Decca Records is a British record label established in 1929 by Edward Lewis. Its US label was established in late 1934 by Lewis, Jack Kapp and Milton Rackmil, who later became American Decca's president too. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca, and the link between the UK and US Decca label was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre.
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. Mercury Records released rock, funk, R&B, doo wop, soul music, blues, pop, rock and roll, and jazz records. In the United States, it is operated through Republic Records; in the United Kingdom and Japan, it is distributed by EMI Records.
London Recordings is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name – as London American Recordings, often shortened to London American – was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed.
Regal Zonophone Records was a British record label formed in 1932, through a merger of the Regal and Zonophone labels. This followed the merger of those labels' respective parent companies – the Columbia Graphophone Company and the Gramophone Company – to form EMI. At the merger, those records from the Regal Records catalogue were prefixed 'MR' and those from the Zonophone Records catalogue were prefixed 'T'. Record releases after the merger continued using only the 'MR' prefix.
Days of Future Passed is the second studio album by English progressive rock band the Moody Blues by Deram Records. It has been cited by Rock and Roll Hall of Fame and others as one of the earliest albums of the progressive rock genre and one of rock music's first concept albums.
David Bowie is the debut studio album by the English musician David Bowie, originally released in the United Kingdom on 1 June 1967 through Decca subsidiary Deram Records. Produced by Mike Vernon and recorded from November 1966 to March 1967 in London, the album followed a string of singles Bowie released for Pye Records that failed to chart. Vernon hired numerous studio musicians for the album's sessions; Bowie and his former Buzz bandmate Derek Fearnley composed music charts themselves using a musical guidebook.
Philips Records is a record label founded by Dutch electronics company Philips and Dutch-American music corporation Universal Music Group. It was founded as Philips Phonographische Industrie in 1950. In 1946, Philips acquired the company which pressed records for British Decca's Dutch outlet in Amsterdam.
FFRR Records is a dance music label founded as a subsidiary of London Records in 1986, with A&R run by the British DJ Pete Tong. Originally a part of London Records' label roster, FFRR is currently a sublabel of Parlophone, a division of Warner Music Group. Its activities were mostly halted in the early 2000s, until the label was revived in 2011. Its catalog was sold off in 2017, but the label was revived a second time in 2021, this time with a new identity.
Mirage is the second studio album by the English progressive rock band Camel, released on 1 March 1974. It features songs such as "The White Rider", "Lady Fantasy", and "Supertwister" which includes a showcase for Andrew Latimer's flute.
"Rubber Band" is a song by the English singer-songwriter David Bowie. It was recorded in October 1966 following Bowie's dismissal from Pye Records and helped secure him a record contract with Decca-subsidiary Deram Records, who released it as a single in the United Kingdom on 2 December of the same year. A departure from the mod-style sound of his previous releases, "Rubber Band" displays a style informed by vaudeville and British music hall – influenced particularly by British actor Anthony Newley. The lyrics tell the story of a man who goes off to war and, upon his return, finds his lover fell for a brass band conductor.
In the Land of Grey and Pink is the third album by English progressive rock band Caravan, released in April 1971 on Deram Records. It was produced by David Hitchcock and was the last album to feature the original lineup of Richard Coughlan, Pye Hastings, Richard Sinclair and Dave Sinclair until 1982's Back to Front.
"The London Boys" is a song by the English musician David Bowie. It was first released as the B-side of the single "Rubber Band" in the United Kingdom on 2 December 1966. It was originally written and demoed in 1965 with the Lower Third for potential release as the artist's debut single for Pye Records but it was rejected. After a year of rewrites, he recorded a new version with a new band, the Buzz, which helped secure him a record contract with Decca-subsidiary Deram Records. Unlike the A-side, "The London Boys" retains the Mod feel of Bowie's previous singles. The dark lyrics concern a 17-year-old who leaves home for London and becomes embroiled in the Mod scene, turning to pills to fit in. Like his previous singles, it failed to chart. Decca later issued it as an A-side in 1975.
The Deram Anthology 1966–1968 is a compilation album by David Bowie, released in 1997. It collects together most of the material Bowie recorded for Deram Records that has been previously released in some form, including the 1967 debut album in its entirety, in chronological order. Tracks 24–27 were mixed/recorded in 1969 after Bowie was dropped from Deram Records and were for the promotional video "Love You Till Tuesday", made to sell Bowie to a new label. Thus Deram originally had nothing to do with these tracks.
Stonedhenge is the second studio album, and third album overall, by English blues rock band Ten Years After, released in February 1969 by Deram Records. It was recorded with producer Mike Vernon at London's Decca Studios in September 1968.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
Phase 4 Stereo was a recording process created by the U.K. Decca Records label in 1961. The process was used on U.K. Decca recordings and also those of its American subsidiary London Records during the 1960s.
Merry Christmas is a Christmas-themed compilation album by Bing Crosby that was released in 1945 on Decca Records. It has remained in print through the vinyl, CD, and downloadable file eras, currently as the disc and digital album White Christmas on MCA Records, a part of the Universal Music Group, and currently on vinyl as Merry Christmas on Geffen Records. It includes Crosby's signature song "White Christmas", the best-selling single of all time with estimated sales of over 50 million copies worldwide. The album was certified 4× Platinum by RIAA for selling over 4 million copies in United States. The original 1945 release and subsequent re-releases and re-packages spent a total of 39 weeks at no. 1 on the Billboard pop albums chart.
Hugh Rees Christopher Mendl was a British record producer, A&R representative, and manager who worked for Decca Records for over 40 years.
Sound of Sunforest is the first and only studio album by the English psychedelic folk group, Sunforest. The tracks have arrangements with medieval and electric sounds in a psychedelic style. The band's material offered diverse and unique sound; but without a hit single, the album did not sell successfully.
"Let Me Sleep Beside You" is a song written and recorded by the English singer-songwriter David Bowie. It was recorded on 1 September 1967 at Advision Studios in London and marked the beginning of Bowie's working relationship with producer Tony Visconti, which would last for the rest of Bowie's career. A departure from the pop and music hall-influenced material of Bowie's 1967 self-titled debut album and other singles for Deram Records, the song displays a more rock-oriented sound with a cello arrangement from Visconti. The impressionist lyrics also depart from Bowie's prior works, describing love using the act of sleeping together rather than through emotional attachment. The song was rejected by Deram for release as a single, purportedly due to the risqué title. It remained unreleased until 1970's The World of David Bowie compilation.
