Brenda Gail Webb (born January 9, 1951), known professionally as Crystal Gayle, is an American country music singer widely known for her 1977 hit "Don't It Make My Brown Eyes Blue". Initially, Gayle's management and record label were the same as that of her oldest sister, Loretta Lynn. Not finding success with the arrangement after several years, and with Lynn's encouragement, Gayle decided to try a different approach. She signed a new record contract and began recording with Nashville producer Allen Reynolds. Gayle's new sound was sometimes referred to as middle-of-the-road (MOR) or country pop, and was part of a bigger musical trend by many country artists of the 1970s to appeal to a wider audience. Subsequently, Gayle became one of the most successful crossover artists of the 1970s and 80s.[2][3] She is known for her floor-length hair.[4]
Gayle was said to have begun her career in the 1960s performing as a background singer in Lynn's band (although Gayle says this actually never happened).[5] Lynn helped her sign a recording contract with Decca Records in 1970. Having minor success, she was encouraged to develop her own musical identity. Under the direction of producer Reynolds at United Artists Records, Gayle shifted towards a country pop style that was more successful. In 1975, "Wrong Road Again" became Gayle's first major hit. However, it was in 1977 when Gayle achieved her biggest success with "Don't It Make My Brown Eyes Blue". The single topped the Billboard country chart, crossed over to the top five of the Billboard Hot 100 and became a major international hit.
Gayle continued having success from the late 1970s and through late 1980s. Her biggest hits included "Ready for the Times to Get Better" (1977), "Talking in Your Sleep" (1978), "Half the Way" (1979) and "You and I" (1982). In the 1990s, Gayle shifted artistic directions by recording various genres of music. This included an album of inspirational music titled Someday (1995) and an album of standards called Crystal Gayle Sings the Heart and Soul of Hoagy Carmichael (1999). During the decade she also owned and operated a fine arts shop called Crystal's Fine Gifts and Jewelry. Her most recent studio release was in 2019 and Gayle has since continued to tour throughout the world.
Gayle has won one Grammy Award and has been nominated for several others since the 1970s. She has also won five Academy of Country Music awards; those awards include receiving the Cliffie Stone Pioneer Award in 2016. In addition, she has won two Country Music Association awards and three American Music Awards. Rolling Stone ranked her among the 100 greatest country artists of all time and CMT ranked her within their list of the 40 greatest women of country music. Gayle has her own star on the Hollywood Walk of Fame and was inducted as a member of the Grand Ole Opry in 2017.
Early life
Webb family home
Gayle was born Brenda Gail Webb in Paintsville, Kentucky on January 9, 1951.[6] She was the last of eight children born to Clara Marie "Clary" (née Ramey; May 5, 1912 – November 24, 1981) and Melvin Theodore "Ted" Webb (June 6, 1906 – February 22, 1959). Unlike her sister Loretta and her other siblings, Gayle was the only child born at the Paintsville hospital, and not at home. Through her matriline, Gayle is a distant cousin of singer Patty Loveless.[7] Gayle and her siblings claim Irish and Cherokee descent, although she is not enrolled with any Native tribe.[8] Gayle's father was a coal miner who developed black lung disease. In search of better medical treatment, the family moved to Wabash, Indiana, when Gayle was four years old. They lived in a retired miner's community and Clara Webb worked as a nurse's aide.[9][10] Ted Webb died from a stroke in 1959.[11] From an early age, Gayle had an interest in singing. She noted that she could sing before she could walk.[10] The family's new home in Wabash was in an urban setting. She was exposed to diverse cultural groups and norms and in turn to various styles of music.[12] She sang along frequently to songs she heard on the radio and was inspired by the music of her sister Loretta Lynn.[13]
