Steal This Film | |
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Produced by | The League of Noble Peers |
Starring | Members of The Pirate Bay and Piratbyrån |
Distributed by | Independent BitTorrent only |
Release date |
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Running time | 32 minutes (original) 52 minutes (trial edition) |
Countries | UK and Germany |
Languages | English, with some subtitled Swedish |
Budget | $3,000 [1] |
Steal This Film 2 | |
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Directed by | Jamie King |
Produced by | The League of Noble Peers |
Cinematography | Luca Lucarini |
Edited by | Luca Lucarini |
Distributed by | Independent BitTorrent only |
Release date |
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Running time | 44 minutes |
Countries | United Kingdom, Germany |
Language | English |
Steal This Film is a film series documenting the movement against intellectual property directed by Jamie King, produced by The League of Noble Peers and released via the BitTorrent peer-to-peer protocol.
Two parts, and one special The Pirate Bay trial edition of the first part, have been released so far, and The League of Noble Peers is working on "Steal this Film – The Movie" and a new project entitled "The Oil of the 21st Century". [2]
Part One, shot in Sweden and released in August 2006, combines accounts from prominent players in the Swedish piracy culture (The Pirate Bay, Piratbyrån, and the Pirate Party) with found material, propaganda-like slogans and Vox Pops.
It includes interviews with The Pirate Bay members Fredrik Neij (tiamo), Gottfrid Svartholm (anakata) and Peter Sunde (brokep) that were later re-used by agreement in the documentary film Good Copy Bad Copy , as well as with Piratbyrån members Rasmus Fleischer (rsms), Johan (krignell) and Sara Andersson (fraux).
The film [3] is notable for its critical analysis of an alleged regulatory capture [4] attempt performed by the Hollywood film lobby to leverage economic sanctions by the United States government on Sweden through the WTO. Evidence is presented of pressure applied through Swedish courts on Swedish police to conducting a search and seizure against The Pirate Bay to disrupt its BitTorrent tracker service, in contravention of Swedish law. [5]
The Guardian 's James Flint called Part One "at heart a traditionally structured 'talking heads' documentary" with "amusing stylings" from film-makers who "practice what they preach." [6] It also screened at the British Film Institute and numerous independent international events, and was a talking point in 2007's British Documentary Film Festival. [7] [8] In January 2008 it was featured on BBC Radio 4's Today , in a discussion piece which explored the implications of P2P for traditional media. [ citation needed ]
Material found in Steal This Film includes the music of Can, tracks "Thief" and "She Brings the Rain"; clips from other documentary interviews with industry and governmental officials; several industry anti-piracy promotionals; logos from several major Hollywood studios, and sequences from The Day After Tomorrow , The Matrix , Zabriskie Point , and They Live . The use of these short clips is believed to constitute fair use.
Steal This Film (Part 2) [9] (sometimes subtitled 'The Dissolving Fortress') was produced during 2007. It premiered (in a preliminary version) at a conference entitled "The Oil of the 21st Century – Perspectives on Intellectual Property" in Berlin, Germany, November 2007. [10]
Thematically, Part 2 "examines the technological and enforcement end of the copyright wars, and on the way that using the internet makes you a copier, and how copying puts you in legal jeopardy." [11] It discusses Mark Getty's assertion that 'intellectual property is the oil of the 21st century'. Part 2 draws parallels between the impact of the printing press and the internet in terms of making information accessible beyond a privileged group or "controllers". The argument is made that the decentralised nature of the internet makes the enforcement of conventional copyright impossible. Adding to this the internet turns consumers into producers, by way of user generated content, leading to the sharing, mashup and creation of content not motivated by financial gains. This has fundamental implications for market-based media companies. The documentary asks "How will society change" and states "This is the Future – And it has nothing to do with your bank balance".
Boing Boing's Cory Doctorow called it 'an amazing, funny, enraging and inspiring documentary series', and Part II "even better than part I." [11]
A Trial Edition (also known as '2.5' or 'Spectrial' edition) was released to coincide with the trial in 2009 of The Pirate Bay. This version includes material from Steal This Film I and II combined with new interviews shot with Peter Sunde and others during 2008, some historical background about the Pirate Bay and Dutch printers (who were also considered pirates) as well as interview clips about the legal conflict itself. [12] Steal This Film 'Spectrial Edition' is widely available online and it is thought to be this version that is now available to television stations and others. [ citation needed ]
The new edition of Steal This Film was part of the Official Selection and in competition at the 2009 Roma Fiction Festival (Factual strand). [13] [14] The jury awarded a Special Mention for its "unconventional style and provocative look at the media revolution taking place in the world." [15]
Steal This Film was selected for the Sheffield International Documentary Film Festival 2008, [16] South By Southwest festival 2008 in Austin, Texas, [17] and the Singapore International Film Festival 2008. [18] Other festivals at which it was shown included Tampere Film Festival, 2008, [19] Salt Spring Film Festival 2007, [20] Rhythm of the Line Festival 2007 [21] and Kerala International Film Festival, India.[ citation needed ]Steal This Film was nominated for the Ars Electronica 2008 Digital Communities prize [22] and was a semi-finalist in online video-streaming site Babelgum's 2008 competition. Amongst others it has been shown on History Channel Spain, Canal + Poland, Noga Israel, TV4 Sweden and Dublin Community TV, Ireland. [ citation needed ]
The film is taught in Universities on media courses worldwide, including New York University's Media Culture & Communication course. [23]
The film is famous partly for being one of the most downloaded documentaries to date.[ citation needed ] Part One was released through an arrangement with The Pirate Bay; the filesharing site marketed Steal This Film in place of its own pirate ship logo. This produced millions of downloads for the film[ citation needed ] and catapulted it to wide recognition on the Internet after it hit Digg, Slashdot, Reddit and other online centres of attention.
