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Johannes Trithemius'Polygraphiae (1518)
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A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet. The book publishing process is the series of steps involved in their creation and dissemination.

As a conceptual object, a book refers to a written work of substantial length, which may be distributed either physically or digitally as an ebook. These works can be broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth). A physical book may not contain such a work: for example, it may contain only drawings, engravings, photographs, puzzles, or removable content like paper dolls. It may also be left empty for personal use, as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks.

Books are sold at both regular stores and specialized bookstores, as well as online for delivery, and can be borrowed from libraries. The reception of books has led to a number of social consequences, including censorship.

The modern book industry has seen several major changes due to new technologies, including ebooks and audiobooks (recordings of books being read aloud). Awareness of the needs of print-disabled people has led to a rise in formats designed for greater accessibility, such as braille printing and large-print editions. Google Books estimated in 2010 that approximately 130 million total unique books had been published. (Full article...)

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  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 David Suzuki: The Autobiography is the 2006 autobiography of Canadian science writer and broadcaster David Suzuki. The book focuses mostly on his life since the 1987 publication of his first autobiography, Metamorphosis: Stages in a Life. It begins with a chronological account of his childhood, academic years, and broadcasting career. In later chapters, Suzuki adopts a memoir style, writing about themes such as his relationship with Australia, his experiences in Brazil and Papua New Guinea, the founding of the David Suzuki Foundation, and his thoughts on climate change, celebrity status, technology, and death. Throughout, Suzuki highlights the continuing impact of events from his childhood. This is Suzuki's forty-third book and, he says, his last. Critics have called the book candid, sincere, and charming, with insightful commentary if occasionally flat stories. Suzuki's scientific background is reflected in the writing's rational and analytic style. (Full article...)
    David Suzuki: The Autobiography is the 2006 autobiography of Canadian science writer and broadcaster David Suzuki. The book focuses mostly on his life since the 1987 publication of his first autobiography, Metamorphosis: Stages in a Life. It begins with a chronological account of his childhood, academic years, and broadcasting career. In later chapters, Suzuki adopts a memoir style, writing about themes such as his relationship with Australia, his experiences in Brazil and Papua New Guinea, the founding of the David Suzuki Foundation, and his thoughts on climate change, celebrity status, technology, and death. Throughout, Suzuki highlights the continuing impact of events from his childhood.

    This is Suzuki's forty-third book and, he says, his last. Critics have called the book candid, sincere, and charming, with insightful commentary if occasionally flat stories. Suzuki's scientific background is reflected in the writing's rational and analytic style. (Full article...)
  • Image 2 Mary Shelley wrote of the Simplon Pass: "There was a majestic simplicity that inspired awe; the naked bones of a gigantic world were here." Rambles in Germany and Italy, in 1840, 1842, and 1843 is a travel narrative by the British Romantic author Mary Shelley. Issued in 1844, it is her last published work. Published in two volumes, the text describes two European trips that Mary Shelley took with her son, Percy Florence Shelley, and several of his university friends. Mary Shelley had lived in Italy with her husband, Percy Bysshe Shelley, between 1818 and 1823. For her, Italy was associated with both joy and grief: she had written much while there but she had also lost her husband and two of her children. Thus, although she was anxious to return, the trip was tinged with sorrow. Shelley describes her journey as a pilgrimage, which will help cure her depression. At the end of the second trip, Mary Shelley spent time in Paris and associated herself with the "Young Italy" movement, Italian exiles who were in favour of Italian independence and unification. One revolutionary in particular attracted her: Ferdinando Gatteschi. To assist him financially, Shelley decided to publish Rambles. However, Gatteschi became discontented with Shelley's assistance and tried to blackmail her. She was forced to obtain her personal letters from Gatteschi through the intervention of the French police. (Full article...)
    Color photograph of snow-capped mountains in the background with green hills in the foreground
    Mary Shelley wrote of the Simplon Pass: "There was a majestic simplicity that inspired awe; the naked bones of a gigantic world were here."


    Rambles in Germany and Italy, in 1840, 1842, and 1843 is a travel narrative by the British Romantic author Mary Shelley. Issued in 1844, it is her last published work. Published in two volumes, the text describes two European trips that Mary Shelley took with her son, Percy Florence Shelley, and several of his university friends. Mary Shelley had lived in Italy with her husband, Percy Bysshe Shelley, between 1818 and 1823. For her, Italy was associated with both joy and grief: she had written much while there but she had also lost her husband and two of her children. Thus, although she was anxious to return, the trip was tinged with sorrow. Shelley describes her journey as a pilgrimage, which will help cure her depression.

    At the end of the second trip, Mary Shelley spent time in Paris and associated herself with the "Young Italy" movement, Italian exiles who were in favour of Italian independence and unification. One revolutionary in particular attracted her: Ferdinando Gatteschi. To assist him financially, Shelley decided to publish Rambles. However, Gatteschi became discontented with Shelley's assistance and tried to blackmail her. She was forced to obtain her personal letters from Gatteschi through the intervention of the French police. (Full article...)
  • Image 3 An Introduction to Animals and Political Theory is a 2010 textbook by the British political theorist Alasdair Cochrane. It is the first book in the publisher Palgrave Macmillan's Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. Cochrane's book examines five schools of political theory—utilitarianism, liberalism, communitarianism, Marxism and feminism—and their respective relationships with questions concerning animal rights and the political status of (non-human) animals. Cochrane concludes that each tradition has something to offer to these issues, but ultimately presents his own account of interest-based animal rights as preferable to any. His account, though drawing from all examined traditions, builds primarily upon liberalism and utilitarianism. An Introduction was reviewed positively in several academic publications. The political philosopher Steve Cooke said that Cochrane's own approach showed promise, and that the book would have benefited from devoting more space to it. Robert Garner, a political theorist, praised Cochrane's synthesis of such a broad range of literature, but argued that the work was too uncritical of the concept of justice as it might apply to animals. Cochrane's account of interest-based rights for animals was subsequently considered at greater length in his 2012 book Animal Rights Without Liberation, published by Columbia University Press. An Introduction to Animals and Political Theory was one of the first books to explore animals from the perspective of political theory, and became an established part of a literature critical of the topic's traditional neglect. (Full article...)
    An Introduction to Animals and Political Theory is a 2010 textbook by the British political theorist Alasdair Cochrane. It is the first book in the publisher Palgrave Macmillan's Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. Cochrane's book examines five schools of political theory—utilitarianism, liberalism, communitarianism, Marxism and feminism—and their respective relationships with questions concerning animal rights and the political status of (non-human) animals. Cochrane concludes that each tradition has something to offer to these issues, but ultimately presents his own account of interest-based animal rights as preferable to any. His account, though drawing from all examined traditions, builds primarily upon liberalism and utilitarianism.

