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Cannes 2024

  • Film Still: Feng Liu Yi Dai (Caught By The Tides) Directed by Jia Zhang-ke

    Caught by the Tides review – two-decade relationship tells story of China’s epic transformation

    The 20-year failed romance between a singer and a dodgy music promoter becomes the vehicle for director Jia Zhangke’s latest exploration of China’s momentous recent history
  • Omar Sy, Hirokazu Kore-eda, Ebru Ceylan, Nadine Labaki, Lily Gladstone, Greta Gerwig, Juan Antonio Bayona, Eva Green and Pierfrancesco Favino taking a photograph on a boat.

    Cannes 2024 week one roundup – the jury’s out, the sun isn’t…

    The weather didn’t play ball, but Magnus von Horn’s fierce fairytale and Andrea Arnold’s kitchen-sink take on English mysticism should count among the first-week highlights for Greta Gerwig’s jury
  • Tessa Van den Broeck in Julie Keeps Quiet.

    Julie Keeps Quiet review – a tense volley of dysfunction at tennis academy

    A star player at an elite tennis school decides to stay silent when the head coach is suspended in Leonardo Van Dijl’s absorbing movie of things unsaid and subjects avoided
  • Nicolas Cage in The Surfer.

    The Surfer review – beach bum Nic Cage surfs a high tide of toxic masculinity

  • Oddly passionless … Richard Gere and Uma Thurman in Oh, Canada, directed by Paul Schrader.

    Oh, Canada review – Paul Schrader looks north as Richard Gere’s draft dodger reveals all

  • Cannes film festival Opening Ceremony and The second act premiere<br>CANNES, FRANCE - MAY 14: (L to R) Members of the Jury of the 77th Cannes Film Festival, French actor Omar Sy, US director and president of the Jury of the 77th Cannes Film Festival Greta Gerwig, US actress Lily Gladstone, Lebanese director Nadine Labaki, Turkish writer and photographer Ebru Ceylan, Japanese director Hirokazu Kore-eda, Spanish director, producer and writer Juan Antonio Bayona, French actress Eva Green and Italian actor Pierfrancesco Favino arrive for the Opening Ceremony and the screening of the film 'Le Deuxieme Acte' (The second act) at the 77th edition of the Cannes Film Festival in Cannes, southern France, on May 14, 2024. (Photo by Mustafa Yalcin/Anadolu via Getty Images)

    Brief letters
    A Cannes-do attitude to Europe’s film fund

  • Still from Kinds of Kindness, with close-ups of (left to right) Margaret Qualley, Jesse Plemons and Willem Dafoe

    Peter Bradshaw's film of the week
    Kinds of Kindness review – sex, death and Emma Stone in Lanthimos’s disturbing triptych

  • Three Kilometres to the End of the World review – brutal self-denial in deepest Romania

  • The Cannes red carpet so far: from Sienna Miller in boho-chic to Michelle Yeoh having fun in Bottega Veneta – in pictures

  • Francis Ford Coppola: US politics is at ‘the point where we might lose our republic’

  • Christmas Eve in Miller’s Point review – charming hometown study is extended family party

  • From capes to plunging necklines, all the fashion fun of Cannes film festival

  • ‘Exhausting and extremely dangerous’: Mohammad Rasoulof on his escape from Iran

  • Twilight of the Warriors: Walled In review – frenetic actioner in infamous Kowloon neighbourhood

  • "Megalopolis" Red Carpet - The 77th Annual Cannes Film Festival<br>CANNES, FRANCE - MAY 16: (L-R) Giancarlo Esposito, Aubrey Plaza, Francis Ford Coppola, Romy Croquet Mars, Adam Driver, Nathalie Emmanuel, Laurence Fishburne, Kathryn Hunter and Talia Shire attend the "Megalopolis" Red Carpet at the 77th annual Cannes Film Festival at Palais des Festivals on May 16, 2024 in Cannes, France. (Photo by Gisela Schober/Getty Images)

    ‘Bafflingly shallow’ or ‘staggeringly ambitious’? Francis Ford Coppola’s Megalopolis splits critics

  • Film still: Megalopolis directed by Francis Ford Coppola. Adam Driver

    Megalopolis review – Coppola’s passion project is megabloated and megaboring

  • A second act, a decade on … Lou Ye’s An Unfinished Film.

    An Unfinished Film review – moving and mysterious movie about China’s Covid crisis

  • Film still: On Becoming A Guinea Fowl. Directed by Rungano Nyoni

    On Becoming a Guinea Fowl review – Rungano Nyoni’s strange, intense tale of sexual abuse

  • ‘To escape Gaza is already an achievement. And then to be trans?’: the women defying national and gender boundaries

  • The Girl With the Needle review – horrific drama based on Denmark’s 1921 baby-killer case

About 70 results for Cannes 2024