Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, phase and frequency of an analog signal.
NTSC is the first American standard for analog television, published and adopted in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170.
Time-division multiplexing (TDM) is a method of transmitting and receiving independent signals over a common signal path by means of synchronized switches at each end of the transmission line so that each signal appears on the line only a fraction of time according to agreed rules, e.g. with each transmitter working in turn. It can be used when the bit rate of the transmission medium exceeds that of the signal to be transmitted. This form of signal multiplexing was developed in telecommunications for telegraphy systems in the late 19th century but found its most common application in digital telephony in the second half of the 20th century.
Genlock is a common technique where the video output of one source is used to synchronize other picture sources together. The aim in video applications is to ensure the coincidence of signals in time at a combining or switching point. When video instruments are synchronized in this way, they are said to be generator-locked, or genlocked.
Advanced Television Systems Committee (ATSC) standards are an international set of standards for broadcast and digital television transmission over terrestrial, cable and satellite networks. It is largely a replacement for the analog NTSC standard — like that standard — is used mostly in the United States, Mexico, Canada, South Korea, Trinidad and Tobago. Several former NTSC users like Japan, have not used ATSC during their digital television transition, because they adopted other systems like ISDB developed by Japan and DVB developed in Europe, for example.
This is an index of articles relating to electronics and electricity or natural electricity and things that run on electricity and things that use or conduct electricity.
Broadcasttelevision systems are the encoding or formatting systems for the transmission and reception of terrestrial television signals.
Broadcast engineering or radio engineering is the field of electrical engineering, and now to some extent computer engineering and information technology, which deals with radio and television broadcasting. Audio engineering and RF engineering are also essential parts of broadcast engineering, being their own subsets of electrical engineering.
Broadcast automation incorporates the use of broadcast programming technology to automate broadcasting operations. Used either at a broadcast network, radio station or a television station, it can run a facility in the absence of a human operator. They can also run in a live assist mode when there are on-air personnel present at the master control, television studio or control room.
A video server is a computer-based device that is dedicated to delivering video. Video servers are used in a number of applications, and often have additional functions and capabilities that address the needs of particular applications. For example, video servers used in security, surveillance and inspection applications typically are designed to capture video from one or more cameras and deliver the video via a computer network. In video production and broadcast applications, a video server may have the ability to record and play recorded video, and to deliver many video streams simultaneously.
Master control is the technical hub of a broadcast operation common among most over-the-air television stations and television networks. It is distinct from a production control room (PCR) in television studios where the activities such as switching from camera to camera are coordinated. A transmission control room (TCR) is usually smaller in size and is a scaled down version of centralcasting.
A vision mixer is a device used to select between different live video sources and, in some cases, compositing live video sources together to create visual effects.
A television studio, also called a television production studio, is an installation room in which video productions take place, either for the production of live television and its recording onto video tape or other media such as SSDs, or for the acquisition of raw footage for post-production. The design of a studio is similar to, and derived from, movie studios, with a few amendments for the special requirements of television production. A professional television studio generally has several rooms, which are kept separate for noise and practicality reasons. These rooms are connected via 'talkback' or an intercom, and personnel will be divided among these workplaces.
The production control room (PCR) or studio control room (SCR) is the place in a television studio in which the composition of the outgoing program takes place.
The Technology and Engineering Emmy Awards, or Technology and Engineering Emmys, are one of two sets of Emmy Awards that are presented for outstanding achievement in engineering development in the television industry. The Technology and Engineering Emmy Awards are presented by the National Academy of Television Arts and Sciences (NATAS), while the separate Primetime Engineering Emmy Awards are given by its sister organization the Academy of Television Arts & Sciences (ATAS).
In broadcasting, channel playout is the generation of the source signal of a radio or television channel produced by a broadcaster, coupled with the transmission of this signal for primary distribution or direct-to-audience distribution via any network. Such radio or television distribution networks include terrestrial broadcasting, cable networks, satellites, Internet Protocol television, OTT Video, point-to-point transport over managed networks or the public Internet, etc.
A transmission control room (TCR), transmission suite, Tx room, or presentation suite is a room at broadcast facilities and television stations around the world. Compared to a master control room, it is usually smaller in size and is a scaled-down version of centralcasting. A TX room or presentation suite will be staffed 24/7 by presentation coordinators and tape operators and will be fitted out with video play-out systems often using server-based broadcast automation.
A color suite is the control room for color grading video in a post-production environment.
A television production truck or OB van is a small mobile production control room to allow filming of events and video production at locations outside a regular television studio. They are used for remote broadcasts, outside broadcasting (OB), and electronic field production (EFP). Some require a crew of as many as 30 people, with additional trucks for additional equipment as well as a satellite truck, which transmits video back to the studio by sending it up through a communications satellite using a satellite dish, which then transmits it back down to the studio. Alternatively, some production trucks include a satellite transmitter and satellite dish for this purpose in a single truck body to save space, time and cost.
Channel in a box is the name given to an all-in-one playout device for broadcast television. Commonly based on a standard PC, it includes the ability to store content immediately required, add graphics, and deliver it to a transmission chain. Thus it provides an integrated, software playout platform.