    An Introduction was reviewed positively in several academic publications. The political philosopher Steve Cooke said that Cochrane's own approach showed promise, and that the book would have benefited from devoting more space to it. Robert Garner, a political theorist, praised Cochrane's synthesis of such a broad range of literature, but argued that the work was too uncritical of the concept of justice as it might apply to animals. Cochrane's account of interest-based rights for animals was subsequently considered at greater length in his 2012 book Animal Rights Without Liberation, published by Columbia University Press. An Introduction to Animals and Political Theory was one of the first books to explore animals from the perspective of political theory, and became an established part of a literature critical of the topic's traditional neglect. (Full article...)
  • Image 4 First page of the first edition of Thoughts (1787) Thoughts on the education of daughters: with reflections on female conduct, in the more important duties of life is the first published work of the British feminist Mary Wollstonecraft. Published in 1787 by her friend Joseph Johnson, Thoughts is a conduct book that offers advice on female education to the emerging British middle class. Although dominated by considerations of morality and etiquette, the text also contains basic child-rearing instructions, such as how to care for an infant. An early version of the modern self-help book, the 18th-century British conduct book drew on many literary traditions, such as advice manuals and religious narratives. There was an explosion in the number of conduct books published during the second half of the 18th century, and Wollstonecraft took advantage of this burgeoning market when she published Thoughts. However, the book was only moderately successful: it was favourably reviewed, but only by one journal and it was reprinted only once. Although it was excerpted in popular contemporary magazines, it was not republished until the rise of feminist literary criticism in the 1970s. (Full article...)
    Page reads ""THOUGHTS ON THE EDUCATION OF DAUGHTERS. THE NURSERY. As I conceive it to be the duty of every rational creature to attend to its offspring, I am sorry to observe, that reason and duty together have not so powerful an influence over human"
    First page of the first edition of Thoughts (1787)


    Thoughts on the education of daughters: with reflections on female conduct, in the more important duties of life is the first published work of the British feminist Mary Wollstonecraft. Published in 1787 by her friend Joseph Johnson, Thoughts is a conduct book that offers advice on female education to the emerging British middle class. Although dominated by considerations of morality and etiquette, the text also contains basic child-rearing instructions, such as how to care for an infant.

    An early version of the modern self-help book, the 18th-century British conduct book drew on many literary traditions, such as advice manuals and religious narratives. There was an explosion in the number of conduct books published during the second half of the 18th century, and Wollstonecraft took advantage of this burgeoning market when she published Thoughts. However, the book was only moderately successful: it was favourably reviewed, but only by one journal and it was reprinted only once. Although it was excerpted in popular contemporary magazines, it was not republished until the rise of feminist literary criticism in the 1970s. (Full article...)
  • Image 5 Political Animals and Animal Politics is a 2014 edited collection published by Palgrave Macmillan and edited by the green political theorists Marcel Wissenburg and David Schlosberg. The work addresses the emergence of academic animal ethics informed by political philosophy as opposed to moral philosophy. It was the first edited collection to be published on the topic, and the first book-length attempt to explore the breadth and boundaries of the literature. As well as a substantial introduction by the editors, it features ten sole-authored chapters split over three parts, respectively concerning institutional change for animals, the relationship between animal ethics and ecologism, and real-world laws made for the benefit of animals. The book's contributors were Wissenburg, Schlosberg, Manuel Arias-Maldonado, Chad Flanders, Christie Smith, Clemens Driessen, Simon Otjes, Kurtis Boyer, Per-Anders Svärd, and Mihnea Tanasescu. The focus of their individual chapters varies, but recurring features include discussions of human exceptionalism, exploration of ways that animal issues are or could be present in political discourse, and reflections on the relationship between theory and practice in politics. In part, Political Animals and Animal Politics arose from a workshop that Wissenburg and Schlosberg organised at the 2012 European Consortium for Political Research Joint Sessions conference, though not all attendees contributed to the volume and not all contributors presented at the workshop. Footage of the workshop appeared in De Haas in de Marathon (The Pacer in the Marathon), a 2012 documentary about the Dutch Party for the Animals. Political Animals and Animal Politics was published as part of the Palgrave Macmillan Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. (Full article...)
    Political Animals and Animal Politics is a 2014 edited collection published by Palgrave Macmillan and edited by the green political theorists Marcel Wissenburg and David Schlosberg. The work addresses the emergence of academic animal ethics informed by political philosophy as opposed to moral philosophy. It was the first edited collection to be published on the topic, and the first book-length attempt to explore the breadth and boundaries of the literature. As well as a substantial introduction by the editors, it features ten sole-authored chapters split over three parts, respectively concerning institutional change for animals, the relationship between animal ethics and ecologism, and real-world laws made for the benefit of animals. The book's contributors were Wissenburg, Schlosberg, Manuel Arias-Maldonado, Chad Flanders, Christie Smith, Clemens Driessen, Simon Otjes, Kurtis Boyer, Per-Anders Svärd, and Mihnea Tanasescu. The focus of their individual chapters varies, but recurring features include discussions of human exceptionalism, exploration of ways that animal issues are or could be present in political discourse, and reflections on the relationship between theory and practice in politics.

    In part, Political Animals and Animal Politics arose from a workshop that Wissenburg and Schlosberg organised at the 2012 European Consortium for Political Research Joint Sessions conference, though not all attendees contributed to the volume and not all contributors presented at the workshop. Footage of the workshop appeared in De Haas in de Marathon (The Pacer in the Marathon), a 2012 documentary about the Dutch Party for the Animals. Political Animals and Animal Politics was published as part of the Palgrave Macmillan Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. (Full article...)
  • Image 6 A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings. As she had begun to do in Caged Bird, and continued throughout her series, Angelou upheld the long tradition of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Most reviewers agreed that the book was made up of a series of vignettes. By the time Song was written in 2002, sixteen years after her previous autobiography, Angelou had experienced great fame and recognition as an author and poet. She recited her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, becoming the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's in 1961. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become, as reviewer Richard Long stated, "a major autobiographical voice of the time". (Full article...)
    A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings.

    As she had begun to do in Caged Bird, and continued throughout her series, Angelou upheld the long tradition of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Most reviewers agreed that the book was made up of a series of vignettes. By the time Song was written in 2002, sixteen years after her previous autobiography, Angelou had experienced great fame and recognition as an author and poet. She recited her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, becoming the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's in 1961. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become, as reviewer Richard Long stated, "a major autobiographical voice of the time". (Full article...)
  • Image 7 The hardcover version Mom & Me & Mom (2013) is the seventh and final book in author Maya Angelou's series of autobiographies. The book was published shortly before Mother's Day and Angelou's 85th birthday. It focuses, for the first time in her books, on Angelou's relationship with her mother, Vivian Baxter. The book explains Baxter's behavior, especially Baxter's abandonment of Angelou and Angelou's older brother when they were young children, and fills in "what are possibly the final blanks in Angelou's eventful life". The book also chronicles Angelou's reunion and reconciliation with Baxter. Mom & Me & Mom is an overview of Angelou's life and revisits many of the same anecdotes she relates in her previous books. The first section, entitled "Mom & Me", centers on Angelou's early years, before the age of 17, and her transition from resentment and distrust of her mother to acceptance, support, and love towards her. After Baxter helps her through the birth of her son, Angelou goes from calling Baxter "Lady" to "Mom". In the book's second section, entitled "Me & Mom", Angelou chronicles the unconditional love, support, and assistance they gave to each other, as Baxter helps her through single motherhood, a failed marriage, and career ups and downs. As she had begun to do in I Know Why the Caged Bird Sings, and continued throughout her series, Angelou upheld the long traditions of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become "a major autobiographical voice of the time". (Full article...)

