External links
- Parallelism lists types of parallelism.
Parallelism (or thought rhyme) is a rhetorical device that compounds words or phrases that have equivalent meanings so as to create a definite pattern. This structure is particularly effective when "specifying or enumerating pairs or series of like things". [1] A scheme of balance, parallelism represents "one of the basic principles of grammar and rhetoric". [2]
Parallelism as a rhetorical device is used in many languages and cultures around the world in poetry, epics, songs, written prose and speech, from the folk level to the professional. An entire issue of the journal Oral Tradition has been devoted to articles on parallelism in languages from all over. [3] It is very often found in Biblical poetry and in proverbs in general.
The following sentences and verses possess "similarity in structure" in words and phrases:
She tried to make the law clear, precise and equitable. [2]
In the quote above, the compounded adjectives serve as parallel elements and support the noun "law".
Her purpose was to impress the ignorant, to perplex the dubious, and to confound the scrupulous. [1]
In the above quote, three infinitive verb phrases produce the parallel structure supporting the noun "purpose". Note that this rhetorical device requires that the coordinate elements agree with one another grammatically: "nouns with nouns, infinitive verb phrases with infinitive verb phrases and adverb clauses with adverb clauses." [4]
When the coordinate elements possess the same number of words (or in the example below, the same number of syllables) the scheme is termed isocolon:
I'll give my jewels for a set of beads,
My gorgeous palace for a hermitage,
My gay apparel for an almsman's gown
My figured goblets for a dish of wood. – Shakespeare, Richard II [5]
Synonymous parallelism in which one couplet expresses similar concepts can also be combined with antithetical parallelism in which a second couplet contrasts with the first. For example, synonymous and antithetical parallelism occur in Revelation 22:11:
Parallelisms of various sorts are the chief rhetorical device of Biblical poetry [6] in the tristich and in multiples of distich parallels [7] and also in the poetry of many other cultures around the world, particularly in their oral traditions. [8] Robert Lowth coined the term parallelismus membrorum (parallelism of members, i.e. poetic lines) in his 1788 book, Lectures on the Sacred Poetry of the Hebrew Nation. Roman Jakobson pioneered the secular study of parallelism in poetic-linguistic traditions around the world, including his own Russian tradition. [9]
Chinese and Vietnamese classical poetry and prose have frequently made use of parallelism. Conversations between learned men in many cases involved exchanging single parallel couplets as a form of playing with words, as well as a kind of mental duel. [10] [11] In a parallel couplet, not only must the content, the parts of speech, the mythological and historico-geographical allusions, be all separately matched and balanced, but most of the tones must also be paired reciprocally. Even tones are conjoined with inflected ones, and vice versa. [12]
Parallelisms in artistic speech are common in some languages of Mesoamerica, such as Nahuatl (Aztec) [13] and some Mayan languages. [14] It has also been observed in a language of Indonesia (that Fox imprecisely referred to as "Rotinese") [15] and Navajo. [16] Other research has found parallelisms in the languages of the Ural-Altaic area (including Finnish-Karelian folk poetry and the epics and songs of the Turkic and Mongolian peoples) and Toda, suggesting wider distribution among Dravidian languages. [15]
In the Limba language community of Sierra Leone and Guinea, some prayers are formed with parallelisms. [17]
Parallelisms in proverbs are very common in languages around the world. Parallel structures in short passages such as proverbs help direct the listener or reader to compare the parallel elements and thus more easily deduce the point.
Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm, and sound symbolism, to produce musical or other artistic effects. Most written poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate structure. For this reason, verse has also become a synonym for poetry.
A proverb or an adage is a simple, traditional saying that expresses a perceived truth based on common sense or experience. Proverbs are often metaphorical and are an example of formulaic language. A proverbial phrase or a proverbial expression is a type of a conventional saying similar to proverbs and transmitted by oral tradition. The difference is that a proverb is a fixed expression, while a proverbial phrase permits alterations to fit the grammar of the context. Collectively, they form a genre of folklore.
A rhyme is a repetition of similar sounds in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word rhyme has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme.
English grammar is the set of structural rules of the English language. This includes the structure of words, phrases, clauses, sentences, and whole texts.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect. In the distinction between literal and figurative language, figures of speech constitute the latter. Figures of speech are traditionally classified into schemes, which vary the ordinary sequence of words, and tropes, where words carry a meaning other than what they ordinarily signify.
In rhetoric, chiasmus or, less commonly, chiasm, is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words".
