into your skull on the first listen [...] it's the swooniest blending of the five vocalists' timbres to date, and mighty pretty besides". [17] Writing for Spin , Joshua Clover criticized the opening track "Larger than Life," stating that it "boogies deftly and punks daftly [...] but huffs fame like glue", while praising other uptempo songs such as "I Want It That Way," "Don't Want You Back," "It's Gotta Be You," and "Spanish Eyes". [19] He concluded by stating that while "the calendar flipping soundtrack" isn't Robbie Williams' song "Millennium" (1998), it 'smashes Silverchair's "Anthem for the Year 2000"' (1999), comparing the band more to Alanis Morissette than NSYNC. [19]
Millennium debuted at number one on the Billboard 200, where it remained for 10 non-consecutive weeks. It sold 1,134,000 copies in its first week of release, breaking the previous Nielsen SoundScan record held by Garth Brooks for single-week record sales. [20] This record was subsequently overtaken in 2000 by NSYNC with the release of No Strings Attached . [21] Millennium sold nearly 500,000 copies in the US on its first day alone, setting a record for first-day sales, [22] and became the best-selling album of 1999, selling 9,445,732 albums. [23] It remained on the Billboard chart for 93 weeks, eventually selling over 13 million copies in the United States and being certified 13 times platinum. [24]
As of 2023, the album stands as the sixth best-selling album in the United States of the SoundScan era with 12.3 million units sold. [25] In 2003 it was also reported as being the fourth biggest seller for Music Club sales in the US over the past 14 years with sales of 1.59 million, though these sales are not included in SoundScan's total. [26] In Canada, Millennium was the seventh biggest selling album since 1995 in the Canadian Soundscan sales era up to end of December 2007, [27] while in Japan, sales reached 1 million according to Billboard . [28] In 2015, Millennium became one of the best-selling albums of all time, selling 24 million copies worldwide. [29]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Larger than Life" | Lundin | 3:52 | |
2. | "I Want It That Way" |
|
| 3:33 |
3. | "Show Me the Meaning of Being Lonely" |
|
| 3:54 |
4. | "It's Gotta Be You" |
|
| 2:57 |
5. | "I Need You Tonight" | Andrew Fromm | Lange | 4:23 |
6. | "Don't Want You Back" | Martin |
| 3:26 |
7. | "Don't Wanna Lose You Now" | Martin |
| 3:55 |
8. | "The One" |
|
| 3:46 |
9. | "Back to Your Heart" |
|
| 4:21 |
10. | "Spanish Eyes" |
| 3:55 | |
11. | "No One Else Comes Close" |
|
| 3:43 |
12. | "The Perfect Fan" |
| Eric Foster White | 4:15 |
Notes
Credits for Millennium adapted from AllMusic and album's liner notes. [30] [31]
Backstreet Boys
Additional musicians
| Technical
Design
|
Weekly charts
| Year-end charts
Decade-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [81] | 3× Platinum | 180,000^ |
Australia (ARIA) [82] | 3× Platinum | 210,000^ |
Austria (IFPI Austria) [83] | Gold | 25,000* |
Belgium (BEA) [84] | 2× Platinum | 100,000* |
Brazil (Pro-Música Brasil) [85] | 2× Platinum | 500,000* |
Canada (Music Canada) [86] | Diamond | 1,075,000 [87] |
Chile (IFPI) | — | 57,665 [88] |
Colombia [89] | Gold | 30,000 [89] |
Denmark (IFPI Danmark) [90] | Platinum | 50,000^ |
Finland (Musiikkituottajat) [91] | Platinum | 42,525 [92] |
Germany (BVMI) [93] | 3× Gold | 750,000^ |
Iceland | — | 3,000 [94] |
Italy | — | 300,000 [95] |
Japan (RIAJ) [96] | 4× Platinum | 1,000,000 [28] |
Mexico (AMPROFON) [97] | 4× Platinum+Gold | 675,000^ |
Netherlands (NVPI) [98] | 2× Platinum | 200,000^ |
New Zealand (RMNZ) [99] | 2× Platinum | 30,000^ |
Norway (IFPI Norway) [100] | Platinum | 65,000 [101] |
Poland (ZPAV) [102] | Gold | 50,000* |
South Korea (KMCA) [103] | 4× Platinum | 250,000 [104] |
Spain (PROMUSICAE) [105] | 4× Platinum | 400,000^ |
Sweden (GLF) [106] | Platinum | 80,000^ |
Switzerland (IFPI Switzerland) [107] | Platinum | 50,000^ |
Thailand | — | 130,000 [108] |
United Kingdom (BPI) [109] | Platinum | 487,542 [110] [111] |
United States (RIAA) [112] | 13× Platinum | 15,402,000 [A] |
Summaries | ||
Europe (IFPI) [115] | 2× Platinum | 2,000,000* |
Worldwide | — | 24,000,000 [29] |
* Sales figures based on certification alone. |
Crush is the seventh studio album by American rock band Bon Jovi. It was released on May 29, 2000, by Mercury Records in the UK and on June 13, 2000, by Island Records in the US. It was produced by Jon Bon Jovi, Richie Sambora, and Luke Ebbin. The album marks the longest timespan between studio albums for the band, with five years between the release of These Days (1995) and this album. After the initial plan to team up with producer Bruce Fairbairn fell through because of his death a year earlier, Bon Jovi and Sambora hired Luke Ebbin to update their sound.
