A hair drop is an ornament worn by men from Great Lakes and Plains tribes. It would be tied to the man's hair. The typical example consists of a quilled or beaded section on a strip of leather, which was later attached to an American buffalo tail. They could be over two feet long. [1]
Early hair drops were decorated with porcupine quillwork. [1]
As more Europeans arrived on Plains Indian lands in the later 19th century, glass beadwork became more common. Hair drops are frequently adorned with tin cones, silver, and feathers. [1] The horse hair drop can be dyed for effect. One 1870 Cheyenne hair drop was adorned with peacock feathers. [2]
In the late 19th century, hair drops incorporated German silver disks, [3] known as hair plates. [4] Hair plates were most popular from 1835 to 1870, [5] but are still made today for powwow and ceremonial regalia. The men's hair drops are distinguished from women's hair plates, because the women wear theirs from belts at their waists.
Hair drops could have ceremonial importance. One Piegan Blackfeet hair drop was worn to bring prosperity and included horse hair to protect the owner's horse. [6]
The term hair drop is also used for braids of human hair worn by Plains men, attached to adornment. [7] For instance, hair drops have been attached to Kiowa mescal bean bandoleer worn in Native American Church regalia. [8]
Today 19th century hair drops are highly collectible and often sold by non-Native traders for thousands of dollars. [2] [9]
The Crow, whose autonym is Apsáalooke, also spelled Absaroka, are Native Americans living primarily in southern Montana. Today, the Crow people have a federally recognized tribe, the Crow Tribe of Montana, with an Indian reservation located in the south-central part of the state.
The Comanche or Nʉmʉnʉʉ are a Native American tribe from the Southern Plains of the present-day United States. Comanche people today belong to the federally recognized Comanche Nation, headquartered in Lawton, Oklahoma.
An adornment is generally an accessory or ornament worn to enhance the beauty or status of the wearer. They are often worn to embellish, enhance, or distinguish the wearer, and to define cultural, social, or religious status within a specific community. When worn to show economic status, the items are often either rare or prohibitively expensive to others. Adornments are usually colourful, and worn to attract attention.
The Blackfoot Confederacy, Niitsitapi, or Siksikaitsitapi, is a historic collective name for linguistically related groups that make up the Blackfoot or Blackfeet people: the Siksika ("Blackfoot"), the Kainai or Blood, and two sections of the Peigan or Piikani – the Northern Piikani (Aapátohsipikáni) and the Southern Piikani. Broader definitions include groups such as the Tsúùtínà (Sarcee) and A'aninin who spoke quite different languages but allied with or joined the Blackfoot Confederacy.
A robe is a loose-fitting outer garment. Unlike garments described as capes or cloaks, robes usually have sleeves. The English word robe derives from Middle English robe ("garment"), borrowed from Old French robe, itself taken from the Frankish word *rouba, and is related to the word rob.
A powwow is a gathering with dances held by many Native American and First Nations communities. Powwows today allow Indigenous people to socialize, dance, sing, and honor their cultures. Powwows may be private or public, indoors or outdoors. Dancing events can be competitive with monetary prizes. Powwows vary in length from single-day to weeklong events.
The bicorne or bicorn (two-cornered) is a historical form of hat widely adopted in the 1790s as an item of uniform by European and American army and naval officers. Most generals and staff officers of the Napoleonic period wore bicornes, which survived as widely-worn full-dress headdress until the 20th century.
Plains Indians or Indigenous peoples of the Great Plains and Canadian Prairies are the Native American tribes and First Nation band governments who have historically lived on the Interior Plains of North America. While hunting-farming cultures have lived on the Great Plains for centuries prior to European contact, the region is known for the horse cultures that flourished from the 17th century through the late 19th century. Their historic nomadism and armed resistance to domination by the government and military forces of Canada and the United States have made the Plains Indian culture groups an archetype in literature and art for Native Americans everywhere.
Fancy dance, Pan-Indian dancing, Fancy Feather or Fancy War Dance is a style of dance some believe was originally created by members of the Ponca tribe in the 1920s and 1930s, in an attempt to preserve their culture and religion. It is loosely based on the war dance. Fancy dance was considered appropriate to be performed for visitors to reservations and at "Wild West" shows. But today, fancy dancers can be seen at many powwows across the nation and even the world.
Quillwork is a form of textile embellishment traditionally practiced by Indigenous peoples of North America that employs the quills of porcupines as an aesthetic element. Quills from bird feathers were also occasionally used in quillwork.
War bonnets are feathered headgear traditionally worn by male leaders of the American Plains Indians Nations who have earned a place of great respect in their tribe. Originally they were sometimes worn into battle, but they are now primarily used for ceremonial occasions. In the Native American and First Nations communities that traditionally have these items of regalia, they are seen as items of great spiritual and political importance, only to be worn by those who have earned the right and honour through formal recognition by their people.
Hopi katsina figures, also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or katsinam, the immortal beings that bring rain, control other aspects of the natural world and society, and act as messengers between humans and the spirit world.
A Hair pipe is a term for an elongated bead, more than 1.5 inches long, which are popular with American Indians, particularly from the Great Plains and Northwest Plateau.
The word dentalium, as commonly used by Native American artists and anthropologists, refers to tooth shells or tusk shells used in indigenous jewelry, adornment, and commerce in western Canada and the United States. These tusk shells are a kind of seashell, specifically the shells of scaphopod mollusks. The name "dentalium" is based on the scientific name for the genus Dentalium, but because the taxonomy has changed over time, not all of the species used are still placed in that genus; however, all of the species are certainly in the family Dentaliidae.
The Native American bustle is a traditional part of a man's regalia worn during a dance exhibition or wachipi and originates from the Plains region of the United States. In its modern form, the men's bustle is typically made of a string of eagle or hawk feathers attached to a backboard. Eagle and hawk feathers are sacred religious objects to Native American people and the possession of eagle and hawk feathers are protected by the eagle feather law.
Ledger art is a term for narrative drawing or painting on paper or cloth, predominantly practiced by Plains Indian, but also from the Plateau and Great Basin. Ledger art flourished primarily from the 1860s to the 1920s. A revival of ledger art began in the 1960s and 1970s. The term comes from the accounting ledger books that were a common source of paper for Plains Indians during the late 19th century.
Ribbon work is an appliqué technique for clothing and dance regalia among Prairie and Great Lakes Native American tribes. Deb Haaland wore a ribbon skirt made by Agnes Woodward for her 2021 swearing in ceremony as US Interior Secretary.
Plains hide painting is a traditional Plains Indian artistic practice of painting on either tanned or raw animal hides. Tipis, tipi liners, shields, parfleches, robes, clothing, drums, and winter counts could all be painted.
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity and history of its makers, but tribal groups have often borrowed and copied designs and methods from other, neighboring tribes or nations with which they had trade, and this practice continues today. Native American tribes continue to develop distinct aesthetics rooted in their personal artistic visions and cultural traditions. Artists may create jewelry for adornment, ceremonies, and display, or for sale or trade. Lois Sherr Dubin writes, "[i]n the absence of written languages, adornment became an important element of Indian communication, conveying many levels of information." Later, jewelry and personal adornment "...signaled resistance to assimilation. It remains a major statement of tribal and individual identity."
Porcupine hair roaches are a traditional male headdress of a number of Native American tribes in what is now New England, the Great Lakes and Missouri River regions, including the Potawatomi who lived where Chicago now stands. They were and still are most often worn by dancers at pow wows as regalia.