    The hardcover version

    Mom & Me & Mom (2013) is the seventh and final book in author Maya Angelou's series of autobiographies. The book was published shortly before Mother's Day and Angelou's 85th birthday. It focuses, for the first time in her books, on Angelou's relationship with her mother, Vivian Baxter. The book explains Baxter's behavior, especially Baxter's abandonment of Angelou and Angelou's older brother when they were young children, and fills in "what are possibly the final blanks in Angelou's eventful life". The book also chronicles Angelou's reunion and reconciliation with Baxter.

    Mom & Me & Mom is an overview of Angelou's life and revisits many of the same anecdotes she relates in her previous books. The first section, entitled "Mom & Me", centers on Angelou's early years, before the age of 17, and her transition from resentment and distrust of her mother to acceptance, support, and love towards her. After Baxter helps her through the birth of her son, Angelou goes from calling Baxter "Lady" to "Mom". In the book's second section, entitled "Me & Mom", Angelou chronicles the unconditional love, support, and assistance they gave to each other, as Baxter helps her through single motherhood, a failed marriage, and career ups and downs. As she had begun to do in I Know Why the Caged Bird Sings, and continued throughout her series, Angelou upheld the long traditions of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become "a major autobiographical voice of the time". (Full article...)
  • Image 8 Cover of 2009 edition Fuck: Word Taboo and Protecting Our First Amendment Liberties is a nonfiction book by law professor Christopher M. Fairman about freedom of speech, the First Amendment to the United States Constitution, censorship, and use of the word fuck in society. The book was first published in 2009 by Sphinx as a follow-up on the author's article "Fuck", published in 2007 in the Cardozo Law Review. It cites studies from academics in social science, psychoanalysis, and linguistics. Fairman establishes that most current usages of the word have connotations distinct from its meaning of sexual intercourse. The book discusses the efforts of conservatives in the United States to censor the word from common parlance. The author says that legal precedent regarding its use is unclear because of contradictory court decisions. Fairman argues that once citizens allow the government to restrict the use of specific words, this will infringe upon freedom of thought. The book received a mostly favorable reception from news sources and library trade publications. Library Journal described the book as a sincere analysis of the word and its history of censorship, Choice: Current Reviews for Academic Libraries called it stimulating, and the San Diego Law Review said it was thought-provoking. One reviewer said that the book, like the article, was a format for the author to repeatedly use "fuck" rather than analyze it from a rigorous perspective. After the book's release, Fairman was consulted by media sources including CNN and The New York Times, as well as the American Civil Liberties Union, on issues surrounding word taboo in society. (Full article...)

    Cover of 2009 edition

    Fuck: Word Taboo and Protecting Our First Amendment Liberties is a nonfiction book by law professor Christopher M. Fairman about freedom of speech, the First Amendment to the United States Constitution, censorship, and use of the word fuck in society. The book was first published in 2009 by Sphinx as a follow-up on the author's article "Fuck", published in 2007 in the Cardozo Law Review. It cites studies from academics in social science, psychoanalysis, and linguistics. Fairman establishes that most current usages of the word have connotations distinct from its meaning of sexual intercourse. The book discusses the efforts of conservatives in the United States to censor the word from common parlance. The author says that legal precedent regarding its use is unclear because of contradictory court decisions. Fairman argues that once citizens allow the government to restrict the use of specific words, this will infringe upon freedom of thought.

    The book received a mostly favorable reception from news sources and library trade publications. Library Journal described the book as a sincere analysis of the word and its history of censorship, Choice: Current Reviews for Academic Libraries called it stimulating, and the San Diego Law Review said it was thought-provoking. One reviewer said that the book, like the article, was a format for the author to repeatedly use "fuck" rather than analyze it from a rigorous perspective. After the book's release, Fairman was consulted by media sources including CNN and The New York Times, as well as the American Civil Liberties Union, on issues surrounding word taboo in society. (Full article...)
  • Image 9 Louis Riel is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom. The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by that of Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: a foreword, index, bibliography, and end notes. The lengthy, hand-lettered appendix provides insight into Brown's creative process and biases and highlights where he changed historical facts to create a more engaging story, such as incorporating a conspiracy theory not widely accepted by historians. Brown became interested in the issue of property rights while researching the book, which led to a public change in his politics from anarchism to libertarianism. (Full article...)
    Louis Riel is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom.

    The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by that of Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: a foreword, index, bibliography, and end notes. The lengthy, hand-lettered appendix provides insight into Brown's creative process and biases and highlights where he changed historical facts to create a more engaging story, such as incorporating a conspiracy theory not widely accepted by historians. Brown became interested in the issue of property rights while researching the book, which led to a public change in his politics from anarchism to libertarianism. (Full article...)
  • Image 10 First edition cover The Bread-Winners: A Social Study is an 1883 novel by John Hay, former secretary to Abraham Lincoln who in 1898 became U.S. Secretary of State. The book takes an anti-organized labor stance, and when published anonymously sold well and provoked considerable public interest in determining who the author was. The plot of the book revolves around former army captain Arthur Farnham, a wealthy resident of Buffland (an analog of Cleveland). He organizes Civil War veterans to keep the peace when the Bread-winners, a group of lazy and malcontented workers, call a violent general strike. He is sought in marriage by the ambitious Maud Matchin, daughter of a carpenter, but instead weds a woman of his own class. (Full article...)

    First edition cover

    The Bread-Winners: A Social Study is an 1883 novel by John Hay, former secretary to Abraham Lincoln who in 1898 became U.S. Secretary of State. The book takes an anti-organized labor stance, and when published anonymously sold well and provoked considerable public interest in determining who the author was.

    The plot of the book revolves around former army captain Arthur Farnham, a wealthy resident of Buffland (an analog of Cleveland). He organizes Civil War veterans to keep the peace when the Bread-winners, a group of lazy and malcontented workers, call a violent general strike. He is sought in marriage by the ambitious Maud Matchin, daughter of a carpenter, but instead weds a woman of his own class. (Full article...)
  • Image 11 Race Against Time: Searching for Hope in AIDS-Ravaged Africa is a non-fiction book written by Stephen Lewis for the Massey Lectures. Lewis wrote it in early to mid-2005 and House of Anansi Press released it as a corresponding lecture series began in October 2005. Each of the book's chapters were delivered as a different lecture in a different Canadian city, beginning in Vancouver on October 18 and ending in Toronto on October 28. The speeches were aired on CBC Radio One between November 7 and 11. The author and orator, Stephen Lewis, was at that time the United Nations Special Envoy for HIV/AIDS in Africa and former Canadian ambassador to the United Nations. Although he wrote the book and lectures in his role as a concerned Canadian citizen, his criticism of the United Nations (UN), international organizations, and other diplomats, including naming specific people, was called undiplomatic and led several reviewers to speculate whether he would be removed from his UN position. In the book and the lectures, Lewis argues that significant changes are required to meet the Millennium Development Goals in Africa by their 2015 deadline. Lewis explains the historical context of Africa since the 1980s, citing a succession of disastrous economic policies by international financial institutions that contributed to, rather than reduced, poverty. He connects the structural adjustment loans, with conditions of limited public spending on health and education infrastructure, to the uncontrolled spread of AIDS and subsequent food shortages as the disease infected much of the working-age population. Lewis also addresses such issues as discrimination against women and primary education for children. To help alleviate problems, he ends with potential solutions which mainly require increased funding by G8 countries to levels beyond what they promise. (Full article...)
    Race Against Time: Searching for Hope in AIDS-Ravaged Africa is a non-fiction book written by Stephen Lewis for the Massey Lectures. Lewis wrote it in early to mid-2005 and House of Anansi Press released it as a corresponding lecture series began in October 2005. Each of the book's chapters were delivered as a different lecture in a different Canadian city, beginning in Vancouver on October 18 and ending in Toronto on October 28. The speeches were aired on CBC Radio One between November 7 and 11. The author and orator, Stephen Lewis, was at that time the United Nations Special Envoy for HIV/AIDS in Africa and former Canadian ambassador to the United Nations. Although he wrote the book and lectures in his role as a concerned Canadian citizen, his criticism of the United Nations (UN), international organizations, and other diplomats, including naming specific people, was called undiplomatic and led several reviewers to speculate whether he would be removed from his UN position.

