Deacon grew up in Oadby, Leicestershire, playing bass guitar in a local band, The Opposition, before moving to study electronics at Chelsea College, London. He joined Queen in 1971 on the strength of his musical and electronic skills, particularly the homemade Deacy Amp which guitarist Brian May used to create guitar orchestras throughout Queen's career. From the third album, Sheer Heart Attack, onwards, he wrote at least one song per album, several of which became hits. As well as bass guitar, Deacon played some guitar, keyboards and piano on Queen's studio work.
John Richard Deacon was born on Sunday 19 August 1951 at St Francis Private Hospital, London Road, Leicester[1] to Arthur Henry and Lilian Molly Deacon (née Perkins).[2][3] His father worked at the Norwich Union insurance company and in 1960 the family moved to neighbouring Oadby.[4] Deacon was known to friends and his bandmates as "Deacs" or "Deacy"[5] and attended Linden Junior School in Evington[6] and Gartree High School in Oadby.
Deacon took an interest in electronics at an early age, reading magazines on the subject and building small devices, including the modification of a reel-to-reel tape deck to record music directly from the radio.[7][8] He studied at Beauchamp Grammar School in Oadby, and achieved eight GCE O level and three A level passes, all at grade A.[9] He particularly enjoyed soul music.[10]
In 1965, at the age of fourteen, Deacon formed a school band, the Opposition. The band would go through many lineup and name changes, with Deacon eventually leaving the band altogether in 1969 to pursue studies in electronics at Chelsea College in London.[11]
Career
Deacon joined his first band, The Opposition, in 1965 at the age of 14. The band played covers of chart hits; Deacon played rhythm guitar using an instrument he bought with money borrowed from the group's founder, Richard Young.[12] He switched to bass the following year after the original bassist was fired for not improving his playing as much as the other members.[13] Deacon also acted was the band's archivist, taking clippings from newspapers of even the advertisements featuring The Opposition. After being in the band for four years, not long after the group cut an acetate of three songs, Deacon played his final concert with the band (then called The Art) in August 1969.[14][15] He left as he had been accepted to study at Chelsea College in London (now part of King's College London), where he obtained a First Class Honours degree in Electronic Engineering in 1971.[1] Having become a fan of Deep Purple, he saw the group perform the Concerto for Group and Orchestra with the Royal Philharmonic Orchestra at the Royal Albert Hall that September.[16]
Although he left his bass and amplifier at home in Oadby, after less than a year of studying in London, Deacon decided he wanted to join a band.[17] In 1970, Freddie Mercury, Brian May and Roger Taylor formed Queen; Deacon saw them in October that year but was not immediately impressed.[15] Later in the year, he briefly formed a band called Deacon that made one live appearance at Chelsea College.[18]
In early 1971, Deacon was introduced to Taylor and May by a friend at a disco who told him that they were in a band that had just lost its bassist. A couple of days later he auditioned in a lecture room at Imperial College London and became the last member of Queen to join. Deacon was the youngest member of the band.[15] Deacon was selected for his musical talent, his quiet demeanour and his aptitude in electrical systems.[19] A persistent legend claims Deacon was the seventh bassist auditioned,[20] but more recent sources show Queen's bassists were, in order: Mike Grose, Barry Mitchell, Doug Bogie and Deacon.[21][22] Deacon played his first show with Queen at the College of Estate Management in Kensington in June.[1]
On Queen's first album (1973) he was credited as "Deacon John",[23] to make him "sound more interesting". He asked to be credited under his real name, which was done on all albums from Queen II (1974) onwards.[24][25]
Deacon performing with Queen at the RDS Arena, Dublin on 22 November 1979
Deacon's first writing credit came on Queen's third album, Sheer Heart Attack (1974). He wrote "Misfire", a Caribbean-themed song on which he played almost all guitar parts, and co-wrote "Stone Cold Crazy" with the rest of the band. He also played some guide guitar parts on the album, as May was hospitalised with hepatitis when recording started.[26] His second song, written for his fiancée Veronica, "You're My Best Friend", was featured on the group's fourth album, A Night at the Opera (1975), and went on to be an international hit. Subsequently, Deacon tended to write one or two songs for every Queen album, until The Miracle (1989) and Innuendo (1991), which credited the band as a whole.[27]
