The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
The Château de Malmaison is a French château situated near the left bank of the Seine, about 15 kilometres (9.3 mi) west of the centre of Paris, in the commune of Rueil-Malmaison.
Alexandre Cabanel was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. He was Napoleon III's preferred painter and, with Gérôme and Meissonier, was one of "the three most successful artists of the Second Empire."
Events from the year 1862 in art.
Events from the year 1863 in art.
Antoine-Jean Gros was a French painter of historical subjects. He was granted the title of Baron Gros in 1824.
Jean-Baptiste Édouard Detaille was a French academic painter and military artist noted for his precision and realistic detail. He was regarded as the "semi-official artist of the French army".
Jean-Louis-Ernest Meissonier was a French academic painter and sculptor. He became famous for his depictions of Napoleon and his military sieges and manoeuvres in paintings acclaimed both for the artist's mastery of fine detail and his assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae." Meissonier enjoyed great success in his lifetime, becoming, with Gérôme and Cabanel, one of "the three most successful artists of the Second Empire."
Léon Cogniet was a French history and portrait painter. He is probably best remembered as a teacher, with more than one hundred notable students.
Napoleon Crossing the Alps is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. Initially commissioned by the King of Spain, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made along the Alps through the Great St Bernard Pass in May 1800.
Bonaparte at the Pont d’Arcole is an oil-on-canvas painting executed in 1796 by the French artist Antoine-Jean Gros. It depicts an episode during the Battle of Arcole in November 1796, with General Napoleon Bonaparte leading his troops to storm the bridge.
Le ruisseau noir (The Black Stream) (also known in En. as Stream in a Ravine) is an oil-on-canvas landscape painted in 1865 by the French artist Gustave Courbet. It is currently held and exhibited at the Musée d'Orsay in Paris.
The Wounded Cuirassier is an oil painting of a single anonymous soldier descending a slope with his nervous horse by the French Romantic painter and lithographer Théodore Géricault (1791–1824). In this 1814 Salon entry, Géricault decided to turn away from scenes of heroism in favor of a subject that is on the losing side of the battle. On display in the aftermath of France's disastrous military campaign in Russia, this life-size painting captured the feeling of a nation in defeat. There are no visible wounds on the figure, and the title has sometimes been interpreted to refer to soldier's injured pride. The painting stood in stark contrast with Géricault's Charging Chasseur, as it didn't focus on glory or the spectacle of battle. Only his Signboard of a Hoofsmith, which is currently in a private collection, bears any resemblance in form or function to this painting.
Berthe Morisot with a Bouquet of Violets is an 1872 oil painting by Édouard Manet. It depicts fellow painter Berthe Morisot dressed in black mourning dress, with a barely visible bouquet of violets. The painting, sometimes known as Portrait of Berthe Morisot, Berthe Morisot in a black hat or Young woman in a black hat, is in the collection of the Musée d'Orsay in Paris. Manet also created an etching and two lithographs of the same composition.
Portrait of Napoleon III is an oil painting of 1861 by the French painter Hippolyte Flandrin, depicting France's Emperor Napoleon III standing in his Grand Cabinet. It is held at the Musée de l'Histoire de France, in Paris. At its first presentation in the Universal Exhibition in 1862, the painting attracted praise for its true-to-life representation of Napoleon III.
1805, Cuirassiers Before the Charge, also known as Cuirassiers of 1805, before battle or 1805, is an 1878 painting by Ernest Meissonier depicting a line of Napoleonic cuirassiers before making a cavalry charge. It is on display at the Musée Condé, in Chantilly.
Young Ladies of the Village or The Village Maids is an 1852 oil-on-canvas painting by the French artist Gustave Courbet, now in the Metropolitan Museum of Art, in New York. It is signed bottom left "G. Courbet".
Haymaking in the Auvergne is an 1855 oil painting by French artist Rosa Bonheur. It measures 215 cm × 422 cm.
Napoleon at Bay, subtitled "Prelude to Waterloo: The Campaign in France, 1814", is a board wargame published by Tactical Studies Group/Operational Studies Group in 1978 that is a simulation of Napoleon's attempts to keep the Allies out of Paris in the early months of 1814.
The Siege of Paris is an oil on canvas painting by French painter Ernest Meissonier, created in 1884. It represents the Siege of Paris (1870–1871), during the Franco-Prussian War. It is held at the Musée d'Orsay, in Paris.