Steal This Film (Part 2) was distributed in a similar manner, but with more trackers and indexes involved, including Isohunt and Mininova. Estimates of the total current downloads of the film hover at around the 6 million mark via bittorrent alone.[ citation needed ] Since the creators have not attempted to restrict copying, the film is also available on YouTube, Google Video and many other web-based video services.
A cam version leaked soon after the premiere of Steal This Film (Part 2) in Berlin. [24] Part 2 had its theatrical (rather than viewed online) premiere at the openly organised Who Makes And Owns Your Work artistic seminar in Stockholm 2007. [25] Despite the principles of the seminar itself (organised via public wiki in a year-long process), the involvement of Piratbyran roused the funders of the seminar, the Swedish Arts Grants Committee, to prohibit Piratbyran's logo on the seminar marketing materials alongside its own. [26] The seminar initiators' solution was to add a black sticker dot over the logo, which was easily peeled off. Another condition given by the committee was that a moderator or an anti-piracy spokesperson be present to balance the debate. [27]
The documentary was officially released for peer-to-peer filesharing using peer-to-peer networks on 28 December 2007 and, according to the filmmakers, downloaded 150,000 times in the first three days of distribution. [28] Pirate Bay encouraged the downloading of Steal This Film Two, announcing its release on its blog. [29] Steal This Film Part 2 was also screened by the Pirate Cinema Copenhagen in January 2008. [30] The documentary can also be downloaded on the official Steal This Film website. [31]
Both Part One and Part Two are in English, mostly, with the former having some Swedish dialogue subtitled in English. Due to great interest in the documentary by volunteer translators, Part Two has subtitles in Czech, Croatian, Danish, Dutch, French, Finnish, German, Greek, Hungarian, Italian, Polish, Portuguese, Russian, Spanish, Turkish and Ukrainian.
As well as funding from BRITDOC, the Steal This Film producers continues to use a loose version of the Street Performer Protocol,[ citation needed ] collecting voluntary donations via a PayPal account, from the website. [32] For future financing, director Jamie King (producer) has written that he and the League of Noble Peers propose, a "post IP compensation system" which "allows viewers and listeners to make voluntary payments right from the client in which they play media." [33]
The League of Noble Peers asked for donations and more than US$30,000 ($42,606 in 2023) had been received as of 5 July 2009. [34] The filmmakers report that roughly one in a thousand viewers are donating, mostly USD $15–40.
Steal This Film One and Two are credited as 'conceived, directed, and produced' by The League of Noble Peers. Where Part One contains no personal attribution, Part Two has full credits.
Criticism of copyright, or anti-copyright sentiment, is a dissenting view of the current state of copyright law or copyright as a concept. Critics often discuss philosophical, economical, or social rationales of such laws and the laws' implementations, the benefits of which they claim do not justify the policy's costs to society. They advocate for changing the current system, though different groups have different ideas of what that change should be. Some call for remission of the policies to a previous state—copyright once covered few categories of things and had shorter term limits—or they may seek to expand concepts like fair use that allow permissionless copying. Others seek the abolition of copyright itself.
BitTorrent, also referred to as simply torrent, is a communication protocol for peer-to-peer file sharing (P2P), which enables users to distribute data and electronic files over the Internet in a decentralized manner. The protocol is developed and maintained by Rainberry, Inc., and was first released in 2001.
In computer networks, download means to receive data from a remote system, typically a server such as a web server, an FTP server, an email server, or other similar systems. This contrasts with uploading, where data is sent to a remote server.
Piratbyrån was a Swedish think tank established to support the free sharing of information, culture, and intellectual property. Piratbyrån provided a counterpoint to lobby groups such as the Swedish Anti-Piracy Bureau.