Gayle's musical interests were shaped further in her teenage years. She started singing in church, performed folk songs, and recorded demonstration tapes.[14][13] With encouragement from Lynn, she began touring during summers in high school.[13] At age 16, Gayle performed on the Grand Ole Opry in replacement of her sister who had gotten ill. She performed a cover of Gordon Lightfoot's "Ribbon of Darkness".[15] After graduating from high school in 1970, she signed her first recording contract with her sister's label: Decca Records. Upon signing with Decca, the label insisted that Gayle change her first name from "Brenda" to another name. The conflict was due to the fact that Brenda Lee was already signed to Decca at the time. Shortly thereafter, Lynn drove past a sign for the Krystal fast-food restaurant and said to Gayle, "That's your name. Crystals are bright and shiny, like you."[16] It was then that she changed her name professionally to "Crystal Gayle", with "Gayle" taken from her middle name (Gail).[13]
Career
1969–1976: Decca Records and musical shifts
Gayle was first managed by Oliver Lynn (Loretta Lynn's husband) after signing with Decca Records. Among her first professional gigs were routine appearances on Jim Ed Brown's television show The Country Palace. On the program, Gayle performed original songs written by Loretta Lynn including "Sparklin' Look of Love" and "Mama, It's Different This Time".[16] Her debut single was released in 1970 titled "I've Cried (The Blue Right Out of My Eyes)". Also written by Lynn, the song peaked within the top 40 of the [[Hot Country Songs|BillboardHot Country Singles chart.[13] The song was followed by other singles that reached minor positions on the country songs chart: "Everybody Oughta Cry" (1972) and "I Hope You're Havin' Better Luck Than Me" (1972).[16] Gayle's career stalled while at the Decca label.[13][16] This was due to the fact that the label wanted Gayle to record in the same style as her sister. Steve Huey of AllMusic criticized her early singles, calling them "little Loretta records".[13] Writers Mary A. Bufwack and Robert K. Oermann noted that Gayle was "probably stigmatized" for being the sibling of Loretta Lynn.[11] In a 2019 interview with Forbes, Gayle reflected on the experience, "It didn't take me long to realize I was only there because I was Loretta's sister."[17] During this period, Lynn gave Gayle advice that prompted her to expand her musical styles. Lynn said, "quit singing my songs...We have one Loretta Lynn and we don't need another." The conversation led Gayle to ultimately leave Decca in 1974.[10]
Krystal burgers, inspiration for Crystal Gayle's stage name
Gayle signed a new recording contract with United Artists Records in 1974. Under the direction of producer Allen Reynolds, her musical style shifted.[13] Reynolds (who had recent success producing Don Williams) encouraged Gayle to record in a softer, mellower format. He also helped market her music towards a crossover audience.[12] Gayle also released her first United Artists single in 1974, "Restless". Mary Bufwack and Robert Oermann called the song "assertive" and "sexy".[7] The song peaked at number 39 on the Billboard country songs chart.[18] The same year, Gayle's self-titled debut album was issued,[13] reaching number 25 on the BillboardTop Country Albums survey.[19] The following year, she had her first top ten hit on the country chart with "Wrong Road Again", also written by Allen Reynolds.[13] She had minor hits with the singles "This Is My Year for Mexico" (1975) and "Beyond You" (1975). The latter song was co-written by Gayle and her husband, Bill Gatzimos. Her second studio album Somebody Loves You spawned a second top 10 hit: the title track.[20]
Gayle's shift towards country pop was received better than her earlier recordings with Decca. Kurt Wolff of Country Music: The Rough Guide praised the new style, calling it a "pleasant, easygoing sort of country-folk blend – a close cousin to music of Emmylou Harris."[12] Encyclopedic writer Collin Larkin called her new music approach to have the "easygoing charm" of records by Don Williams.[20] Oermann and Bufwack called the new style "ear-catching" and praised Allen Reynolds's "gentle rhythm productions."[7]
Producer Allen Reynolds believed Gayle was poised to have crossover pop success if the right song were found.[20] In 1977, Richard Leigh had composed a tune called "Don't It Make My Brown Eyes Blue". The song was originally intended for British singer Shirley Bassey.[23] When Reynolds heard the song he said to Leigh, "You're not sending that song anywhere."[24] As was common practice at the time, according to the documentary[25] the track was recorded alongside a guide or scratch vocal, which Gayle recorded in one single take. Going back later to re-record the final production vocal, after several tries, she said she couldn't get the same feeling back as in the original, so this was kept as the master.
