Come On in This House | ||||
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Studio album by | ||||
Released | 1996 | |||
Genre | Blues | |||
Length | 69:20 | |||
Label | Telarc [1] | |||
Producer | John Snyder | |||
Junior Wells chronology | ||||
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Come On in This House is an album by the American musician Junior Wells. [2] [3] Released in 1996, it was Wells's final studio album. [4] He supported it with a North American tour. [5]
The album was nominated for a Grammy Award for "Best Traditional Blues Album". [6] It won the W. C. Handy Award for best Traditional Blues Album. [7]
The album was produced by John Snyder; it was encoded in surround-sound. [8] [9] The title track was written by Mel London. [10] "Give Me One Reason" is a cover of the Tracy Chapman song. [11] Corey Harris, Sonny Landreth, and Derek Trucks were among the slide guitarists who contributed to the album. [12] [13]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Chicago Tribune | ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
MusicHound Blues: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Blues Recordings | ![]() ![]() ![]() ![]() |
Philadelphia Daily News | ![]() ![]() ![]() ![]() ![]() |
The Philadelphia Inquirer noted that the "spare arrangements show that Wells is still a sly, crafty player." [11] The Chicago Tribune praised the "sly rendition of swamp rocker Bobby Charles' 'Why Are People Like That?'" [15]
The Buffalo News concluded that "no one is overshadowing Wells' soulful harp, or his bluesy voice, surprisingly intact at 62 after a career spent in smoky clubs." [18] The Rocky Mountain News determined that "the bluesman still sounds warm and supple, or edgy and anguished, as the mood requires." [19]
AllMusic called the album "a virtual slide-guitar mini-fest and a demonstration of the timeless appeal of classic blues done well." [14] MusicHound Blues: The Essential Album Guide deemed it "a top-notch album cut years after Wells was written off as a creative force." [17]
No. | Title | Length |
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1. | "What My Momma Told Me / That's All Right" | |
2. | "Why Are People Like That?" | |
3. | "Trust My Baby" | |
4. | "Million Years Blues" | |
5. | "Give Me One Reason" | |
6. | "Ships on the Ocean" | |
7. | "She Wants to Sell My Monkey" | |
8. | "So Glad You're Mine" | |
9. | "Mystery Train" | |
10. | "I'm Gonna Move to Kansas City" | |
11. | "King Fish Blues" | |
12. | "You Better Watch Yourself" | |
13. | "Come On in This House" | |
14. | "The Goat" |
Junior Wells was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album Hoodoo Man Blues, described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues.
Theodore Roosevelt "Hound Dog" Taylor was an American Chicago blues guitarist and singer.
Earl Zebedee Hooker was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His "Blue Guitar", a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as "You Shook Me".
Tony Furtado is an American singer-songwriter, banjoist, and guitarist.
Derek Trucks is an American guitarist, songwriter, and founder of The Derek Trucks Band. He became an official member of The Allman Brothers Band in 1999. In 2010, he formed the Tedeschi Trucks Band with his wife, blues singer/guitarist Susan Tedeschi. His musical style encompasses several genres and he has twice appeared on Rolling Stone's list of 100 Greatest Guitarists of All Time. He is the nephew of the late Butch Trucks, drummer for the Allman Brothers.
Clide Vernon "Sonny" Landreth is an American blues musician from southwest Louisiana who is especially known as a slide guitar player. He was born in Canton, Mississippi, and settled in Lafayette, Louisiana. He lives in Breaux Bridge, Louisiana.
Carey Bell Harrington was an American blues musician who played harmonica in the Chicago blues style. Bell played harmonica and bass guitar for other blues musicians from the late 1950s to the early 1970s before embarking on a solo career. Besides his own albums, he recorded as an accompanist or duo artist with Earl Hooker, Robert Nighthawk, Lowell Fulson, Eddie Taylor, Louisiana Red and Jimmy Dawkins and was a frequent partner with his son, the guitarist Lurrie Bell. Blues Revue called Bell "one of Chicago's finest harpists." The Chicago Tribune said Bell was "a terrific talent in the tradition of Sonny Boy Williamson and Little Walter." In 2023, he was inducted in the Blues Hall of Fame.
"One Way Out" is a blues song that was recorded in the early 1960s by both Sonny Boy Williamson II and Elmore James. A reworking of the song by G. L. Crockett, titled "It's a Man Down Here", appeared on the Billboard record charts in 1965. In 1971, the Allman Brothers Band recorded an updated live version of the song, which was included on their popular Eat a Peach album (1972).
Hoodoo Man Blues is the debut album of blues vocalist and harmonica player Junior Wells, performing with the Junior Wells' Chicago Blues Band, an early collaboration with guitarist Buddy Guy. Released on LP by Delmark Records in November 1965, the album has been subsequently reissued on CD and LP by Delmark and Analogue Productions.
"Early in the Morning" is a blues song that was recorded by Sonny Boy Williamson I in 1937. Identified as one of his most successful and influential tunes, it was inspired by earlier blues songs. "Early in the Morning" has been recorded by various musicians, including Junior Wells, who made it part of his repertoire.
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Who Stole the Hot Sauce? is an album by the American band Chubby Carrier and the Bayou Swamp Band, released in 1996. The band supported the album with a North American tour that included several festival appearances. The album was a success on blues radio stations. The title track became one of Carrier's most popular songs.
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