A mandala is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines.
Mount Meru, also known as Sumeru, Sineru, or Mahāmeru, is the sacred five-peaked mountain of Hindu, Jain, and Buddhist cosmology and is considered to be the centre of all the physical, metaphysical, and spiritual universes. The mountain is also mentioned in some scriptures of non-Indian based religions such as Taoism, which was influenced by the arrival of Buddhism in China. There is no clear identification of Mount Meru with a particular geophysical location but it is always located in the Himalayan or Aravalli ranges.
Geomancy translates literally to "earth divination," and the term was originally used to mean methods of divination that interpret geographic features, markings on the ground, or the patterns formed by soil, rocks, or sand. Its definition has expanded over time, to include any spiritual, metaphysical, or pseudoscientific practice that is related to the Earth. In recent times the term has been applied to a wide range of other occult and fringe activities, including Earth mysteries and the introduction of ley lines and Bau-Biologie.
Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices. According to one set of definitions, artworks that are inspired by religion but are not considered traditionally sacred remain under the umbrella term of religious art, but not sacred art.
Mathematics and architecture are related, since, as with other arts, architects use mathematics for several reasons. Apart from the mathematics needed when engineering buildings, architects use geometry: to define the spatial form of a building; from the Pythagoreans of the sixth century BC onwards, to create forms considered harmonious, and thus to lay out buildings and their surroundings according to mathematical, aesthetic and sometimes religious principles; to decorate buildings with mathematical objects such as tessellations; and to meet environmental goals, such as to minimise wind speeds around the bases of tall buildings.
The Khajuraho Group of Monuments are a group of Hindu and Jain temples in Chhatarpur district, Madhya Pradesh, India. They are about 175 kilometres (109 mi) southeast of Jhansi, 10 kilometres (6.2 mi) from Khajwa, 9 kilometres (5.6 mi) from Rajnagar, and 49 kilometres (30 mi) from district headquarter Chhatarpur. The temples are famous for their Nagara-style architectural symbolism and a few erotic sculptures.
Originating in ancient India, Vastu Shastra is a traditional Hindu system of architecture based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. The designs aim to integrate architecture with nature, the relative functions of various parts of the structure, and ancient beliefs utilising geometric patterns (yantra), symmetry, and directional alignments.
Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like shikhara, also called the vimana in the south. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additional mandapas or buildings that are either connected or separate from the larger temples.
A thangka is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small figures. A central deity is often surrounded by other identified figures in a symmetrical composition. Narrative scenes are less common, but do appear.
A Hindu temple, also known as Mandir, Devasthanam, Pura, or Koil, is a sacred place where Hindus worship and show their devotion to deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated. Hindu temple architecture, which makes extensive use of squares and circles, has its roots in Vedic traditions, which also influence the temples' construction and symbolism. Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the equivalency of the macrocosm and the microcosm. A temple incorporates all elements of the Hindu cosmos—presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life—symbolically presenting dharma, artha, kama, moksha, and karma.
A cosmogram depicts a cosmology in a flat geometric form. They are used for various purposes: meditational, inspirational and to depict structure – real or imagined – of the earth or universe.
Sacral architecture is a religious architectural practice concerned with the design and construction of places of worship or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity. Conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public.
Yantra is a geometrical diagram, mainly from the Tantric traditions of the Indian religions. Yantras are used for the worship of deities in temples or at home; as an aid in meditation; and for the benefits believed given by their occult powers based on Hindu astrology and tantric texts. They are also used for adornment of temple floors, due mainly to their aesthetic and symmetric qualities. Specific yantras are traditionally associated with specific deities and/or certain types of energies used for accomplishment of certain tasks or vows that may be either materialistic or spiritual in nature. They become a prime tool in certain sadhanas performed by the sadhaka, the spiritual seeker. Yantras hold great importance in Hinduism, Jainism, and Buddhism.
Alden Taylor (Tad) Mann, is an American astrologer, writer, designer and artist who is known for his books and paintings on astrology and sacred architecture, human sexuality and gardens.
Keith Barry Critchlow was a British artist, lecturer, author, sacred geometer, professor of architecture, and a co-founder of the Temenos Academy in the UK.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque, using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy, consisting of religious texts with stylized appearance, used both decoratively and to convey meaning. All three often involve elaborate interlacing in various mediums.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
Robert Edward Williams is an American designer, mathematician, and architect. He is noted for books on the geometry of natural structure, the discovery of a new space-filling polyhedron, the development of theoretical principles of Catenatic Geometry, and the invention of the Ars-Vivant Wild-life Protector System for repopulating the Western Mojave Desert in California, USA with desert tortoises.
Dillon Forte is an American tattoo artist and entrepreneur, based in Oakland and Venice, Los Angeles. Known for his use of sacred geometry-inspired patterns, Forte has been featured in Paramount Network's The Art of Ink (2018) and the Amazon Studios comedy Jean-Claude Van Johnson (2017).
Tibetan Monasteries are known for their rich culture and traditions, which are rooted in the teachings of Buddhism. An important aspect of Tibetan Buddhist monasteries is the presence of ritualistic places that are dedicated to deities. Vajrayana Buddhism contains intricate iconography that deals with deities and religious practices. To a devotee, it may appear as images and icons to bring luck or drive away evil spirits. Thangkas at monasteries show Buddha, Gurus, Yantras, andMandalas, which bring good luck, health, prosperity, wisdom, longevity, and peace.