"Don't It Make My Brown Eyes Blue" was released as a single in 1977, peaking at number 1 on the Billboard Hot Country Singles chart and crossing over to number 2 on the Billboard Hot 100. Internationally, it became a hit in several countries including the United Kingdom, where it reached the number 5 position. Since its release, "Don't It Make My Brown Eyes Blue" has been received positively by music critics and fans. They have also considered it her signature song.[23] Stephen Thomas Erlewine of AllMusic praised Gayle's vocals, commenting, "She never stressed it too heavily, nor were her vocals cloying— they were pretty and straightforward, making the song quite alluring."[26]
Gayle's fourth studio record, We Must Believe in Magic, was also released in 1977. The album peaked at number 2 on the Billboard country albums chart and number 12 on the Billboard 200.[27][28]We Must Believe in Magic has received positive reviews since its initial release. AllMusic gave the record 3.5 out of 5 stars.[29] Paul Dennis of My Kind of Country gave the album a "Grade A" rating, calling it "an eclectic mix of songs ranging from pop standards to rock 'n' roll hits to songs by contemporary country songsmiths."[30]We Must Believe in Magic became the first album by a female country artist to certify platinum in sales by the Recording Industry Association of America.[20][31] In 1978, Gayle earned the Grammy Award for Best Female Country Vocal Performance for "Don't It Make My Brown Eyes Blue", while Leigh won a Grammy for Best Country Song.[20]
In 1978, her fifth studio album When I Dream was released, also reaching number 2 on the country albums chart.[32] The album peaked at number 52 on the Billboard 200[33] and certified by platinum by the RIAA.[34]When I Dream also received positive reviews, garnering 3 out of 5 stars from AllMusic[35] and another "Grade A" rating from My Kind of Country.[36] Its lead single was the Roger Cook-penned "Talking in Your Sleep". It became a number 1 country single and crossed over to number 18 on the Hot 100. "Talking in Your Sleep" became Gayle's second international hit as well, peaking at number 11 in the United Kingdom. The album also included the hits "Why Have You Left the One You Left Me For" and the title track.[20] By the end of 1978, Gayle had won "Female Vocalist of the Year" from both the Academy of Country Music and the Country Music Association.[37] Before departing from the United Artists label, her sixth studio album We Should Be Together (1979) was released. It featured the two top-ten hits: "Your Kisses Will" and "Your Old Cold Shoulder".[20]
1979–1989: Continued crossover success
In 1979, Gayle moved to Columbia Records, bringing Reynolds with her.[38] Under Columbia, Gayle began recording more cover versions of songs. This decision received praise from music critics, who credited her for being "versatile".[7] Her seventh studio album, Miss the Mississippi was released in 1979 as well. It featured three major hits including "Half the Way", which became her third crossover pop hit.[39]Miss the Mississippi peaked at number 3 on the Billboard Top Country Albums chart[40] number 36 on the Billboard 200[41] and certified gold in sales from the RIAA.[42] Gayle's eighth studio release These Days (1980) spawned two more number 1 singles on the Billboard Hot Country Singles chart: "If You Ever Change Your Mind" and "Too Many Lovers".[43] In 1981, Gayle's ninth studio album Hollywood, Tennessee peaked at number 5 on the country albums chart[44] and number 99 on the Billboard 200.[45] Although commercially successful, it received mixed critical reviews. Mary A. Bufwack and Robert K. Oermann said that the album "symbolized her uptown inspirations"[7] and Jason Ankeny of AllMusic gave the album only 2.5 out of 5 stars.[46]Hollywood, Tennessee spawned three major hits on the Billboard country songs chart. This included the crossover hit, "The Woman in Me", and the social awareness tune, "Livin' in These Troubled Times".[11][46]
As Gayle's music crossed multiple genres, she made more appearances outside of the Nashville establishment. Among these was hosting two prime time television specials: The Crystal Gayle Special (1979) and Crystal (1980).[38] Both shows aired on CBS and were given critical acclaim. Gayle would also appear with Bob Hope on his 1979 television special called On the Road to China.[47] For the special, Gayle and Hope taped a performance on the Great Wall of China.[48] The special made Gayle the first artist to film a performance on the Great Wall.[49]
Gayle in Billboard magazine, 1977.
