"Satisfaction" | ||||
---|---|---|---|---|
Single by Benny Benassi presents The Biz | ||||
from the album Hypnotica | ||||
Released | 5 January 2002 | |||
Genre | Electro house | |||
Length | 6:56 [1] | |||
Label | D:vision | |||
Songwriter(s) | Alle Benassi | |||
Producer(s) | Benny Benassi | |||
Benny Benassi singles chronology | ||||
| ||||
Audio sample | ||||
Benny Benassi presents The Biz - "Satisfaction" (Isak original edit) | ||||
Alternative cover | ||||
"Satisfaction" is a song by Italian DJ Benny Benassi. It was released in Italy on 5 January 2002 as the lead single from his album Hypnotica . Using MacinTalk,the song's vocals consist of two speech synthesizers,one male and one female,repeatedly saying "Push me and then just touch me till I can get my satisfaction". The track was Benassi's debut single and most successful song,peaking at number two in the United Kingdom and earning a gold certification in Australia,Belgium,France,and the United States. As of August 2014,it was the 54th best-selling single of the 21st century in France,with 382,000 units sold. [2]
"Satisfaction" is considered to be the forerunner of electro house that brought the genre into the mainstream. [3]
Benassi stated that the inspiration for “Satisfaction”came from his personal experiences as a DJ and the desire to create a track that would connect with people on a deeper level. He aimed to capture the feeling that occurs on the dance floor when the music takes control and unites a crowd as one. Benassi explained that the identifying melody of the song was brought to him by his cousin Alle Benassi:"When my cousin came to the studio after his tour in Tunisia,he played me a bunch of notes." Alle told DJ Mag :"When I was in Tunisia I was playing the clarinet in my room and there was a traffic jam under the street. And it fixed a bunch of notes into my brain". Following the composition of the instrumental they needed a vocal part,but according to Benassi "getting a vocalist" in Italy wasn't easy,so he "tried with this vocoder". [4] Additionally,the song draws influence from electronic and techno music that was popular during the early 2000s.[ citation needed ] The track is in the key of B major and plays at 130 beats per minute. [5]
The first version of the music video features the three men and the woman on the cover of Hypnotica . It consists of one three-second take of the four people turning to face the camera and smile,played in slow-motion to match the length of the song. Overlaid are various animations including close-up pictures of the lips of a man and a woman singing along to the song. This music video was barely played on music channels,although in some countries,it replaced the "construction" version.
The second version of the music video features women in skimpy construction outfits. The video plays almost as a musical advertisement for a variety of power tools. All are used in a sexual manner. This version was mainly relegated to nighttime hours. It stars British lad mag models Jerri Byrne,Thekla Roth,Lena Stokes and Natasha Mealey,and American Playboy Playmate Suzanne Stokes. [6]
In 2008,men from Viborg,Denmark,got together to re-enact the music video with middle-aged men. [7] It gained some popularity in Denmark and was covered on TV. [8]
On the International Women's Day in 2011,the women's associations of the General Federation of Belgian Labour and Socialistische Partij Anders released a "Granny Remake" of the original video. It was made to raise awareness of the gender pay gap by showing the scantily clad women still working the same jobs at 60–70 years of age. [9]
In late 2017,cadets at Russia's Ulyanovsk Institute of Civil Aviation marked the end of their term by making a parody of the video that drew on a similar parody four years earlier by British soldiers. [10] Wearing just their uniform caps and ties,belts worn around their shoulders,underwear (with the crotches stuffed) and black boots,the cadets twerked,gyrated suggestively,performed maintenance tasks and cleanup in a fashion similar to the video as the cameraman moved from one to the other in their dormitory. The video,which soon went viral,had strong homoerotic elements and suggestions of BDSM culture. [10]
Officials at the institute,described as the oldest and most prestigious pilot training school in Russia,were furious,particularly since the cadets had used school property and worn their uniform caps. Sergey Krasov,the institute's director,said:"If they had joked like that at home,nobody would have batted an eyelid." [11] Shortly after the video became a subject of national discussion, [12] the Federal Air Transport Agency convened a commission to investigate the video and identify the cadets,believed to be in their first year at the institute,who had made it. "Frivolous dances in underwear with the uniform cap of the Institute covering the face on the grounds of the aviation university are unacceptable" the agency said. Any cadets it found to be involved could face expulsion. [13]
While some prominent Russian commentators expressed similar outrage on government-run television channels,many more sympathized with the cadets,and made videos of their own in support of them. Most were from other groups of students at trade schools for farmers,construction workers and emergency services,but the Russian women's biathlon team also made one. A Ukrainian swim club filmed part of its video underwater,and a group of retired women living in a St. Petersburg communal apartment contributed their own. Russian American journalist Masha Gessen wrote in The New Yorker that the videos were an unexpected and widespread protest against the state's anti-LGBT policies. "Each clip is at once a show of solidarity with a group of young strangers and a show of ordinary people’s ability to organize and act together—an ability that the state would seem to have stamped out." [12]
"Satisfaction" is credited for playing a pivotal role in shaping the electronic music scene and solidifying Benny Benassi's status as a leading figure in the genre. The song's success opened doors for both Benassi and the genre as a whole,bringing electronic music further into the mainstream and gaining recognition from a broader audience. [14] "Satisfaction" is also considered to be the forerunner of electro house that brought the genre into the mainstream. [3]
Italian CD single [17]
German CD single [18]
UK CD single [19]
UK 12-inch single [20]
| UK cassette single [21]
US CD single [22]
Australian CD single [23]
|
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [56] | Gold | 35,000^ |
Belgium (BEA) [57] | Gold | 25,000* |
France (SNEP) [58] | Gold | 250,000* |
Italy (FIMI) [59] | Gold | 50,000‡ |
Poland (ZPAV) [60] David Guetta Remix | Gold | 25,000‡ |
United Kingdom (BPI) [61] | Silver | 200,000^ |
United States (RIAA) [62] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Region | Release date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Italy | 12 June 2002 | 12-inch vinyl | D:vision | [63] |
United Kingdom | 14 July 2003 |
| Data | [64] |
Australia | 21 July 2003 | CD | Hussle | [65] |
Marco "Benny" Benassi is an Italian DJ, record producer and remixer. He is widely seen as a pioneer of electro house, a genre brought into the mainstream by his 2002 summer club hit "Satisfaction".