He wrote the hit "Another One Bites the Dust" (1980) as a dance song based on his early love of soul. The song saw radio play on both black and white US music stations, quickly becoming one of the band's best-selling singles.[10] Deacon would collaborate with Mercury throughout the early 1980s, helping push the band's musical direction towards a lighter disco sound.[28]
Deacon's collaboration with Mercury culminated in the release of the band's 1982 album Hot Space. He played rhythm guitar on the opening "Staying Power" because of his soul and Motown-influenced style, and insisted on playing guitar on his own composition "Back Chat", not allowing May to play any guitar solos because the style did not fit what Deacon wanted; this led to an acrimonious argument between the two. "Back Chat", and the album as a whole, would prove commercially unsuccessful, leading to the band returning to their rock roots in subsequent albums.[29][30]
Deacon considered his songwriting to be of equal importance to his musical skills in Queen. He later said: "If I'd just been a bass player all my life with the band, I wouldn't be as satisfied... I only consider that as part of what I do".[34]
Retirement
Deacon was so upset by Mercury's death in November 1991 that it resulted in a significant reduction in his musical activity.[19] He said, "As far as we are concerned, this is it. There is no point carrying on. It is impossible to replace Freddie."[19] After playing live with Queen three more times – at The Freddie Mercury Tribute Concert for AIDS Awareness on 20 April 1992, in a charity concert with Roger Taylor at Cowdray House in Midhurst on 18 September 1993, and at the opening of the Bejart Ballet in Paris on 17 January 1997, performing only "The Show Must Go On" with Elton John on lead vocals – he decided to retire from music.[35] He reappeared only briefly by joining his former bandmates in October 1997 for the recording of the final Queen song "No-One but You (Only the Good Die Young)", included on the Queen Rocks album released a month later.[36] Deacon described the May/Taylor/Robbie Williams cover of "We Are the Champions", recorded for A Knight's Tale, as "rubbish".[37]
Deacon has stayed out of the public eye since retiring. He chose not to be present at Queen's induction into the Rock and Roll Hall of Fame in 2001. He also did not join the collaboration with singer Paul Rodgers (as Queen + Paul Rodgers),[38] where he was replaced on bass by Danny Miranda.[39] On the Queen + Paul Rodgers collaboration album The Cosmos Rocks, the bass duties were split between May and Rodgers, but Deacon was thanked in the notes on the CD. Brian May has since said that Deacon is still involved on the business side of Queen but chooses to stay out of the limelight. May also confirmed that Deacon approved of the making of the band's biopic Bohemian Rhapsody, where he was played by Joseph Mazzello.[40] Deacon also appeared as a character in the parody biopic Weird: The Al Yankovic Story, played by David Dastmalchian.[41]
In 2013, a newly-discovered species of the genus Heteragrion (Odonata: Zygoptera) from Brazil was named Heteragrion johndeaconi after Deacon, in honour of his musical and songwriting skills; one of four Heteragrion flatwing damselflies named after the bandmates, paying tribute to the 40th anniversary of the release of Queen's first album.[42]
In a 2014 interview with Rolling Stone magazine regarding the forthcoming Queen + Adam Lambert North American tour with Adam Lambert, May and Taylor said that they no longer had much contact with Deacon except regarding finances, with Taylor stating that "Deacon's completely retired from any kind of social contact" and describing him as "a little fragile". May added, however, "he still keeps an eye on the finances, though. John Deacon is still John Deacon. We don't undertake anything financial without talking to him."[43] Session bassist Neil Fairclough played on the tour.[44]
In 2022, May told Rock FM Spain that despite many enquiries, Deacon has repeatedly declined to rejoin Queen. Even if he did, May said would not be easy for Deacon to go back to live performance again because "things have changed a lot, and Roger and I have adapted a certain amount. We're still very old school but we're aware of different ways of behaving these days and different ways in which our art is channelled... I don't think that is going to happen sadly. I'd love to say yes but I don't think it would. It's possible that we could meet in some low-stress situation, I think, but in public, probably not."[45]
In 1973, Rolling Stone wrote that the combination of Taylor and Deacon "is explosive, a colossal sonic volcano whose eruption makes the earth tremble."[46] Deacon played guitar in addition to bass, taking over rhythm parts on many albums, as well as several acoustic performances. Some of the guitar work on Hot Space (the clean Fender Telecaster single-coil sound) is Deacon's. He would occasionally play synthesizers on his own compositions and often composed at the piano, playing a Wurlitzer electric piano on "You're My Best Friend".[47] He can also be seen playing the grand piano in the music video to "Spread Your Wings",[48] although on the actual recording the piano was played by Mercury.[49] Unlike the other three members of Queen, Deacon did not sing on the group's records, though he did occasionally sing backing vocals during live performances.[50]
