Rainer Werner Fassbinder, sometimes credited as R. W. Fassbinder, was a German filmmaker, dramatist and actor. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.
New German Cinema is a period in West German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical West German film was ensured by a subsidy.
The Element of Crime is a 1984 experimental neo-noir crime film co-written and directed by Lars von Trier. It is the first feature film directed by von Trier and the first installment of the director's Europa trilogy – succeeded by Epidemic (1987) and Europa (1991).
Armin Mueller-Stahl is a retired German actor who also appeared in numerous English-language films since the 1980s. He was nominated for the Academy Award for Best Supporting Actor for his role in Shine. In 2011, he was awarded the Honorary Golden Bear.
Pierrot le Fou is a 1965 French New Wave romantic crime drama road film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo and Anna Karina. The film is based on the 1962 novel Obsession by Lionel White. It was Godard's tenth feature film, released between Alphaville and Masculin, féminin. The plot follows Ferdinand, an unhappily married man, as he escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a young woman chased by OAS hitmen from Algeria.
Hanna Schygulla is a German actress and chanson singer associated with the theater and film director Rainer Werner Fassbinder. She first worked for Fassbinder in 1965 and became an active participant in the New German Cinema. Schygulla won the 1979 Berlin Silver Bear for Best Actress for Fassbinder's The Marriage of Maria Braun, and the 1983 Cannes Film Festival Award for Best Actress for the Marco Ferreri film The Story of Piera.
Sybille Maria Christina Schmitz was a German actress.
The Marriage of Maria Braun is a 1979 West German drama film directed by Rainer Werner Fassbinder. The film stars Hanna Schygulla as Maria, whose marriage to the soldier Hermann remains unfulfilled due to World War II and his post-war imprisonment. Maria adapts to the realities of post-war Germany and becomes the wealthy mistress of an industrialist, all that while staying true to her love for Hermann.
![<i>Veronika Voss</i> 1982 [[West Germany]] film](https://upload.wikimedia.org/wikipedia/en/c/c7/Veronikavoss.jpg)
Veronika Voss is a 1982 West German black-and-white drama film directed by Rainer Werner Fassbinder, and starring Rosel Zech, Hilmar Thate, and Cornelia Froboess. Loosely based on the career of actress Sybille Schmitz, the film follows the titular Veronika Voss, a morphine-addicted film star in 1955 Munich who begins an affair with a sports journalist; soon after, he discovers that Veronika is under the control of a corrupt neurologist scheming to bleed her of her wealth.
Ali: Fear Eats the Soul is a 1974 West German drama film written and directed by Rainer Werner Fassbinder, starring Brigitte Mira and El Hedi ben Salem. The film won the International Federation of Film Critics award for best in-competition movie and the Prize of the Ecumenical Jury at the 1974 Cannes Film Festival. It is considered to be one of Fassbinder's most powerful works and is hailed by many as a masterpiece.
The BRD Trilogy consists of three films directed by Rainer Werner Fassbinder: The Marriage of Maria Braun (1979), Lola (1981) and Veronika Voss (1982). The films are connected in a thematic rather than in a narrative sense. All three deal with different characters and plotlines, but each one focuses on the story of a specific woman in West Germany after World War II. The three letter acronym "BRD" stands for Bundesrepublik Deutschland, the official name of West Germany and of the united contemporary Germany.
![<i>Kings of the Road</i> 1976 [[West Germany]] film](https://upload.wikimedia.org/wikipedia/en/b/be/Kings_of_the_road.jpg)
Kings of the Road is a 1976 German road movie directed by Wim Wenders. It was the third part of Wenders' "Road Movie trilogy" which included Alice in the Cities (1974) and The Wrong Move (1975). It was the unanimous winner of the FIPRESCI Prize at the 1976 Cannes Film Festival.
![<i>World on a Wire</i> 1973 [[West Germany]] TV series or program](https://upload.wikimedia.org/wikipedia/en/a/ad/Welt_Am_Draht_poster.jpg)
World on a Wire is a 1973 West German science fiction television serial, starring Klaus Löwitsch and directed by Rainer Werner Fassbinder. Shot in 16 mm, it was made for West German television and originally aired in 1973 in ARD as a two-part miniseries. It was based on the 1964 novel Simulacron-3 by Daniel F. Galouye. An adaptation of the Fassbinder version was presented as the play World of Wires, directed by Jay Scheib, in 2012.
Despair is a 1978 film directed by Rainer Werner Fassbinder and starring Dirk Bogarde, based on the 1934 novel of the same name by Vladimir Nabokov. It was Fassbinder's first English-language film and was entered into the 1978 Cannes Film Festival.
Hark Bohm is a German actor, screenwriter, film director, playwright and former professor for cinema studies. He was born in Hamburg-Othmarschen and grew up on the island Amrum. His younger brother was the actor Marquard Bohm, who starred in some of his early films. He is most notable for his long-time collaboration with Rainer Werner Fassbinder.
Günther Kaufmann was a German film actor best known for his association with director Rainer Werner Fassbinder. Fassbinder directed Kaufmann in a total of 14 films, casting him in leading and minor roles. Kaufmann was also romantically involved with the director for a time.
Rosalie Helga Lina Zech, known as Rosel Zech, was a German theater and film actress, she is most well known for her works associated with the "Autorenkino" movement, which began in the 1970s.
Harry Baer is a German actor, producer and author, best known for his work with director Rainer Werner Fassbinder. He has also been credited as Harry Bär.
Pea Fröhlich was a German screenwriter and psychologist, best known for co-writing all three films of the BRD Trilogy: The Marriage of Maria Braun, Veronika Voss and Lola. She also wrote for Bloch.
Baal is a 1970 German television film directed by Volker Schlöndorff. It is based on the 1923 play Baal by Bertolt Brecht. The film disappeared after Helene Weigel, Brecht's widow, saw it on television and demanded that it no longer be shown. Ethan Hawke asked Schlöndorff about seeing the film at the Cannes Film Festival, but Schlöndorff replied that he did not know where it was. Eventually the film was discovered in rusty, unmarked cans filed under S. At that point, the film was restored. It was given its first home video release by Criterion in 2018. The film did not make the 1919 play a period piece, and some of the interiors featured intentionally over-the-top colors. It was the first film Dietrich Lohmann shot in color. Margarethe von Trotta was the first actor cast. Fassbinder joined for the title role after Schlöndorff's first choice was unavailable. Much of the supporting cast and crew came from Fassbinder's company, whom he did not want to be put out of work by his absence.
