Jatin Goswami | |
---|---|
Born | |
Occupation(s) | Classical dancer Stage personality |
Known for | Sattriya |
Parent(s) | Dharanidhar Dev Goswami Chandraprova Devi |
Awards | Padma Shri Sangeet Natak Akademi Award Nrityaachaarya Bharatiyam Samman Silpi Divas Award Sangeet Jyoti Award Assam Natya Sanmilon Award Best Dance Director Award Hiraprova-Chandrakanta Award Nritya Siromoni Award Leo-Expo Award Sankaracharya Avatar Award Anand Mohan Bhagawati Nartan Award Bhabendra Nath Saikia Mobile Theatre Award (2013) Moghai Ojah Srijan Award,2015. [1] |
Jatin Goswami (born 2 August 1933) is an Indian dancer and choreographer, known as one of the prominent exponents of the classical dance form of Sattriya. [2] He is the founder director of Sattriya Akademi, Guwahati, a sitting member of its Advisory Committee, [3] and a former member of the General Council of the Sangeet Natak Akademi. [1] He is also the founder of Alok Shilpi Sangha, a dance academy and Pragjyoti Kala Parishad, a cultural organization, [4] and is a recipient of the 2004 Sangeet Natak Akademi Award. [5] The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2008 and Padma Bhushan 2025 for his contributions to Sattriya dance. [6]
Jatin Goswami was born on 2 August 1933 to Dharanidhar Dev Goswami and Chandraprova Devi at Adhar Sattra, a village near Dergaon in Golaghat district, in the Northeast Indian state of Assam. [1] His early training in Sattriya was under his father but later, he trained under Gopiram Bayan and Babula Bayan, two known Sattriya masters, as well as Bishnuprasad Rabha, Dutta Muktiyar and Raseswar Saikia Barbayan at different points of time. [7] In 1953, he established his own dance academy, Alok Shilpi Sangha, at his native place, but continued his dance training, learning Kathak from Ganesh Hiralal and Manipuri dance from Atomba Singh. [4]
Turning his focus back to Sattriya, he founded Pragjyoti Kala Parishad, a cultural organization for promoting dance, in 1962, along with Kalaguru Bishnu Prasad Rabha and Roxeswar Saikia Barbayan. [4] Goswami is known to be the only Sattriya performer to be engaged in conducting workshops and performances in various parts of the country. [2] [8] In 1994, he was nominated as a member of the General Council of the Sangeet Natak Akademi in 1994 and he contributed to the efforts in getting Sattriya declared as a classical dance form by the Akademi in 2000. [7] He has performed in many places in India and abroad [9] and is credited with the publication of five books on Sattriya viz. Maati Akhora, Nritya Paribhasik Sabda and Sangya, Jhumura Nach – Nadu BhangeeNrityar Sikshya and Nrityar Prathamik Hasta Parichaya. When Sattiya Akademi was started in 2000, in Guwahati, under the aegis of the Sangeet Natak Akademi, he was selected as the first director of the institution. [1]
Goswami, holder of NrityaCharya title of the Sankari Sangeet Vidyapith, received the Sangeet Natak Akademi Award for Sattriya dance in 2004. [5] Four years later, the Government of India awarded him the civilian honour of the Padma Shri, in 2008. [6] He is also a recipient of honours such as Bharatiyam Samman of the Department of Tourism and Culture, Silpi Divas Award (1994), Sangeet Jyoti Award (2004), Assam Natya Sanmilon Award (1997), Best Dance Director Award of the Government of Assam (1997–98), Hiraprova-Chandrakanta Award (2006), Nritya Siromoni Award of the Asom Sattra Mohasobha, Leo-Expo Award (2010), Sankaracharya Avatar Award (2010), Anand Mohan Bhagawati Nartan Award (2012), Bhabendra Nath Saikia Mobile Theatre Award (2013) and Moghai Ojah Srijan Award (2015) [1]
Sattriya, or Sattriya Nritya, is a major Indian classical dance. It was initially created as part of Bhaona which are performances of Ankiya Nat, one-act plays, originally created by Sankardev, a 15th-16th century polymath from Assam. These dances are part of the living traditions today of Sattra, which are communities of live-in devotees belonging to the Ekasarana Dharma, a Hindu sect established by Sankardev.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.
Bhupen HazarikaBR, widely known as Sudha Kontho, was an Indian playback singer, songwriter, and politician from Assam. He has written songs mainly in the Assamese language, which are marked by humanity and universal brotherhood. His songs have been translated into many languages, most notably in Bengali and in Hindi.
Sangeet Natak Akademi Award, also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama. It is the highest Indian recognition given to people in the field of performing arts.
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Rajkumar Singhajit Singh was a leading exponent, choreographer and a guru of Indian classical dance form of Manipuri, including the Pung cholom and Raslila. He was awarded the Sangeet Natak Akademi Award in 1984 and the Padma Shri in 1986 for his contribution to the Manipuri dance. In the year 2011, Sangeet Natak Akademi, India's The National Academy for Music, Dance and Drama, awarded him its highest award, the Sangeet Natak Akademi Fellowship for his contribution to Indian Dance. In 2014 he was also conferred with the Tagore Award.
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Ojapali is a traditional shamanistic type of indigenous folk dance from Assam in the northeastern region of India. Ojapali is believed to have evolved from Kathakata tradition and is performed in a group; it is believed to be one of the oldest art forms of Assam. Originally evolved in the Kamata state the western and northern part of river Brahmaputra later limited to Darrang area under the patronisation of Darrangi King Dharmanarayana. The repertoire of this performance consists of songs, dialogues, gesture, improvised acting and dramatisation etc. The group consists of an Oja, who leads the performance and four or five palies, who supplement the performance with continuously playing cymbal. Among the Palies Daina pali who stand on the right-hand side of the Oja is the active one and he and Oja take the performance forward. Many believe that Shankardev took inspiration from Ojapali to create his Ankiya Bhaona. Moreover, he also created his own Sattriya Ojapali. Generally Darrangi Suknanni Ojapali sings the lyrics written by Sukabi Narayanadeva in Padmapurana. Padma Purana covers the story of serpent goddess Maroi(manasa devi). Ojapali is associated with Shakti Puja, including the deities manasa, kali, durga, kesikhaiti, kakogoshani etc.
Professor Maheswar Neog was an Indian academic who specialised in the cultural history of the North East India especially Assam, besides being an Assamese-language scholar and poet. He was a top Indologist, and his work covers all disciplines of Indian studies, folk-lore, language, dance, history, music, religion, drama, fine arts, paintings, historiography and hagiography, lexicography and orthography, epigraphy and ethnography. His research includes multi-dimensional features of Vaishnava renaissance in Assam through Srimanta Sankardev, Madhabdev, Damodardev, Haridev, Bhattadev and other Vaishnava saints of Assam.
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