At the 10th Annual Grammy Awards in 1968, Burt Bacharach won the Grammy for Best Instrumental Arrangement.[1]
Background
Although Bacharach has cited "Alfie" as his personal favorite of his compositions, he and Hal David were not eager to write a song to promote the film Alfie (a release from Paramount Pictures, which owned Famous Music) when approached by Ed Wolpin of the Composers' Guild. David thought the title character's name pedestrian: "Writing a song about a man called 'Alfie' didn't seem too exciting at the time."
The composers agreed to submit an "Alfie" song if they could complete it within three weeks. Bacharach, in California, was inspired by a rough cut of the film about the Cockney womanizer played by Michael Caine. Bacharach felt that: "with 'Alfie' the lyric had to come first because it had to say what that movie was all about".[2] He arranged for David – on Long Island – to receive a script of the film to enable him to compose the lyrics. David utilized one of Caine's lines, "What's it all about?", as the opening phrase. David's lyrics were then set to music by Bacharach. The original was recorded in the key of F-sharp major, but Bacharach usually plays it live in B-flat major, the same key in which Cilla Black recorded it.
Cilla Black version
Although Bacharach and David suggested "Alfie" be recorded by Dionne Warwick, their most prolific interpreter, Paramount felt the film's setting demanded the song be recorded by a UK singer. Accordingly, Sandie Shaw, who had had a UK #1 hit with the Bacharach/David composition "(There's) Always Something There to Remind Me", was initially invited to record "Alfie". When Shaw declined, the song was offered to Cilla Black, who had also had a UK #1 with a Bacharach/David number, "Anyone Who Had a Heart".
Black was invited to record "Alfie" in a letter from Bacharach, and Black recalls him saying that the song had been written specially for her. Brian Epstein, her manager, was sent a demo[3] of the song, originally performed by 22-year-old Kenny Karen, with Bacharach on piano, accompanied by a string ensemble.[4] Black reacted negatively on hearing the demo "of some fella singing 'Alfie' ... I actually said to Brian 'I can't do this.' For a start—Alfie?? You call your dog Alfie! ... [Couldn't] it be Tarquin or something like that?"[5]
Black states that, rather than declining outright to record the song, she decided to set conditions: "I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. [When] the reply came back from America that he'd be happy to. ... I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play [piano] on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out."
The session for Black's recording of "Alfie" took place in the autumn of 1965, in Studio One at Abbey Road Studios, and was overseen by Black's regular producer George Martin. In addition to the agreed arranging and piano playing, Bacharach conducted a 48-piece orchestra, and the session also featured the Breakaways as background vocalists. According to Black, Bacharach had her record eighteen complete alternative takes before he was satisfied with her vocal, while Bacharach's estimation of the total number of takes, including partial ones, is as high as "twenty-eight or twenty-nine. ... I kept going [thinking] can we get it a little better ... [add] just some magic[?]. Cilla was great and wound up delivering a killer vocal as she did on so many of my songs."[6]
"Alfie" was released in January 1966, four months prior to the opening of the film. The single was essentially intended as a specialty item to foster interest in the upcoming film rather than a mainstream hit. However the track accrued enough interest to enter the UK Top 50 in April 1966, reaching #9 that May.[7][8] Black's "Alfie" was released in Australia, New Zealand and the US in July 1966, a month prior to the release of the film in both countries. Despite the soundtrack appearance of a version of "Alfie" by Cher in the film's worldwide release, Black's "Alfie" was a sizable Australian hit at #22. It went to #20 in New Zealand.[9] In the US—where Black had previously enjoyed only one moderate success with "You're My World" in 1964—her "Alfie" single just made the Billboard Hot 100 at #95, the pop mainstream sector's focus being primarily on Cher's version of the song, which was only a moderate hit in the US at #32. In Canada her version reached #96 before being replaced by Cher's version.[10] Interest in any one recorded version of "Alfie" was dissipated by the plethora of easy listening-oriented cover versions which were in release by the summer of 1966.
