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Headquarters | ||||
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Studio album by | ||||
Released | May 22, 1967 | |||
Recorded | February 23 – April 18, 1967 | |||
Studio | RCA Victor (Hollywood, California) | |||
Genre | Pop rock | |||
Length | 30:52 | |||
Label |
| |||
Producer | Chip Douglas | |||
The Monkees chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
MusicHound Rock | [2] |
Record Collector | [3] |
The Rolling Stone Album Guide | [4] |
Headquarters is the third studio album by the American pop rock band the Monkees, released in 1967 by Colgems Records. It was issued after the first season of their television series had concluded and was the first album on which the group members made substantial songwriting and instrumental contributions, rather than relying on session musicians and professional songwriters. After a struggle for creative autonomy with their record label, the group had been allowed, to a degree, to record by themselves. Headquarters became the group's third consecutive No. 1 album on the Billboard 200 chart and was certified double platinum in the United States with sales of more than two million copies within the first two months of release. It also peaked at No. 2 on the UK charts. It is included in the 2006 book 1001 Albums You Must Hear Before You Die .
While the original concept of their third album was to follow the same format and production of the first two albums, after the release of More of the Monkees (1967), the group, particularly Michael Nesmith and Peter Tork, was becoming increasingly frustrated by the limited creative input they were allowed by Don Kirshner, and continued to fight for more creative control and independence from him. Kirshner had already begun supervising recording sessions with studio musicians for their third album, with Davy Jones recording vocal tracks for some of the songs, while the group took it upon themselves, independent of Kirshner, to record two songs featuring them both singing and playing ("All of Your Toys" and "The Girl I Knew Somewhere"), as a means of proving to him that they were capable of providing their own musical accompaniment on future albums. Kirshner was adamant that their music should continue to be recorded under the previous albums' recording style, and was desperate to have the group provide further vocal tracks to the pre-recorded songs before their upcoming pre-planned vacations in order to continue their previous chart-topping successes by having the new single displace the current number one song, "I'm a Believer", thereby having the group hold number one and number two positions.
As upcoming talks with Kirshner about their concerns continued to be delayed, the group, citing exhaustion from their grueling TV, touring and recording schedule, were unwilling to postpone the vacations and took advantage of the situation by threatening to quit the show, and subsequently the band, unless their demands were met. Micky Dolenz offered a last-minute compromise: the group would agree to sing on Kirshner's tracks in exchange for his allowing one of their previously recorded group performance tracks to serve as the B-side. While it seemed that Kirshner would agree, tensions soon came to a head when he released the third single (in Canada), with the Jones' tracks on both sides ("A Little Bit Me, a Little Bit You" and an early version of "She Hangs Out"), without the approval of record executives, the show's producers or the group, completely ignoring their request. This led to Kirshner's dismissal from the Monkees project, with the group finally being given full creative control of their next album. The single was withdrawn from Canada and pulled from scheduled release in the US. Since "A Little Bit Me, A Little Bit You" was already announced as the next single, it was retained as the A-side and "The Girl I Knew Somewhere" as the B-side (a publishing error prevented "All of Your Toys" from being used), replacing "She Hangs Out". The remaining Kirshner-supervised tracks that had already been finished were discarded, while the group was finally given the creative freedom and input they requested and soon began recording their third album, free of the restrictions previously imposed by Kirshner.
The album was released on May 22, 1967, and charted at No. 1 in the U.S., only to be replaced the following week by the Beatles' Sgt. Pepper's Lonely Hearts Club Band ; it then began a run of 11 consecutive weeks at the No. 2 position as Sgt. Pepper's Lonely Hearts Club Band and Headquarters became the two top-selling records during the legendary "Summer of Love" period.
The album was issued on the compact disc format for the first time by Arista Records in 1989, remixed from the multi-tracks, then later from the original stereo master tape in 1995, with several bonus tracks on Rhino Entertainment. In 2000, Rhino, through its Rhino Handmade division, issued The Headquarters Sessions , a three-disc box set of outtakes from the session as well as the album's original monophonic mix presented in an alternate running order that had been rejected before the album's official release.
In 2007, Rhino issued a two-disc deluxe edition of the album. The CD set was housed in a digipak with a slipcase and featured original album artwork (including replicas of the original Colgems vinyl labels on each disc), as well as a booklet of essays and session information by Monkees historian Andrew Sandoval. The discs contained both the stereo and mono mixes of the album, remastered, as well as alternate mixes and outtakes.
