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1980 novel by Russell Hoban From Wikipedia, the free encyclopedia
Riddley Walker is a science fiction novel by American writer Russell Hoban, first published in 1980. It won the John W. Campbell Memorial Award for best science fiction novel in 1982,[1] as well as an Australian Science Fiction Achievement Award in 1983.[2] It was nominated for the Nebula Award for Best Novel in 1981.[3]
First edition | |
| Author | Russell Hoban |
|---|---|
| Language | English |
| Genre | Science fiction, Dystopian fiction, Apocalyptic and post-apocalyptic fiction |
| Publisher | Jonathan Cape |
Publication date | 16 October 1980 |
| Publication place | United Kingdom |
| Media type | Print (Hardcover) |
| Pages | 220 |
| Awards | |
| ISBN | 0-224-01851-5 |
| OCLC | 7313161 |
| 813.54 | |
| LC Class | PS3558.O336 |
It is Hoban's best-known adult novel and a drastic departure from his other work, although he continued to explore some of the same themes in other settings.
Hoban began work on the novel in 1974, inspired by the medieval wall painting of the legend of Saint Eustace at Canterbury Cathedral.[4]
Roughly two thousand years after a nuclear war has devastated civilization, Riddley, the young narrator, stumbles upon efforts to recreate a weapon of the ancient world.
The novel's characters live a harsh life in a small area which is presently the English county of Kent, and know little of the world outside of "Inland" (England). Their level of civilization is similar to England's prehistoric Iron Age, although they do not produce their own iron but salvage it from ancient machinery. Church and state have combined into one secretive institution, whose mythology, based on misinterpreted stories of the war and an old Catholic saint (Eustace), is enacted in puppet shows.
One of the most notable features of the book is its unique dialect: an imagined future version of the English language. This language blends puns, phonetic spelling, and colloquialisms, and is influenced by the dialects of East Kent as Hoban heard them before 1980, where the book is set.[4] Professor of English John Mullan praised the novel's dialect as an "extraordinary risk" and noted that the language "naturalises the shattered world" of the novel, absorbing and engaging readers.[4] Author Peter Schwenger called the language "quasi-illiterate, largely phonetic," arguing that it "slows us to the pace of an oral culture."[5]
Some features include:
Peter Ruppert noted that Hoban's novel draws on "such well-known dystopias as A Clockwork Orange, Lord of the Flies, and A Canticle for Leibowitz", and "what is unique in Hoban's haunting vision of the future is his language" which is described as being similar to the Nadsat slang spoken in Anthony Burgess' A Clockwork Orange.[6] The Bulletin of the Atomic Scientists stated that, "The force and beauty and awfulness of Hoban's creation is shattering," and praised the author's use of a crude "Chaucerian English".[7] John Mullan of The Guardian also praised Hoban's decision to narrate the novel in a devolved form of English: "The struggle with Riddley's language is what makes reading the book so absorbing, so completely possessing."[4]
Library Journal wrote that the book holds "a unique and beloved place among the few after-Armageddon classics".[8] It was included in David Pringle's book Science Fiction: The 100 Best Novels. In 1994, American literary critic Harold Bloom included Riddley Walker in his list of works comprising the Western Canon.[9]
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