List of Indian film directors

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Yash Chopra 2012.jpg
Yash Chopra (Hindi)
Satyajit Ray in New York.jpg
Satyajit Ray (Bengali)
SS Rajamouli, 2021.jpg
S. S. Rajamouli (Telugu)
Mani Ratnam at the Museum of the Moving Image.jpg
Mani Ratnam (Tamil)
Fazil.jpg
Fazil (Malayalam)
V. Shantaram.jpg
V. Shantaram (Marathi)

India has many regional film centres, such as Bollywood (Hindi) in Mumbai, Telugu cinema (Tollywood) in Hyderabad, Marathi cinema in Pune, Tamil cinema in Chennai, Malayalam cinema in Kochi, Kannada cinema in Bangalore, Odia Cinema in Bhubaneswar, Assamese cinema in Guwahati, Punjabi cinema in Mohali and Bengali cinema in Kolkata . Most Indian film directors are known for their work with one regional industry, while many others are active directors of films from multiple industries.

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Art Gener Film Director Piyush Sarkar Mungi.

Directors of parallel or independent cinema

Parallel Cinema is otherwise known as "Art films" cinema, and is known for its serious and realistic films with real-life situations. In the 1960s and 1970s, the Indian government financed a number of such films, on Indian themes. Many of the directors were graduates of the Film and Television Institute of India, Pune. Ritwik Ghatak was a professor at the institute and a well-known director in his own right. The best-known Indian "neo-realist" is Satyajit Ray.

Active in multiple languages

The following is a list of film directors who have directed films from more than one regional film industry in India. This does not include directors who work in a single industry whose films have been dubbed into other languages.

DIRECTOR Assamese Bengali Bhojpuri English Gujarati Hindi Kannada Malayalam Marathi Maithili Odia Punjabi Tamil Telugu
Ram Gopal Varma YesYesYesYesYes
K. Raghavendra Rao YesYesYesYes
Dasari Narayana Rao YesYesYes
S. S. Rajamouli YesYes
Mrinal Sen YesYesYesYes
Puri Jagannadh YesYesYesYesYes
S. Shankar YesYesYes
Bharathan Yes
Basu Bhattacharya YesYes
Gautham Vasudev Menon YesYesYes
Girish Karnad YesYes
Girish Kasaravalli YesYes
Mani Ratnam YesYesYesYes
Rituparno Ghosh YesYesYes
Sumitra Bhave–Sunil Sukthankar YesYes
AR Murugadoss YesYesYes
Puttanna Kanagal YesYes
Satish Rajwade YesYes
Sachin Kundalkar YesYes
Shonali Bose YesYes
Prasanta Nanda YesYesYes
Hara Patnaik YesYesYes
Siddique YesYesYes
Sunil Kumar Desai YesYes
Mahesh Manjrekar YesYes
Upendra YesYesYesYes
Nagraj Manjule YesYes
Om Raut YesYes
Anup Bhandari YesYesYesYesYes
Laxman Utekar YesYes
Srijit Mukherji YesYes
Shaji N Karun YesYes

Sanskrit Film directors

Bengali film directors

Hindi Film directors

Punjabi film directors

Gujrati film directors

Kannada film directors

Malayalam film directors

Marathi film directors

Tamil film directors

Mari Selvaraj

Telugu film directors

Jammu and Kashmir film directors

Related Research Articles

<span class="mw-page-title-main">Ritwik Ghatak</span> Indian Bengali filmmaker and script writer

Ritwik Kumar Ghatak was an Indian film director, screenwriter, actor and playwright. Along with prominent contemporary Bengali filmmakers like Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his Jukti Takko Aar Gappo and Best Director's Award from Bangladesh Cine Journalist's Association for Titash Ekti Nadir Naam. The Government of India honoured him with the Padma Shri for Arts in 1970.

<i>Meghe Dhaka Tara</i> (1960 film) 1960 Indian film by Ritwik Ghatak

Meghe Dhaka Tara is a 1960 film written and directed by Ritwik Ghatak, based on a social novel by Shaktipada Rajguru with the same title. It stars Supriya Choudhury, Anil Chatterjee, Gita Dey, Bijon Bhattacharya, Niranjan Roy, and Gyanesh Mukherjee. It was part of a trilogy consisting of Meghe Dhaka Tara (1960), Komal Gandhar (1961), and Subarnarekha (1962), all dealing with the aftermath of the Partition of Bengal during the Partition of India in 1947 and the refugees coping with it.

<span class="mw-page-title-main">South Asian cinema</span> Overview of South Asian film culture

South Asian cinema refers to the cinema of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka. The broader terms Asian cinema, Eastern cinema and Oriental cinema in common usage often encompass South Asia as well as East Asia and Southeast Asia.

Indian cinematographers work in a number of regional film centres: Mumbai for films in Marathi and Hindi, Hyderabad for Telugu films, Chennai for Tamil films, Kochi for films in Malayalam, Kolkata for Bengali films, Bangalore for Kannada films, etc. Most Indian cinematographers are known for their work with one regional industry. Some cinematographers belong to various professional organisations and trade unions.

Parallel cinema, or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema.

<i>Jukti Takko Aar Gappo</i> 1974 film by Ritwik Ghatak

Jukti Takko Aar Gappo is a 1974 Bengali film directed by auteur of Indian cinema Ritwik Ghatak. Jukti Takko Aar Gappo was Ritwik Ghatak's last film. The film was believed to have a cinematography way ahead of its time. The film won National Film Award's Rajat Kamal Award for Best Story in 1974.

<span class="mw-page-title-main">Cinema of West Bengal</span>

Cinema of West Bengal, also known as Tollywood or Bengali cinema, is the segment of Indian cinema, dedicated to the production of motion pictures in the Bengali language widely spoken in the state of West Bengal. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the Indian National Film Awards as well as international acclaim.

<i>Bari Theke Paliye</i> 1958 film

Bari Theke Paliye is a 1959 coming-of-age Bengali film by director Ritwik Ghatak.

<i>Netaji</i> (TV series) Bengali television soap opera about the life of Subhash Chandra Bose

Netaji is a Bengali biographical soap opera on the life of Netaji Subhash Chandra Bose that premiered on 14 January 2019 and aired on Bengali GEC Zee Bangla. Based majorly on Udyata Kharga Subhash by Achintya Kumar Sengupta and produced by Surinder Films, the series stars Abhishek Bose in the eponymous role, with Basabdatta Chatterjee, marking her comeback on television, Dhruvajyoti Sarkar, Kaushik Chakraborty, Sriparna Roy, Debopriyo Sarkar, Sohan Bandopadhyay, Fahim Mirza appearing in other recurring roles. Due to the COVID-19 pandemic, the shooting of the series was stalled. It was rumoured that along with Karunamoyee Rani Rashmoni, this series will be axed the channel. Putting rest to such rumours, the shooting started from June 11 and new episodes started to air from June 15, 2020. The show went off air on 1st August 2020.

<i>Aaptudu</i> 2004 Indian film

Aaptudu is a 2004 Indian Telugu-language action film directed by Muthyala Subbaiah starring Rajasekhar and Anjala Zhaveri. The film is a remake of Ghatak (1996).

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