In 1982, Gayle collaborated with Tom Waits on the soundtrack of Francis Ford Coppola's film One from the Heart.[50] Originally, Bette Midler was chosen for the project, however Midler could not fit it into her schedule. At first the soundtrack was delayed by Columbia Records due to a dispute with Coppola's Zoetrope Studios.[51] When it was released, the soundtrack received positive reviews. Thom Jurek of AllMusic gave the release 4.5 out of 5 stars, who called it "one of the most beautifully wrought soundtrack collaborations in history".[52] Steve Pond of Rolling Stone called it "a dreamy series of duets with Crystal Gayle that drift in and out of the film, comment on the action and supply some crucial transitions."[51]
Also in 1982, Gayle moved from Columbia to Elektra Records, which would later merge with Warner Bros. Among the first recordings was a duet with Eddie Rabbitt titled "You and I".[50] The song reached number 1 on the Billboard Hot Country Singles chart and became her second top 10 hit on the Billboard Hot 100.[13] Gayle's first studio album with Elektra would also be issued in 1982, True Love. First produced by Allen Reynolds, when the album was presented to Jimmy Bowen (Elektra's division head), he commented that it "rocked too much". For these reasons, Bowen decided to produce three additional tracks for the album.[53] The album would receive a mixed reception. In Billboard Magazine's initial review, they praised Gayle's vocals despite the use of "tougher arrangements".[54] Tom Roland of AllMusic praised Gayle's performance, notably on the tracks "Our Love Is on the Faultline" and "Deeper Than the Fire". Roland also criticized the production arrangements Bowen arranged for.[53]True Love spawned three singles that all reached the number 1 spot on the Billboard Hot Country Singles]] chart: "Our Love Is on the Faultine", "Baby, What About You" and "'Til I Gain Control Again".[38]
In 1983, Gayle's released her next album called Cage the Songbird. It was the first of Gayle's to be produced entirely by Jimmy Bowen.[55]Cage the Songbird peaked at number 5 on the Top Country Albums chart[56] and number 171 on the Billboard 200.[57] Among its singles were the crossover hits "The Sound of Goodbye" and "Turning Away". Gayle had further hits from her next studio releases in 1985 and 1986. Among these were the number one hits, "Straight to the Heart" (1986) and "Cry" (1986). The latter was a song originally popularized by Johnnie Ray.[58][38] In 1983, she would also record the theme song for the television series Masquerade.[59] In 1984, she sang a duet with Hong Kong singer Danny Chan, titled "Tell Me What Can I Do",[60][61] it was largely unknown due to lack of promotional budget.[62]
Between 1985 and 1987, Gayle collaborated with country artist Gary Morris on a series of duets.[38] The first being the single "Makin' Up for Lost Time". The song reached number 1 on the Billboard Hot Country Singles chart in 1986.[63] "Makin' Up for Lost Time" was referred to as the "Lovers' Theme" on Dallas. It became an anthem for supercoupleBobby (Patrick Duffy) and Pam Ewing (Victoria Principal) on the popular CBSprime timesoap opera.[64] The pair also recorded the theme for the NBC soap opera Another World. Also titled "Another World", it peaked on the Billboard Hot Country Singles chart at number four in February 1986. Gayle would also guest star in the show as herself. The show would ultimately use Morris' and Gayle's recording as the show's opening theme for nine years.[38] The duo would release their collaborative studio album in 1986 titled, What If We Fall in Love?. The album peaked at number 25 on the Billboard country albums list in September 1987.[65] In 1988, Gayle released her final album of the decade entitled Nobody's Angel. The album produced two singles; the title track and the single "Tennessee Nights".[66]
Also in 1987, Gayle opened a gift shop in Nashville called "Crystal's Fine Gifts and Jewelry". The store contained various gifts, such as jewelry and stones made by various European artisans.[67] The shop also included various types of crystals. In a 1994 interview, Gayle commented on her business: "The little shop turned into a much larger shop and it takes a lot of work, as anyone in retail well knows. But we have a lot of fun with it."[68] The shop officially closed in 2008.[69]
1990–present: Later career and recent years