Deacon's first bass, used in The Opposition, was an Eko, later switching to a Rickenbacker 4001. For most of Queen's career, he used a Fender Precision Bass, which underwent a number of cosmetic changes. Towards the end of the group's career, he used a custom bass designed by Roger Giffin.[19][34] He also used an Ernie Ball MusicMan Stingray live on occasion.[51] As a trained electronics engineer, he was able to build equipment for the band. His most famous creation is the "Deacy Amp", built in 1972 from pieces of electronic equipment found in a skip, and used by himself and May throughout Queen's recording career. Many of the so-called "guitar orchestras" on Queen albums use this amplifier.[52]
Deacon usually played the bass with his fingers, only using a plectrum on some songs. He counted his influences as Chic, Michael Jackson and Stevie Wonder. His favourite bass players were Chris Squire of the progressive rock band Yes[53] and The Who'sJohn Entwistle.[54] A trademark of Deacon's playing is his bass runs. A 1975 review of Sheer Heart Attack said, "Only at the end would a new initiate to Queen recognize John Deacon's unmistakable trademark... the least well known musician in Queen is one of his rock generation's most able."[55]
Personal life
Deacon has often been described as the quiet member of the band. Although the rest of the band felt he was the right bassist for them, he barely spoke in rehearsals and avoided arguments.[1] He lives in Putney in south-west London with his wife Veronica Tetzlaff, whom he married on 18 January 1975,[56] and is the father of six children.[57] One of the reasons for Queen splitting from Trident, their original management company, is that it refused to lend Deacon money to put a deposit on a house.[58][59]
On 23 February 1985, Deacon was banned from driving for a year and fined £150 after being breathalysed for drunk driving in the West End of London.[60]
Queen are a British rock band formed in London in 1970 by Freddie Mercury, Brian May, and Roger Taylor, later joined by John Deacon (bass). Their earliest works were influenced by progressive rock, hard rock and heavy metal, but the band gradually ventured into more conventional and radio-friendly works by incorporating further styles, such as arena rock and pop rock.
Queen II is the second studio album by the British rock band Queen. It was released on 8 March 1974 by EMI Records in the UK and Elektra Records in the US. It was recorded at Trident Studios and Langham 1 Studios, London, in August 1973 with co-producers Roy Thomas Baker and Robin Geoffrey Cable, and engineered by Mike Stone. It is significant for being the first album to contain elements of the band's signature sound of multi-layered overdubs, vocal harmonies, and varied musical styles.
Sheer Heart Attack is the third studio album by the British rock band Queen, released on 8 November 1974 by EMI Records in the United Kingdom and by Elektra Records in the United States. Digressing from the progressive themes featured on their first two albums, the album featured more pop-centric and conventional rock tracks and marked a step towards the "classic" Queen sound. It was produced by the band and Roy Thomas Baker, and launched Queen to mainstream popularity in the UK and throughout the world.
A Night at the Opera is the fourth studio album by the British rock band Queen, released on 28 November 1975, by EMI Records in the United Kingdom and Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was reportedly the most expensive album ever recorded at the time of its release.
Queen is the debut studio album by the British rock band Queen. Released on 13 July 1973 by EMI Records in the UK and by Elektra Records in the US, it was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker, John Anthony and the band members themselves.
The Miracle is the thirteenth studio album by the British rock band Queen, released on 22 May 1989 by Parlophone Records and Capitol Records in both the United Kingdom and the U.S. respectively, where it was the band's third and final studio album to be released on latter label, and their first studio album on the former label. The album was recorded as the band recovered from Brian May's marital problems and Freddie Mercury's HIV diagnosis in 1987. Recording started in January 1988 and lasted for an entire year. The album was originally going to be called The Invisible Men, but three weeks before the release, according to Roger Taylor, they changed the name to The Miracle. It was also the last Queen album with a photo of the band on the front cover.
