Piedmontese language

Piedmontese (English: /ˌpiːdmɒnˈtiːz/ PEED-mon-TEEZ; autonym: piemontèis [pjemʊŋˈtɛjz] or lenga piemontèisa; Italian: piemontese) is a language spoken by some 2,000,000 people mostly in Piedmont, a region of Northwest Italy. Although considered by most linguists a separate language, in Italy it is often mistakenly regarded as an Italian dialect.^[3] It is linguistically included in the Gallo-Italic languages group of Northern Italy (with Lombard, Emilian, Ligurian and Romagnol), which would make it part of the wider western group of Romance languages, which also includes French, Arpitan, Occitan, and Catalan. It is spoken in the core of Piedmont, in northwestern Liguria (near Savona), and in Lombardy (some municipalities in the westernmost part of Lomellina near Pavia).

This article includes a list of general references, but it lacks sufficient corresponding inline citations. (June 2012)

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Piedmontese
piemontèis
Native to	Italy
Region	Northwest Italy: Piedmont Liguria Lombardy Aosta Valley
Native speakers	2,000,000 (2012)[1]
Language family	Indo-European Italic Latino-Faliscan Latin Romance Italo-Western Western Romance Gallo-Iberian Gallo-Romance Gallo-Italic Lombard–Piedmontese?[2] Piedmontese
Dialects	Judaeo-Piedmontese †
Official status
Recognised minority language in	Italy  Piedmont
Language codes
ISO 639-3	pms
Glottolog	piem1238
ELP	Piemontese
Linguasphere	51-AAA-of
Piedmontese language distribution in Europe:   Areas where Piedmontese is spoken (municipalities where Occitan and Arpitan presence is only de jure are included)   Areas where Piedmontese is spoken alongside other languages (Occitan, Arpitan and Alemannic) and areas of linguistic transition (with Ligurian and with Lombard)
Piedmontese was classified as Definitely Endangered by the UNESCO Atlas of the World's Languages in Danger in 2010
This article contains IPA phonetic symbols. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Unicode characters. For an introductory guide on IPA symbols, see Help:IPA.

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It has some support from the Piedmont regional government but is considered a dialect rather than a separate language by the Italian central government.^[3]

Due to the Italian diaspora Piedmontese has spread in the Argentinian Pampas, where many immigrants from Piedmont settled. The Piedmontese language is also spoken in some states of Brazil, along with the Venetian language.

The first documents in the Piedmontese language were written in the 12th century, the sermones subalpini [it], when it was extremely close to Occitan, dating from the 12th century, a document devoted to the education of the Knights Templar stationed in Piedmont.

During the Renaissance, the oldest Piedmontese literary work of secular character, are the works of Zan Zòrs Alion, poet of the duchy of Montferrat, the most famous work being the opera Jocunda.

In the 1500s and 1600s, there were several pastoral comedies with parts in Piedmontese.

In the Baroque period, El Cont Piolèt, a comedy by Giovan Battista Tan-na d'Entraive was published.

Literary Piedmontese developed in the 17th and 18th centuries, but it did not gain literary esteem comparable to that of French or Italian, other languages used in Piedmont. Nevertheless, literature in Piedmontese has never ceased to be produced: it includes poetry, theatre pieces, novels, and scientific work.^[4]

The first documents in the Piedmontese language were written in the 12th century, the sermones subalpini, when it was extremely close to Occitan.

Piedmontese is divided into three major groups

• Western which include the dialects of Turin and Cuneo.
• Eastern which in turn is divided into south-eastern (Astigiano, Roero, Monregalese, High Montferrat, Langarolo, Alessandrino) and north-eastern (Low Montferrat, Biellese, Vercellese, Valsesiano).
• Canavese, spoken in the Canavese region in north-western Piedmont.

The variants can be detected in the variation of the accent and variation of words. It is sometimes difficult to understand a person that speaks a different Piedmontese from the one you are used to, as the words or accents are not the same.

