National tour by Prince | |
Location | North America |
---|---|
Associated album | Controversy |
Start date | November 20, 1981 |
End date | March 14, 1982 |
Legs | 1 |
No. of shows | 61 |
Prince concert chronology |
The Controversy Tour was a concert tour by American recording artist Prince in support of his fourth studio album Controversy . The tour included Zapp and Roger and The Time as an opening act.
The Controversy Tour marked the debut of Mark Brown, a.k.a. Brown Mark, on bass guitar, replacing the departed André Cymone, and the introduction of Prince's new bodyguard, Chick Huntsberry. At first, Prince contemplated dismissing the huge Huntsberry after only being on tour with him for a few days, as Prince thought he was too big and he scared him. Guitarist Dez Dickerson talked him out of it and he eventually became a confidant to Prince and later appeared in Purple Rain as a bouncer. [1] This tour was also notable for Prince's new side group The Time joining him on tour and the resulting backstage drama and arising tension that developed between the two bands.
Although The Time became superstars overnight with their debut album, The Time , they were frustrated at the lack of input they contributed to the album as, with the exception of Morris Day, they did not write or play their own music and were only being paid as a live act. During the tour, The Time would put on such a great show that it began to worry Prince just how good they had become and with them performing right before his set, he began to feel they were outshining him.
Ultimately Prince would kick The Time off the 1999 Tour. [2] The conflict came to a head on the final night of the tour in Cincinnati as during The Time's set, Prince and some of the members in his band began egging them from off stage. Near the end of the set, they grabbed Jerome Benton from the stage and proceeded to "tar and feather" him by pouring honey all over him and dumping trash on him. Things got further escalated after The Time's performance, guitarist Jesse Johnson was handcuffed to a wall-mounted coat rack and further humiliated with Prince throwing Doritos and other food at him. When The Time went to retaliate, they were stopped by the tour manager and told there would be no interruptions during Prince's performance, but as soon as he left the stage, a food fight erupted between the two bands. When the battle continued at the hotel causing damage, Prince made Morris Day pay for all damages, claiming that he had started the whole thing. [1]
November 20, 1981 at the Stanley Theatre, Pittsburgh, Pennsylvania
January 30, 1982 at the Capitol Theatre, Passaic, New Jersey
Prior to the tour, in October 1981 Prince played two shows at the Los Angeles Memorial Coliseum as an opening act for The Rolling Stones. On the first date, Prince and his band did not finish their set, as the crowd turned hostile towards him. Dressed in his controversial bikini briefs and trench coat, and singing his sexually androgynous lyrics, he was run off stage after 25 minutes of the crowd booing, throwing shoes and beer bottles at him. [3] Off stage, security escorted Prince to his trailer, they described him as emotionally distraught and crying softly. He was later heard cussing at his band and swearing he would never open for the Rolling Stones again.
After the show, Prince immediately flew back home to Minneapolis. After speaking with Dez Dickerson, manager Steve Fargnoli, and Mick Jagger himself, they convinced him to return for the second concert. Amidst the same hostility, as The Rolling Stones' fans heard about the incident at the first concert and came prepared to dog Prince again, Prince and his band finished their set this time. Backstage, Prince referred to the crowd as, "Tasteless in music and mentally retarded".