Cilla Black titled her 2004 autobiography What's It All About?, a reference to the opening phrase of the song. The grave marker beneath the headstone on her burial plot in Allerton Cemetery is inscribed with four lines taken from the bridge and the third verse of "Alfie". Lyrics from Black's hits "Step Inside Love" and "You're My World" also appear on the marker. The black marble headstone and marker were installed 18 April 2016, eight months after Black's death on 1 August 2015. Following the December 2015 theft of the original bronze nameplate, Black's grave remained unmarked until drier weather permitted the installation of the replacement marble headstone and marker.[11]
Although the song "Alfie" (as recorded by Black) had served as a promotional tool for the film's UK release, it did not serve as an official theme song, because director Lewis Gilbert felt the song would distract from the jazz score he had had Sonny Rollins provide for the film. United Artists compromised with Gilbert in keeping the song out of the main body of the film, instead having it play during the closing credits. The song was also not included on the soundtrack album of the film's UK release. However, the film's US distributor, United Artists, wanted the song featured on the US release of the soundtrack album.
Rather than utilize Black's version, United Artists commissioned a new version of the song "Alfie" by the 20-year-old American singer/actress Cher, who was on the roster of Imperial Records. Cher recorded the song at Gold Star Studios, in a rendition produced by her then-husband Sonny Bono, which followed a similar production style to that of Phil Spector. Cher's version of "Alfie" was released at the end of June 1966, almost two months prior to the film's US premiere (August 25, 1966). Despite being the follow-up to her #2 hit "Bang Bang (My Baby Shot Me Down)", "Alfie" rose no higher than #32.[12] It was also a top 40 hit in Canada, reaching #36.[13]
The versions of "Alfie" by both Cilla Black and Cher were released in Australia in July 1966, with Black's becoming the major hit at #22; the Cher version's Australian chart peak was #96.
"Alfie" was included in Cher's album Chér, released in October 1966.
Cher re-recorded the song for the closing credits of the 2004 remake of Alfie, but it was dropped in favour of a version by Joss Stone.[14]
Despite the relative failure of the version of "Alfie" cut for the US film release, Cilla Black's UK success with the song had attracted sufficient attention in the US for several American singers besides Cher to cover the song by the time the film Alfie opened in the US in August 1966. Two of these covers actually predate the Cher recording although neither was released prior to Cher's, the first evident recording of "Alfie" by an American singer being that cut by Jerry Butler in May 1966 which first appeared as a track on the December 1967 album release Mr Dream Merchant. Also in the spring of 1966 Dee Dee Warwick, while on a promotional junket to the UK, made a recording of "Alfie" at the Philips Studio in Marble Arch with Johnny Franz producing the session and Peter Knight arranging and conducting the orchestra; this version was first issued over a year later as the B-side of Dee Dee Warwick's 1967 single "Locked in Your Love".
At the time the film Alfie premiered in New York City August 25, 1966 at least eight recorded versions of the song "Alfie" were in release in the US: besides the Cher version from the film and the Cilla Black original which had been issued in the US that July to peak at No.95 on the Billboard Hot 100, "Alfie" had been recorded by Vikki Carr, Jack Jones, Tony Martin, Carmen McRae, Joanie Sommers and Billy Vaughn. The five last-named singers had recorded "Alfie" in hopes of taking the song into the Billboard Easy Listening chart rather than scoring a mainstream Pop hit and both Joanie Sommers and Carmen McRae did score an Easy Listening hit with their respective versions of "Alfie" (Sommers - #9; McRae - #29).
"Alfie" would not become a Top 15 hit in the US until the spring and summer of 1967 when Dionne Warwick, the most prolific interpreter of Bacharach/David compositions and the composers' original choice, recorded the song. Warwick's version peaked to #15 on the Billboard Hot 100, #5 on the Billboard R&B Singles Chart and #10 on the Canadian Singles Chart. Introduced on the December 1966 album release Here Where There Is Love, Warwick's version of "Alfie" had been an impromptu addition to a recording session at A&R Studio in New York City whose scheduled tracks had been completed early; Scepter Records A&R man Steve Tyrell suggested to Burt Bacharach that the booked time remaining be put to use by having Warwick record a version of "Alfie". Warwick, though feeling it pointless to increase the song's massive cover version count (there were by then some forty-two recorded versions of the song), was persuaded to record the song, cutting her vocal in a single take.