• Apocope, i.e., dropping of all of the unstressed vowels at word end,^{[15]: 92–94} except /a/, which is usually centralized to [ɐ].^{[15]: 296–297}
• Syncope i.e., weakening or dropping of unstressed pro-tonic^{[16]: 169–171} and post-tonic vowels: /me'luŋ/ > /mə'luŋ/ > /m'luŋ/,^[17]: 37 same happens in French, and other Gallo-Romance languages. In some cases, prothesis of [ə] or [ɐ] is also present to make some consonant clusters easier to pronounce (ex. novod, "nephew" , [nʊˈvud] > [nvud] > [ɐnˈvud],^{[16][17][page needed]} this feature is also present in Emilian.^{[16][page needed]}
• Nasalization of vowels in front of /n/, as in Western Romance, and then shift of nasalization from the vowel to /n/ with development of the /ŋn/ cluster, and subsequent dropping of [n] (/'buna/> /'bũna/> /'buŋna/ > /'buŋa/).^[17]: 51
• Development of vowels /ø/ and /y/ from [ɔ] and [uː] of Latin, respectively.^{[17]: 36–37}
• Consonantal degemination: SERRARE > saré.
• Latin groups of occlusives [kt] and [gd] become [jd]-, as in Gallo-Romance: NOCTEM > neuit [nøi̯d]; LACTEM > làit [lɑi̯d]. Some dialects have reached the more advanced stage, with palatalization of [i̯d] to [d͡ʒ] (for example Vercelli dialect [nød͡ʒ] and [lad͡ʒ]), as happens in Spanish, Occitan, and Brazilian Portuguese.^{[15]: 350–351}
• Palatization of [kl] and [gl] : Latin CLARUS > ciàr [tʃɑi̯r], "light", GLANDIA > gianda [ˈdʒɑŋdɐ] "nut".^{[15]: 552–558 [17]: 39}
• The Latin unvoiced occlusive /p/, /t/, /k/, are voiced (becoming /b/, /d/, /g/), and then lenited and usually drop: FORMICAM > formìa; APRILEM > avril, CATHÉDRA > careja.^[17]: 50
• Latin /k/-/g/ before front vowels, became post-alveolar affricates /t͡ʃ/ and /d͡ʒ/, then /t͡s/ and /d͡z/ due to typical Western Romance assibilation, later /t͡s/ and /d͡z/ became fricatives: /s/ and /z/: CINERE > sënner; CENTUM > sent; GINGIVA > zanziva.^[17]: 38

Piedmontese is written with a modified Latin alphabet. The letters, along with their IPA equivalent, are shown in the table below.

Certain digraphs are used to regularly represent specific sounds as shown below.

All other combinations of letters are pronounced as written. Grave accent marks stress (except for o which is marked by an acute to distinguish it from ò) and breaks diphthongs, so ua and uà are /wa/, but ùa is pronounced separately, /ˈya/.

Some of the characteristics of the Piedmontese language are:

1. The presence of clitic so-called verbal pronouns for subjects, which give a Piedmontese verbal complex the following form: (subject) + verbal pronoun + verb, as in (mi) i von 'I go'. Verbal pronouns are absent only in the imperative form.
2. The bound form of verbal pronouns, which can be connected to dative and locative particles (a-i é 'there is', i-j diso 'I say to him').
3. The interrogative form, which adds an enclitic interrogative particle at the end of the verbal form (Veus-to…? 'Do you want to...?'])
4. The absence of ordinal numerals higher than 'sixth', so that 'seventh' is col che a fà set 'the one which makes seven'.
5. The existence of three affirmative interjections (that is, three ways to say yes): si, sè (from Latin sic est, as in Italian); é (from Latin est, as in Portuguese); òj (from Latin hoc est, as in Occitan, or maybe hoc illud, as in Franco-Provençal, French and Old Catalan and Occitan).
6. The absence of the voiceless postalveolar fricative /ʃ/ (like the sh in English sheep), for which an alveolar S sound (as in English sun) is usually substituted.
7. The existence of an S-C combination pronounced [stʃ].
8. The existence of a velar nasal [ŋ] (like the ng in English going), which usually precedes a vowel, as in lun-a 'moon'.
9. The existence of the third Piedmontese vowel Ë, which is very short (close to the vowel in English sir).
10. The absence of the phonological contrast that exists in Italian between short (single) and long (double) consonants, for example, Italian fata 'fairy' and fatta 'done (F)'.
11. The existence of a prosthetic Ë sound when consonantal clusters arise that are not permitted by the phonological system. So 'seven stars' is pronounced set ëstèile (cf. stèile 'stars').

Piedmontese has a number of varieties that may vary from its basic koiné to quite a large extent. Variation includes not only departures from the literary grammar, but also a wide variety in dictionary entries, as different regions maintain words of Frankish or Lombard origin, as well as differences in native Romance terminology. Words imported from various languages are also present, while more recent imports tend to come from France and from Italian.

Lexical comparison with other Romance languages and English: