21st Century Breakdown | ||||
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Studio album by | ||||
Released | May 15, 2009 | |||
Recorded | January 2008 – April 2009 | |||
Studio | Ocean Way Recording, Hollywood; Studio 880, Oakland, California; Jel Studios, Newport Beach, California; Costa Mesa Studios, Costa Mesa, California | |||
Genre | ||||
Length | 69:17 | |||
Label | Reprise | |||
Producer |
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Green Day chronology | ||||
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Singles from 21st Century Breakdown | ||||
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21st Century Breakdown is the eighth studio album by the American rock band Green Day, released on May 15, 2009, through Reprise Records. Green Day commenced work on the record in January 2006 and forty-five songs were written by vocalist and guitarist Billie Joe Armstrong by October 2007, but the band members did not enter studio work until January 2008. [1] [2]
21st Century Breakdown is a concept album/rock opera much like their previous album American Idiot (2004). According to the band, the album is a rumination of "the era in which we live as we question and try to make sense of the selfish manipulation going on around us". [3] The singles "Know Your Enemy" and "21 Guns" exemplify the themes of alienation and politically motivated anger present in the record.
To handle the record, they turned to producer Butch Vig, best known for producing Nirvana's Nevermind (1991). Critical response to 21st Century Breakdown was generally positive. The record achieved Green Day's best chart performance to date, reaching number one on the album charts of various countries, including the United States Billboard 200, the European Top 100 Albums, and the United Kingdom Albums Chart. The album won the Grammy Award for Best Rock Album at the 52nd Grammy Awards on January 31, 2010. As of December 2010, 21st Century Breakdown has sold 1,050,000 copies in the United States [4] and more than 4 million worldwide.
Green Day began to write new songs for what would become 21st Century Breakdown in January 2006 after touring extensively in 2005 in support of their seventh studio album American Idiot. [5] At the time, frontman Billie Joe Armstrong stated: "We'll start with silence, and that's how we'll be able to find the inspiration to find another record." [6] The band did not release any details of the writing and recording process until October 2007, when Armstrong said in an interview with Rolling Stone that he had written "something like 45 songs". [1] [2] The band members worked on the primitive conceptual stages of the album at their rehearsal studio in Oakland, California. Little was revealed on the themes or musical style of the album, but Armstrong stated: "I want to dig into who I am and what I'm feeling at this moment – which is middle-aged." He added that many of the 45 songs were written on piano instead of guitar. [1]
Green Day began the recording process for 21st Century Breakdown in January 2008. [7] Later that year, it was confirmed that the band worked with producer Butch Vig. [8] The album was recorded with Vig throughout 2008 and into early 2009 at four locations in California: Ocean Way Recording in Hollywood, Studio 880 in Oakland, Jel Studios in Newport Beach, and Costa Mesa Studios in Costa Mesa. [9] While recording in Hollywood, the band members bought cheap turntables from Amoeba Music and listened to many vinyl records for inspiration, including albums by The Beat and The Plimsouls. [10] Armstrong cited as inspiration the music of The Kinks' Ray Davies, The Pretty Things' S.F. Sorrow , The Doors' The Doors and Strange Days , and Meat Loaf's Bat Out of Hell . [10] Drummer Tré Cool noted the influence of Eddie Cochran and The Creation on Armstrong's writing. [10] David Bowie is credited as a songwriter on the song "21 Guns" to avoid a potential plagiarism lawsuit, as the melody of the chorus is similar to the Bowie-penned "All the Young Dudes". [11]
While writing at his home studio, Armstrong worked on a cover of The Who's 1966 mini-opera "A Quick One, While He's Away"; Green Day recorded a full-band version of the song during the album sessions. [12] Vig noted that frustrations would sometimes cause delays in the recording process for 21st Century Breakdown. [2] Armstrong kept his lyrics closely guarded and intentionally mixed his demos so that the vocals were low in the mix and thus unintelligible to the other band members. [10] It was not until late 2008 that he chose to share his words with Cool, Vig, and bassist Mike Dirnt by sitting down with them and reading the entire album's lyrics aloud in order. [10] The band members made the finishing touches on the album in early April 2009 and claimed that its release would lead to a "kind of... post-partum depression". [13]
I look at Christian and Gloria, and it's me. Gloria is one side: this person trying to hold on to this sense of belief, still trying to do good. Whereas Christian is deep into his own demons and victimizing himself over that. [10]
Billie Joe Armstrong, on the link between the two main protagonists of 21st Century Breakdown and himself