Although the "Alfie" track on Warwick's Here Where There Is Love album began receiving radio airplay as early as January 1967, the track was not issued as a single until March 1967 and then as the intended B-side of the Bacharach/David composed "The Beginning of Loneliness"; however disc jockeys preferred "Alfie", flipped the single to its B-side, and the track began to ascend the Billboard Hot 100 in April 1967, with a major assist from Warwick's performance of "Alfie" on the 39th Academy Awards ceremony television broadcast live worldwide on April 10, 1967. Billboard's year end tally of the biggest Pop hits of 1967 ranked Warwick's version of "Alfie" at #44 in a Top 100 of the year composed otherwise of Top Ten hits.
In 2008, Warwick's recording of "Alfie" was inducted into the Grammy Hall of Fame.
In 1966, Dutch singer Conny Vandenbos recorded a Dutch-language version titled "Frankie" for her album Conny Van den Bos.
In 1968, Stevie Wonder released a harmonicainstrumental version. This version made the Hot 100, peaking at #66, and it was also a Top 20 Easy Listening hit. Wonder's single was made for Gordy Records and released pseudonymously as Eivets Rednow - an inversion of "Stevie" and "Wonder". In Canada the song reached #83.[22]
Mina recorded the song in 1971 for her album Mina, also known as "the monkey album".
The Delfonics recorded "Alfie" for their 1968 La La Means I Love You album produced by Thom Bell; originally the B-side of the group's hit 1968 hit "Break Your Promise", the Delfonics' recording of "Alfie" had a belated A-side release in 1973 when it was a minor R&B hit (#88).
In a deleted scene from the movie Austin Powers in Goldmember, the song is parodied, with "Austin" replacing "Alfie" in the lyric. Alfie is sung by most of the main characters. Michael Caine, who plays Austin Powers' father, also played the character Alfie in the original 1966 movie, and scenes from the film appear in the background while he is singing. Susanna Hoffs made the recording of this version - entitled "Alfie (What's It All About, Austin?)" for the soundtrack album.
Bob Welch covered this song on his 2011 Album: Sings The Best Songs Ever Written
Marie Dionne Warwick is an American singer, actress, and television host. During her career, Warwick has won many awards, including six Grammy Awards. She has been inducted into the Hollywood Walk of Fame, the Grammy Hall of Fame, the National Rhythm & Blues Hall of Fame, the Rock and Roll Hall of Fame and the Apollo Theater Walk of Fame. In 2019, Warwick won the Grammy Lifetime Achievement Award. Three of her songs have been inducted into the Grammy Hall of Fame.
Burt Freeman Bacharach was an American composer, songwriter, record producer, and pianist who is widely regarded as one of the most important and influential figures of 20th-century popular music. Starting in the 1950s, he composed hundreds of pop songs, many in collaboration with lyricist Hal David. Bacharach's music is characterized by unusual chord progressions and time signature changes, influenced by his background in jazz, and uncommon selections of instruments for small orchestras. He arranged, conducted, and produced much of his recorded output.
Priscilla Maria Veronica White, better known as Cilla Black, was an English singer and television presenter.
"I Just Don't Know What to Do with Myself" is a song written by Burt Bacharach and lyricist Hal David.
"I Say a Little Prayer" is a song written by Burt Bacharach and Hal David for Dionne Warwick, originally peaking at number four on the U.S. Billboard Hot 100 pop singles chart in December 1967. On the R&B Singles chart it peaked at number eight.
"Anyone Who Had a Heart" is a song written by Burt Bacharach (music) and Hal David (lyrics) for Dionne Warwick in 1963. In January 1964, Warwick's original recording hit the Top Ten in the United States, Canada, Spain, Netherlands, South Africa, Belgium and Australia.
