Founded | 1994 |
---|---|
Founders | Heidi MacDonald, Trina Robbins, Deni Loubert, Anina Bennett, Liz Schiller, Jackie Estrada |
Dissolved | 2011 |
Type | Nonprofit |
Purpose | To promote readership of comic books by women and the participation of women in the comic book industry. |
Area served | United States |
Product | Publications, Lulu Awards |
President | Valerie D'Orazio (2007–2010) |
Key people | Lee Marrs, Kim Yale [1] Mary Wilshire |
Revenue | Membership dues; sales of publications |
Website | friendsoflulu |
The Friends of Lulu (FoL) were a non-profit, [2] national charitable organization located in the United States, designed to promote readership of comic books by women and the participation of women in the comic book industry. FoL operated from 1994 [3] [4] to 2011.
Membership was open to all persons. [5] [6] Friends of Lulu additionally sponsored the Lulu Awards and administered the Women Cartoonists Hall of Fame. [2] [7] [8]
The organization took its name from Little Lulu, the comic strip character created by Marjorie Henderson Buell in 1935. In the comics, Lulu often tries to break into the boys' clubhouse, where girls aren't allowed. [9]
In the early 1990s, comic book professionals Trina Robbins, Heidi MacDonald, Deni Loubert, Anina Bennett, Liz Schiller, and Jackie Estrada banded together to share frustrations, information and aspirations for women in the male-dominated comics industry — at that point, there were roughly "20 women writing and drawing [professionally] amid hundreds of male counterparts...;" furthermore, "90% to 95% of comics readers [were] male." [10]
The first informal Friends of Lulu meeting [11] — a brunch at the 1993 edition of WonderCon, in Oakland, California — was attended by Robbins, MacDonald, Loubert, Bennett, Schiller, and Estrada. [5] Friends of Lulu was officially formed in 1994; [12] co-founder Trina Robbins recalls that a Cherry Poptart lookalike contest sponsored by Comic-Con International was the "last straw" that inspired the creation of the organization. [5] [13] FoL began as an amateur press association which lasted three issues. [14] The Friends of Lulu logo was created by MacDonald. [11]
As an organization, Friends of Lulu decided to address three main areas of concern: proving the case that girls and women did indeed read comics (and always had), the reluctance by the comics industry — publishers and retailers — to market comics to females, and the lack of work available to female comics creators. [11] [10] [5]
FoL began tabling at San Diego Comic-Con and continued for many years at other comic book conventions. Activities included meeting with publishers, retailers, and creators, and conducting readership surveys. The organization also raised money through the sales of T-shirts, buttons, stickers, and, later on, their own publications. [11] Artist Lee Marrs was a regular presence at the Friends of Lulu table at these events. [5]
FoL elected its first board of directors in the summer of 1995 at San Diego Comic-Con. [15] (The organization continued the tradition of electing board members during Comic-Con for many subsequent years.) The organization published a newsletter called Lulu's Clubhouse, which it distributed to members. Various FoL regional chapters were formed, some of which produced minicomics to promote Friends of Lulu. [11]
In 1997 the first annual Friends of Lulu conference, titled "Here to Save Comics," was held in San Jose, California [16] (in conjunction with the Alternative Press Expo); the Lulu Awards were presented at that year's San Diego Comic-Con.
