Directed by
David Howard |
Writing Credits
David Howard | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Pauline Burt | ... | executive producer |
Pippa Cross | ... | executive producer |
Rik Hall | ... | producer |
Linda James | ... | executive producer |
Bryn Roberts | ... | executive producer |
Meinir Stoutt | ... | line producer |
Music by
Richard Hawley |
Cinematography by
Chris Seager | ... | director of photography |
Editing by
Madoc Roberts |
Casting By
Daniel Hubbard |
Production Design by
Phil Roberson |
Art Direction by
Alex Morgan |
Costume Design by
Chrissie Pegg |
Makeup Department
Sallie Adams | ... | personal makeup artist: Faye Dunaway |
Catherine Davies | ... | chief hair & make up designer |
Production Management
Lionel Strutt | ... | post-production supervisor |
Second Unit Director or Assistant Director
Nick Gorman | ... | first assistant director |
Stuart Renfrew | ... | assistant director |
Art Department
Sian Bundy | ... | stand-by art director |
Gary Flay | ... | property master |
Jason Hicks | ... | scenic painter |
Matthew Ireland | ... | set dresser |
Alan Jones | ... | stand-by props |
Alex Looker | ... | art department trainee |
Lee Radford | ... | set dresser |
Alex Tomlinson | ... | illustrator |
Sound Department
Phil Edwards | ... | sound (as Phil Edward) |
Alex Hudd | ... | sound consultant: dolby |
Simon Jones | ... | re-recording mixer |
Marc Walters | ... | boom operator / re-recording mixer |
Special Effects by
Mike H.G. Bates | ... | special makeup effects supervisor: Hybrid Enterprises |
Michael Burrett | ... | special effects supervisor |
Mark Kilburn | ... | sculptor: Hybrid Enterprises |
Ricky Leach | ... | lead sculptor |
Mike Stringer | ... | prosthetics designer: Hybrid Enterprises |
Dawn Whitehead-Binns | ... | sculptor: Hybrid Enterprises |
Visual Effects by
Michael Burrett | ... | visual effects supervisor |
Gary Bush | ... | visual effects |
Stunts
George Cottie | ... | stunt driver |
Kevin McCurdy | ... | fight arranger (as Kevin Mccurdy) |
Lee Sheward | ... | stunt coordinator (as Lee Sherward) |
Camera and Electrical Department
Chris Black | ... | camera trainee: second unit |
Matt Churchill | ... | second assistant camera: second unit |
Steve Guy | ... | gaffer |
Stephen Hoppy Hopkins | ... | electrician (as Steve Hopkins) |
Vince McGahon | ... | camera operator: "a" camera / steadicam operator |
Chris Morrell | ... | electric trainee |
Anthony Sutcliffe | ... | focus puller: second unit |
Guto Vaughan | ... | assistant camera |
Dave Wells | ... | best boy grip |
Chris Williams | ... | second assistant camera |
Tony Yates | ... | additional cinematographer |
Music Department
Richard Hawley | ... | original music produced by |
Mike Timm | ... | music engineer |
Script and Continuity Department
Britt Harrison | ... | script consultant |
Angharad Parry | ... | script supervisor (uncredited) |
Transportation Department
Nigel Venables | ... | facilities driver |
Additional Crew
Illtud Llyr Dunsford | ... | liaison: film commission |
Britt Harrison | ... | for the Film Agency for Wales |
Carol Perry | ... | dancers trained by: New Cottage Dance Centre |
Phil Perry | ... | dancers trained by: New Cottage Dance Centre |
Penelope Robinson | ... | production accountant |
Craig Stoutt | ... | production coordinator |
Alex Tomlinson | ... | original illustrations / storyboard artists (uncredited) |
Thanks
Dean Beresford | ... | special thanks: Palookaville! |
Oliver Darling | ... | special thanks: Palookaville! |
Julia Dean | ... | special thanks |
Allison Dowzell | ... | special thanks |
Al Gare | ... | special thanks: Palookaville! |
Chris Graves | ... | special thanks |
Britt Harrison | ... | special thanks |
Cees Klop | ... | special thanks: original 50s rockabilly tracks |
Roger Lewis | ... | special thanks |
Imelda May | ... | special thanks: Palookaville! |
Terence Rigby | ... | in memory of |
Jimmy Sangster | ... | special thanks |
Graham Wrench | ... | special thanks |