21st Century Breakdown continues the rock opera style of its predecessor, American Idiot. [14] The album is set in Detroit, Michigan and is divided into three acts: "Heroes and Cons", "Charlatans and Saints", and "Horseshoes and Handgrenades". [15] Its loose narrative follows a young couple named Christian and Gloria through the challenges present in the U.S. following the presidency of George W. Bush. [16] Bassist Mike Dirnt has compared the relationships between the songs to those in Bruce Springsteen's Born to Run , saying that the themes are not as tightly interwoven as in a concept album, but that they are still connected. [17] Many of the record's themes and lyrics are drawn from Armstrong's personal life and he sings in the first-person narrative style about abandonment and vengeance in "Before the Lobotomy", "Christian's Inferno", and "Peacemaker". [10] Rolling Stone noted that the album is "the most personal, emotionally convulsive record Armstrong has ever written". [10]
The title track's opening lyric "Born into Nixon, I was raised in hell" references Armstrong's birth year of 1972, while "We are the class of '13" references the fact that his eldest son, Joseph, would graduate from high school in 2013. [10] Dirnt has expressed his belief that "Last of the American Girls" was written about Armstrong's wife Adrienne, who he claimed is steadfast in her beliefs and assertively defends them, as is the topic of the girl in the record. [10] Armstrong has cited his "disconnected" childhood—he was raised by his five older siblings after their father's death, while their mother worked graveyard shifts as a waitress—as the roots of the discontent expressed on 21st Century Breakdown. [10] "East Jesus Nowhere" rebukes fundamentalist religion and was written after Armstrong attended a church service where a friend's baby was baptized. [10]
Musically, 21st Century Breakdown is similar to the punk rock style of American Idiot, [18] [19] but many critics have claimed that Green Day's traditional sound has evolved in the five years, with 21st Century Breakdown incorporating new influences such as heavier, louder pop rock and arena rock on an epic scale. [20] [21] Rob Sheffield of Rolling Stone indicated that the album provides ballads that are Green Day's most polished; he claimed that the band "combine punk-thrash with their newfound love of classic-rock grandiosity". [18] MTV compared the material to that of classic rockers like The Who, [22] while Spin called the title track "Green Day's most epic song yet". [23] Cool has remarked: "It's important to us that we're still looked at as a punk band. It was our religion, our higher education". However, he also noted that Armstrong had delved into the past in writing 21st Century Breakdown, gleaning inspiration from the artists who shaped rock music. [10] Armstrong himself has stated: "Ground zero for me is still punk rock. I like painting an ugly picture. I get something uplifting out of singing some of the most horrifying shit you can sing about. It's just my DNA." [10]
With a running time of almost 70 minutes, 21st Century Breakdown is Green Day's longest album to date.
Critics have labeled 21st Century Breakdown as pop-punk, [24] [25] [26] punk rock, [18] [17] power pop, [27] [28] arena rock, [29] [21] post-punk, [30] alternative rock, [31] and pop rock. [20]
Green Day commenced work on the record in January 2006. The writing and recording process spanned three years and four California recording studios, and it was finished in April 2009. On February 9, 2009, Green Day announced the album title and that the record would be split into three acts: "Heroes and Cons", "Charlatans and Saints", and "Horseshoes and Handgrenades". [32] On March 17, a teaser trailer for 21st Century Breakdown was posted on the band's website. [33] The international release date of May 15 was announced on March 25. [34] In early April 2009, Green Day premiered "Know Your Enemy" on television; a portion of the song was used as introductory music to the 2009 NCAA men's basketball tournament championship game. [35] The band first performed 21st Century Breakdown in full during a string of California club shows in April 2009. [36] [37] At each show, concertgoers were given programs containing all of the album's lyrics. [37] The first single, "Know Your Enemy", was released on April 16, 2009, [38] and soon after the world premiere of the song's music video occurred on April 24 on the MTV UK website. [39]
21st Century Breakdown was released internationally on May 15, 2009, through Reprise Records. [40] The special edition vinyl version was limited to 3,000 copies and consisted of three 10" records, one for each of the album's "acts", a CD copy of the album, a 60-page art booklet, and a code for the digital download of the full album. [41] [42] The album artwork process was led by Chris Bilheimer and is based on a work from artist Sixten, who confirmed that the couple on the cover were "just friends of a friend at a party in Eskilstuna, Sweden" and explained that a mutual friend snapped a picture of the pair kissing. [43] He added: "I love their passion, and just had to make a stencil out of it to spread the love." [43] The cover art was noted for a marked similarity with that of Blur's 2003 album Think Tank , itself a stencil by artist Banksy, except that one had the couple wearing diving helmets. [44] Green Day showcased a collection of similarly themed art, called "The Art of Rock", at an art exhibition in London between October 23 and November 1, 2009. [45] The "kissing couple" on the cover later was re-created in the music video for "21 Guns".