Conspiracy of One is the sixth studio album by American rock band the Offspring, released on November 14, 2000, by Columbia Records. By the time of its release, the band had come out in support of peer-to-peer file sharing, claiming it would not hurt sales. Conspiracy of One was originally planned to be released directly on their website before retail, until Columbia Records threatened to sue and the album ended up as a physical release. The album was the last to feature drummer Ron Welty, who was fired from the band in 2003 and went on to form his own band Steady Ground.
No Strings Attached is the third studio album by American boy band NSYNC. It was released by Jive Records on March 21, 2000. Looking to distinguish their music from that of their labelmates, NSYNC chose to incorporate pop and R&B styles. Prior to the release of the album, the band separated from their management Trans Continental and their label RCA Records; its title is a play on the idea of independence from corporate control. Contributions to the album's production came from a wide range of producers, including NSYNC members Justin Timberlake and JC Chasez, and collaborators including Kristian Lundin, Jake Schulze, Rami, Teddy Riley, Kevin "She'kspere" Briggs, Richard Marx, Veit Renn, Babyface, and Guy Roche.
All the Way... A Decade of Song is the first English-language greatest hits album by Canadian singer Celine Dion. Released by Sony Music on 12 November 1999, it features nine previously released songs on most editions and seven new recordings on all editions. Dion worked on new tracks mainly with David Foster. Other producers include Max Martin, Kristian Lundin, Robert John "Mutt" Lange, James Horner, and Matt Serletic. It is the best-selling greatest hits album in the US during the Nielsen SoundScan era. All the Way... A Decade of Song has sold over 22 million copies worldwide, including over nine million in the United States, five million in Europe, two million in Japan and one million units in Canada.
Supernatural is the eighteenth studio album by American rock band Santana, released on June 15, 1999, on Arista Records. After Santana found themselves without a label in the mid-1990s, founding member and guitarist Carlos Santana began talks with Arista president Clive Davis, who had originally signed the group to Columbia Records in 1969. Santana and Davis worked with A&R man Pete Ganbarg, as Santana wanted to focus on pop and radio-friendly material. The album features collaborations with several contemporary guest artists, including Rob Thomas, Eric Clapton, Eagle-Eye Cherry, Lauryn Hill, Dave Matthews, Maná, and CeeLo Green.
I've Been Expecting You is the second studio album by English recording artist Robbie Williams. It was released on 26 October 1998 through Chrysalis Records. The album spawned five singles, including lead single "Millennium", which became Williams' first UK number-one hit.
Never Gone is the fifth studio album released by American vocal group Backstreet Boys as the follow-up to their fourth studio album Black & Blue (2000), after a short hiatus. Never Gone was originally due for release in 2004, but the release date for the album was pushed to June 14, 2005, for unknown reasons.
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On How Life Is is the debut studio album by American singer and songwriter Macy Gray. It was released on July 1, 1999, by Epic Records and Clean Slate. Produced by Andrew Slater, it became Gray's best-selling album to date, selling 3.4 million copies in the United States and seven million copies worldwide.
The discography of American pop vocal group Backstreet Boys consists of ten studio albums, 31 singles, one live album, three compilation albums and 33 music videos. As of 2019, they have sold more than 130 million records worldwide, becoming the best-selling boy band of all time. Formed in Orlando, Florida in 1993, the group consists of Nick Carter, Brian Littrell, Kevin Richardson, AJ McLean and Howie Dorough. Richardson left the group in 2006 to pursue other interests, but rejoined in 2012. The Backstreet Boys released their debut single "We've Got It Goin' On" in 1995, which peaked at number sixty-nine on the Billboard Hot 100. The single, however, entered the top ten in many European countries. Their debut album, Backstreet Boys, was released in 1996, and was certified three times platinum in Europe, and diamond in Canada. In 1997, they released their second album, Backstreet's Back, which continued their north america success. At the same time, they released their second self-titled album in the United States. It peaked at number four and eventually became the tenth best-selling album of the 1990s.
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"Show Me the Meaning of Being Lonely" is a song by American boy band Backstreet Boys, taken from their third studio album, Millennium (1999). It was written by Max Martin and Herbie Crichlow, with production by Martin and Kristian Lundin.
Brand New Day is the sixth solo studio album by English musician Sting, released by A&M Records on 27 September 1999. Promoted heavily by the success of the album's second single, "Desert Rose", the album peaked at number nine on the Billboard 200 and sold over 3.5 million copies in the United States. Upon its release, Brand New Day was a critical and commercial success, and hailed as commercial comeback for Sting.
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ignored (help)Aggiungono: 'Millennium' (il cd che ha gia venduto 300 mila copie in Italia)