Diamond D | |
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Background information | |
Birth name | Joseph Kirkland |
Also known as | Diamond D |
Born | The Bronx, New York City, U.S. [1] | April 5, 1968
Genres | Hip hop |
Occupations |
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Years active | 1987–present |
Labels |
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Joseph Kirkland (born April 5, 1968), better known by his stage name Diamond D (or simply Diamond), is an American hip hop MC and record producer from The Bronx, New York City, [1] and one of the founding members of the Diggin' in the Crates Crew, abbreviated as D.I.T.C. [2]
Growing up in Forest Houses in The Bronx, Diamond D was influenced by local DJs, DJ Hutch and DJ Supreme. During his youth the two DJs would let him perform on their turntables. [3] At the beginning of his career as a producer, Diamond spent many hours at Jazzy Jay's studio on Allerton Avenue in The Bronx. He credits Jay for inspiring him to buy a sampler and teaching him various production techniques. [3] In a 2017 interview he said, "I learned about 95% of my production skills from him. And he was ahead of his time." [4]
In addition to Jazzy Jay's teachings, Diamond credited Brand Nubian member Grand Puba as his inspiration to start rapping. [5] An early guest appearance on A Tribe Called Quest's The Low End Theory track "Show Business" helped make people more aware of him as an artist. [3]
The following year he released his debut record Stunts, Blunts and Hip Hop. In a 2017 interview Diamond described the album as, "just a collection of beats and records I was just setting aside. It was more about, 'One day I want to do something with this' ideas. And about 80% of that album I got from those records."
Diamond's favorite experience from making Stunts, Blunts, and Hip Hop was recording the vocals for the song "Check One, Two." [4] He credits producer The 45 King with clearing the samples for that beat. [4] It took him 30 minutes to construct the beat for one of the album's best-known tracks, "Sally Got A One Track Mind".
In 1996, Diamond won a Grammy Award for his production on the title track from The Fugees' The Score album. He later described the experience as "just a bad memory" and declined to talk about it in an interview. [6]
To promote his 1997 album Hatred, Passions and Infidelity, Mercury Records compiled a promotional vinyl called Diamond Jewels that included the Stunts, Blunts, and Hip Hop songs "Best Kept Secret', "*!*! What U Heard", and "Sally Got A One Track Mind". [7]
Album information |
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Stunts, Blunts and Hip Hop
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Hatred, Passions and Infidelity
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Grown Man Talk
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The Diamond Mine
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I'm Not Playin' (with Master Rob as Ultimate Force)
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The Huge Hefner Chronicles
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The Diam Piece
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The Diam Piece 2
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Gotham(with Talib Kweli)
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The Rear View
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Title | Year | Peak chart positions | Album | ||
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US | US R&B | US Rap | |||
"One for the Money" (Royce da 5'9" featuring Skillz and Diamond D) | 2012 | — | — | — | Non-album single |
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Stunts, Blunts & Hip Hop is the debut album by the American hip hop producer and rapper Diamond D, released on September 22, 1992. The album features some of the earliest appearances from Diamond's later D.I.T.C. partners Big L and Fat Joe da Gangsta, as well as his crew the Psychotic Neurotics. Although Diamond D handles the majority of the album's production, other popular beat makers such as Large Professor, Q-Tip, Jazzy Jay, Showbiz and The 45 King co-produce on several tracks. The album features three singles: "Best-Kept Secret", "Sally Got a One-Track Mind", and 'What U Heard". The album was not released on vinyl; however, there were promotional copies pressed with full artwork which were highly sought-after. The vinyl edition was eventually made available as a reissue years later. The original promo version has a sticker on it; the reissue had this sticker scanned into the artwork.
Hatred, Passions and Infidelity is the second album from hip hop producer and emcee Diamond D, released five years after his acclaimed debut, Stunts, Blunts and Hip Hop. The reason for the extended time between albums was due primarily to the legal battle between Diamond D and his then label PWL America Records. After the issues were resolved between him and the company, he was released from PWL America and recorded for the label's parent company Mercury Records. The album received positive reviews from music critics and fans.
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