    In the book and the lectures, Lewis argues that significant changes are required to meet the Millennium Development Goals in Africa by their 2015 deadline. Lewis explains the historical context of Africa since the 1980s, citing a succession of disastrous economic policies by international financial institutions that contributed to, rather than reduced, poverty. He connects the structural adjustment loans, with conditions of limited public spending on health and education infrastructure, to the uncontrolled spread of AIDS and subsequent food shortages as the disease infected much of the working-age population. Lewis also addresses such issues as discrimination against women and primary education for children. To help alleviate problems, he ends with potential solutions which mainly require increased funding by G8 countries to levels beyond what they promise. (Full article...)
  • Image 12 John Vanbrugh (1664–1726), author of The Relapse, by Godfrey Kneller The Relapse, or, Virtue in Danger is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's Love's Last Shift, or, The Fool in Fashion. In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. (Full article...)
    John Vanbrugh (1664–1726), author of The Relapse, by Godfrey Kneller


    The Relapse, or, Virtue in Danger is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's Love's Last Shift, or, The Fool in Fashion.

    In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. (Full article...)
  • Image 13 Expedition to the Barrier Peaks is a 1980 adventure module for the Advanced Dungeons & Dragons role-playing game written by Gary Gygax. While Dungeons & Dragons (D&D) is typically a fantasy game, the adventure includes elements of science fiction, and thus belongs to the science fantasy genre. It takes place on a downed spaceship; the ship's crew has died of an unspecified disease, but functioning robots and strange creatures still inhabit the ship. The player characters fight monsters and robots, and gather the futuristic weapons and colored access cards that are necessary for advancing the story. Expedition to the Barrier Peaks was first played at the Origins II convention in 1976, where it was used to introduce Dungeons & Dragons players to the science fiction game Metamorphosis Alpha. In 1980, TSR published the adventure, updated for first edition Advanced Dungeons & Dragons rules. The adventure was not updated for later rules systems, but a Wizards.com article did provide a conversion to Future Tech. It included a separate booklet of illustrations, in both color and black and white. The adventure is an old-time favorite of many Dungeons & Dragons fans, including Stephen Colbert. It was ranked the fifth-best Dungeons & Dragons adventure of all time by Dungeon magazine in 2004, and received positive reviews from White Dwarf and The Space Gamer magazines. The other adventures in the S series include S1 Tomb of Horrors, S2 White Plume Mountain, and S4 The Lost Caverns of Tsojcanth. (Full article...)
    Expedition to the Barrier Peaks is a 1980 adventure module for the Advanced Dungeons & Dragons role-playing game written by Gary Gygax. While Dungeons & Dragons (D&D) is typically a fantasy game, the adventure includes elements of science fiction, and thus belongs to the science fantasy genre. It takes place on a downed spaceship; the ship's crew has died of an unspecified disease, but functioning robots and strange creatures still inhabit the ship. The player characters fight monsters and robots, and gather the futuristic weapons and colored access cards that are necessary for advancing the story.

    Expedition to the Barrier Peaks was first played at the Origins II convention in 1976, where it was used to introduce Dungeons & Dragons players to the science fiction game Metamorphosis Alpha. In 1980, TSR published the adventure, updated for first edition Advanced Dungeons & Dragons rules. The adventure was not updated for later rules systems, but a Wizards.com article did provide a conversion to Future Tech. It included a separate booklet of illustrations, in both color and black and white. The adventure is an old-time favorite of many Dungeons & Dragons fans, including Stephen Colbert. It was ranked the fifth-best Dungeons & Dragons adventure of all time by Dungeon magazine in 2004, and received positive reviews from White Dwarf and The Space Gamer magazines. The other adventures in the S series include S1 Tomb of Horrors, S2 White Plume Mountain, and S4 The Lost Caverns of Tsojcanth. (Full article...)
  • Image 14 Getting It: The Psychology of est, a non-fiction book by American clinical psychologist Sheridan Fenwick first published in 1976, analyzes Werner Erhard's Erhard Seminars Training or est. Fenwick based the book on her own experience of attending a four-day session of the est training, an intensive 60-hour personal-development course in the self-help genre. Large groups of up to 250 people took the est training at one time. In the first section of Fenwick's book, she recounts the est training process and the methods used during the course. Fenwick details the rules or "agreements" laid out by the trainers to the attendees, which include not talking to others or leaving the session to go to the bathroom unless during an announced break period. The second section is analytic: Fenwick analyzes the methods used by the est trainers, evaluates the course's potential effects, and discusses Erhard's background. Fenwick concludes that the program's long-term effects are unknown, the est training may not be appropriate for certain groups of people, and that a large proportion of participants report perceived positive effects. (Full article...)
    Getting It: The Psychology of est, a non-fiction book by American clinical psychologist Sheridan Fenwick first published in 1976, analyzes Werner Erhard's Erhard Seminars Training or est. Fenwick based the book on her own experience of attending a four-day session of the est training, an intensive 60-hour personal-development course in the self-help genre. Large groups of up to 250 people took the est training at one time.

    In the first section of Fenwick's book, she recounts the est training process and the methods used during the course. Fenwick details the rules or "agreements" laid out by the trainers to the attendees, which include not talking to others or leaving the session to go to the bathroom unless during an announced break period. The second section is analytic: Fenwick analyzes the methods used by the est trainers, evaluates the course's potential effects, and discusses Erhard's background. Fenwick concludes that the program's long-term effects are unknown, the est training may not be appropriate for certain groups of people, and that a large proportion of participants report perceived positive effects. (Full article...)
  • Image 15 Title page from the second volume of Lives of the Most Eminent Literary and Scientific Men of France (1838) The Lives of the Most Eminent Literary and Scientific Men comprised ten volumes of Dionysius Lardner's 133-volume Cabinet Cyclopaedia (1829–1846). Aimed at the self-educating middle class, this encyclopedia was written during the 19th-century literary revolution in Britain that encouraged more people to read. The Lives formed part of the Cabinet of Biography in the Cabinet Cyclopaedia. Within the set of ten, the three-volume Lives of the Most Eminent Literary and Scientific Men of Italy, Spain and Portugal (1835–37) and the two-volume Lives of the Most Eminent Literary and Scientific Men of France (1838–39) consist of biographies of important writers and thinkers of the 14th to 18th centuries. Most of them were written by the Romantic writer Mary Shelley. Shelley's biographies reveal her as a professional woman of letters, contracted to produce several volumes of works and paid well to do so. Her extensive knowledge of history and languages, her ability to tell a gripping biographical narrative, and her interest in the burgeoning field of feminist historiography are reflected in these works. (Full article...)
    Title page with an illustration of a man writing at a desk. There are filled bookcases and a curtain in the background.
    Title page from the second volume of Lives of the Most Eminent Literary and Scientific Men of France (1838)


    The Lives of the Most Eminent Literary and Scientific Men comprised ten volumes of Dionysius Lardner's 133-volume Cabinet Cyclopaedia (1829–1846). Aimed at the self-educating middle class, this encyclopedia was written during the 19th-century literary revolution in Britain that encouraged more people to read.

