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The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. Most written poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate structure. For this reason, verse has also become a synonym (a metonym) for poetry.

Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.

Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)

Selected article

First page of Beowulf in Cotton Vitellius A. xv
First page of Beowulf in Cotton Vitellius A. xv

Beowulf (/ˈbəwʊlf/, Old English: [ˈbeːowʊɫf]) is the conventional title of an Old English epic poem consisting of 3182 alliterative long lines, set in Scandinavia, the oldest surviving epic poem of Old English and thus commonly cited as one of the most important works of Anglo-Saxon literature, and also arguably the earliest vernacular English literature.

The full poem survives in the manuscript known as the Nowell Codex, located in the British Library. Written in England, its composition by an anonymous Anglo-Saxon poet is dated between the 8th and the early 11th century. In 1731, the manuscript was badly damaged by a fire that swept through Ashburnham House in London that had a collection of medieval manuscripts assembled by Sir Robert Bruce Cotton. The poem's existence for its first seven centuries or so made no impression on writers and scholars, and besides a brief mention in a 1705 catalogue by Humfrey Wanley it was not studied until the end of the 18th century, and not published in its entirety until Johan Bülow funded the 1815 Latin translation, prepared by the Icelandic-Danish scholar Grímur Jónsson Thorkelin. After a heated debate with Thorkelin, Bülow offered to support a new translation by N.F.S. Grundtvig — this time into Danish. The result, Bjovulfs Drape (1820), was the first modern language translation of Beowulf. (Full article...)

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Lord Byron, Childe Harold's Pilgrimage, engraving by I.H. Jones (1825)
image credit: public domain

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Charles Baudelaire
Charles Baudelaire
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Selected biography

The only authenticated portrait of Emily Dickinson later than childhood.
The only authenticated portrait of Emily Dickinson later than childhood.

Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Born in Amherst, Massachusetts, to a successful family with strong community ties, she lived a mostly introverted and reclusive life. After she studied at the Amherst Academy for seven years in her youth, she spent a short time at Mount Holyoke Female Seminary before returning to her family's house in Amherst. Considered an eccentric by the locals, she became known for her penchant for white clothing and her reluctance to greet guests or, later in life, even leave her room. Most of her friendships were therefore carried out by correspondence.

While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1800 poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends. (Full article...)

Selected poem

Odyssey, book 1, first verses by Homer

Muse make the man thy theme, for shrewdness famed
And genius versatile, who far and wide
A Wand’rer, after Ilium overthrown,
Discover’d various cities, and the mind
And manners learn’d of men, in lands remote.
He num’rous woes on Ocean toss’d, endured,
Anxious to save himself, and to conduct
His followers to their home; yet all his care
Preserved them not; they perish’d self-destroy’d
By their own fault; infatuate! who devoured
The oxen of the all-o’erseeing Sun,
And, punish’d for that crime, return’d no more.
Daughter divine of Jove, these things record,
As it may please thee, even in our ears.
    The rest, all those who had perdition ’scaped
By war or on the Deep, dwelt now at home;
Him only, of his country and his wife
Alike desirous, in her hollow grots
Calypso, Goddess beautiful, detained
Wooing him to her arms. But when, at length,
(Many a long year elapsed) the year arrived
Of his return (by the decree of heav’n)
To Ithaca, not even then had he,
Although surrounded by his people, reach’d
The period of his suff’rings and his toils.
Yet all the Gods, with pity moved, beheld
His woes, save Neptune; He alone with wrath
Unceasing and implacable pursued
Godlike Ulysses to his native shores.
But Neptune, now, the Æthiopians fought,
(The Æthiopians, utmost of mankind,
These Eastward situate, those toward the West)
Call’d to an hecatomb of bulls and lambs.
There sitting, pleas’d he banqueted; the Gods
In Jove’s abode, meantime, assembled all,
’Midst whom the Sire of heav’n and earth began.
For he recall’d to mind Ægisthus slain
By Agamemnon’s celebrated son
Orestes, and retracing in his thought
That dread event, the Immortals thus address’d.

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