Graffiti is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Guerrilla communication and communication guerrilla refer to an attempt to provoke subversive effects through interventions in the process of communication. It can be distinguished from other classes of political action because it is not based on the critique of the dominant discourses but in the interpretation of the signs in a different way. Its main goal is to make a critical non-questioning of the existing, for reasons ranging from political activism to marketing. In terms of marketing, journalist Warren Berger explains unconventional guerrilla-style advertising as "something that lurks all around, hits us where we live, and invariably takes us by surprise". These premises apply to the entire spectrum of guerrilla communication because each tactic intends to disrupt cognitive schemas and thought processing.
Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.
Guerrilla gardening is the act of gardening – raising food, plants, or flowers – on land that the gardeners do not have the legal rights to cultivate, such as abandoned sites, areas that are not being cared for, or private property. It encompasses a diverse range of people and motivations, ranging from gardeners who spill over their legal boundaries to gardeners with a political purpose, who seek to provoke change by using guerrilla gardening as a form of protest or direct action.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Art intervention is an interaction with a previously existing artwork, audience, venue/space or situation. It is in the category of conceptual art and is commonly a form of performance art. It is associated with Letterist International, Situationist International, Viennese Actionists, the Dada movement and Neo-Dadaists. More latterly, intervention art has delivered Guerrilla art, street art plus the Stuckists have made extensive use of it to affect perceptions of artworks they oppose and as a protest against existing interventions.
Billy Apple was a New Zealand artist, whose work is associated with the London, Auckland and New York schools of pop art in the 1960s and NY's Conceptual Art movement in the 1970s. He worked alongside artists like Andy Warhol and David Hockney before opening the second of the seven New York Not-for-Profit spaces in 1969. His work is held in the permanent collections of Tate Britain, Scottish National Gallery of Modern Art, Philadelphia Museum of Art, Guggenheim Museum, Chrysler Museum of Art, Detroit Institute of Arts, National Gallery of Australia, Te Papa, Auckland Art Gallery, the Christchurch Art Gallery, the University of Auckland, and the Stedelijk Museum voor Actuele Kunst in Belgium.
The Bristol underground scene is a cultural movement in Bristol beginning in the early 1980s. The scene was born out of a lack of mainstream clubs catering for the emergence of hip hop music, with street and underground parties a mainstay. Crews formed playing hip hop in disused venues with sound systems borrowed from the reggae scene: City Rockers, 2 Bad, 2 Tuff, KC Rock, UD4, FBI, Dirty Den, Juice Crew, Rene & Bacus, Soul Twins, KC Rock, Fresh 4, and the Wild Bunch were among them. These names were the precursors to the more well known names that came from this scene. It is characterized by musicians and graffiti artists. The scene was influenced by the city's multiculturalism, political activism, and the arts movements of punk, reggae, hip hop, hippies and new age.
Darren Cullen is a London-based professional graffiti artist who is commonly known by the tag name SER. Cullen emerged as an artist from the British graffiti art scene in the early 1980s.
In Russia, graffiti is an ambiguous phenomenon, i.e. considered to be desecration by some, and art by others. It is done for a variety of reasons, including expressing oneself through an art form, or protesting against a corporation or ideology.
Better Out Than In was a residency undertaken by the pseudonymous graffiti artist and political activist Banksy in New York City during October 2013. Banksy unveiled at least one work of art daily, documenting it on both a dedicated website and an Instagram account. The majority of the works were stencil graffiti and chiefly political, a distinctive characteristic of Banksy. Other pieces and multimedia exhibits toyed with dark humor and satire.
Vivian Isabella Lynn was a New Zealand artist.
Brandalism is an activist artist collective founded in 2012 in the United Kingdom which engages in subvertising, culture jamming, and protest art. Brandalism uses subvertising to alter and critique corporate advertising by creating parodies or spoofs to replace ads in public areas. The art is typically intended to draw attention to political and social issues such as consumerism and the environment. Advertisements produced by the Brandalism movement are silk screen printed artworks, and may take the form of a new image, or a satirical alteration to an existing image, icon or logo. The advertisements are often pasted over billboards, or propped under the glass of roadside advertising spaces.
Girl with Balloon is a series of stencil murals around London by the graffiti artist Banksy, started in 2002. They depict a young girl with her hand extended toward a red heart-shaped balloon carried away by the wind. The locations for this work include street murals in Shoreditch and the South bank in London on the Waterloo Bridge and other murals were around London, though none remain there.
Sarajevo, the capital of Bosnia and Herzegovina has gained international notoriety for its diverse range of street art and associated subcultures. The city has a long history of street art that was first tied to various subcultures in the 1970s and 1980s. During the Bosnian war political and anti-war street art was one of the main artistic focal points of the besieged city. Today, Sarajevo is a European center for street art and hosts two international festivals dedicated to the art form.
Kissing Coppers is a Banksy stencil that pictures two British policemen kissing. It was originally unveiled on the wall of The Prince Albert pub in Brighton in 2004. It gained significant attention due to Banksy's notoriety as a provocative street artist and activist. Kissing Coppers has frequently been regarded as one of Banksy’s most notable works, so much so that it was selected as the most iconic British piece of art at The Other Art Fair in London.
Ephemeral art is the name given to all artistic expression conceived under a concept of transience in time, of non-permanence as a material and conservable work of art. Because of its perishable and transitory nature, ephemeral art does not leave a lasting work, or if it does – as would be the case with fashion – it is no longer representative of the moment in which it was created. In these expressions, the criterion of social taste is decisive, which is what sets the trends, for which the work of the media is essential, as well as that of art criticism.
Barry Noel Thomas is a New Zealand artist and film maker. He is known for creating 1min art films called rADz and for his activism art including in the 1970s planting cabbages in an empty building site in Wellington City.
The Artists' Co-op (Inc.) was a collectively run artists organisation which ran from March 1978 until 1982, and was based on the top floor of the Dalgety Woolstore in Thorndon Quay Wellington. It gave work, studios, a performance venue and exhibition space for artists.