The record debuted at number one on the Billboard 200 in the U.S., where it sold 215,000 copies in its first week, which was a shortened three days. In its second week, 21st Century Breakdown moved an additional 166,000 copies, sliding to number 2. In its third week, it sold 76,000 copies. 21st Century Breakdown slid down to number five in its fourth week but achieved the coveted Gold status for sales of 500,000 copies in the same week. chart. [46] The album remained at number one on the Billboard Top Rock Albums chart for three weeks. [47] In the United Kingdom, the album debuted at #1, selling 79,770 copies in its first week and it has sold over 600,000 copies to date. [48] In Canada, the album debuted at #1 on the Canadian Albums Chart, selling 30,000 copies in its first week. [49] The album debuted at the top of sales charts in twenty four total countries, [46] including a peak of number one on the European Top 100 Albums. [50] 21st Century Breakdown was only released in a Parental Advisory version containing explicit lyrics and content; Walmart refuses to sell albums with a Parental Advisory sticker and requested that Green Day release a censored edition. The band members responded by stating: "There's nothing dirty about our record... They want artists to censor their records in order to be carried in there. We just said no. We've never done it before. You feel like you're in 1953 or something." [51] The second single, "21 Guns", was released to radio stations on May 25. [52] The band embarked on a world tour in July 2009; the North American leg lasted through September and the European leg ended in November. [36] "East Jesus Nowhere" was released as the album's third single on October 19, 2009. [53] [54]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 5.4/10 [55] |
Metacritic | 70/100 [56] |
Review scores | |
Source | Rating |
AllMusic | [57] |
The A.V. Club | B+ [25] |
Entertainment Weekly | B [58] |
The Guardian | [21] |
Los Angeles Times | [59] |
MSN Music (Consumer Guide) | C [60] |
NME | [30] |
Pitchfork | 4.8/10 [31] |
Rolling Stone | [18] |
Spin | [61] |
Reception to 21st Century Breakdown has been generally favorable, according to aggregating website Metacritic, which reported a rating of 70/100 based on 30 critical reviews. [56] Dan Silver of The Observer awarded the record four stars out of five and likened it to both Bruce Springsteen's music and the avant-garde writing of Chuck Palahniuk. [62] Rolling Stone's David Fricke called 21st Century Breakdown "a compound bomb of classic-rock ecstasy, no-mercy punk assault and pop-song wiles; it's like The Clash's London Calling , The Who's Quadrophenia and Hüsker Dü's Zen Arcade all compressed into 18 songs". [2] Dan Cairns of The Times concluded: "Lyrically, it may succeed in capturing the contradictions, vulnerabilities and longing for harmony that thrum through Armstrong, Dirnt and Cool, their country, and humanity as a whole. But its real triumph, in an age of trimming, of market testing, of self-censorship and lowest common denominators, is not simply to aim insanely high, but to make it to the summit." [63]