"Let Me Blow Ya Mind" is a song by American rapper Eve featuring American singer Gwen Stefani of No Doubt. It was released on April 2, 2001, as the second and final single from the former's second album, Scorpion. It became Eve's highest-charting single on the US Billboard Hot 100, peaking at number two on the week of August 18, 2001. Worldwide, the song reached number 29 in Canada, number four in Australia and the United Kingdom, and number one in Belgium, Ireland, Norway, and Switzerland.
Hypnotica is the debut studio album by Italian DJ and producer Benny Benassi which was released in 2003. The band was titled as Benny Benassi Presents the Biz, where the Biz are the singers Paul French and Violeta. It reached the top five in the French Album charts and left the top 20 after a month. For Hypnotica, Benassi mixes 1980s styles with his electronic music. He is considered a pioneer in electro house, largely because of Hypnotica, as it incorporates both sounds found in electroclash and many elements of house music into a consistent and successful album. Multiple singles were released from the album, such as "Satisfaction", "No Matter What You Do", "Love Is Gonna Save Us" and "Able to Love".
"Mundian To Bach Ke" (IPA:[mʊɳɖɪãːtõːbətːʃkeː]), also titled "Beware of the Boys (Mundian To Bach Ke)" or "Beware", is a bhangra music song produced by British musician Panjabi MC, with vocals and lyrics by Punjabi artist Labh Janjua. The song was recorded first by Panjabi MC in Birmingham, England, for his 1998 album Legalised/The Album.
"Flat Beat" is an instrumental by French musician Mr. Oizo. It was released on 22 March 1999 through F Communications and was included as a bonus track on his debut studio album, Analog Worms Attack. An accompanying music video was released on VHS. The music video features Flat Eric, a puppet, head banging to the track.
This is a discography of the Italian DJ and producer Benny Benassi.
"Able to Love" is the second single by Italian DJ and producer Benny Benassi, from his album Hypnotica. It was released in June 2003 in order to promote the album's debut in August. At the time, the producing of the song took more than 6 months, as with "Satisfaction". The song remixes the main beat of "Satisfaction" and features vocals from Paul French and Violeta.
"No Matter What You Do" is a song by Italian DJ Benny Benassi released in his 2003 album Hypnotica. Like "Satisfaction", it uses a female speech synthesizers in the vocals.
"Crying at the Discoteque" is a song by Swedish band Alcazar from their debut studio album, Casino (2000). The track samples Sheila and B. Devotion's 1979 hit "Spacer". Alexander Bard produced the song and can be heard in the middle of this song. Released in April 2000, "Crying at the Discoteque" became Alcazar's first international hit single the following year, reaching number one in Hungary and the top 10 in Flanders, Germany, Ireland, Italy, and Switzerland.
French house DJ and producer David Guetta has released seven studio albums, eleven compilation albums, three extended plays, ninety-nine singles, eleven promotional singles, and forty-two music videos.
"Who's That Chick?" is a song by French DJ and producer David Guetta featuring vocals from Barbadian singer Rihanna. It was released from the reissue of Guetta's fourth studio album One Love (2009), entitled One More Love (2010). The song was written by Guetta, Kinda "Kee" Hamid, Frédéric Riesterer, and Giorgio Tuinfort. Since the song contains an interpolation of "Who's That Girl", Madonna and Patrick Leonard are credited as co-writers as well. It was released internationally as the second single on 22 November 2010 as a digital single, and was also released as a CD single and an Extended play (EP), the latter of which was released in the United States and contained remixes of the song.