1997 also saw the publication of How to Get Girls (Into Your Store), a guide for comics shop retailers on how to make their stores more female-friendly. The guide was edited by Deni Loubert. [5] Diamond Comics Distribution helped get the guide into stores, also providing free full-page ads for the guide in Diamond's retailer catalog. [11]
The organization held two more "LuluCon" conferences, in 1998 in Newark, New Jersey, and in 1999 in Los Angeles. [11]
In 2000, Friends of Lulu was awarded a grant from the Xeric Foundation to self-publish Friends of Lulu: Storytime. [17] [18]
In 2003, the organization published an anthology entitled Broad Appeal. [19]
In the spring of 2006, in the wake of revelations of a sexual assault that happened at a 2005 comic convention, FoL vice president Ronée Garcia Bourgeois announced the creation of a Friends of Lulu Women's Empowerment Fund. The fund was "intended to give victims of sexual assault or harassment in a comics-industry context the strength to fight back legally if not physically." However, the empowerment fund "was judged by its administrators to have been insufficiently thought through ... and it was soon abandoned," [20] with FoL forced to return all donations. [21] [22]
The public failure of the Empowerment Fund was difficult for Friends of Lulu, and by the fall of 2007, the presidency of the organization was vacant. In September 2007, Valerie D'Orazio volunteered to fill the empty president of the national board of directors of Friends of Lulu. [23] [24]
By the summer of 2010, FoL's future was uncertain, with D'Orazio announcing she planned to step down as president at the end of the year. [25] [26] In August 2010, an interim Board of Directors was reestablished. [27] [28]
In June 2011, the IRS revoked the organization's tax-exempt status as a non-profit "for failing to file an annual information return or notice with the IRS for three consecutive years." [29] The group ceased operations shortly afterwards. [30] [31]
With the dissolution of Friends of Lulu, observers weighed in on the organization's legacy:
...today’s younger female creators don’t see the problems FoL was created in response to (in part due to FoL’s actions) and thus don’t see much of a need for the group. These creators have more avenues available to them — webcomics, book publisher graphic novel contracts, online organization and support — and a formal group may seem old-fashioned.
— Johanna Draper Carlson [32]
Heidi MacDonald added:
...the world that FoL was created to confront doesn't exist anymore. Women are back in comics as creators, readers, retailers... you name it.... The ’90s were a period when women had been driven out of the medium, for the most part.... [31]
In 2019, a commemorative panel on Friends of Lulu was held at the 50th San Diego Comic-Con, with Jackie Estrada, Heidi MacDonald, Lee Marrs, Liz Schiller, Trina Robbins, and Anina Bennett serving on the panel, which was moderated by Alexa Dickman of Ladies Making Comics. [5]
The Lulu Awards, presented annually at San Diego Comic-Con (1997 to 2007), MoCCA Festival in New York City (2008 to 2009), and the Long Beach Comic Con in Long Beach, New York (2010) bestowed the Lulu of the Year trophy for overall work; with additional awards, variously over the years, including the Kimberly Yale Award for Best New Talent; the Volunteer of the Year Award; the Women of Distinction Award; the Leah Adezio Award for Best Kid-Friendly Work; Best Female Character; and induction into the Women Cartoonists Hall of Fame.
Friends of Lulu produced a number of publications, including:
Friends of Lulu held three "LuluCons" in 1997–1999. The events featured panels, workshops, and networking opportunities.
The Harvey Awards are given for achievement in comic books. Named for writer-artist Harvey Kurtzman, the Harvey Awards were founded by Gary Groth in 1988, president of the publisher Fantagraphics, to be the successor to the Kirby Awards which were discontinued in 1987.
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Heidi MacDonald is an American writer and editor of comic books based in New York City. She runs the comics industry news blog The Beat.
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The Glyph Comics Awards is an annual award ceremony for comic creators who are people of color. The ceremony was initiated with the goal of inspiring young writers from diverse backgrounds to participate in the comics industry.
Comics Bulletin was a daily website covering the American comic-book industry.
Jackie Estrada is an American comic-book convention organizer, book editor, co-publisher of Exhibit A Press, administrator of the Will Eisner Comic Industry Awards, and past president of Friends of Lulu.
Denise "Deni" Loubert is a Canadian comics publisher, co-founder of Aardvark-Vanaheim, and founder of Renegade Press. She is the ex-wife of Dave Sim, with whom she founded Aardvark-Vanaheim and published Cerebus from issues #1 to #77 (1977–1985).
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Anina Bennett is an American writer and comic book editor and producer. Some of the famous works she has been part of are the Boilerplate robot hoax/comic or various Dark Horse Comics she has produced. Anina Bennett is part of the husband-and-wife team with Paul Guinan who have been collaborating in print since 1989. Bennett and Guinan created Heartbreakers that same year. This series was groundbreaking as it was one of the first to feature clones and a group of female comic book heroes. She is currently working with Guinan on a historical graphic novel, Aztec Empire.
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Nominations for the Awards are made by and voted on by current members of Friends of Lulu.
Friends of Lulu. -- Oakland, CA, etc.: Friends of Lulu, 1995?- . -- ill. ; 28 cm. -- An Amateur Press Association (APA) for women comics professionals. -- LIBRARY HAS: no. 1-3 (1995). -- Call no.: PN6725.F72
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