Criticism centered on the concept of the record; BBC's Chris Jones said that it is "griping vaguely against 'authority'" and that "too many buzz words obscure incisive meaning". [64] Steve Kandell of Spin wrote that the humor of American Idiot was "sorely missed" and that the energy of the album seemed "directionless". [61] The Guardian 's Alexis Petridis indicated that "the storyline becomes impossible to follow". [21] Robert Christgau of MSN Music panned the album, reserving particular distaste for the multiple songs that heavily utilize dynamics, before concluding, "I don't like right-wing Christianists either. But as every oppressed teen in the right-wing orbit knows full well, they're not as garbled and simplistic as Armstrong's anthems insist." [60] Adam Downer of Sputnikmusic was even less receptive, calling the album "more conceptually vague/ridiculous than American Idiot", and going on to say that it "spirals out of control in its own heroic glory and never regains focus, thus ending with a product that Green Day couldn't afford to produce: an average record". [65] Slant Magazine claims that "...an uncanny sense of familiarity hangs over too much of the album. The melodies of several tracks suggest ghosts of older Green Day songs." [26] Kyle Ryan at The A.V. Club gave the album a B+, noting it as "going [even] bolder" than American Idiot. Ryan also declared "21st Century Breakdown reinforces what American Idiot first revealed: Green Day should never be underestimated." [25]
Publication | Country | Accolade | Year | Rank |
---|---|---|---|---|
Rolling Stone | United States | Best Albums of 2009 [66] | 2009 | 5 |
Kerrang! | United Kingdom | Reader's Choice: Best 50 Albums of the 21st Century [67] | 2009 | 17 |
Rhapsody | United States | The 25 Best Albums of 2009 [68] | 2009 | 16 |
Year | Ceremony | Award | Result |
---|---|---|---|
2009 | Grammy Awards | Best Rock Album | Won |
Teen Choice Awards | Music Album Group | Nominated | |
TMF Awards | Best International Album | ||
Kerrang! Awards | Best Album | ||
2010 | MTV Video Music Awards Japan | Album of the Year | |
NME Awards | Best Album | ||
Worst Album |
All lyrics are written by Billie Joe Armstrong; all music is composed by Green Day, "21 Guns" credits David Bowie as additional songwriter. [11]
No. | Title | Length |
---|---|---|
1. | "Song of the Century" | 0:57 |
No. | Title | Length |
---|---|---|
2. | "21st Century Breakdown" | 5:09 |
3. | "Know Your Enemy" | 3:11 |
4. | "¡Viva la Gloria!" | 3:31 |
5. | "Before the Lobotomy" | 4:37 |
6. | "Christian's Inferno" | 3:07 |
7. | "Last Night on Earth" | 3:56 |
No. | Title | Length |
---|---|---|
8. | "East Jesus Nowhere" | 4:35 |
9. | "Peacemaker" | 3:24 |
10. | "Last of the American Girls" | 3:51 |
11. | "Murder City" | 2:54 |
12. | "¿Viva la Gloria? (Little Girl)" | 3:48 |
13. | "Restless Heart Syndrome" | 4:21 |
No. | Title | Length |
---|---|---|
14. | "Horseshoes and Handgrenades" | 3:14 |
15. | "The Static Age" | 4:16 |
16. | "21 Guns" | 5:21 |
17. | "American Eulogy" (A. "Mass Hysteria" / B. "Modern World") | 4:26 |
18. | "See the Light" | 4:35 |
Total length: | 69:13 |
All lyrics are written by Billie Joe Armstrong; all music is composed by Green Day, except where noted
No. | Title | Length |
---|---|---|
19. | "Burnout" (Live in St. Petersburg, FL at Jannus Landing on March 11, 1994) | 2:21 |
Total length: | 71:34 |
No. | Title | Writer(s) | Length |
---|---|---|---|
19. | "A Quick One, While He's Away" (originally performed by The Who) | Pete Townshend | 7:59 |
20. | "Another State of Mind" (originally performed by Social Distortion) | Mike Ness | 2:46 |
Total length: | 79:18 |
No. | Title | Writer(s) | Length |
---|---|---|---|
21. | "That's All Right" (originally performed by Elvis Presley) | Arthur Crudup | 2:01 |
