"Give Me One Reason" | ||||
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Single by Tracy Chapman | ||||
from the album New Beginning | ||||
B-side | "The Rape of the World" | |||
Released | November 19, 1995 | |||
Genre | Blues rock [1] | |||
Length | 4:30 | |||
Label | Elektra | |||
Songwriter(s) | Tracy Chapman | |||
Producer(s) |
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Tracy Chapman singles chronology | ||||
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Audio sample | ||||
"Give Me One Reason" |
"Give Me One Reason" is a song written and performed by American singer-songwriter Tracy Chapman. It was included on her fourth studio album, New Beginning (1995), and was released as a single in various territories between November 1995 and March 1997, her first since 1992's "Dreaming on a World". The song is Chapman's biggest US hit, reaching number three on the Billboard Hot 100. It is also her biggest hit in Australia, where it reached number three as well, and it topped the charts of Canada and Iceland. Elsewhere, the song reached number 16 in New Zealand, but it underperformed in the United Kingdom, peaking at number 95 in March 1997.
Chapman first performed "Give Me One Reason" during her 1988 tour, seven years before its release. [2] She also performed the song on the December 16, 1989, episode of Saturday Night Live . [3] Chapman earned the Grammy Award for Best Rock Song for the track, and it was also nominated for Record of the Year, Song of the Year, and Best Female Rock Vocal Performance at the Grammy Awards of 1997. [4] A version of this song featuring Eric Clapton was included on the 1999 compilation album A Very Special Christmas Live . A music video was released to promote the single.
Alan Jones from Music Week wrote, "Less intense and somewhat looser than her benchmark hit Fast Car, it perfectly mixes her folksy style with traditional R&B qualities, intelligent lyrics and that edgy distinctive voice. Compelling listening." [5] Pitchfork said the song was, "strutting along a plucked, head-nodding guitar melody and Chapman’s grainy alto. Centering on an imbalanced relationship, each verse grows more frustrated from a lack of reciprocity; then the band kicks in and the pleading in her voice becomes cathartic, begging for a reason to stay while knowing it won’t come." [6]
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Weekly charts
| Year-end charts
Decade-end charts
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Region | Certification | Certified units/sales |
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Australia (ARIA) [27] | Platinum | 70,000^ |
New Zealand (RMNZ) [38] | Gold | 5,000* |
United States (RIAA) [39] | Platinum | 1,100,000 [40] |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref(s). |
---|---|---|---|---|
Australia | November 19, 1995 | CD | Elektra | [13] |
United States | February 27, 1996 | Contemporary hit radio | [41] | |
March 19, 1996 |
| [42] [43] | ||
United Kingdom | March 10, 1997 | [44] |
In 2015, Kelly Clarkson covered the song for Sirius XM, garnering over 2.5 million views. [45] She again covered the song for her talk show, The Kelly Clarkson Show , in 2021. [46] The band Ruth covered the song on their 2009 digitally released The Covers EP. In 2021, Black Stone Cherry released two versions of the song on the deluxe edition of their album The Human Condition . Their versions peaked at number 25 on Billboard's Mainstream Rock Airplay chart. [47]
"I'll Be There for You" is a song by American pop rock duo the Rembrandts. The song was written by David Crane, Marta Kauffman, Michael Skloff, and Allee Willis as the main theme song to the NBC sitcom Friends, which was broadcast from 1994 to 2004. American rock band R.E.M. was originally asked to allow their song "Shiny Happy People" to be used for the Friends theme, but they turned the opportunity down. "I'll Be There for You" was subsequently written and Warner Bros. Television selected the only available band on Warner Bros. Records to record it: the Rembrandts. In 1995, after a Nashville radio station brought the song to mainstream popularity, Rembrandts members Danny Wilde and Phil Sōlem expanded the theme song with two new verses and included this version on their third studio album, L.P. (1995).
"As I Lay Me Down" is a song composed and performed by American singer-songwriter Sophie B. Hawkins. It was released in February 1995 as the third single from her second album, Whaler (1994), and also appears on The Best of Sophie B. Hawkins (2002). The song is one of her two biggest hits, reaching number six on the US Billboard Hot 100 and number one on the Billboard Adult Contemporary chart for six weeks during 1995. Outside the United States, the song reached number six in Canada, number seven in Australia, number 19 in New Zealand, and number 24 in the United Kingdom. Its music video was directed by Sophie Muller.
"Mint Car" is a song by English rock band the Cure, released as the second single from their tenth studio album Wild Mood Swings in June 1996. It reached the top 20 in Finland and Iceland and peaked at number 31 on the UK Singles Chart.
"Smooth" is a song performed by American rock band Santana and Rob Thomas of Matchbox Twenty, who sings the lead vocals. It was released on June 15, 1999, as the lead single from Santana's 1999 studio album, Supernatural. It was written by Itaal Shur and Thomas, who re-wrote Shur's original melody and lyrics, and produced by Matt Serletic.
"Name" is a song by American rock band Goo Goo Dolls. It was released in September 1995 as the third single from their fifth studio album, A Boy Named Goo (1995). "Name" became the band's first major hit, topping both the US Modern Rock Tracks chart and the Album Rock Tracks chart. It also reached number five on the Billboard Hot 100. In Canada, "Name" peaked at number two on the RPM 100 Hit Tracks chart and number one on the RPM Alternative 30.
"If It Makes You Happy" is a song by American singer-songwriter Sheryl Crow, released as the lead single from her 1996 eponymous album in September 1996. The song peaked at number 10 on the US Billboard Hot 100, becoming Crow's final top-10 solo hit in the United States, and at number nine on the UK Singles Chart. It also reached number one in Canada and won Best Female Rock Vocal Performance at the 1997 Grammy Awards. In 2003, Q Magazine ranked "If It Makes You Happy" at number 663 in their list of the "1001 Best Songs Ever".