    The Lives formed part of the Cabinet of Biography in the Cabinet Cyclopaedia. Within the set of ten, the three-volume Lives of the Most Eminent Literary and Scientific Men of Italy, Spain and Portugal (1835–37) and the two-volume Lives of the Most Eminent Literary and Scientific Men of France (1838–39) consist of biographies of important writers and thinkers of the 14th to 18th centuries. Most of them were written by the Romantic writer Mary Shelley. Shelley's biographies reveal her as a professional woman of letters, contracted to produce several volumes of works and paid well to do so. Her extensive knowledge of history and languages, her ability to tell a gripping biographical narrative, and her interest in the burgeoning field of feminist historiography are reflected in these works. (Full article...)
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The La Trobe Reading Room at the State Library of Victoria.

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  • Image 1 Man After Man: An Anthropology of the Future is a 1990 speculative evolution and science fiction book written by Scottish geologist and palaeontologist Dougal Dixon and illustrated by Philip Hood. The book also features a foreword by Brian Aldiss. Man After Man explores a hypothetical future path of human evolution set from 200 years in the future to 5 million years in the future, with several future human species evolving through genetic engineering and natural means through the course of the book. Man After Man is Dixon's third work on speculative evolution, following After Man (1981) and The New Dinosaurs (1988). Unlike the previous two books, which were written much like field guides, the focus of Man After Man lies much on the individual perspectives of future human individuals of various species. Man After Man, like its predecessors, uses its fictional setting to explore and explain real natural processes, in this case climate change through the eyes of the various human descendants in the book, who have been engineered specifically to adapt to it. (Full article...)
    Man After Man: An Anthropology of the Future is a 1990 speculative evolution and science fiction book written by Scottish geologist and palaeontologist Dougal Dixon and illustrated by Philip Hood. The book also features a foreword by Brian Aldiss. Man After Man explores a hypothetical future path of human evolution set from 200 years in the future to 5 million years in the future, with several future human species evolving through genetic engineering and natural means through the course of the book.

    Man After Man is Dixon's third work on speculative evolution, following After Man (1981) and The New Dinosaurs (1988). Unlike the previous two books, which were written much like field guides, the focus of Man After Man lies much on the individual perspectives of future human individuals of various species. Man After Man, like its predecessors, uses its fictional setting to explore and explain real natural processes, in this case climate change through the eyes of the various human descendants in the book, who have been engineered specifically to adapt to it. (Full article...)
  • Image 2 Spoilt Rotten: The Toxic Cult of Sentimentality (subtitle in US editions: How Britain is Ruined by Its Children) is a non-fiction book by the British writer and retired doctor and psychiatrist Theodore Dalrymple, originally published in 2010. Polemical in nature, the book contends that sentimentality has become culturally entrenched in British society, with harmful consequences. The author uses a range of cultural, educational, political, media and literary issues—including falling standards in education, UK aid policies for African development, the death of Diana, Princess of Wales, the disappearance of Madeleine McCann, and the work and life of Sylvia Plath—to illustrate what he sees as the danger of abandoning logic in favour of sentimentality, which he describes as "the progenitor, the godparent, the midwife of brutality". Much of Dalrymple's analysis is underpinned by his experience of working with criminals and the mentally ill. Spoilt Rotten received a mostly favourable reception in the media. Dalrymple was praised for carrying out a thought-provoking and convincing analysis of a newly emerged cultural phenomenon which sees emotion substituted for reason. Some critics, however, accused the author of cynicism and misanthropic pessimism in his approach, and the historian Noel Malcolm claimed that Dalrymple had overreached in his analysis. (Full article...)
    Spoilt Rotten: The Toxic Cult of Sentimentality (subtitle in US editions: How Britain is Ruined by Its Children) is a non-fiction book by the British writer and retired doctor and psychiatrist Theodore Dalrymple, originally published in 2010. Polemical in nature, the book contends that sentimentality has become culturally entrenched in British society, with harmful consequences. The author uses a range of cultural, educational, political, media and literary issues—including falling standards in education, UK aid policies for African development, the death of Diana, Princess of Wales, the disappearance of Madeleine McCann, and the work and life of Sylvia Plath—to illustrate what he sees as the danger of abandoning logic in favour of sentimentality, which he describes as "the progenitor, the godparent, the midwife of brutality". Much of Dalrymple's analysis is underpinned by his experience of working with criminals and the mentally ill.

    Spoilt Rotten received a mostly favourable reception in the media. Dalrymple was praised for carrying out a thought-provoking and convincing analysis of a newly emerged cultural phenomenon which sees emotion substituted for reason. Some critics, however, accused the author of cynicism and misanthropic pessimism in his approach, and the historian Noel Malcolm claimed that Dalrymple had overreached in his analysis. (Full article...)
  • Image 3 Title page of the original Danish edition from 1843 Either/Or (Danish: Enten – Eller) is the first published work of Danish philosopher Søren Kierkegaard. It appeared in two volumes in 1843 under the pseudonymous editorship of Victor Eremita (Latin for "victorious hermit"). It outlines a theory of human existence, marked by the distinction between an essentially hedonistic, aesthetic mode of life and the ethical life, which is predicated upon commitment. Either/Or portrays two life views. Each life view is written and represented by a fictional author, with the prose reflecting and depending on the life view. The aesthetic life view is written in short essay form, with poetic imagery and allusions, discussing aesthetic topics such as music, seduction, drama, and beauty. The ethical life view is written as two long letters, with a more argumentative and restrained prose, discussing moral responsibility, critical reflection, and marriage. The views are expressed as experiences embodied by the fictional authors. The book's central concern is Aristotle's primal question, "How should we live?" His motto comes from Plutarch, "The deceived is wiser than one not deceived." (Full article...)

    Title page of the original Danish edition from 1843

    Either/Or (Danish: Enten – Eller) is the first published work of Danish philosopher Søren Kierkegaard. It appeared in two volumes in 1843 under the pseudonymous editorship of Victor Eremita (Latin for "victorious hermit"). It outlines a theory of human existence, marked by the distinction between an essentially hedonistic, aesthetic mode of life and the ethical life, which is predicated upon commitment.