In 1990, Gayle signed a new recording contract with Capitol Records and reunited with producer Allen Reynolds. The same year she released seventeenth studio album, Ain't Gonna Worry.[38] Bill Carpenter of AllMusic gave the release 4 out of 5 stars, calling it "an excellent set of country pop".[70] The album spawned several singles, beginning with "Just an Old Love". In its initial review Billboard gave it a positive response, praising the production style of Reynolds.[71] Its third single, "Never Ending Song of Love", would become Gayle's last charting single to date, reaching number 72 on the Billboard Hot Country Singles chart.[72] Her eighteenth studio album came in 1992 called Three Good Reasons. The album was produced by Buzz Stone.[38] The album's lead single of the same name spawned a music video. Bill Kohlhaase of the Los Angeles Times gave the song and video a positive review, saying, "The video, alternating between scenes of Gayle and her swirling tresses with sparsely staged visions of a single mother and her two children, is the kind of heartfelt, yet assertive statement that Gayle has parlayed into major success in the past."[4] AllMusic also gave the album 3 out of 5 stars.[73]
Crystal Gayle performing with Sherry Lynn at The Grand Ole Opry (2013)
As the 1990s progressed, Gayle recorded material for smaller labels and issuing specialty projects. Her first small label was the Branson Entertainment Group, where she released an album of re-recorded hits titled Best Always.[50] In 1995, she signed with Intersound Records and recorded a pair of gospel studio albums. The first was 1995's Someday, which she co-produced with Bobby Wood.[74] The album's first single included a music that was filmed in Greece. In a 1995 interview, she explained the message behind the title track, "There are songs in there that definitely you've lived. The title track is a song that I think a lot of people, the way it's written, definitely relate to."[75] In 1997, her second gospel collection was released titled Joy & Inspiration.[76]
At the dawn of the new millennium, Gayle expanded her musical interests. In 1999, she released an album of jazz and American Standards called Crystal Gayle Sings the Heart and Soul of Hoagy Carmichael.[13] It was as a tribute to Hoagy Carmichael, whom Gayle worked with shortly before his death in the early 1980s. It album featured covers of songs he composed, including "Stardust" and "Georgia on My Mind".[77] AllMusic's Thom Jurek gave the release 4 out of 5 stars in his review of Heart and Soul. Jurek called it, "a gorgeous set, one that reaffirms Gayle's artistry to be sure, but also one that offers the first really new hearing of Carmichael in at least a decade."[78]Billboard Magazine praised the lead single, "Two Sleepy People" (a duet with Willie Nelson), calling it "sweet" and "playful".[79] In 2000, she released a studio album of children's music titled In My Arms.[80] In 2003, she released her second album of American standards called All My Tomorrows.[13] Robert Daniels of Variety commented positively, saying, "Gayle's singing boasts directness and subtlety. There are no flashy or show-busy theatrics."[81] AllMusic gave the release 4 out of 5 stars, calling Gayle's singing "stunning" and "capable."[82] In January 2007, fugitive Christopher Daniel Gay escaped from custody at an Interstate 95 welcome center near Hardeeville, South Carolina, and made his way to Tennessee where he stole Gayle's tour bus. Gay was arrested the following day and the bus was returned to Gayle.[83]
For several years, Gayle spent time recording her next studio release. She stated the album would consist of covers of country music classics and would be produced by her son, Chris Gatzimos. The project was originally titled Am I That Easy To Forget.[84] In 2019, Gayle announced it would be re-titled You Don't Know Me: Classic Country.[85] It was officially released in September 2019 via Southpaw Productions and The Orchard.[86]You Don't Know Me became Gayle's first studio album to chart since 1988, reaching number 40 on the Billboardindependent albums list.[87] The album received positive reviews from critics. AllMusic critic Stephen Thomas Erlewine gave the release 3 of 5 stars. Erlewine noted that her upper register is "a little diminished", but she still "sounds amiable".[88] Markos Papadatos of the Digital Journal gave it an "A" rating, commenting, "Overall, Crystal Gayle is sensational on her new album, You Don't Know Me, which is country as grits. Grab a bottle of wine and let this country queen lure you in with her timeless voice."[86]
Also during the 1990s, Gayle wrote and recorded "Midnight In The Desert" for Art BellCoast to Coast AM radio show.