"One Headlight" is a song by American rock band the Wallflowers. The song was written by lead singer Jakob Dylan, and produced by T Bone Burnett. It was released in January 1997 as the second single from the band's second studio album, Bringing Down the Horse (1996).
"A Long December" is a song by American rock band Counting Crows. The ballad is the second single and 13th track from their second album, Recovering the Satellites (1996). Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition.
"You're Makin' Me High" is the lead single from American singer Toni Braxton's second studio album, Secrets (1996). The mid-tempo song represents a joint collaboration between the Grammy Award-winning producer Babyface and Bryce Wilson. The beat of the song was originally for singer-songwriter Brandy, with Dallas Austin pegged to write a lyric to override; however, Braxton had Babyface write lyrics for the song. It was ultimately issued in the United States as a double A-side with "Let It Flow", the airplay hit from the 1995 film Waiting to Exhale.
"Standing Outside a Broken Phone Booth with Money in My Hand" is a song by American alternative rock group Primitive Radio Gods. Their debut single, it was released from the soundtrack to the 1996 black comedy film The Cable Guy and was also included on the band's first album, Rocket. Its chorus consists of a sample from the 1964 B.B. King song "How Blue Can You Get", and the enigmatic lyrics of the song describe a troubling relationship in which two people cannot connect on an emotional level. The song was released in the United Kingdom on March 18, 1996, and was serviced to US radio on June 11, 1996.
"Sunny Came Home" is a folk-rock song by American musician Shawn Colvin. It is the opening track on her 1996 concept album, A Few Small Repairs, and was released as a CD and cassette single on June 24, 1997. In the United Kingdom, the song was originally released in July 1997 but did not chart until a re-release in May 1998.
"How's It Going to Be" is a song by American rock band Third Eye Blind from their eponymous debut studio album (1997). It was released to radio as the third single from the album on October 20, 1997, by Elektra Records. Frontman Stephan Jenkins and guitarist Kevin Cadogan are credited as writers of the song. Production on the song was helmed by Jenkins, Eric Valentine, and Ren Klyce, with additional production and arrangement by Arion Salazar and Cadogan. According to Jenkins, the song is about the end of a relationship and the transition to acquaintanceship.
"Insensitive" is the second single released from Canadian singer-songwriter Jann Arden's second studio album, Living Under June (1994). Written by Anne Loree and produced by Ed Cherney, the song became Arden's most successful single, reaching number one in Canada and Australia and number 12 in the United States.
"Baby Can I Hold You" is the third single released by American contemporary folk artist Tracy Chapman, released in October 1988. The song reached the top 50 in the United States, unlike its predecessor, "Talkin' 'bout a Revolution", but it failed to become Chapman's second top 40 hit, peaking at number 48. It did, however, give her a second chart entry on the US Adult Contemporary charts, peaking at number 19 in early 1989. Given the commercial decline Chapman suffered following the release of her second album Crossroads, "Baby Can I Hold You" also became her last top 50 hit until 1996's "Give Me One Reason". In July 1990, the song reached number one in Portugal. Chapman re-released the song in 2001, in support of her first greatest hits album Collection.
"You Were Meant for Me" is a song by the American singer-songwriter Jewel, released on her first album, Pieces of You (1995). It was written by Jewel and Steve Poltz. It describes a failed relationship and the narrator's inadequate attempts at moving on with her life.
"Give Me Just One Night (Una Noche)" is a song by American boy band 98 Degrees, released as the first single from their third studio album, Revelation, on July 31, 2000. It was a success for the group, reaching number two on the US Billboard Hot 100 and on the Canadian RPM 100 Hit Tracks chart, becoming the band's highest-charting solo effort in both nations. The song was not as successful internationally but did reach the top 40 in Australia, Sweden, and the Netherlands. The single was certified gold by Recording Industry Association of America (RIAA) for shipments of 500,000 units.
"Nobody Knows" is a song by R&B singer Tony Rich from his 1996 debut album, Words. Released as his debut single on November 7, 1995, the song peaked at number two on both the Billboard Hot 100 and Billboard Hot Adult Contemporary Tracks charts. It also became a hit in several other countries, topping the Irish Singles Chart and reaching number two in Australia and Canada, number four in the United Kingdom, and the top 20 in the Netherlands, New Zealand, and Sweden. Rich received a nomination for the 1997 Grammy Award for Best Male Pop Vocal Performance.
"Wonder" is a song by Natalie Merchant, released in 1995 as the second single from her solo album Tigerlily. The single reached number 20 on the US Billboard Hot 100 and number 10 on the Canadian RPM 100 Hit Tracks chart, outperforming her previous single "Carnival" in Canada. The covers for the U.S. and European singles were different. The single also includes live cuts from Merchant's tour.
"Desperately Wanting" is a song by American alternative rock group Better Than Ezra. It was released in December 1996 as the second single from their third studio album, Friction, Baby, and became a chart hit in the United States, Australia and Canada.
"In the Meantime" is the debut single of English alternative rock band Spacehog, from their debut album, Resident Alien (1995). It samples the Penguin Cafe Orchestra song "Telephone and Rubber Band". Released in 1996, the single peaked atop the US Billboard Mainstream Rock chart and the UK Rock Chart. It additionally reached number 32 on the Billboard Hot 100 and number 29 on the UK Singles Chart while reaching the top 50 in Australia, Canada, Iceland, New Zealand and Sweden.
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