    Either/Or portrays two life views. Each life view is written and represented by a fictional author, with the prose reflecting and depending on the life view. The aesthetic life view is written in short essay form, with poetic imagery and allusions, discussing aesthetic topics such as music, seduction, drama, and beauty. The ethical life view is written as two long letters, with a more argumentative and restrained prose, discussing moral responsibility, critical reflection, and marriage. The views are expressed as experiences embodied by the fictional authors. The book's central concern is Aristotle's primal question, "How should we live?" His motto comes from Plutarch, "The deceived is wiser than one not deceived." (Full article...)
  • Image 4 America's 60 Families is a book by American journalist Ferdinand Lundberg published in 1937 by Vanguard Press. It is an argumentative analysis of wealth and class in the United States, and how they are leveraged for purposes of political and economic power, specifically by what the author contends is a "plutocratic circle" composed of a tightly interlinked group of 60 families. The controversial study has met with mixed reactions since its publication. Though praised by some contemporary and modern reviewers, and once cited in a speech by Harold L. Ickes, it has also been criticized by others and was the subject of a 1938 libel suit by DuPont over factual inaccuracies contained in the text. In 1968 Lundberg published The Rich and the Super-Rich, described by some sources as a sequel to America's 60 Families. (Full article...)
    America's 60 Families is a book by American journalist Ferdinand Lundberg published in 1937 by Vanguard Press. It is an argumentative analysis of wealth and class in the United States, and how they are leveraged for purposes of political and economic power, specifically by what the author contends is a "plutocratic circle" composed of a tightly interlinked group of 60 families.

    The controversial study has met with mixed reactions since its publication. Though praised by some contemporary and modern reviewers, and once cited in a speech by Harold L. Ickes, it has also been criticized by others and was the subject of a 1938 libel suit by DuPont over factual inaccuracies contained in the text. In 1968 Lundberg published The Rich and the Super-Rich, described by some sources as a sequel to America's 60 Families. (Full article...)
  • Image 5 Who We Are and How We Got Here is a 2018 book on the contribution of genome-wide ancient DNA research to human population genetics by the geneticist David Reich. He describes discoveries made by his group and others, based on analysis and comparison of ancient and modern DNA from human populations around the world. Central to these is the finding that almost all human populations are mixtures resulting from multiple population migrations and gene flow. Several reviewers have praised the book for clearly describing pioneering work in a cutting-edge field of study. It has been criticized by numerous scientists and scholars for its handling of race, though other commentators observe that nothing it says should give racists any comfort. (Full article...)
    Who We Are and How We Got Here is a 2018 book on the contribution of genome-wide ancient DNA research to human population genetics by the geneticist David Reich. He describes discoveries made by his group and others, based on analysis and comparison of ancient and modern DNA from human populations around the world. Central to these is the finding that almost all human populations are mixtures resulting from multiple population migrations and gene flow.

    Several reviewers have praised the book for clearly describing pioneering work in a cutting-edge field of study. It has been criticized by numerous scientists and scholars for its handling of race, though other commentators observe that nothing it says should give racists any comfort. (Full article...)
  • Image 6 First edition The Cookery Book of Lady Clark of Tillypronie is a book of recipes collected over a lifetime by Charlotte, Lady Clark of Tillypronie (née Coltman, 1851–1897), and published posthumously in 1909. The earliest recipe was collected in 1841; the last in 1897. The book was edited by the artist Catherine Frances Frere, who had seen two other cookery books through to publication, at the request of Clark's husband. The book is considered a valuable compilation of Victorian era recipes. Lady Clark obtained the recipes by asking hostesses or cooks, and then testing each one at Tillypronie. She documented each recipe's source with the name of her source, and often also the date. There is comprehensive coverage of plain British cooking, especially of meat and game, but the book has sections on all aspects of contemporary cooking including bread, cakes, eggs, cooking for invalids, jams, pies, sauces, sweets (puddings) and vegetables. She had lived in Italy and France, and the cuisines of these countries are represented by many dishes, as is Anglo-Indian cooking with a section called "Curries". (Full article...)

    First edition

    The Cookery Book of Lady Clark of Tillypronie is a book of recipes collected over a lifetime by Charlotte, Lady Clark of Tillypronie (née Coltman, 1851–1897), and published posthumously in 1909. The earliest recipe was collected in 1841; the last in 1897. The book was edited by the artist Catherine Frances Frere, who had seen two other cookery books through to publication, at the request of Clark's husband.

    The book is considered a valuable compilation of Victorian era recipes. Lady Clark obtained the recipes by asking hostesses or cooks, and then testing each one at Tillypronie. She documented each recipe's source with the name of her source, and often also the date. There is comprehensive coverage of plain British cooking, especially of meat and game, but the book has sections on all aspects of contemporary cooking including bread, cakes, eggs, cooking for invalids, jams, pies, sauces, sweets (puddings) and vegetables. She had lived in Italy and France, and the cuisines of these countries are represented by many dishes, as is Anglo-Indian cooking with a section called "Curries". (Full article...)
  • Image 7 White Dog, released in France as Chien Blanc, is a non-fiction autobiographical novel written by Romain Gary. Originally published as a short story in Life in 1970 (9 October), the full novel was published in 1970 in French in France by Éditions Gallimard. Gary's English version of the novel was published in North America in the same year by New American Library. The novel provides a fictionalized account of Gary and his wife's experiences in the 1960s with a stray Alabama police dog trained to attack black people on sight, and their attempts to have the dog reprogrammed. Gary uses the novel as a vehicle to denounce both racism and the activists supporting African-American rights, including his own ex-wife Jean Seberg and Marlon Brando. He also examines whether human responses to situations, including racism, are learned social behavior and whether they can be unlearned. In 1981, it was adapted into the controversial film of the same name, in which director Samuel Fuller made various changes to the novel's story to focus more on the dog and present a more pessimistic ending than the original novel. The film's American release after negative press from the National Association for the Advancement of Colored People (NAACP) led to concerns of boycotts. Anaïs Barbeau-Lavalette released a more faithful adaptation of the book in 2022. (Full article...)
    White Dog, released in France as Chien Blanc, is a non-fiction autobiographical novel written by Romain Gary. Originally published as a short story in Life in 1970 (9 October), the full novel was published in 1970 in French in France by Éditions Gallimard. Gary's English version of the novel was published in North America in the same year by New American Library. The novel provides a fictionalized account of Gary and his wife's experiences in the 1960s with a stray Alabama police dog trained to attack black people on sight, and their attempts to have the dog reprogrammed.

    Gary uses the novel as a vehicle to denounce both racism and the activists supporting African-American rights, including his own ex-wife Jean Seberg and Marlon Brando. He also examines whether human responses to situations, including racism, are learned social behavior and whether they can be unlearned. In 1981, it was adapted into the controversial film of the same name, in which director Samuel Fuller made various changes to the novel's story to focus more on the dog and present a more pessimistic ending than the original novel. The film's American release after negative press from the National Association for the Advancement of Colored People (NAACP) led to concerns of boycotts. Anaïs Barbeau-Lavalette released a more faithful adaptation of the book in 2022. (Full article...)
  • Image 8 Monocrystalline solar cell The Clean Tech Revolution: The Next Big Growth and Investment Opportunity is a 2007 book by Ron Pernick and Clint Wilder, who say that commercializing clean technologies is a profitable enterprise that is moving steadily into mainstream business. As the world economy faces challenges from energy price spikes, resource shortages, global environmental problems, and security threats, clean technologies are seen to be the next engine of economic growth. Pernick and Wilder highlight eight major clean technology sectors: solar power, wind power, biofuels, green buildings, personal transportation, the smart grid, mobile applications, and water filtration. Six major forces, which they call the six C's, are pushing clean technology into the mainstream: costs, capital, competition, China, consumers, and climate. Very large corporations such as GE, Toyota and Sharp, and investment firms such as Goldman Sachs are making multibillion-dollar investments in clean technology. (Full article...)
    A part of gloved hands are hold a tablet-sized solar cell with three panels.
    Monocrystalline solar cell


    The Clean Tech Revolution: The Next Big Growth and Investment Opportunity is a 2007 book by Ron Pernick and Clint Wilder, who say that commercializing clean technologies is a profitable enterprise that is moving steadily into mainstream business. As the world economy faces challenges from energy price spikes, resource shortages, global environmental problems, and security threats, clean technologies are seen to be the next engine of economic growth.