Date | City | Country | Venue | Attendance | Revenue |
---|---|---|---|---|---|
November 20, 1981 | Pittsburgh | United States | Stanley Theater | ||
November 21, 1981 | Washington, D.C. | Warner Theatre | 2,000 / 3,400 (59%) [4] | ||
November 25, 1981 | Greenville | Greenville Memorial Auditorium | |||
November 26, 1981 | Baltimore | Baltimore Civic Center | |||
November 27, 1981 | Charlotte | Charlotte Coliseum | |||
November 29, 1981 | Nashville | Nashville Municipal Auditorium | |||
December 2, 1981 | New York City | The Palladium | |||
December 4, 1981 | Detroit | Joe Louis Arena | |||
December 5, 1981 | Chicago | Arie Crown Theater [lower-alpha 1] | 8,638 / 8,638 (100%) [5] | $95,087 [5] | |
December 6, 1981 | St. Louis | Kiel Auditorium | |||
December 9, 1981 | Houston | The Summit | |||
December 10, 1981 | Atlanta | The Omni | |||
December 11, 1981 | Winston-Salem | Winston-Salem Memorial Coliseum | |||
December 12, 1981 | Columbia | Carolina Coliseum | |||
December 13, 1981 | Fayetteville | Cumberland County Memorial Arena | |||
December ??, 1981 | Savannah | Savannah Civic Center | |||
December 17, 1981 | Columbus | Columbus Municipal Auditorium | |||
December 18, 1981 | Baton Rouge | Riverside Centroplex | |||
December 19, 1981 | Dallas | Dallas Convention Center | |||
December 20, 1981 | Houston | The Summit | 14,000 / 14,000 (100%) [6] | ||
December 26, 1981 | Milwaukee | MECCA Arena | |||
December 27, 1981 | Dayton | Hara Arena | |||
December 28, 1981 | Toledo | Toledo Sports Arena | 4,325 / 6,500 (67%) [7] | ||
December 29, 1981 | Columbus | Veterans Memorial Auditorium | |||
December 30, 1981 | Louisville | Louisville Gardens | 6,850 / 6,850 (100%) [8] | ||
December 31, 1981 | Macon | Macon Coliseum | 8,400 / 9,252 (91%) [9] |
Date | City | Country | Venue | Attendance | Revenue |
---|---|---|---|---|---|
January 2, 1982 | Lakeland | United States | Lakeland Civic Center | ||
January 3, 1982 | Jacksonville | Jacksonville Memorial Coliseum | |||
January 28, 1982 | Richmond | Richmond Coliseum | |||
January 29, 1982 | Landover | Capital Centre | |||
January 30, 1982 | Passaic | Capitol Theatre [10] [11] | |||
February 1, 1982 | Ann Arbor | Hill Auditorium | |||
February 4, 1982 | Saginaw | Saginaw Civic Center | |||
February 5, 1982 | Cleveland | Cleveland Public Auditorium | |||
February 6, 1982 | Normal | ISU-Braden Auditorium | |||
February 7, 1982 | Omaha | Omaha Civic Auditorium | |||
February 9, 1982 | Denver | Denver Auditorium | |||
February 11, 1982 | San Diego | San Diego Golden Hall | |||
February 12, 1982 | Santa Monica | Santa Monica Civic Auditorium | |||
February 13, 1982 | San Bernardino | Orange Pavilion | |||
February 14, 1982 | San Francisco | Bill Graham Civic Auditorium | |||
February 15, 1982 | |||||
February 18, 1982 | Kansas City | Uptown Theater | |||
February 19, 1982 | Martin | UT-Martin Fieldhouse | |||
February 20, 1982 | Birmingham | Birmingham–Jefferson Civic Center | |||
February 21, 1982 | Indianapolis | Indiana Convention Center | |||
February 24, 1982 | Memphis | Mid-South Coliseum | |||
February 25, 1982 | Monroe | Monroe Civic Center | |||
February 26, 1982 | Augusta | Augusta Civic Center | |||
February 27, 1982 | Montgomery | Garrett Coliseum | |||
February 28, 1982 | New Orleans | Saenger Theatre | |||
March 3, 1982 | Boston | Orpheum Theatre | |||
March 5, 1982 | Rockford | Rockford MetroCentre | |||
March 6, 1982 | Davenport | Palmer Auditorium | |||
March 7, 1982 | Bloomington | Met Center | |||
March 11, 1982 | Hampton | Hampton Coliseum | |||
March 12, 1982 | Raleigh | Dorton Arena | |||
March 13, 1982 | Upper Darby Township | Tower Theater | |||
March 14, 1982 | Cincinnati | Riverfront Coliseum |
Prince Rogers Nelson was an American singer, multi-instrumentalist, songwriter, record producer, and actor. The recipient of numerous awards and nominations, he is regarded as one of the world's greatest musicians. He was known for his flamboyant, androgynous persona; his wide vocal range, which included a far-reaching falsetto and high-pitched screams; and his skill as a multi-instrumentalist, often preferring to play all or most of the instruments on his recordings. His music incorporated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, pop, jazz, blues, and hip hop. Prince produced his albums himself, pioneering the Minneapolis sound.
Purple Rain is a 1984 American romantic rock musical drama film scored by and starring Prince in his acting debut. Developed to showcase his talents, it contains several concert sequences, featuring Prince and his band The Revolution. The film is directed by Albert Magnoli, who later became Prince's manager, from a screenplay by Magnoli and William Blinn. The cast also features Apollonia Kotero, Morris Day, Olga Karlatos and Clarence Williams III.
Controversy is the fourth studio album by the American singer-songwriter and musician Prince, released on October 14, 1981, by Warner Bros. Records. It was produced by Prince, written by him, and he also performed most of the instruments on its recording.