Hot Space is the tenth studio album by the British rock band Queen. It was released on 4 May 1982 by EMI Records in the United Kingdom and by Elektra Records in the United States. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, R&B, dance, pop and new wave music on the album. Combined with the ongoing backlash against disco music, this made the album less popular with fans who preferred the traditional rock style they had come to associate with the band. Queen's decision to record a dance-oriented album germinated with the massive success of their 1980 hit "Another One Bites the Dust" in the US.
"Keep Yourself Alive" is the debut single by the British rock band Queen. Written by guitarist Brian May, it is the opening track on the band's self-titled debut album (1973). It was released as Queen's first single along with "Son and Daughter" as the B-side.
"A Kind of Magic" is the title track of the 1986 album of the same name by the British rock band Queen. It was written by the band's drummer, Roger Taylor, for the film Highlander and featured as the ending theme. The single reached number three in the UK Singles Chart, top ten in a number of European countries, and #42 on the US Billboard Hot 100. The song is the opening track on the band's compilation albums, Greatest Hits II, and Classic Queen.
"'39" is a song by British rock band Queen. Composed by lead guitarist Brian May, it is the fifth track on their fourth studio album A Night at the Opera. The song was also the B-side to "You're My Best Friend".
"Princes of the Universe" is a song written by Freddie Mercury and performed by the British rock band Queen, originally released as a single in the United States on March 12, 1986, via Capitol Records. The song was written for the film Highlander, and released on the album A Kind of Magic, which also featured other selections from the Highlander song score on June 2, 1986. In 1999 it was included in Queen's compilation album Greatest Hits III.
"No-One But You " is the final single recorded by the British rock band Queen. Recorded and released in 1997, six years after the death of lead singer Freddie Mercury, it is the only Queen recording to feature a three-piece lineup: guitarist Brian May, drummer Roger Taylor, and bassist John Deacon. May and Taylor share lead vocals. The song was released on the album Queen Rocks and it was also released as a double a-side single with "Tie Your Mother Down". It was later included on the compilation album Greatest Hits III.
"Spread Your Wings" is a power ballad by English rock band Queen, from their 1977 album News of the World. Written by bassist John Deacon, it was released as the A-side of the single "Spread Your Wings"/"Sheer Heart Attack" in 1978. According to music writer Benoit Clerc, "Spread Your Wings" was chosen as the 2nd single from News of the World because the band regretted releasing "Tie Your Mother Down" as a single from A Day at the Races over Deacon's "You and I."
"Liar" is a song by the British rock band Queen, written by the lead singer Freddie Mercury in 1970. The song featured on the band's 1973 debut album Queen. A heavily truncated version of "Liar" was released as a single – backed with "Doing All Right" – in the United States and New Zealand by Elektra Records in February 1974.
"Good Old-Fashioned Lover Boy" is the eighth track from the British rock band Queen's 1976 album A Day at the Races, written by Freddie Mercury. It was also released as a single in 1977 on 7-inch vinyl. It was one of several British music hall-inspired songs composed by members of the band. It reached number 17 on the UK Singles Chart.
Back to the Light is the debut solo studio album by English musician Brian May, the guitarist of Queen. It was released on 28 September 1992 by Parlophone Records in the UK, and on 2 February 1993 by Hollywood Records in the US and Canada. May's second solo release following his 1983 EP Star Fleet Project, Back to the Light was co-produced with Justin Shirley-Smith and recorded between March 1988 and November 1992 at Allerton Hill—May's home studio—and mixed at Metropolis Studios.
"Need Your Loving Tonight" is a song by the rock band Queen and written by bass guitarist John Deacon. It is the fourth track on the first side of their 1980 album The Game and the second song on the album by Deacon. It was released as a single in some countries in November 1980.
"The Invisible Man" is a song by the British rock band Queen, written by drummer Roger Taylor but credited to Queen. The song is sung mostly by Freddie Mercury, with vocal contributions from Taylor. The song was released in August 1989 as the third single from the bands album The Miracle. Taylor claims that he got the inspiration to create the song while reading a book, and the bassline instantly came to his imagination. The song title was inspired by the H. G. Wells novel of the same name.
Crazy Tour was the seventh concert tour by the British rock band Queen during November and December 1979.
"Lily of the Valley" is a song by British rock band Queen. It was written by lead singer Freddie Mercury, who also plays the piano and provides all the vocals on the track. It was originally featured on Queen's third album, Sheer Heart Attack, released in 1974, and is one of the album's few ballads.
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