"Walk On By" is a song written by Burt Bacharach and Hal David for singer Dionne Warwick in 1963. Warwick's recording of the song peaked at number 6 on the US Billboard Hot 100 and number 1 on the Cash Box Rhythm and Blues Chart In June 1964 and was nominated for a 1965 Grammy Award for the Best Rhythm and Blues Recording.
"Don't Make Me Over" is a song written by Burt Bacharach and Hal David, originally recorded by American singer Dionne Warwick in August 1962 and released in October 1962 as her lead solo single from her debut album, Presenting Dionne Warwick (1963), issued under Sceptor Records. The song reached number 21 on the US Billboard Hot 100 and number five on the Billboard Hot R&B Singles chart.
"Make It Easy on Yourself" is a popular song written by Burt Bacharach and Hal David which was initially a hit for Jerry Butler in 1962. The best-known version is the 1965 recording by the Walker Brothers, for whom it was a No. 1 UK and Canadian hit. Dionne Warwick, who made a demo of the song in early 1962, later had a hit with it in 1970.
Chér is the third studio album by American singer-actress Cher, released on September 5, 1966 by Imperial. Cher collaborates again with Sonny Bono, with Harold Battiste and with Stan Ross. The album is by-and-large a covers album and contains only one song written by Bono. This album was a moderate commercial success, peaking at number 59 on the Billboard 200.
"Wishin' and Hopin'" is a song, written by Hal David and Burt Bacharach, which was a US Top 10 hit for Dusty Springfield in 1964.
Here Where There Is Love is Dionne Warwick's sixth studio album for Scepter Records, and was released on December 4, 1966. The album was recorded at Bell Sound Studios in New York City and was produced in full by Burt Bacharach and Hal David with Bacharach also arranging and conducting.
Dionne Warwick in Valley of the Dolls is the title of Dionne Warwick's ninth album for the Scepter label. It was recorded during the summer and fall of 1967 and was released early the next year in March 1968. It was recorded at A&R and Bell Sound Studios in New York City and was produced by Burt Bacharach and Hal David.
"What the World Needs Now Is Love" is a 1965 popular song with lyrics by Hal David and music composed by Burt Bacharach. First recorded and made popular by Jackie DeShannon, it was released on April 15, 1965, on the Imperial label after a release on sister label Liberty records the previous month was canceled. It peaked at number seven on the US Hot 100 in July of that year. In Canada, the song reached number one.
"(Theme from) Valley of the Dolls" is a 1967 song by André and Dory Previn, composed for the film version of the Jacqueline Susann novel Valley of the Dolls, and recorded by Dionne Warwick.
"Message to Michael" is a song written by Burt Bacharach and Hal David, that has been a hit for several different artists under several different titles. The song was first recorded as "Message to Martha" by Jerry Butler in 1962. In 1964, singer Lou Johnson had a minor US hit with the song, with the title "Kentucky Bluebird". British singer Adam Faith also recorded the song as "A Message to Martha " in 1965, and had a substantial hit with it in the UK, reaching No. 12. Exactly the same recording was issued in Australia as "Message to Martha", where it was a No. 15 hit for Faith. In the United States, Dionne Warwick's version, titled "Message to Michael", was a top ten hit there in 1966.
The Windows of the World is the title of the eighth studio album by Dionne Warwick, released on August 31, 1967 by Scepter Records. The LP features the title cut was in the Top 40.
"The Windows of the World" is a song written by Burt Bacharach (music) and Hal David (lyrics) which was a hit single for Dionne Warwick in 1967.
"Trains and Boats and Planes" is a song written by composer Burt Bacharach and lyricist Hal David. Hit versions were recorded by Bacharach in 1965, by Billy J. Kramer and the Dakotas in the same year, and by Dionne Warwick in 1966.
"You'll Never Get to Heaven (If You Break My Heart)" is a song composed by Burt Bacharach, with lyrics by Hal David. It was originally recorded by Dionne Warwick in 1964, who charted at number 34 in the US Billboard Hot 100 with her version. It was covered by the Stylistics in 1973, who reached number 23 in the US with their cover.
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