Patricia Smyth is an American singer and songwriter. She first came into national attention with the rock band Scandal and went on to record and perform as a solo artist. Her distinctive voice and new wave image gained broad exposure through video recordings aired on cable music video channels such as MTV. Her debut solo album Never Enough was well received, and generated a pair of Top 100 hits. In the early 1990s she reached the top 10 with the hit single "Sometimes Love Just Ain't Enough," a duet with Don Henley of Eagles. She performed and co-wrote with James Ingram the song "Look What Love Has Done" for the 1994 motion picture Junior. The work earned her a Grammy Award nomination for Best Song Written for Visual Media, as well as an Academy Award nomination for Best Original Song.
"Maggie May" is a song co-written by singer Rod Stewart and Martin Quittenton, and performed by Rod Stewart on his album Every Picture Tells a Story, released in 1971.
Patricia Ann Cole, known professionally as P. P. Arnold, is an American soul singer. She began her career as an Ikette with the Ike & Tina Turner Revue in 1965. The following year she relocated to London to pursue a solo career. Arnold enjoyed considerable success in the United Kingdom with her singles "The First Cut Is the Deepest" (1967) and "Angel of the Morning" (1968).
Python Lee Jackson were an Australian rock band active from 1965 to 1968, before a brief sojourn in the United Kingdom from late 1968 to mid-1969. The group had recorded a single, "In a Broken Dream", featuring Rod Stewart as guest vocalist in April 1969. The group reformed in 1972 and the single was re-released in August: it peaked at No. 3 on the UK Singles Chart and No. 56 on the United States Billboard Hot 100. The group disbanded again later that year. Their early vocalist, Mal McGee (1966–68) died on 17 May 2012.
"People Get Ready" is a 1965 single by The Impressions, and the title track from the People Get Ready album. The single is the group's best-known hit, reaching number three on the Billboard R&B chart and number 14 on the Billboard Hot 100. The gospel-influenced track was a Curtis Mayfield composition that displayed the growing sense of social and political awareness in his writing.
"You Send Me" is a song written and originally recorded by American singer Sam Cooke, released as a single in 1957 by Keen Records. Produced by Bumps Blackwell and arranged and conducted by René Hall. The song, Cooke's debut single, was a massive commercial success, becoming a No. 1 hit on both Billboard's Rhythm & Blues Records chart and the Billboard Hot 100.
"Sweet Dreams (Are Made of This)" is a song by British synth-pop duo Eurythmics. It was released as the fourth and final single from their second album of the same name in January 1983. It was their breakthrough hit, establishing the duo worldwide. It reached number two on the UK Singles Chart in March 1983, and number one on the US Billboard Hot 100 six months later; it was their first single released in the US.
"Sailing" is a song composed by Gavin Sutherland of the Sutherland Brothers in 1972, best known as a 1975 international hit for Rod Stewart.
"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.
The following is the complete discography of British singer Rod Stewart. Throughout his career, Stewart has sold 120 million records worldwide, making him one of the world's best-selling music artists in history. According to Recording Industry Association of America (RIAA), he has sold 46.6 million albums and singles in the US. Billboard ranked him as the 15th Greatest Artist of all time. He is also the 20th Greatest Hot 100 artist of all time and the 13th Greatest Billboard 200 Artist of all time.
"I'll See You in My Dreams" is a popular song and jazz standard, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra. Released on Brunswick Records, it charted for 16 weeks during 1925, spending seven weeks at number 1 in the United States. Other popular versions in 1925 were by Marion Harris; Paul Whiteman; Ford & Glenn; and Lewis James; with three of these four reaching the Top 10.
"September in the Rain" is a popular song about nostalgia by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since.
That's the Way It Is is the twelfth studio album by American singer and musician Elvis Presley, released on RCA Records, LSP 4445, in November 1970. It consists of eight studio tracks recorded at RCA Studio B in Nashville, and four live in-concert tracks recorded at The International Hotel in Las Vegas. It accompanied the theatrical release of the documentary film Elvis: That's the Way It Is, although it is not generally considered a soundtrack album. The album peaked at number 21 on the Billboard 200 and at number eight on the country chart. It was certified Gold on June 28, 1973, by the Recording Industry Association of America and up-graded to Platinum, for sales of a million copies on March 8, 2018.
"(I Love You) for Sentimental Reasons" is a popular song written by Ivory "Deek" Watson, founding member of the Ink Spots and of the Brown Dots, and William "Pat" Best, founding member of the Four Tunes.
"Feelin' Alright?", also known as "Feeling Alright", is a song written by Dave Mason of the English rock band Traffic for their eponymous 1968 album Traffic. It was also released as a single, and failed to chart in both the UK and the US, but it did reach a bubbling under position of #123 on the Billboard Hot 100. Joe Cocker performed a more popular rendition of the song that did chart in the U.S. Both Traffic's and Cocker's versions appear in the 2012 movie Flight. The song was also featured in the 2000 film Duets, sung by Huey Lewis.
"Forever Young" is a song by Bob Dylan, recorded in California in November 1973. The song first appeared, in two different versions, a slow-pace and a fast-pace, on Dylan's fourteenth studio album Planet Waves.
"Everyday" is a song by American rapper ASAP Rocky. It was released on May 8, 2015, as the second single from his second studio album At. Long. Last. ASAP (2015), to make up for the delay of the album. The song, co-produced by Mark Ronson alongside a sample appearance from "In a Broken Dream" by Python Lee Jackson, also features singer Miguel. Rolling Stone ranked "Everyday" at number 38 on its annual year-end list to find the best songs of 2015.
The Best of Thunder: Their Finest Hour is the first compilation album by English hard rock band Thunder. Released on 25 September 1995 by EMI Records, it features songs from the band's first three studio albums – Backstreet Symphony, Laughing on Judgement Day and Behind Closed Doors – as well as a re-recorded version of "Higher Ground", 1994 single "Gimme Shelter" and new tracks "In a Broken Dream" and "Once in a Lifetime".
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
"Last Night I Had the Strangest Dream" is a song written by American folk singer-songwriter Ed McCurdy in 1950. Due to McCurdy's connection with fellow musicians, it was common in repertoires within the folk music community. The song had its first album release when Pete Seeger recorded it as "Strangest Dream" for his 1956 album Love Songs For Friends & Foes. Seeger would later re-visit the song for his 1967 album Waist Deep in the Big Muddy and other Love Songs. The strong anti-war theme of the song led it to be recorded by multiple other artists, including The Weavers (1960), Joan Baez (1962), The Kingston Trio (1963), Simon & Garfunkel (1964), and Johnny Cash who released two versions of the song during the 2000s.