    Pernick and Wilder highlight eight major clean technology sectors: solar power, wind power, biofuels, green buildings, personal transportation, the smart grid, mobile applications, and water filtration. Six major forces, which they call the six C's, are pushing clean technology into the mainstream: costs, capital, competition, China, consumers, and climate. Very large corporations such as GE, Toyota and Sharp, and investment firms such as Goldman Sachs are making multibillion-dollar investments in clean technology. (Full article...)
  • Image 9 Encyclopedia of Camps and Ghettos, 1933–1945 is a seven-part encyclopedia series that explores the history of the concentration camps, ghettos, forced-labor camps, and other sites of detention, persecution, or state-sponsored murder run by Nazi Germany and other Axis powers in Europe and Africa. The series is produced by the United States Holocaust Memorial Museum (USHMM) and published by Indiana University Press. Research began in 2000; the first volume was published in 2009; and the final volume is slated for publication in 2025. Along with entries on individual sites, the encyclopedias also contain scholarly overviews for historical context. The project attracted media attention when its editors announced in 2013 that the series would cover more than 42,500 sites, eight times more than expected. The first two volumes in the series, covering the Nazi concentration camps and Nazi ghettos, received a positive response from both scholars and survivors. Multiple scholars have described the encyclopedias as the most comprehensive reference on their given subjects. (Full article...)
    Encyclopedia of Camps and Ghettos, 1933–1945 is a seven-part encyclopedia series that explores the history of the concentration camps, ghettos, forced-labor camps, and other sites of detention, persecution, or state-sponsored murder run by Nazi Germany and other Axis powers in Europe and Africa. The series is produced by the United States Holocaust Memorial Museum (USHMM) and published by Indiana University Press. Research began in 2000; the first volume was published in 2009; and the final volume is slated for publication in 2025. Along with entries on individual sites, the encyclopedias also contain scholarly overviews for historical context.

    The project attracted media attention when its editors announced in 2013 that the series would cover more than 42,500 sites, eight times more than expected. The first two volumes in the series, covering the Nazi concentration camps and Nazi ghettos, received a positive response from both scholars and survivors. Multiple scholars have described the encyclopedias as the most comprehensive reference on their given subjects. (Full article...)
  • Image 10 Cover of the fifth edition The Pink Swastika: Homosexuality in the Nazi Party is a 1995 pseudohistorical book by Scott Lively and Kevin Abrams. Drawing on Samuel Igra's 1945 book Germany's National Vice, Lively and Abrams argue that the crimes committed by homosexuals in the Nazi Party exceed the persecution of homosexuals in Nazi Germany and that homosexuality contributed to the extreme militarism of Nazi Germany. They contend that only feminine homosexuals were persecuted by the Nazis, while "butch" homosexuals formed the leadership cadre of the Nazi party. Historian Andrew Wackerfuss criticized the book for lack of accuracy and "outright homophobic charges". The claim advanced by Igra, Lively, and Abrams that homosexuals were responsible for Nazi atrocities is rejected by most historians. (Full article...)

    Cover of the fifth edition

    The Pink Swastika: Homosexuality in the Nazi Party is a 1995 pseudohistorical book by Scott Lively and Kevin Abrams. Drawing on Samuel Igra's 1945 book Germany's National Vice, Lively and Abrams argue that the crimes committed by homosexuals in the Nazi Party exceed the persecution of homosexuals in Nazi Germany and that homosexuality contributed to the extreme militarism of Nazi Germany. They contend that only feminine homosexuals were persecuted by the Nazis, while "butch" homosexuals formed the leadership cadre of the Nazi party. Historian Andrew Wackerfuss criticized the book for lack of accuracy and "outright homophobic charges". The claim advanced by Igra, Lively, and Abrams that homosexuals were responsible for Nazi atrocities is rejected by most historians. (Full article...)
  • Image 11 Junji Ito's Cat Diary: Yon & Mu (Japanese: 伊藤潤二の猫日記 よん&むー, Hepburn: Itō Junji no Neko Nikki: Yon & Mū) is an autobiographical manga written and illustrated by Junji Ito. Appearing as a serial in Kodansha's seinen manga magazine Monthly Magazine Z from November 2007 to December 2008, it follows the adventures of J-kun, a horror manga artist as he adjusts to life with cats: Yon, whom his fiancėe brings along to their new house, and Mu, a Norwegian Forest cat whom the couple adopts as a kitten. Junji Ito's Cat Diary draws on autobiographical elements of Ito's personal experience with cats. Publisher Kodansha compiled the ten installments of the manga into a bound volume and released it in March 2009. Kodansha Comics USA published an English-language translation of Junji Ito's Cat Diary in October 2015, which also included the contributions of Ito and his wife to the 2011 collection Teach Me, Michael! A Textbook in Support of Feline Disaster Victims. Upon publication, the manga received a favorable critical and commercial response, debuting in The New York Times's weekly list of the ten best-selling manga volumes. It received generally positive reviews from critics, who enjoyed it as a cat-centered manga whose humor was derived from the emphasis on the behavior of the cat caretaker, rather than the cat. Critical discussions have centered around Ito's use of realism and exaggerated horror to elicit moments of comedy, the manga's relationship to previous works by Ito, and how the artwork depicts the relationship between cats and their caregivers. (Full article...)
    Junji Ito's Cat Diary: Yon & Mu (Japanese: 伊藤潤二の猫日記 よん&むー, Hepburn: Itō Junji no Neko Nikki: Yon & Mū) is an autobiographical manga written and illustrated by Junji Ito. Appearing as a serial in Kodansha's seinen manga magazine Monthly Magazine Z from November 2007 to December 2008, it follows the adventures of J-kun, a horror manga artist as he adjusts to life with cats: Yon, whom his fiancėe brings along to their new house, and Mu, a Norwegian Forest cat whom the couple adopts as a kitten. Junji Ito's Cat Diary draws on autobiographical elements of Ito's personal experience with cats. Publisher Kodansha compiled the ten installments of the manga into a bound volume and released it in March 2009.