In 2022, Rhino released a four-disc "Super Deluxe Edition" which included the original album in remixed form, as well as tracks from the aborted January 1967 Kirshner sessions, alternate mixes and previously unreleased outtakes. [5] [6]
The original rear album cover features a collage of photos including one of producer Chip Douglas and engineer Dick Bogert. However, the photo was mislabeled: it identifies engineer Hank Cicalo as sitting next to Chip Douglas. This is known as the "producers cover". Colgems/RCA corrected the error by substituting a different photo rather than revising the caption. Peter, Micky and Mike were sporting light beards while Davy's shoulder-length hair had been cut off; this has come to be known as the "beard cover". This is the corrected version because it was standard practice for RCA to add an "RE" to the catalog number when any one side of a record sleeve had a revision. The "beard cover" has a catalog number of COS/COM-103 RE. [7]
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "You Told Me" | Michael Nesmith | Nesmith | 2:25 |
2. | "I'll Spend My Life with You" | Micky Dolenz | 2:26 | |
3. | "Forget That Girl" | Douglas Farthing Hatlelid | Davy Jones | 2:25 |
4. | "Band 6" |
| instrumental | 0:41 |
5. | "You Just May Be the One" | Nesmith | Nesmith | 2:03 |
6. | "Shades of Gray" |
| 3:22 | |
7. | "I Can't Get Her Off My Mind" |
| Jones | 2:27 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "For Pete's Sake" |
| Dolenz | 2:11 |
2. | "Mr. Webster" |
|
| 2:05 |
3. | "Sunny Girlfriend" | Nesmith | Nesmith | 2:33 |
4. | "Zilch" |
|
| 1:06 |
5. | "No Time" | Hank Cicalo | Dolenz | 2:08 |
6. | "Early Morning Blues and Greens" | Jones | 2:35 | |
7. | "Randy Scouse Git" | Dolenz | Dolenz | 2:40 |
Total length: | 30:52 |
The album's preliminary track lineup was compiled shortly after the sessions had ended and would have included the following songs: [9]
Side one
Side two
Credits adapted from 2022 Rhino "Super Deluxe Edition" box set. [8]
The Monkees
Additional musicians
Unconfirmed personnel and duties
Technical
Chart (1967) | Peak position |
---|---|
Argentinian Albums (CAPIF) [10] | 5 |
Canadian Albums ( RPM ) [11] | 1 |
Finnish Albums (Suomen virallinen lista) [12] | 3 |
German Albums (Offizielle Top 100) [13] | 29 |
Norwegian Albums (VG-lista) [14] | 2 |
UK Albums (OCC) [15] | 2 |
US Billboard 200 [16] | 1 |
Year | Single | Chart | Peak position |
---|---|---|---|
1967 | "The Girl I Knew Somewhere" | Billboard Hot 100 | 39 [17] |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [18] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
The Monkees were an American pop rock band formed in Los Angeles in the mid-1960s. The band consisted of Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork. Spurred by the success of TV series The Monkees, the Monkees were one of the most successful bands of the late 1960s. With international hits, four chart-topping albums and three chart-topping songs, they sold more than 75 million records worldwide.
Pisces, Aquarius, Capricorn & Jones Ltd. is the fourth album by the Monkees. It was released on November 6, 1967, during a period when the band exerted more control over their music and performed many of the instruments themselves. However, although the group had complete artistic control over the proceedings, they invited more outside contributions than on their previous album, Headquarters, and used session musicians to complement their sound. The album also featured one of the first uses of the Moog synthesizer in popular music. Pisces, Aquarius, Capricorn & Jones Ltd. sold over three million copies. It was the band's fourth consecutive album to reach No. 1 on the U.S. Billboard 200.
More of the Monkees is the second studio album by the American pop rock band the Monkees, released in 1967 on Colgems Records. It was recorded in late 1966 and displaced the band's debut album from the top of the Billboard 200 chart, remaining at No. 1 for 18 weeks, the longest run of any Monkees album. Combined, the first two Monkees albums were at the top of the Billboard chart for 31 consecutive weeks. More of the Monkees also went to No. 1 in the UK. In the U.S., it has been certified quintuple platinum by the RIAA, with sales of more than five million copies. More of the Monkees is also notable for being the first pop/rock album to be the best-selling album of the year in the U.S.
The Monkees is the debut studio album by the American band the Monkees. It was released on October 10, 1966 by Colgems Records in the United States and RCA Victor in the rest of the world. It was the first of four consecutive U.S. number one albums for the group, taking the top spot on the Billboard 200 for 13 weeks, after which it was displaced by the band's second album. It also topped the UK charts in 1967. The Monkees has been certified quintuple platinum by the RIAA, with sales of over five million copies.
The Monkees Present is the eighth studio album by the American pop rock band the Monkees, released in 1969 by Colgems Records. It was the second Monkees album released after the departure of Peter Tork and the last to feature Michael Nesmith until 1996's Justus.
