Cultural life
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The arts
Uttar Pradesh is the springhead of the ancient civilization of the Hindus. A substantial portion of the subcontinent’s ancient Vedic literature had its origin in the area’s many hermitages, as did the great Indian epics the Ramayana and the Mahabharata (which includes the Bhagavadgita [Sanskrit: “Song of the Lord”]). Sculptures and architecture of the Buddhist-Hindu period (c. 600 bce to c. 1200 ce) have contributed greatly to the Indian cultural heritage. Since 1947 the emblem of the government of India has been based on the four-lion capital of a pillar (preserved in a museum at Sarnath, near Varanasi) left by the 3rd-century-bce Mauryan emperor Ashoka.
Architecture, painting, music, and dance all flourished during the Mughal period (16th–18th century). Mughal architecture reached its height under the emperor Shah Jahān, who built the spectacular Taj Mahal at Agra. Paintings of the period were generally portraits or illustrations of religious and historic texts. Much of the musical tradition in Uttar Pradesh also was developed during the period. The type of music performed by Tansen and Baiju Bawra, contemporaries of the Mughal emperor Akbar, is still well known in the state and throughout India. The sitar (a stringed instrument of the lute family) and the tabla (consisting of two small drums)—perhaps the two most popular instruments of Indian music—were developed in the region during that period. The kathak classical dance style, which originated in the 18th century as a devotional dance in the temples of Vrindavan and Mathura, is the most popular form of classical dance in northern India.
As the birthplace of Hindi, an official language of the state and the country, Uttar Pradesh is an important centre of Hindi literature. Although various vernacular forms of the language developed over the centuries, literary Hindi (like Urdu) did not take its present form until the 19th century. Bhartendu Harishchandra (1850–85) of Varanasi was one of the first major writers to use that form of Hindi as a literary medium.
Cultural institutions
Among the prominent art museums in Uttar Pradesh are the State Museum at Lucknow; the Archaeological Museum at Mathura; the Sarnath Museum, specializing in Buddhist antiquities; the Bharat Kala Bhavan, a museum of art and archaeology at Varanasi; and the Allahabad Museum at Prayagraj. Colleges of arts and Hindustani music at Lucknow and the Prayag Sangeet Samiti, a music institute based in Prayagraj, have contributed immensely to the development of the fine arts and of classical music in the country. Such organizations as the Nagri Pracharni Sabha, the Hindi Sahitya Sammelan, and the Hindustani Academy have been instrumental in the development of Hindi literature. In addition, the Uttar Pradesh Urdu Academy was set up by the state government for the preservation and enrichment of Urdu literature.
Festivals and holidays
Most of the festivals and holidays in the state are tied to the Hindu calendar. They include Dussehra, celebrating the victory of Rama over Ravana, the symbol of evil on earth; Diwali, a festival of lights devoted to Lakshmi, the goddess of wealth; Shivaratri, a day devoted to the worship of the god Shiva; Holi, a colourful spring festival; and Janmashtami, celebrating the birthday of the god Krishna. Important religious occasions for Muslims in Uttar Pradesh include mawlids, birthdays of holy figures; Muḥarram, commemorating the martyrdom of the hero al-Ḥusayn ibn ʿĀli; Ramadan, a month devoted to fasting; and the canonical festivals of Eid al-Fitr and Eid al-Adha. Buddha Purnima (also known as Wesak or Vesak), commemorating the Buddha’s birth, enlightenment, and death; Mahavira Jayanti, marking the birthday of the saviour Mahavira; Guru Nanak’s birthday; and Christmas are important to Buddhists, Jains, Sikhs, and Christians, respectively, but are celebrated by people of all faiths. More than 2,000 fairs take place annually in the state. The largest religious festival of India, the Kumbh Mela, held at Prayagraj every 12 years, attracts millions of people.