Personal life
Family photograph of the Webb family. Starting from the left - Herman, Peggy Sue, Don, Crystal, Tommy Butcher, Clara, Jay Lee, Betty, Loretta, Junior
Gayle has remained close to her seven siblings since childhood. Before signing a recording contract, she toured alongside her brother, Jay Lee Webb, in his band.[91] Included on her 2019 studio album is a cover of Webb's song "You Never Were Mine". In an interview with Rolling Stone, Gayle wished she had "done it a long time ago" because they spent a lot of time touring together.[2] Additionally, older sister Peggy Sue, has been an active member of Gayle's road show for several years. Peggy Sue performs background vocals on Gayle's show and does her own solo material too.[92]
Gayle also remained close to her oldest sister Loretta Lynn. Music writers and journalists have claimed the pair had "sibling rivalry". In an interview with People, Lynn explained that such a rivalry did not exist: "People try to make it like we compete, but that's all in their minds...We fight a little bit, but that's just sisters. And we never fight over the music business."[9] In a 2017 interview Gayle commented, "Of course, we're sisters. We can bicker... but we really didn't have a problem. You know, I look up to my sister...We both have flaws in different ways, but we're not gonna tell what they are, you know? But, I mean, we love each other."[93]
Gayle has been married to husband Bill Gatzimos since 1971.[94] The couple first dated in high school and while Gayle was signed to United Artists Records, Gatzimos attended law school at Vanderbilt University.[95] Following law school, Gatzimos became Gayle's manager and has since been president of the couple's company, Gayle Enterprises.[8] According to Gayle, their marriage has been successful because the couple pursues their "own interests" and lets each other "breathe".[96] The couple have two children: a daughter, Catherine (born 1983) and a son, Christos (born 1986).[11] Gayle's son is now a record producer and co-produced her 2019 album.[97]
When Gayle's first child was born, she continued working frequently. In 2003 she said, "When I was onstage, I remember coming off stage and breast-feeding and then doing another show." When the couple had their second child, Gayle stayed home with the children.[98] She also has two grandchildren named Elijah and Björn. Gayle spoke of her appreciation for grandchildren in a 2011 interview, "Holidays are so amazing with Elijah. We make cookies, which is great because I never really got much of a chance to do this with my own children. There's a pull when I go on the road when I'm not around him, and I want to be. He's just a bright spot that you want to see all the time. He loves life."[98]
Musical styles
Gayle's musical style is rooted in country, but is also in pop and folk music.[67] Unlike her siblings (who mostly were raised in rural Kentucky), Gayle's formative years were spent in an urban environment. In this diverse atmosphere, Gayle was exposed to various styles of music. In 2003, she commented, "I've always enjoyed folk, pop, rock, gospel, country, everything..." As a child, she especially liked music by Lesley Gore, Brenda Lee and Patsy Cline. In her teen years, she developed a fondness for folk groups, most predominantly Peter, Paul and Mary.[67]
Yet, Gayle also was attracted to the traditional country sound of her oldest sister Loretta Lynn. However it was Lynn that encouraged Gayle to develop a unique style. In an interview with the Chicago Tribune Gayle remarked: "But she (Lynn) said, `No, you gotta go the middle of the road and have a different sound.' And I'd never have made it if I had been straight-ahead country..."[99] This perspective encouraged her to record different styles. In 2007, she commented that she likes to be called a singer: "I call myself a singer of songs. I love to sing, whether it's country, folk, pop or rock. I grew up singing all different styles, though definitely country is my roots."[48] Gayle also said that her priority was to find quality material, "I've had great producers. Allen Reynolds is one of them, and he is just fantastic. I would always find great songs that other people wrote, and I wanted to put out really really good songs."[100]
Music journalists and critics have also described Gayle as having a smooth vocal delivery, different from that of her sister's. AllMusic's Thom Jurek noted "her signature phrasing and sophisticated material" to be a factor.[82] Stephen L. Betts of Rolling Stone explained that Gayle had "a polished persona and singing style tailor-made for country-pop crossover."[101] Kurt Wolff of Country Music: The Rough Guide commented that she had a "sweet radio-friendly voice" that "made a picture-perfect pop-country star."[12]
Image
