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2004 studio album by The Dissociatives From Wikipedia, the free encyclopedia
The Dissociatives is the sole album by the Australian duo of the same name, released in April 2004 by record label Eleven. It peaked at No. 12 on the ARIA Albums Chart. Three singles were issued from the album, "Somewhere Down the Barrel" (March 2004), "Young Man, Old Man (You Ain't Better Than the Rest)" (May) and "Horror with Eyeballs". At the ARIA Music Awards of 2004 they won Best Video for "Somewhere Down the Barrel", directed by James Hackett and Best Cover Art for the album, also by Hackett.
| The Dissociatives | |
|---|---|
| |
| Studio album by | |
| Released | 5 April 2004 |
| Recorded | Late 2003 |
| Genre | Pop[1] |
| Length | 43:42 |
| Label | Eleven |
| Producer | Paul Mac |
| Singles from The Dissociatives | |
| |
Daniel Johns (of Silverchair) and Australian dance music producer, Paul Mac, met when Mac remixed Silverchair's song "Freak" off the Freak Show album. The two worked on an experimental extended play, I Can't Believe It's Not Rock, released in 2000.
In mid-2003 Johns and Mac collaborated to record an album, The Dissociatives, starting with basic tracks in London and finishing off in Sydney and Newcastle. The pair provided all the instrumental tracks and vocals themselves with Johns writing the lyrics and recording them in Newcastle.
The duo described the music and lyrics in the April 2004 Australian edition of Rolling Stone, "The music is, for me, a combination of excitement, happiness, rambunctiousness and vicaciousness, done to whimsy," Johns said. "I'd add with a hint of melancholy, but it's more outweighed by joy," added Mac. The magazine's writer described the sound of the debut single, "Somewhere Down the Barrel", as a "happy sort of Radiohead."
The Dissociatives was released on 4 April 2004, by record label, Eleven. It was fitted with the Copy Control protection system in some regions. "Somewhere Down the Barrel", their first single, entered the ARIA Singles Chart on debut at No. 25 on 15 March 2004.[2] It was one of the five most played tracks on Australian radio in early March of that year. Given that Silverchair sold more albums in Australia in the 1990s than any other Australian artist, the debut album by the Dissociatives was expected to be one of the best selling ones when it was released on 5 April in that country. It debuted and peaked at No. 12 on the ARIA Albums Chart.[2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [3] |
| Drowned in Sound | 9/10[4] |
| musicOMH | favourable[5] |
| Pitchfork | 2.5/10[6] |
| PopMatters |   [1] |
The Dissociatives has received a generally positive critical reception. A negative review came from Pitchfork, which wrote, "Leftfield techno vet Paul Mac seems stale working away from a club-oriented context, but it's Johns who seems out of his depth. Maybe he can write a three-chord rock song, but here he under-sings, over-emotes, and writes melodies that spiral off in insane directions before ending up nowhere".[6]
All music written by Daniel Johns and Paul Mac; all lyrics written by Johns.
The album was released in various countries.
| Country | Date | Label | Format | Catalog |
| Australia | 5 April 2004 | Eleven | CD | ELEVENCD23 |
| United States | 29 March 2005 | Astralwerks | CD | 577944 |
| United Kingdom | 2 May 2005 | Virgin Records | CD | CDVIR217 |
| Japan | 25 May 2005 | Toshiba-EMI | CD | VJCP-68751 |
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