Sir Kingsley William Amis was an English novelist, poet, critic and teacher. He wrote more than 20 novels, six volumes of poetry, a memoir, short stories, radio and television scripts, and works of social and literary criticism. He is best known for satirical comedies such as Lucky Jim (1954), One Fat Englishman (1963), Ending Up (1974), Jake's Thing (1978) and The Old Devils (1986).
Richard Dawkins is a British evolutionary biologist, zoologist, and author. He is an emeritus fellow of New College, Oxford, and was Professor for Public Understanding of Science in the University of Oxford from 1995 to 2008. His 1976 book The Selfish Gene popularised the gene-centred view of evolution, as well as coining the term meme. Dawkins has won several academic and writing awards.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Consequently, the word theory became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy.
Stanley Eugene Fish is an American literary theorist, legal scholar, author and public intellectual. He is currently the Floersheimer Distinguished Visiting Professor of Law at Yeshiva University's Benjamin N. Cardozo School of Law in New York City. Fish has previously served as the Davidson-Kahn Distinguished University Professor of Humanities and a professor of law at Florida International University and is dean emeritus of the College of Liberal Arts and Sciences at the University of Illinois at Chicago.
Fredric Jameson is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
V. C. Sreejan is a literary critic writing in Malayalam. Born in 1951, he retired in 2007 after working as Reader in English in Government Brennen College, Thalassery. He has published eleven books in Malayalam. In 2003 he was awarded the Kerala Sahithya Akademi's C.B. Kumar Award' for his work Arthantharanyasm.
Jonathan Culler is an American literary critic. He was Class of 1916 Professor of English and Comparative Literature at Cornell University. His published works are in the fields of structuralism, literary theory and literary criticism.
The God Delusion is a 2006 book by British evolutionary biologist and ethologist Richard Dawkins. In The God Delusion, Dawkins contends that a supernatural creator, God, almost certainly does not exist, and that belief in a personal god qualifies as a delusion, which he defines as a persistent false belief held in the face of strong contradictory evidence. He is sympathetic to Robert Pirsig's statement in Lila (1991) that "when one person suffers from a delusion it is called insanity. When many people suffer from a delusion it is called religion." In the book, Dawkins explores the relationship between religion and morality, providing examples that discuss the possibility of morality existing independently of religion and suggesting alternative explanations for the origins of both religion and morality.
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth. Marxists believe that economic and social conditions, and especially the class relations that derive from them, affect every aspect of an individual's life, from religious beliefs to legal systems to cultural frameworks. From one classic Marxist point of view, the role of art is not only to represent such conditions truthfully, but also to seek to improve them ; however, this is a contentious interpretation of the limited but significant writing by Marx and Engels on art and especially on aesthetics. For instance, Nikolay Chernyshevsky, who greatly influenced the art of the early Soviet Union, followed the secular humanism of Ludwig Feuerbach more than he followed Marx.
The Dawkins Delusion? Atheist Fundamentalism and the Denial of the Divine is a book by the theologian Alister McGrath and the psychologist Joanna Collicutt McGrath. It is written from a Christian perspective as a response to arguments put forth in The God Delusion by Richard Dawkins. The work was published in the United Kingdom in February 2007 by the Society for Promoting Christian Knowledge and in the United States in July 2007.
The sociology of literature is a subfield of the sociology of culture. It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 Les Règles de L'Art: Genèse et Structure du Champ Littéraire, translated by Susan Emanuel as Rules of Art: Genesis and Structure of the Literary Field (1996).
Harold Bloom was an American literary critic and the Sterling Professor of humanities at Yale University. In 2017, Bloom was called "probably the most famous literary critic in the English-speaking world". After publishing his first book in 1959, Bloom wrote more than 50 books, including over 40 books of literary criticism, several books discussing religion, and one novel. He edited hundreds of anthologies concerning numerous literary and philosophical figures for the Chelsea House publishing firm. Bloom's books have been translated into more than 40 languages. He was elected to the American Philosophical Society in 1995.
The courtier's reply is an alleged type of informal fallacy, coined by American biologist PZ Myers, in which a respondent to criticism claims that the critic lacks sufficient knowledge, credentials, or training to pose any sort of criticism whatsoever. It may be considered an inverted form of argument from authority, where a person without authority disagreeing with authority is presumed incorrect prima facie.
Mary Ellmann (1921–1989) was an American writer and literary critic. Magazines she reviewed for included The New York Review of Books, The Nation, Encounter, The Atlantic Monthly, Commentary, The New Republic, the New Statesman and The American Scholar.
Why Marx Was Right is a 2011 non-fiction book by the British academic Terry Eagleton about the 19th-century philosopher Karl Marx and the schools of thought, collectively known as Marxism, that arose from his work. Written for laypeople, Why Marx Was Right outlines ten objections to Marxism that they may hold and aims to refute each one in turn. These include arguments that Marxism is irrelevant owing to changing social classes in the modern world, that it is deterministic and utopian, and that Marxists oppose all reforms and believe in an authoritarian state.
Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx. Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors. The English literary critic and cultural theorist Terry Eagleton defines Marxist criticism this way: "Marxist criticism is not merely a 'sociology of literature', concerned with how novels get published and whether they mention the working class. Its aims to explain the literary work more fully; and this means a sensitive attention to its forms, styles and, meanings. But it also means grasping those forms styles and meanings as the product of a particular history." In Marxist criticism, class struggle and relations of production are the central instruments in analysis.
Graham Holderness is a writer and critic who has published as author or editor 60 books, mostly on Shakespeare, and hundreds of chapters and articles of criticism, theory and theology. He was one of the founders of British Cultural materialism, a pioneer of critical-creative writing, and a significant contributor to interdisciplinary work in Literature and Theology.
In literary criticism and cultural studies, postcritique is the attempt to find new forms of reading and interpretation that go beyond the methods of critique, critical theory, and ideological criticism. Such methods have been characterized as a "hermeneutics of suspicion" by Paul Ricœur and as a "paranoid" or suspicious style of reading by Eve Kosofsky Sedgwick. Proponents of postcritique argue that the interpretive practices associated with these ways of reading are now unlikely to yield useful or even interesting results. As Rita Felski and Elizabeth S. Anker put it in the introduction to Critique and Postcritique, "the intellectual or political payoff of interrogating, demystifying, and defamiliarizing is no longer quite so self-evident." A postcritical reading of a literary text might instead emphasize emotion or affect, or describe various other phenomenological or aesthetic dimensions of the reader's experience. At other times, it might focus on issues of reception, explore philosophical insights gleaned via the process of reading, pose formalist questions of the text, or seek to resolve a "sense of confusion."
Marxist cultural analysis is a form of cultural analysis and anti-capitalist cultural critique, which assumes the theory of cultural hegemony and from this specifically targets those aspects of culture which are profit driven and mass-produced under capitalism.