Changes is the ninth studio album by the American pop rock band the Monkees, released in 1970 by Colgems Records. The album was issued after Michael Nesmith's exit from the band, leaving only Micky Dolenz and Davy Jones to fulfill the recording contract they had signed in the mid-1960s. Changes was their last new album for Colgems Records and the group's last album of all new material until Pool It!, released in 1987.
The Birds, the Bees & the Monkees is the fifth studio album by the American pop rock band the Monkees, released in 1968 by Colgems Records. It was the first album released after the cancellation of their TV show and subsequently was their first not to reach No. 1 on the U.S. Billboard 200, peaking at No. 3, and their first not to chart in the UK, with their four previous efforts all having reached the top ten. The album has sold over a million copies.
Head is the sixth studio album by the American pop rock band the Monkees, released in 1968 by Colgems Records, and the soundtrack to the film of the same name. The album primarily consists of musique concrète pieces assembled from the film's dialogue, while the six new songs encompass genres such as psychedelic music, lo-fi, acid rock and Broadway theatre.
Instant Replay is the seventh studio album by the American pop rock band the Monkees, released in 1969 by Colgems Records. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
"Valleri" is a song written by Tommy Boyce and Bobby Hart for the Monkees. The single peaked at #3 on the Billboard Hot 100 and spent two weeks at #1 on the Cash Box chart in early 1968, and reached #1 in Canada and #12 in the UK.
"Shades of Gray" is a song written by Barry Mann and Cynthia Weil, recorded by the Monkees for their 1967 album Headquarters. Lead vocals were shared by Davy Jones and Peter Tork, and this is the only track on the album featuring instruments performed by session musicians instead of the band members themselves.
Missing Links Volume Three is a compilation album of rare and previously unreleased songs by the American pop rock band the Monkees, issued by Rhino Records in 1996. It is the third and final volume of a three-volume set, preceded by Missing Links in 1987 and Missing Links Volume Two in 1990.
"D.W. Washburn" is a song written by Jerry Leiber and Mike Stoller, recorded by both the Coasters and the Monkees. It was also included in the musical Smokey Joe's Cafe (revue).
"A Little Bit Me, a Little Bit You" is a song written by Neil Diamond, recorded by the Monkees in 1967 and released as a single on the Colgems label. The lead vocal was Davy Jones' first on a Monkees single. The single reached No. 1 on the Cashbox Top 100 chart, while on the Billboard Hot 100 it reached No. 2, with "Somethin' Stupid" by Frank Sinatra and Nancy Sinatra keeping it from the top spot.
"All of Your Toys" is a song by The Monkees, recorded in 1967 but not released until 20 years later. The song was written by Bill Martin, a friend of The Monkees' Michael Nesmith. "All of Your Toys" was the first Monkees recording to feature all four members performing on the track.
"Randy Scouse Git" is a song written by Micky Dolenz in 1967 and recorded by the Monkees. It was the first song written by Dolenz to be commercially released, and it became a number 2 hit in the UK where it was retitled "Alternate Title" after the record company (RCA) complained that the original title was actually somewhat "rude to British audience" and requested that The Monkees supply an alternate title. Dolenz took the song's title from a phrase he had heard spoken on an episode of the British television series Till Death Us Do Part, which he had watched while in England. The song also appeared on The Monkees TV series, on their album Headquarters, and on several "Greatest Hits" albums. Peter Tork said that it was one of his favorite Monkees tracks.
The Headquarters Sessions is a compilation album by the American pop rock band the Monkees, released in 2000 by Rhino Handmade. It contains 84 tracks on three CDs, including 60 previously unreleased recordings from the sessions that produced the band's third album, Headquarters (1967).
Tear Drop City is a single by the Monkees released on February 8, 1969 on Colgems #5000 recorded on October 26, 1966. The song reached No.56 on the Billboard chart, no.37 on cash box. The lyrics are about a man who feels low because his girlfriend has left him. Written by Tommy Boyce and Bobby Hart, it was the first single The Monkees released as a trio. Micky Dolenz performed the lead vocal. Boyce and Hart produced and arranged the song.
"Listen to the Band" is a song by American pop rock band the Monkees, released on Colgems single 5004 on April 26, 1969. Written by Michael Nesmith, it is the first time Nesmith sang lead vocals on a Monkees single A-side.
"The Girl I Knew Somewhere" is a song by the American pop rock band the Monkees, written by Michael Nesmith and first released as the B-side to the "A Little Bit Me, a Little Bit You" single on Colgems Records on March 8, 1967. It was distributed in support of the group's third album Headquarters, and later appeared on the reissued version of the LP. The song was recorded as the Monkees finally achieved the independence that enabled them to freely produce their own material, with the actual band members featured on both vocals and instrumental arrangements.
Bibliography