    Kodansha Comics USA published an English-language translation of Junji Ito's Cat Diary in October 2015, which also included the contributions of Ito and his wife to the 2011 collection Teach Me, Michael! A Textbook in Support of Feline Disaster Victims. Upon publication, the manga received a favorable critical and commercial response, debuting in The New York Times's weekly list of the ten best-selling manga volumes. It received generally positive reviews from critics, who enjoyed it as a cat-centered manga whose humor was derived from the emphasis on the behavior of the cat caretaker, rather than the cat. Critical discussions have centered around Ito's use of realism and exaggerated horror to elicit moments of comedy, the manga's relationship to previous works by Ito, and how the artwork depicts the relationship between cats and their caregivers. (Full article...)
  • Image 12 Lady Gaga: Queen of Pop is a biography of American singer Lady Gaga. It was written by Emily Herbert (pen name for the journalist Virginia Blackburn) and published in the United Kingdom by John Blake Publishing Ltd. The book was published by Overlook Press in the United States with the title Lady Gaga: Behind the Fame. Additional versions under the title Lady Gaga: Queen of Pop were published in 2010 by Wilkinson Publishing of Melbourne in Australia and by Gardners Books in the United Kingdom. The book discusses Gaga's early life when she was known as Stefani Joanne Angelina Germanotta from her birth in 1986, and chronicles her education at Convent of the Sacred Heart in New York, her early visits to nightclubs with her mother to perform at open-mic events, and her brief foray into the Tisch School of the Arts, leading up to her first experience of fame. Germanotta took the name "Lady Gaga" from the song "Radio Ga Ga" by the rock group Queen; she released her first album The Fame in 2008. Lady Gaga: Queen of Pop describes the musician's success in the industry, noting her business collaborations and appearance on the cover of Rolling Stone in 2009. Lady Gaga: Queen of Pop received a mixed reception, and a reviewer for the Orlando Sentinel wrote a positive review. The Herald Sun criticized the book's style of commentary and its chronological organization style. A book critic for the St. Petersburg Times wrote positively about the photographs of Gaga in the book. The Phoenix New Times characterized its style as tending towards a positive tone, and compared it to a Wikipedia entry. A reviewer for the Minneapolis Star-Tribune criticized the book for being predictable. Ms. Magazine said that the book describes the musician's business acumen and motivation to maintain control of her image. A reviewer for the Las Vegas Review-Journal wrote that the book presented a detailed biography of the musician. (Full article...)
    Lady Gaga: Queen of Pop is a biography of American singer Lady Gaga. It was written by Emily Herbert (pen name for the journalist Virginia Blackburn) and published in the United Kingdom by John Blake Publishing Ltd. The book was published by Overlook Press in the United States with the title Lady Gaga: Behind the Fame. Additional versions under the title Lady Gaga: Queen of Pop were published in 2010 by Wilkinson Publishing of Melbourne in Australia and by Gardners Books in the United Kingdom. The book discusses Gaga's early life when she was known as Stefani Joanne Angelina Germanotta from her birth in 1986, and chronicles her education at Convent of the Sacred Heart in New York, her early visits to nightclubs with her mother to perform at open-mic events, and her brief foray into the Tisch School of the Arts, leading up to her first experience of fame. Germanotta took the name "Lady Gaga" from the song "Radio Ga Ga" by the rock group Queen; she released her first album The Fame in 2008. Lady Gaga: Queen of Pop describes the musician's success in the industry, noting her business collaborations and appearance on the cover of Rolling Stone in 2009.

    Lady Gaga: Queen of Pop received a mixed reception, and a reviewer for the Orlando Sentinel wrote a positive review. The Herald Sun criticized the book's style of commentary and its chronological organization style. A book critic for the St. Petersburg Times wrote positively about the photographs of Gaga in the book. The Phoenix New Times characterized its style as tending towards a positive tone, and compared it to a Wikipedia entry. A reviewer for the Minneapolis Star-Tribune criticized the book for being predictable. Ms. Magazine said that the book describes the musician's business acumen and motivation to maintain control of her image. A reviewer for the Las Vegas Review-Journal wrote that the book presented a detailed biography of the musician. (Full article...)
  • Image 13 Don't Forget the Bacon! is a children's book written and illustrated by Pat Hutchins. It was published by Bodley Head in 1976. The story is about a little boy who tries to memorise a list of groceries his mother has asked him to buy. The book has been used as a teaching tool to instruct children about early learning concepts. In an analysis of teaching tools for remedial readers, Maurice Saxby notes in the book Books in the Life of a Child: Bridges to Literature & Learning, "Hutchins's Don't Forget the Bacon has been one of my most successful texts." Andrea Hillbrick's Tuning in with Task Cards includes a teaching lesson structured around the boy's shopping list from the story. The book Foundation Blocks suggests Don't Forget the Bacon! be used to teach children about the concept of miscommunication, and Bilinguality and Literacy lists the story among those used to help assist a bilingual child develop fluency in English. (Full article...)
    Don't Forget the Bacon! is a children's book written and illustrated by Pat Hutchins. It was published by Bodley Head in 1976. The story is about a little boy who tries to memorise a list of groceries his mother has asked him to buy. The book has been used as a teaching tool to instruct children about early learning concepts.

    In an analysis of teaching tools for remedial readers, Maurice Saxby notes in the book Books in the Life of a Child: Bridges to Literature & Learning, "Hutchins's Don't Forget the Bacon has been one of my most successful texts." Andrea Hillbrick's Tuning in with Task Cards includes a teaching lesson structured around the boy's shopping list from the story. The book Foundation Blocks suggests Don't Forget the Bacon! be used to teach children about the concept of miscommunication, and Bilinguality and Literacy lists the story among those used to help assist a bilingual child develop fluency in English. (Full article...)
  • Image 14 Cover of first edition Animal Coloration, or in full Animal Coloration: An Account of the Principal Facts and Theories Relating to the Colours and Markings of Animals, is a book by the English zoologist Frank Evers Beddard, published by Swan Sonnenschein in 1892. It formed part of the ongoing debate amongst zoologists about the relevance of Charles Darwin's theory of natural selection to the observed appearance, structure, and behaviour of animals, and vice versa. Beddard states in the book that it contains little that is new, intending instead to give a clear overview of the subject. The main topics covered are camouflage, then called 'protective coloration'; mimicry; and sexual selection. Arguments for and against these aspects of animal coloration are intensively discussed in the book. (Full article...)

    Cover of first edition

    Animal Coloration, or in full Animal Coloration: An Account of the Principal Facts and Theories Relating to the Colours and Markings of Animals, is a book by the English zoologist Frank Evers Beddard, published by Swan Sonnenschein in 1892. It formed part of the ongoing debate amongst zoologists about the relevance of Charles Darwin's theory of natural selection to the observed appearance, structure, and behaviour of animals, and vice versa.

    Beddard states in the book that it contains little that is new, intending instead to give a clear overview of the subject. The main topics covered are camouflage, then called 'protective coloration'; mimicry; and sexual selection. Arguments for and against these aspects of animal coloration are intensively discussed in the book. (Full article...)
  • Image 15 First page from the editio princeps of Historia Naturalis printed in 1469 in Venice by Johann of Speyer. Bibliothèque nationale de France. The Natural History (Latin: Naturalis Historia) is a Latin work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the Natural History compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger. The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiology, zoology, botany, agriculture, horticulture, pharmacology, mining, mineralogy, sculpture, art, and precious stones. (Full article...)

    First page from the editio princeps of Historia Naturalis printed in 1469 in Venice by Johann of Speyer. Bibliothèque nationale de France.

    The Natural History (Latin: Naturalis Historia) is a Latin work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the Natural History compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger.

    The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiology, zoology, botany, agriculture, horticulture, pharmacology, mining, mineralogy, sculpture, art, and precious stones. (Full article...)
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