"Superstylin'" is a song by English electronic duo Groove Armada, released as the band's first single on 13 August 2001, from the album Goodbye Country . Vocals were performed by Groove Armada's long-time vocalist MC M.A.D.. Groove Armada credited Daniels for the cross-genre sound of the track, saying it was house music with influences of dancehall, reggae, and dub, with a speed garage bassline.
"Wet" is the official lead single from hip-hop artist Snoop Dogg's eleventh studio album Doggumentary. The original version was produced by the Cataracs. "Wet" reached number 40 on the Hot R&B/Hip-Hop Songs, number 18 on the Hot Rap Songs and number 13 on the Bubbling Under Hot 100 Singles. A remix of the song entitled "Sweat" was released by French DJ David Guetta on March 4, 2011.
"Beautiful People" is a song by American singer Chris Brown featuring Italian DJ Benny Benassi, released as the third single from Brown's fourth studio album F.A.M.E. on March 11, 2011 by Jive Records. It was written by Brown, with Benny Benassi and Alle Benassi handling its production. Musically, "Beautiful People" is an uptempo song which draws from the genres of progressive house and Europop, containing influences of dancehall and R&B. The song's lyrics revolve around Brown encouraging people to be positive discovering their inside beauty.
"Cinema" is a song initially released by Italian DJ and electro house music producer Benny Benassi and British singer-songwriter Gary Go. The song was written and performed by Gary Go with music produced by Benny and Alle Benassi. It was released on 8 March 2011 by Ultra Records and All Around the World, on Benny Benassi's fourth studio album Electroman. The song made its first appearance in the video game Need For Speed: Hot Pursuit in November 2010, months before the song was released as a single. The single EP featured several remixes by Skrillex, Laidback Luke, Alex Gaudino and Congo Rock. The Skrillex remix went on to become a hit in its own right, remaining on Billboard's Dance chart for over two years after its release and winning a 2012 Grammy Award for Best Remixed Recording. Artist and producer Kanye West referred to it as "one of the greatest works of art ever made". The song featured in the trailer for the video game Sonic Lost World and in-games Forza Horizon and Beat Fever, as well as soundtracking promos for the WWE Network. The song has been streamed over a billion times online across streaming platforms. The song was further re-imagined by Gary Go on his soundtrack EP Now Was Once the Future and again by electronic dance music duo Galantis in 2020.
"Titanium" is a song by French DJ and record producer David Guetta, featuring vocals by Australian singer and songwriter Sia. Taken from Guetta's fifth studio album, Nothing but the Beat, the song was written by Sia, Guetta, Giorgio Tuinfort and Afrojack. Production was also handled by Guetta, Tuinfort and Afrojack. "Titanium" was initially released for digital download on 25 August 2011, as the first of four promotional singles from the album. It was later released as the album's fourth single in 2011. The song originally featured the vocals of American recording artist Mary J. Blige, whose version of the song leaked online in 2011.
"Shot Me Down" is a song by French house music producer and DJ David Guetta, featuring vocals from American singer Skylar Grey. The song was released on 20 January 2014 as a digital download. It was produced by David Guetta and Giorgio Tuinfort, with additional production from Ralph Wegner. "Shot Me Down" peaked at number six on the French Singles Chart. Outside France, "Shot Me Down" peaked within the top ten of the charts in Australia, Austria, Belgium (Wallonia), Denmark, Finland, Hungary, Ireland, Lebanon and the United Kingdom, and the top 20 of the charts in Germany, Italy and Spain. The original version of the song, "Bang Bang ", was released by Cher in 1966 and was famously covered by Nancy Sinatra in the same year.
"Lovers on the Sun" is a song by French music producer David Guetta from his sixth studio album, Listen. It features vocals by American singer and songwriter Sam Martin. It was released as a digital download and the lead single from the album on 30 June 2014. It was produced by Guetta, Avicii, Riesterer, and Tuinfort, with additional production from Italian house production team Daddy's Groove. The track crowned the singles chart in Austria, Finland, Germany and the United Kingdom, and reached the top 40 in most of the countries where it charted.
"Like Glue" is a song by Jamaican dancehall artist Sean Paul, from his second album, Dutty Rock (2002). The song was produced by Tony "CD" Kelly, and written by Kelly and Sean Paul. Lyrics from "Like Glue" were originally intended to be the intro to "Gimme the Light" until Sean Paul expanded it and made it into a full song. Lyrically, the song refers to how Sean Paul does not care what people say and that he has to stick to his girlfriends "like glue".
"Paradise" is a song by Italian DJ Benny Benassi and American singer Chris Brown, released on 31 March 2016. It was released as a promotional single on August 20, 2015.
The chart-topping track paved the way for Benassi's career and for what we know today as electro house.
Фривольные танцы в нижнем белье с форменной фуражкой Института, прикрывающей лица, на территории авиационного вуза недопустимы.
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