22. | "Like a Rolling Stone" (originally performed by Bob Dylan) | Bob Dylan | 6:10 |
Total length: | 87:29 |
No. | Title | Length |
---|---|---|
19. | "Lights Out" | 2:16 |
Total length: | 71:25 |
No. | Title | Length |
---|---|---|
19. | "Know Your Enemy" (live) | 4:47 |
20. | "The Static Age" (live) | 4:30 |
Total length: | 77:90 |
No. | Title | Length |
---|---|---|
1. | "American Idiot" (live) | 4:18 |
2. | "Jesus of Suburbia" (live) | 9:22 |
3. | "Holiday" (live) | 4:34 |
4. | "Are We the Waiting" (live) | 2:49 |
5. | "St. Jimmy" (live) | 2:58 |
6. | "Boulevard of Broken Dreams" (live) | 4:41 |
Total length: | 29:08 |
No. | Title | Length |
---|---|---|
1. | "Know Your Enemy" (live at Abbey Road) | |
2. | "East Jesus Nowhere" (live at Abbey Road) | |
3. | "St. Jimmy" (live at Abbey Road) | |
4. | "21 Guns" (live at Abbey Road) | |
5. | "American Idiot" (live at Abbey Road) | |
6. | "Know Your Enemy" (music video) | |
7. | "21 Guns" (music video) | |
8. | "21st Century Breakdown" (music video) |
Credits adapted from AllMusic [69] Green Day
Additional musicians | Production
Artwork
|
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
World | May 15, 2009 | Warner Music | Digital download | — |
United States | Reprise | CD, double LP | 517153 [57] | |
United Kingdom | Warner Music | CD | 9362-49802-1 [70] | |
Europe | ||||
Australia | 9362498021 [71] | |||
Deluxe CD | 9362497777 [71] | |||
May 29, 2009 | LP | 9362497853 [71] | ||
Japan | May 15, 2009 | Warner Music Japan | CD | WPCR-13377 [72] |
January 20, 2010 [73] | CD+DVD (Japan Tour Edition) | WPZR-30361 | ||
July 11, 2012 [74] | CD (Japan Edition) | WPCR-75691 | ||
September 26, 2012 [75] | SHM-CD | WPCR-14540 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF) [130] | Gold | 20,000^ |
Australia (ARIA) [131] | Platinum | 70,000^ |
Austria (IFPI Austria) [132] | Platinum | 20,000* |
Belgium (BEA) [133] | Gold | 15,000* |
Brazil (Pro-Música Brasil) [134] | Gold | 30,000* |
Canada (Music Canada) [135] | 2× Platinum | 160,000^ |
Denmark (IFPI Danmark) [136] | Platinum | 30,000^ |
Finland (Musiikkituottajat) [137] | Gold | 16,386 [137] |
France (SNEP) [138] | Platinum | 100,000* |
GCC (IFPI Middle East) [139] | Platinum | 6,000* |
Germany (BVMI) [140] | 3× Gold | 300,000^ |
Ireland (IRMA) [141] | Platinum | 15,000^ |
Italy (FIMI) [142] | Platinum | 70,000* |
Japan (RIAJ) [143] | Gold | 100,000^ |
New Zealand (RMNZ) [144] | Platinum | 15,000^ |
Norway (IFPI Norway) [145] | Gold | 15,000* |
Sweden (GLF) [146] | Gold | 20,000^ |
Switzerland (IFPI Switzerland) [147] | Platinum | 30,000^ |
United Kingdom (BPI) [148] | Platinum | 300,000^ |
United States (RIAA) [149] | Platinum | 1,000,000^ / 1,050,000 [150] |
Summaries | ||
Europe (IFPI) [151] | Platinum | 1,000,000* |
* Sales figures based on certification alone. |
Insomniac is the fourth studio album by the American rock band Green Day, released on October 10, 1995, by Reprise Records. It was recorded at Hyde Street in San Francisco, and the band prioritized high-energy takes during the recording sessions. Released as the follow-up to the band's multi-platinum breakthrough Dookie, Insomniac featured a heavier, hardcore punk sound, with bleaker lyrics than its predecessor. Lyrically, the album discusses themes such as alienation, anxiety, boredom, and drug use. Insomniac also served as a reaction to many early fans who had turned their backs on the band after it achieved mainstream success with Dookie.