Gayle's image has garnered her significant media attention. Notably, she is known for her floor-length hair.[4] As a child, Gayle's mother kept her hair short. She was inspired to grow her hair to her knees after seeing a woman with similar hair in Nashville.[98] When her hair increased in length by the late 1970s, Gayle's fan club also significantly increased.[94] By the early 1990s, her hair had reached floor's length. During that time, she considered significantly cutting her hair due to headaches and time spent maintaining it.[4] However, she ultimately decided not to cut it. Gayle credits her daughter for discouraging a haircut. Gayle's daughter told her, "You can't cut your hair— you won't be Crystal Gayle."[102] Gayle also stated that it is easier to have long straight hair, "I know some people think: 'Why does she keep it so long?' I'd probably love to try all the different styles, but I'm not a beautician. So, I keep it long. It's easy to wash and let it go."[103] However, according to Gayle, she still continues seeing a hairstylist. Within a year, she cuts 9 to 12 inches of hair.[96]
Gayle's physical appearance has also made her a sex symbol. Writers Robert K. Oermann and Mary A. Bufwack wrote in 2003, "Crystal Gayle will be forever recalled by music fans for the sexy toss of her head that sent waves of motion through her Godiva-like brunette tresses."[11] Author Kurt Wolff described Gayle as having "knockout good looks".[12] In 1983, People named her among the "50 Most Beautiful People in the World".[96]
Legacy
Gayle has been credited as one of the most successful and important country popcrossover artists.[24][12][11] Gayle's music and career helped open doors for future female country pop artists, including Faith Hill, Shania Twain and Carrie Underwood.[37][3] Writer Kevin John Coyne described her successes and contributions: "...she had accumulated an astonishing eighteen No.1 hits, two more than her older sister had under her belt, and fourth among all women in country music history, behind Dolly Parton, Reba McEntire and Tammy Wynette.[104]
In recent years, Gayle has been given several awards and accolades for her accomplishments. In 2003, she was included by Country Music Television on their list of the "40 Greatest Women of Country Music".[105] In 2008, she was inducted into the Kentucky Music Hall of Fame and Museum.[106] In 2009, she received a star on the Hollywood Walk of Fame. She was joined by artist Tanya Tucker and her family for the ceremony.[107] In 2016, she was presented with the "Cliffie Stone Pioneer Award" from the Academy of Country Music. Gayle commented in 2016, "It's nice to think maybe your music has influenced other artists who are out there."[108]
In November 2016 almost 50 years after making her debut as a guest artist, Gayle was asked to become a member of the Grand Ole Opry by Carrie Underwood. The two performed "Don't It Make My Brown Eyes Blue" before Underwood announced the invitation. Gayle was officially inducted by Loretta Lynn in January 2017.[109] In 2017, Gayle was included in Taste of Country's list of "Country Music's Most Powerful Women".[3] In 2019, she was among a dozen performers chosen to open the Country Music Association Awards as part of recognizing the women of country music. In the show's opening, Gayle performed "Don't It Make My Brown Eyes Blue".[110]
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Jane Marie Fricke, known professionally as Janie Fricke, is an American country music singer, songwriter, record producer, and clothing designer. She has placed seventeen singles in the top ten of the US Billboard Hot Country Songs chart. Eight of these songs reached the number one spot on the Country music chart. She has also won accolades from the Academy of Country Music, Country Music Association and has been nominated for four Grammy Awards.
"Coal Miner's Daughter" is a song written and recorded by American singer-songwriter Loretta Lynn. Considered Lynn's signature song, it was originally released as a single in 1970 and became a number one hit on the Billboard country chart. It was later released on an album of the same name. Produced by Owen Bradley, the song tells the story of Lynn's coal-mining father in rural Kentucky during the Great Depression. Lynn, who was born in 1932 and experienced the Great Depression as a child, also describes her childhood and the circumstances she was raised in during those years.
Jeanne Pruett is an American country music singer and songwriter. She also has credits as a published author. Pruett had several major hits as a music artist, but became best-known for 1973's "Satin Sheets". The song topped the country music charts and helped her secure a membership in the Grand Ole Opry cast.
Margo Smith was an American country and Christian music singer–songwriter. She had several years of country success during the 1970s, which included two number one hits on the Billboard Hot Country Songs chart. In the 1990s, she transitioned towards the Christian market and issued two successful albums. She is also known for her yodeling vocal skills and is often referred to as "The Tennessee Yodeler".
"Don't Touch Me" is a song written by Hank Cochran. It was originally written for and recorded by American country artist Jeannie Seely. The song was released as a single on Monument Records in March 1966 and became a major Billboard country hit. "Don't Touch Me" became Seely's signature song and her biggest hit as a solo artist. It would later appear on her debut studio album and be re-recorded by Seely in later years.
"Rose Garden" is a song written in 1967 by American singer-songwriter Joe South. It was first recorded by Billy Joe Royal on his 1967 studio album Billy Joe Royal Featuring "Hush". Versions by South himself and Dobie Gray appeared shortly after the original. Gray's version became a minor hit in North America in 1969.
