Aesthetics Quotes

“Behind every exquisite thing that existed, there was something tragic.”
― Oscar Wilde, The Picture of Dorian Gray

“Nothing's perfect, the world's not perfect. But it's there for us, trying the best it can; that's what makes it so damn beautiful.”
― Hiromu Arakawa, Fullmetal Alchemist, Vol. 1

“Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.”
― Sophia Loren

“When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.

Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.

That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.

Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?

Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.

The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.”
― China Miéville

“Needing to have reality confirmed and experience enhanced by photographs is an aesthetic consumerism to which everyone is now addicted. Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution.”
― Susan Sontag, On Photography

“In so far as the mind sees things in their eternal aspect, it participates in eternity.”
― Baruch de Spinoza, Spinoza in der europäischen Geistesgeschichte

“Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.”
― Alfred North Whitehead

“Rules of taste enforce structures of power.”
― Susan Sontag

“Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.”
― Wassily Kandinsky, Concerning the Spiritual in Art

“I want to say something about bad writing. I'm proud of my bad writing. Everyone is so intelligent lately, and stylish. Fucking great. I am proud of Philip Guston's bad painting, I am proud of Baudelaire's mamma's boy goo goo misery. Sometimes the lurid or shitty means having a heart, which's something you have to try to have. Excellence nowadays is too general and available to be worth prizing: I am interested in people who have to find strange and horrible ways to just get from point a to point b.”
― Ariana Reines

“Were they aware, in the intensity of their embrace, of something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanised billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even ugly vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware—were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not unreality but a hidden reality: the presence at all times, in all places, of a beautiful world?”
― Sally Rooney, Beautiful World, Where Are You

“An artist's concern is to capture beauty wherever he finds it.”
― Kazuo Ishiguro, An Artist of the Floating World

“Any great art work … revives and readapts time and space, and the measure of its success is the extent to which it makes you an inhabitant of that world - the extent to which it invites you in and lets you breathe its strange, special air.”
― Leonard Bernstein

“Aesthetics have substantial political consequences. How one views oneself as beautiful or not beautiful or desirable or not desirable has deep consequences in terms of one’s feelings of self-worth and one’s capacity to be a political agent.”
― Cornel West, Breaking Bread: Insurgent Black Intellectual Life

“Styles may change, details may come and go, but the broad demands of aesthetic judgement are permanent.”
― Roger Scruton

“Think of cocaine. In its natural form, as coca leaves, it's appealing, but not to an extent that it usually becomes a problem. But refine it, purify it, and you get a compound that hits your pleasure receptors with an unnatural intensity. That's when it becomes addictive.

Beauty has undergone a similar process, thanks to advertisers. Evolution gave us a circuit that responds to good looks - call it the pleasure receptor for our visual cortex - and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical-grade beauty, the cocaine of good looks.

Biologists call this "supernormal stimulus" [...] Our beauty receptors receive more stimulation than they were evolved to handle; we're seeing more beauty in one day than our ancestors did in a lifetime. And the result is that beauty is slowly ruining our lives.

How? The way any drug becomes a problem: by interfering with our relationships with other people. We become dissatisfied with the way ordinary people look because they can't compare to supermodels.”
― Ted Chiang, Stories of Your Life and Others

“Girls have always been told that their value is tied to their appearance; their accomplishments are always magnified if they're pretty and diminished if they're not. Even worse, some girls get the message that they can get through life relying on just their looks, and then they never develop their minds. [...]

Being pretty is fundamentally a passive quality; even what you work at it, you're working at being passive.”
― Ted Chiang, Stories of Your Life and Others

“We Orientals tend to seek our satisfactions in whatever surroundings we happen to find ourselves, to content ourselves with things as they are; and so darkness causes us no discontent, we resign ourselves to it as inevitable. If light is scarce, then light is scarce; we will immerse ourselves in the darkness and there discover its own particular beauty. But the progressive Westerner is determined always to better his lot. From candle to oil lamp, oil lamp to gaslight, gaslight to electric light—his quest for a brighter light never ceases, he spares no pains to eradicate even the minutest shadow.”
― Junichirō Tanizaki, In Praise of Shadows

“The darkening of the world makes the irrationality of art rational: radically darkened art.”
― Theodor W. Adorno, Aesthetic Theory

“It was one of God's jokes that such a dumb mind had been put in such an eloquent body.”
― Charlaine Harris, Dead Until Dark

“Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties.”
― Harold Bloom, The Western Canon: The Books and School of the Ages

“Art is the social antithesis of society, not directly deducible from it.”
― Theodor W. Adorno, Aesthetic Theory

“In the world there exists no aesthetic plane, not even the aesthetic plane of goodness.”
― Clarice Lispector, The Passion According to G.H.

“Desire for beauty will endure and undermine the desire for truth.”
― Richard O. Prum, The Evolution of Beauty: How Darwin's Forgotten Theory of Mate Choice Shapes the Animal World—And Us

“To the man who loves art for its own sake, it is frequently in its least important and lowliest manifestations that the keenest pleasure is to be derived.”
― Arthur Conan Doyle, The Adventure of the Copper Beeches - a Sherlock Holmes Short Story

“Is the world really beautified by the fact that man thinks it beautiful? He has humanized it, that is all.”
― Friedrich Nietzsche, Twilight of the Idols / The Anti-Christ

“God's pleasure--the beauty creation possesses in his regard--underlies the distinct being of creation, and so beauty is the first and truest word concerning all that appears within being; beauty is the showing of what is; God looked upon what he had wrought and saw that it was good.”
― David Bentley Hart, The Beauty of the Infinite: The Aesthetics of Christian Truth

“Art becomes so specialized as to be comprehensible only to artists, and they complain bitterly of public indifference to their work.

Competition arises. The wild battle for success becomes more and more material. Small groups who have fought their way to the top of the chaotic world of art and picture-making entrench themselves in the territory they have won. The public, left far behind, looks on bewildered, loses interest and turns away.”
― Wassily Kandinsky, Concerning the Spiritual in Art

“There is an expression in Japanese that says that someone who makes things of poor quality is in fact worse than a thief because he doesn't make things that will last or provide true satisfaction. A thief at least redistributes the wealth of a society.”
― Andrew Juniper, Wabi Sabi: The Japanese Art of Impermanence - Understanding the Zen Philosophy of Beauty in Simplicity

“In here, Phryne, is the nursery. Do you like babies?
Phryne laughed.
No, not at all. they are not aesthetic like a puppy or a kitten. In fact, they always look drunk to me. look at that one---you'd swear he had been hitting the gin.”
― Kerry Greenwood, Cocaine Blues