Dookie is the third studio album by the American rock band Green Day, released on February 1, 1994, by Reprise Records. The band's major label debut and first collaboration with producer Rob Cavallo, it was recorded in late summer 1993 at Fantasy Studios in Berkeley, California. Written mostly by the singer and guitarist Billie Joe Armstrong, the album is largely based on his personal experiences and includes themes such as boredom, anxiety, relationships, and sexuality. It was promoted with four singles: "Longview", "Basket Case", a re-recorded version of "Welcome to Paradise", and "When I Come Around".
International Superhits! is the first greatest hits compilation by American rock band Green Day, released November 13, 2001, through Reprise Records. It collects all of the band's singles released between 1994 and 2000 as well as a rerecording of "Maria", a B-side from Waiting, and a previously unreleased track, "Poprocks & Coke". A DVD and VHS titled International Supervideos! was released simultaneously, collecting fifteen of the band's music videos spanning the same period. Both releases have been certified Platinum in the United States for sales of over 1 million copies and 3× Platinum in the United Kingdom for sales of 900,000.
Shenanigans is the second compilation album by American rock band Green Day. It was released on July 2, 2002, by Reprise Records. The album contains B-sides, rarities, covers, and the previously unreleased track "Ha Ha You're Dead". "Espionage", a spy-themed instrumental, was featured on the soundtrack for Austin Powers: The Spy Who Shagged Me and "Tired of Waiting for You", their cover of the Kinks song of the same name, was featured on the soundtrack for the 1997 film Private Parts.
A Rush of Blood to the Head is the second studio album by British rock band Coldplay. It was released on 26 August 2002 by Parlophone in the United Kingdom, and a day later by Capitol Records in the United States. The album was produced by the band and Ken Nelson, and makes greater use of the electric guitar and piano than the band's debut album, Parachutes (2000).
Permission to Land is the debut studio album by the British glam rock band The Darkness, released on 7 July 2003 in the UK and 16 September 2003 in the US. The album topped the UK Albums Chart and reached number thirty-six on the American Billboard 200 chart. Five singles were released from Permission to Land: "Get Your Hands off My Woman", "Growing on Me", "I Believe in a Thing Called Love", "Christmas Time ", and "Love Is Only a Feeling". "I Believe in a Thing Called Love" was the most successful, reaching number two on the UK Singles Chart.
American Idiot is the seventh studio album by the American rock band Green Day, released on September 21, 2004, by Reprise Records. As with their previous four albums, it was produced by Rob Cavallo in collaboration with the group. Recording sessions for American Idiot took place at Studio 880 in Oakland and Ocean Way Recording in Hollywood, both in California, between 2003 and 2004. A concept album, dubbed a "punk rock opera" by the band members, American Idiot follows the story of Jesus of Suburbia, a lower-middle-class American adolescent anti-hero. The album expresses the disillusionment and dissent of a generation that came of age in a period shaped by tumultuous events such as 9/11 and the Iraq War. In order to accomplish this, the band used unconventional techniques for themselves, including transitions between connected songs and some long, chaptered, creative compositions presenting the album themes.
Bullet in a Bible is a live album by American rock band Green Day, released on November 15, 2005, by Reprise Records. It was directed by Samuel Bayer, who was the director of all the videos from American Idiot.
The American rock band Green Day has released 14 studio albums, four live albums, four compilation albums, one soundtrack album, four video albums, 12 extended plays, 4 box sets, 48 singles, 10 promotional singles, 3 anniversaries, and 56 music videos. The band has sold over 75 million records worldwide, including more than 26.5 million in certified album sales in the United States. Green Day released their first two studio albums, 1,039/Smoothed Out Slappy Hours (1991) and Kerplunk (1991), through the independent label Lookout! Records before signing to major label Reprise Records. Dookie, the band's first album on the label and third studio album overall, was released in February 1994. It was a breakout success, selling over 10 million copies in the United States and 20 million copies worldwide. Dookie spawned five singles, including the international hits "Longview", "Basket Case" and "When I Come Around". The album placed Green Day at the forefront of the 1990s punk rock revival.
Minutes to Midnight is the third studio album by American rock band Linkin Park, released on May 14, 2007, through Warner Bros. Records. The album was produced by Mike Shinoda and Rick Rubin; it is Linkin Park's first studio album produced without Don Gilmore, who had produced the band's two previous albums. Minutes to Midnight is the band's follow-up album to Meteora (2003), and features a shift in the group's musical direction. For the band, the album marked a beginning of deviation from their signature nu metal sound. Minutes to Midnight takes its title from the Doomsday Clock symbol. It is also the band's first full-length album to carry a Parental Advisory label.