American country music artist Crystal Gayle has released 15 music videos and 68 singles, including six as a collaborative artist, four as a featured artist, and six promos. Gayle's debut single was 1970's "I've Cried " via Decca Records, which reached number 23 on the Billboard Hot Country Singles chart. Encouraged by her sister to develop her own musical style, Gayle signed with United Artists Records where she began recording country pop material. That year "Wrong Road Again" reached number 6 on the country chart, launching several major hits including "I'll Do It All Over Again" and her first #1 hit, "I'll Get Over You". She released "Don't It Make My Brown Eyes Blue" in 1977 which became her signature song and brought her crossover pop success. It topped the country chart, reached number 2 on the Billboard Hot 100, and became an international hit. Its success elevated her career and was followed by three more number-one country singles: "Ready for the Times to Get Better", "Why Have You Left the One You Left Me For", and the top-twenty pop hit "Talking in Your Sleep".
American country artist Loretta Lynn released 86 singles, two B-sides and 14 music videos. Her debut single was "I'm a Honky Tonk Girl" (1960) via Zero Records. Promoting the song with her husband by driving to each radio station, the effort paid off when it peaked at #14 on the Billboard Hot Country Songs chart. Arriving in Nashville, Tennessee, that year, she signed a recording contract with Decca Records. In 1962, "Success" reached the sixth position on the country songs chart, starting a series of top ten hits including "Wine Women and Song" and "Blue Kentucky Girl". She began collaborating with Ernest Tubb in 1964 and recorded four hit singles with him, including "Mr. and Mrs. Used to Be". Lynn's popularity greatly increased in 1966 when she began releasing her own compositions as singles. Among the first was "You Ain't Woman Enough " which reached the second position on the country songs list. She then reached the number one spot with "Don't Come Home A-Drinkin' " (1967). This was followed by "Fist City" (1968) and "Woman of the World " (1969).
The discography of American country music singer-songwriter Loretta Lynn includes 50 studio albums, 36 compilation albums, two live albums, seven video albums, two box sets and 27 additional album appearances. Briefly recording with the Zero label, she signed an official recording contract with Decca Records in 1961, remaining there for over 20 years The first under the label was her debut studio album Loretta Lynn Sings (1963). It peaked at number two on the Billboard Top Country Albums survey. Lynn would issue several albums a year with her growing success, including a duet album with Ernest Tubb (1965), a gospel album (1965), and a holiday album (1966). Her seventh studio album You Ain't Woman Enough (1966) was her first release to top the country albums chart and to chart within the Billboard 200. Other albums to reach number one during this period were Don't Come Home a Drinkin' (1967) and Fist City. Don't Come A'Drinkin would also become Lynn's first album to certify gold by the Recording Industry Association of America (RIAA).
"I'm a Honky Tonk Girl" is the debut single by American country music artist Loretta Lynn, released in March 1960. The song was among the first to not only be recorded by Lynn, but also to be penned by her. She composed the song while living in Washington State, maintaining her role as a housewife and occasional member of a local country music band. The composition was later recorded in California after Lynn was given money by a local businessman, who was impressed by her singing. "I'm a Honky Tonk Girl" was then issued as a single under the newly founded and independent Zero Records label in March 1960.
You Don't Know Me: Classic Country is the twenty sixth studio album by American country artist Crystal Gayle. The record was released on September 6, 2019 via Southpaw Musical Productions and The Orchard. You Don't Know Me contains cover versions of classic country songs and features collaborations with other artists. The album marks Gayle's first studio release in sixteen years.
"I've Cried " is a song written by Loretta Lynn that was recorded by her sister, American country music artist Crystal Gayle. It was released as her debut single in 1970, becoming a minor hit on the Billboard country songs chart. Despite not becoming a major hit, the song is identified with Gayle's early career persona and has been considered among her essential songs in her recording career.
"Put It Off Until Tomorrow" is a song written by Dolly Parton and Bill Owens, and first recorded by American country music artist Bill Phillips. It was released in January 1966, and Phillips released an album of the same name later that year. The song became his biggest hit, peaking at number 6 on the Billboard Hot Country Singles chart. Parton provided uncredited harmony vocals on the single. The song has been covered by numerous artists, and became a top ten hit for The Kendalls in 1980.
References
↑ Gregory, Andy, ed. (2002). The International Who's Who in Popular Music – 2002. Psychology Press. p.187. ISBN978-1857431612.
1 2 Terrrance, Vincent (1985). Encyclopedia of Television Series, Pilots and Specials, Volume 2. New York, NY: New York Zoetrope. p.108. ISBN0-918432-61-8.
↑ Robbins, Jeff (2014). Second City Television: A History and Episode Guide. Jefferson, NC: McFarland & Company Inc. p.210. ISBN978-0-7864-3191-5.
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