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The Mays Literary Anthology (or just The Mays) is an annual anthology of new writing by students from the University of Oxford and the University of Cambridge. [1]
| | This article needs additional citations for verification .(June 2010) |
The Mays Literary Anthology (or just The Mays) is an annual anthology of new writing by students from the University of Oxford and the University of Cambridge. [1]
Anthologies of poetry by undergraduates from the University of Oxford and the University of Cambridge were first published in 1913, with Cambridge Poets: 1910–1913 and Oxford Poetry: 1910–1913 being produced respectively by Arthur Quiller-Couch and Gilbert Murray. [2] Many years later in 1992, Peter Ho Davies, Adrian Woolfson, and Ron Dimant, who met while working together at the Cambridge University Student Newspaper, Varsity, independently established a totally new publication concept known as The May Anthology of Poetry and The May Anthology of Short Stories, originally published as two separate anthologies: one devoted to poetry and the other to prose. The idea came about when the three friends were standing outside Queens College one evening, and realized that they all aspired to publishing books. Once they had resolved to set up the anthologies, Adrian Woolfson pulled in Ian Critchley - who was at the time a student editor on the Oxford University Student Newspaper, Cherwell - as his Oxford co-editor. The nucleus of the Cambridge team, who led the project, was Woolfson's attic room at 5 Harvey Road, where the editorial team would meet weekly to review the submitted materials. In 2003 The May Anthologies became a single publication. [3]
Each year, the Mays receives hundreds of submissions from students at Oxford and Cambridge.[ citation needed ] The Editorial Committee (composed of students from both universities) review the submissions.
The Mays is often noted for launching the career of novelist Zadie Smith. [4] [5] Her work appears in two of the short story editions (1996 and 1997). Literary agencies first took notice of Smith after seeing her story "Mrs. Begum's Son and the Private Tutor" in the 1997 collection. Smith guest edited the Mays in 2001. Her quip "maybe in a few years this lot will have me out of a job" has become a catch phrase for the publication. [6]
The Mays is broader in scope than most university literary projects: it is sold in bookstores and by delivery nationwide; it is distributed to every major literary agent; and each year a guest editor — usually a prominent author, poet, or artist — writes an introduction to the anthology. [3] Previous guest editors include: Margaret Drabble and Jon Stallworthy (1992), Michael Dibdin and Seamus Heaney (1993), Stephen Fry (1994), Ted Hughes (1995), Penelope Fitzgerald (1996), Christopher Reid and Jill Paton Walsh (1997), Sebastian Faulks and J.H. Prynne (1998), Penelope Lively and John Kinsella (1999), Paul Muldoon and Lawrence Norfolk (2000), Zadie Smith and Michael Donaghy (2001), Andrew Motion and Nick Cave (2002), Ali Smith (2003), Philip Pullman (2004), Robert Macfarlane (2005), Don Paterson and Jeanette Winterson (2006), Colm Toibin (2007), Ian Patterson (2008), Patti Smith (2009), Amit Chaudhuri, Tom Raworth (2010), [ citation needed ], Jarvis Cocker (2011), John Darnielle, Tao Lin, Toby Litt (2012), Michael Frayn, David Harsent, Tom Phillips (2013), John Fuller, Paul Farley, Ben Okri, Prajwal Parajuly, Emma Chichester Clark and Alexander Gilkes (2014), Roger Mcgough and Rupi Kaur (2016). [7]
The Mays is associated with Varsity Publications Ltd, which publishes Varsity . [8] The cost of publication is funded in part by donations from various Oxford and Cambridge colleges.
The Movement was a term coined in 1954 by J. D. Scott, literary editor of The Spectator, to describe a group of writers including Philip Larkin, Kingsley Amis, Donald Davie, D. J. Enright, John Wain, Elizabeth Jennings, Thom Gunn and Robert Conquest. The Movement was quintessentially English in character; poets from other parts of the United Kingdom were not involved.
This article contains information about the literary events and publications of 2000.
Zadie Smith FRSL is an English novelist, essayist, and short-story writer. Her debut novel, White Teeth (2000), immediately became a best-seller and won a number of awards. She became a tenured professor in the Creative Writing faculty of New York University in September 2010.
The British Poetry Revival is the general name now given to a loose movement in the United Kingdom that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology The New American Poetry (1960) edited by Donald Allen.
British Poetry since 1945 is a poetry anthology edited by Edward Lucie-Smith, published in 1970 by Penguin Books, with a second and last edition in 1985. The anthology is a careful attempt to take account of the whole span of post-war British poetry, including poets from The Group, a London-centred workshop that Lucie-Smith himself had once been chairman of, following the departure of founder Philip Hobsbaum.
Varsity is the oldest of Cambridge University's main student newspapers. It has been published continuously since 1947 and is one of only three fully independent student newspapers in the UK. It moved back to being a weekly publication in Michaelmas 2015, and is published every Friday during term time.
Philip Dennis Hobsbaum was a British teacher, poet and critic.
The Group was an informal group of poets who met in London from the mid-1950s to the mid-1960s. As a poetic movement in Great Britain it is often seen as being the successor to The Movement.
Dame Hermione Lee, is a British biographer, literary critic and academic. She is a former President of Wolfson College, Oxford, and a former Goldsmiths' Professor of English Literature in the University of Oxford and Professorial Fellow of New College. She is a Fellow of the British Academy and of the Royal Society of Literature.
3:AM Magazine is a literary magazine, which was set up as 3ammagazine.com in April 2000 and is edited from Paris. Its editor-in-chief since inception has been Andrew Gallix, a lecturer at the Sorbonne.
Second Aeon was a British literary periodical published from late 1966 to early 1975. It ran for 21 issues and was edited by Peter Finch. A spin-off of the magazine was Second Aeon Publications, a series of booklets, broadsheets and bound volumes that eventually reached 100 in number.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Bloodaxe Books is a British publishing house specializing in poetry.
Ōrongohau | Best New Zealand Poems is an annual online anthology of poems chosen by guest editors. The anthology began in 2001 and is published by the International Institute of Modern Letters at Victoria University of Wellington in New Zealand. It is supported by a grant from Creative New Zealand.
The Outlook (1870–1935) was a weekly magazine, published in New York City.
The Cambridge Literary Review (CLR) is a literary magazine published on an occasional basis. It is edited by Lydia Wilson, Rosie Šnajdr, Jocelyn Betts and Paige Smeaton and is run from Trinity Hall college at the University of Cambridge in England. It was founded in 2009 by Boris Jardine and Lydia Wilson with assistance from the University's 800th anniversary fund. It publishes poetry, short fiction and criticism, and although its commitment to experimental and often difficult works is influenced by the 'Cambridge School' of poetry it has included contributions by writers from around the world and in many languages. It has received notice in The Times Literary Supplement.
Emily Critchley is an experimental writer and academic. Her writings have garnered numerous international awards, including the Jane Martin Prize for Poetry (2011) and the John Kinsella-Tracy Ryan Prize for Poetry, among others. Her work has been translated into several languages.
John Critchley Prince (1808–1866) was an English labouring-class poet. His Hours of the Muses went through six editions.
Lola Olufemi is a British writer. She is an organiser with the London Feminist Library, and her writing has been published in many national and international magazines and newspapers. She is the author of Experiments in Imagining Otherwise and Feminism, Interrupted: Disrupting Power, and the co-editor of A FLY Girl's Guide to University: Being a Woman of Colour at Cambridge and Other Institutions of Power and Elitism.
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