The Time, also known as Morris Day and the Time and The Original 7ven, is an American funk rock band founded in Minneapolis in 1981. They contributed to the development of the Minneapolis sound, an eclectic fusion of funk, R&B, new wave, synth-pop and dance. Led by singer-songwriter Morris Day, the band members are known for having been close associates of musician Prince, and are arguably the most successful artists who have worked with him, achieving success with singles such as "Get It Up", "The Bird", "Cool", "777-9311", "Jungle Love" and "Jerk Out".
"1999" is a song by American musician Prince, the title track from his 1982 album of the same name. Originally peaking at number 44 on the Billboard Hot 100, a mid-1983 re-release later reached number 12 in the US, while a January 1985 rerelease, a double A-side with "Little Red Corvette", later peaked at number 2 in the UK.
The Revolution is an American band formed in Minneapolis, Minnesota, in 1979 by Prince, serving as his live band and later as his studio band. The band's sound incorporated rock, pop, R&B, funk, new wave and psychedelic elements. Along with Prince's other projects, the Revolution helped create the Minneapolis sound. By the time of their 1986 breakup, the Revolution had backed Prince on two studio albums, two soundtracks and two videos.
What Time Is It? is a 1982 album by the Time. Their second album, it was recorded at Sunset Sound and Prince's home studio in the Minneapolis suburbs. The title of the album comes from an exclamation by Morris Day that became associated with the band's on-stage theatrics, appearing frequently on the band's debut album as well.
Matt Fink, better known as Dr. Fink, is a keyboardist, producer, and songwriter best-known for playing keyboards in Prince's band, The Revolution. At Prince concerts, he was distinguished onstage for performing dressed in a surgical mask and scrubs. He has also worked with artists, songwriters and producers, including The Time, Lipps Inc., The Jets, Vanity 6, David Z., Bobby Z., P. Diddy, The Rembrandts, Phil Solem, PC Munoz, 7 Aurelius, Steve Nathan, Shock G, Kris Vanderheyden Bray, Criss Starr, and Marc Mozart.
Robert B. Rivkin, aka Bobby Z., is an American musician and record producer, best known as being the drummer for Prince's backing band The Revolution from 1978 to 1986.
Desmond D'andrea Dickerson is an American guitarist and singer who was a member of Prince's band, the Revolution.
"Little Red Corvette" is a song by American recording artist Prince. The song combines a Linn LM-1 beat and slow synth buildup with a rock chorus, over which Prince, using several automobile metaphors, recalls a one-night stand with a beautiful promiscuous woman. Backing vocals were performed by Lisa Coleman and Dez Dickerson; Dickerson also performs a guitar solo on the song.
"Pop Life" is a song by Prince and the Revolution. It was the second US single from their 1985 album, Around the World in a Day, reaching number 7 in the US charts, becoming Prince's eighth top-ten hit in a two-year span.
Wendy Ann Melvoin is an American guitarist and singer-songwriter, best known for her work with Prince as part of his backing band the Revolution, and for her collaboration with Lisa Coleman as one half of the duo Wendy & Lisa.
The Capitol Theatre was an entertainment venue located at the intersection of Monroe Street and Central Avenue in Passaic, New Jersey. Opened in 1921 as a vaudeville house, the Capitol later served as a movie theater, and then as a venue for rock concerts.
"The Walk" opens side two of the Time's second album, What Time Is It?. The song was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals.
"777-9311" is the second track and lead single from The Time's second album, What Time Is It?. Recorded for the album at Prince's home studio in May–June 1982, the song was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals.
"Cool" is a song by The Time, released as the second single from their eponymous debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, and performed by Prince with Morris Day later adding his lead vocals. The song was co-written with Revolution guitarist Dez Dickerson and contains background vocals by keyboardist Lisa Coleman, however both were uncredited.
"Get It Up" is the debut single by American funk rock band the Time, from their 1981 self-titled debut album. Like most of the album, the song was recorded in Prince's home studio in April 1981, and was produced, arranged, composed and performed by Prince with Morris Day later adding his lead vocals. Revolution keyboardist Doctor Fink provided synth solos on the track, uncredited.
The Purple Rain Tour was a concert tour by American recording artist Prince and the Revolution following up on the success of his sixth studio album Purple Rain and his 1984 film Purple Rain. According to Spin, the tour sold over 1.7 million tickets.
The Piano & a Microphone Tour was the final concert tour by American recording artist Prince. In a December 2015 interview in anticipation of the tour, he said that "I'm doing it to challenge myself, I won't know what songs I'm going to do when I go on stage. I won't have to, because I won't have a band". It was ultimately Prince's final tour due to his sudden death from a fentanyl overdose on April 21, 2016, one week after the last tour date.