Assonance is the repetition of identical or similar phonemes in words or syllables that occur close together, either in terms of their vowel phonemes or their consonant phonemes. However, in American usage, assonance exclusively refers to this phenomenon when affecting vowels, whereas, when affecting consonants, it is generally called consonance. The two types are often combined, as between the words six and switch, which contain the same vowel and similar consonants. If there is repetition of the same vowel or some similar vowels in literary work, especially in stressed syllables, this may be termed "vowel harmony" in poetry.
In language, an archaism is a word, a sense of a word, or a style of speech or writing that belongs to a historical epoch beyond living memory, but that has survived in a few practical settings or affairs. Lexical archaisms are single archaic words or expressions used regularly in an affair or freely; literary archaism is the survival of archaic language in a traditional literary text such as a nursery rhyme or the deliberate use of a style characteristic of an earlier age—for example, in his 1960 novel The Sot-Weed Factor, John Barth writes in an 18th-century style. Archaic words or expressions may have distinctive emotional connotations—some can be humorous (forsooth), some highly formal, and some solemn. The word archaism is from the Ancient Greek: ἀρχαϊκός, archaïkós, 'old-fashioned, antiquated', ultimately ἀρχαῖος, archaîos, 'from the beginning, ancient'.
In rhetoric, zeugma and syllepsis are figures of speech in which a single phrase or word joins different parts of a sentence.
In its strictest sense, tmesis is a word compound that is divided into two parts, with another word infixed between the parts, thus constituting a separate word compound. Example: "un-freaking-believable". In a broader sense, tmesis is a recognizable phrase or word that is divided into two parts, with one or more words interpolated between the parts, thus creating a separate phrase.
Hendiadys is a figure of speech used for emphasis—"The substitution of a conjunction for a subordination". The basic idea is to use two words linked by the conjunction "and" instead of the one modifying the other. English names for hendiadys include two for one and figure of twins. Although the underlying phrase is Greek: ἓν διὰ δυοῖν, romanized: hen dia duoin, lit. 'one through two', the only other forms occasionally found in English are '''hendiaduo''' and '''hendiaduous''', the latter of which the 17th-century English Biblical commentator Matthew Poole used in his commentary on Genesis 3:16, Proverbs 1:6, and Isaiah 19:20.
Isocolon is a rhetorical scheme in which parallel elements possess the same number of words or syllables. As in any form of parallelism, the pairs or series must enumerate like things to achieve symmetry. The scheme is called bicolon, tricolon, or tetracolon depending on whether they are two, three, or four parallel elements.
In grammar, parallelism, also known as parallel structure or parallel construction, is a balance within one or more sentences of similar phrases or clauses that have the same grammatical structure. The application of parallelism affects readability and may make texts easier to process.
Al-, is the definite article in the Arabic language: a particle (ḥarf) whose function is to render the noun on which it is prefixed definite. For example, the word كتاب kitāb "book" can be made definite by prefixing it with al-, resulting in الكتاب al-kitāb "the book". Consequently, al- is typically translated as "the" in English.
Many Chinese proverbs exist, some of which have entered English in forms that are of varying degrees of faithfulness. A notable example is "A journey of a thousand miles begins with a single step", from the Dao De Jing, ascribed to Laozi. They cover all aspects of life, and are widely used in everyday speech, in contrast to the decline of the use of proverbs in Western cultures. The majority are distinct from high literary forms such as xiehouyu and chengyu, and are common sayings of usually anonymous authorship, originating through "little tradition" rather than "great tradition".
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.
Sumerian literature constitutes the earliest known corpus of recorded literature, including the religious writings and other traditional stories maintained by the Sumerian civilization and largely preserved by the later Akkadian and Babylonian empires. These records were written in the Sumerian language in the 3rd and 2nd millennia BC during the Middle Bronze Age.
An attributive verb is a verb that modifies a noun in the manner of an attributive adjective, rather than express an independent idea as a predicate.
In literary criticism and rhetoric, a tautology is a statement that repeats an idea, using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". Tautology and pleonasm are not consistently differentiated in literature. Like pleonasm, tautology is often considered a fault of style when unintentional. Intentional repetition may emphasize a thought or help the listener or reader understand a point. Sometimes logical tautologies like "Boys will be boys" are conflated with language tautologies, but a language tautology is not inherently true, while a logical tautology always is.
In rhetoric, parallel syntax is a rhetorical device that consists of repetition among adjacent sentences or clauses. The repeated sentences or clauses provide emphasis to a central theme or idea the author is trying to convey. Parallelism is the mark of a mature language speaker.