MediaDefender, Inc. was a company that fought copyright infringement that offered services designed to prevent alleged copyright infringement using peer-to-peer distribution. They used unusual tactics such as flooding peer-to-peer networks with decoy files that tie up users' computers and bandwidth. MediaDefender was based in Los Angeles, California in the United States. As of March 2007, the company had approximately 60 employees and used 2,000 servers hosted in California with contracts for 9 Gbit/s of bandwidth.
The Pirate Bay is an online index of digital content of entertainment media and software. Founded in 2003 by Swedish think tank Piratbyrån, The Pirate Bay allows visitors to search, download, and contribute magnet links and torrent files, which facilitate peer-to-peer file sharing among users of the BitTorrent protocol.
The Pirate Party is a political party in Sweden founded in 2006. Its sudden popularity has given rise to parties with the same name and similar goals in Europe and worldwide, forming the International Pirate Party movement.
Per Gottfrid Svartholm Warg, alias anakata, is a Swedish computer specialist, known as the former co-owner of the web hosting company PRQ and co-founder of the BitTorrent site The Pirate Bay together with Fredrik Neij and Peter Sunde.
Arts and media industry trade groups, such as the International Federation of the Phonographic Industry (IFPI) and Motion Picture Association of America (MPAA), strongly oppose and attempt to prevent copyright infringement through file sharing. The organizations particularly target the distribution of files via the Internet using peer-to-peer software. Efforts by trade groups to curb such infringement have been unsuccessful with chronic, widespread and rampant infringement continuing largely unabated.
Good Copy Bad Copy is a 2007 documentary film about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances, directed by Andreas Johnsen, Ralf Christensen, and Henrik Moltke. It features interviews with many people with various perspectives on copyright, including copyright lawyers, producers, artists and filesharing service providers.
Peter Sunde Kolmisoppi, alias brokep, is a Swedish entrepreneur and politician. He is best known for being a co-founder and ex-spokesperson of The Pirate Bay, an illegal BitTorrent search engine. He is an equality advocate and has expressed concerns over issues of centralization of power to the European Union in his blog. Sunde also participates in the Pirate Party of Finland and describes himself as a socialist. In April 2017, Sunde founded Njalla, a privacy oriented domain name registrar, hosting provider and VPN provider.
The League of Noble Peers is an organization credited with producing the Steal This Film documentary series. When releasing Steal This Film (One) the group introduced itself as "a group of friends" that, in 2006, "decided to make a film about filesharing that we would recognise." The Steal This Film series documents the movement against intellectual property and was released via the BitTorrent peer-to-peer protocol.
aXXo is the Internet alias of an individual who released and standardized commercial film DVDs as free downloads on the Internet between 2005 and 2009. The files, which were usually new films, were popular among the file sharing community using peer-to-peer file sharing protocols such as BitTorrent. A download-tracking firm BigChampagne found — in a sampling period in late 2008 — that almost 33.5% of all movie downloads were aXXo torrents. aXXo encoded files to approximately 700 MB – the same size for a compact disc. Due to the re-encoded quality of an aXXo file, the suffix "aXXo" was often used by imitators.
Copyright infringement is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to make derivative works. The copyright holder is typically the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.
The Pirate Bay raid took place on 31 May 2006 in Stockholm, when The Pirate Bay, a Swedish website that indexes torrent files, was raided by Swedish police, causing it to go offline for three days. Upon reopening, the site's number of visitors more than doubled, the increased popularity attributed to greater exposure through the media coverage, which is an example of the Streisand effect.
The Pirate Bay trial was a joint criminal and civil prosecution in Sweden of four individuals charged for promoting the copyright infringement of others with the torrent tracking website The Pirate Bay. The criminal charges were supported by a consortium of intellectual rights holders led by the International Federation of the Phonographic Industry (IFPI), who filed individual civil compensation claims against the owners of The Pirate Bay.
RiP!: A Remix Manifesto is a 2008 open-source documentary film about "the changing concept of copyright" directed by Brett Gaylor.
File sharing in the United Kingdom relates to the distribution of digital media in that country. In 2010, there were over 18.3 million households connected to the Internet in the United Kingdom, with 63% of these having a broadband connection. There are also many public Internet access points such as public libraries and Internet cafes.
TPB AFK: The Pirate Bay Away From Keyboard is a 2013 Swedish documentary film directed and produced by Simon Klose. It focuses on the lives of the three founders of The Pirate Bay – Peter Sunde, Fredrik Neij, and Gottfrid Svartholm – and the Pirate Bay trial. Filming began sometime in 2008, and concluded on 28 February 2012.
Torrent poisoning is intentionally sharing corrupt data or data with misleading file names using the BitTorrent protocol. This practice of uploading fake torrents is sometimes carried out by anti-infringement organisations as an attempt to prevent the peer-to-peer (P2P) sharing of copyrighted content, and to gather the IP addresses of downloaders.
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: CS1 maint: unfit URL (link) (Germany) listing of Steal This Film.