Day & Age is the third studio album by American rock band the Killers. It was released on November 18, 2008, by Island Records. Frontman and lead vocalist Brandon Flowers described it as the band's "most playful record". As of May 2015, Day & Age had sold three million copies worldwide. Following the release of the album, the band embarked on the Day & Age World Tour.
Dark Horse is the sixth studio album by the Canadian rock band Nickelback, released on November 18, 2008 in Europe and the next day elsewhere. It is the follow-up to their multi-platinum selling All the Right Reasons (2005). It was co-produced by the band and producer and songwriter Robert John "Mutt" Lange, known for working with such acts as Foreigner, AC/DC, Bryan Adams, Def Leppard and Shania Twain. Dark Horse sold 326,000 in its first week and debuted at number 2 in the US. More than a year after its release, the album did not leave the Top 100 on the Billboard 200. In its 91st week, the album peaked at number 46 for the week of August 28, 2010. The album spent 125 consecutive weeks inside the Billboard 200. On the week of November 29, 2014, Dark Horse re-entered the Billboard 200 at number 195, more than six years after the album's release.
"Know Your Enemy" is a protest song by American rock band Green Day. It is the third track on their eighth album, 21st Century Breakdown, and it was released as the lead single through Reprise Records on April 16, 2009, and the group's first single since "Jesus of Suburbia", released 4 years earlier. Billboard described the song as being lyrically "just as politically charged as last time ", having a "Modern Rock radio-ready chorus", whilst the song's producer Butch Vig "brings enough punk sheen for mass appeal." It was the first, and one of only three songs, to top the Rock Songs, Alternative Songs and Mainstream Rock Tracks Billboard charts at the same time. "Know Your Enemy" has been certified Gold by the RIAA and has sold 798,000 copies as of August 2010.
"East Jesus Nowhere" is a song by American rock band Green Day. The single was released on October 19, 2009, as the third single and eighth track from their eighth album 21st Century Breakdown. The title is derived from a phrase in the 2007 film Juno.
"21 Guns" is a song by American rock band Green Day. It was released as the second single from their eighth studio album, 21st Century Breakdown (2009), and serves as the sixteenth track from the album. The single was released through Reprise Records on May 25, 2009 as a digital download and July 14, 2009 as a CD single.
Awesome as Fuck is a live album by American rock band Green Day, released on March 22, 2011, by Reprise Records. The album is composed of tracks recorded during Green Day's 2009–10 21st Century Breakdown World Tour in support of their eighth studio album 21st Century Breakdown (2009). It includes a DVD of a concert recorded at the Saitama Super Arena in Saitama, Japan. It is also available in Blu-ray.
¡Uno! is the ninth studio album by the American rock band Green Day, released on September 25, 2012, by Reprise Records. It is the first of three albums in the ¡Uno!, ¡Dos!, ¡Tré! trilogy, a series of studio albums released from September 2012 to December 2012. Green Day recorded the album from February to June 2012 at Jingletown Studios in Oakland, California. This is the band's first album recorded as a quartet, as touring guitarist Jason White joined the band in the studio to give the studio recordings a more live feel.
Revolution Radio is the twelfth studio album by the American rock band Green Day, released on October 7, 2016 through Reprise Records. A self-produced effort, it marked their first release since 2009's 21st Century Breakdown not to be produced by longtime producer Rob Cavallo. It is also their first release since that album to be recorded as a trio. Green Day's previous three albums ¡Uno!, ¡Dos!, and ¡Tré! featured touring guitarist Jason White temporarily joining the band in the studio.
Greatest Hits: God's Favorite Band is the second greatest hits album by American rock band Green Day, released on November 17, 2017.
Father of All Motherfuckers is the thirteenth studio album by the American rock band Green Day, released on February 7, 2020, through Reprise Records. Produced by Butch Walker, Chris Dugan, and the band, the album marks a complete departure from the band's traditional punk rock sound, incorporating garage rock elements similar to their tenth studio album, ¡Dos! (2012).
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