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In the context of Christian liturgy, a canticle (from the Latin canticulum, a diminutive of canticum, "song") is a psalm-like song with biblical lyrics taken from elsewhere than the Book of Psalms, but included in psalters and books such as the breviary. [1] Of special importance to the Divine Office are three New Testament Canticles that are the climaxes of the Offices of Lauds, Vespers and Compline; these are respectively Benedictus (Luke 1:68-79), Magnificat (Luke 1:46-55) and Nunc dimittis (Luke 2:29-32). There are also a number of Canticles taken from the Old Testament.
Prior to the Pope Pius X's 1911 reforms, the following cycle of seven Old Testament Canticles was used at Lauds:
These are rather long, and the weekday ones display something of a penitential theme, but some were not often used, as all feasts and the weekdays in Eastertide had the Canticle of Daniel, assigned to Sunday.[ citation needed ]
The 1911 reform introduced for weekdays not of penitential nature, and for lesser feasts and days of the lesser octaves, the following Canticles:
For weekdays in Advent, Pre-Lent, Lent and the quarterly Ember Days, if not superseded by higher-ranking feasts—due to the multitude of feasts in the rest of the year, these make up almost the totality of the days that did not have the Canticle of Daniel before—the original seven Canticles would still be used.
The Liturgy of the Hours (introduced in 1971) uses one canticle from the Old Testament each day at Lauds, "each weekday of the four-week cycle [has] its own proper canticle and on Sunday the two sections of the Canticle of the Three Children may be alternated". [2] The liturgy prior to the reform after Vatican II used fourteen Old Testament Canticles in two weekly cycles.
At Vespers according to the Liturgy of the Hours, a Canticle from the New Testament is used. These follow a weekly cycle, with some exceptions. [2]
Additionally, the following Canticles from the Gospel of Luke (also called the “Evangelical Canticles”) are said daily:
This usage is also followed by Lutheran churches.
In the Church of England, Morning and Evening Prayer according to the Book of Common Prayer make extensive use of canticles, specifically those below and also in some enumerations, the Venite (Psalm 95). Nonetheless, the only text called a canticle in the rubrics of the Book of Common Prayer is the Benedicite, while the Song of Solomon is called the Canticles in the Lectionary. [3]
In the Eastern Orthodox and Eastern Catholic Churches there are nine Biblical Canticles (or Odes) that are chanted at Matins. These form the basis of the Canon, a major component of Matins.
The nine Canticles are as follows:
Originally, these Canticles were chanted in their entirety every day, with a short refrain inserted between each verse. Eventually, short verses (troparia) were composed to replace these refrains, a process traditionally inaugurated by Saint Andrew of Crete. [6] Gradually over the centuries, the verses of the Biblical Canticles were omitted (except for the Magnificat) and only the composed troparia were read, linked to the original canticles by an Irmos. During Great Lent however, the original Biblical Canticles are still read.
Another Biblical Canticle, the Nunc Dimittis (Luke 2:29–32), is either read or sung at Vespers.
At Matins (or Midnight Hour; Armenian: Ի մէջ Գիշերի i mej gisheri), one canticle from the Old Testament is sung, associated with a reading from the Psalter, followed by hymns according to tone, season, and feast. There are eight such canticles which are determined by the musical tone of the day. These are, along with their respective portions of the Psalter and their tones:
Note that Psalms 148-150 and Psalm 151 are not part of this system because they are read every day at the Morning Hour, following the canticles presented below.
At the Morning Hour (Armenian: Յառաւուտու Ժամ haṟavoutou zham), corresponding to Lauds, the following canticles are fixed parts of the service each day:
Following the Song of the Three Youths and the Prayer of Simeon there are sets of hymns as well as other texts which are proper to the commemoration of the day or of the liturgical season.
In the other hours, sections of these and other canticles are included in fixed material, consisting of amalgams of verse material from the Old Testament: Ninth Hour: a citation of Daniel 3:35; Peace Hour (after Vespers): Isaiah 8:9–10, Isaiah 9:26; Rest Hour (after the Peace Hour): Daniel 3:29-34, Luke 2:29-32, Luke 1:16-55.
This list does not take into account citations of these texts in the Divine Liturgy (Armenian: Պատարագ patarag) or in the movable Old Testament verse material or in hymnody.
In the Coptic Orthodox Church there are four Biblical Canticles (or ϩⲱⲥ (hos, literally praise/song)) that are chanted during midnight praises. The fourth of these canticles is also chanted during vespers praises.
The four Canticles are as follows:
Vespers is a liturgy of evening prayer, one of the canonical hours in Catholic, Eastern Orthodox, Oriental Orthodox, and Lutheran liturgies. The word for this prayer time comes from the Latin vesper, meaning "evening".
The Magnificat is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos. Its Western name derives from the incipit of its Latin text. This most popular of all canticles falls within the liturgies of the Catholic Church, the Eastern Orthodox Church, the Lutheran Church and the Anglican Communion.
In the practice of Christianity, canonical hours mark the divisions of the day in terms of fixed times of prayer at regular intervals. A book of hours, chiefly a breviary, normally contains a version of, or selection from, such prayers.
Compline, also known as Complin, Night Prayer, or the Prayers at the End of the Day, is the final prayer liturgy of the day in the Christian tradition of canonical hours, which are prayed at fixed prayer times.
The Nunc dimittis, also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 through 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now you let depart". Since the 4th century it has been used in Christian services of evening worship such as Compline, Vespers, and Evensong.
Matins is a canonical hour in Christian liturgy, originally sung during the darkness of early morning.
In Anglican church music, a service is a musical setting of certain parts of the liturgy, generally for choir with or without organ accompaniment.
Lauds is a canonical hour of the Divine office. In the Roman Rite Liturgy of the Hours it is one of the major hours, usually held after Matins, in the early morning hours.
The Liturgy of the Hours, Divine Office, or Opus Dei are a set of Catholic prayers comprising the canonical hours, often also referred to as the breviary, of the Latin Church. The Liturgy of the Hours forms the official set of prayers "marking the hours of each day and sanctifying the day with prayer." The term "Liturgy of the Hours" has been retroactively applied to the practices of saying the canonical hours in both the Christian East and West–particularly within the Latin liturgical rites–prior to the Second Vatican Council, and is the official term for the canonical hours promulgated for usage by the Latin Church in 1971. Before 1971, the official form for the Latin Church was the Breviarium Romanum, first published in 1568 with major editions through 1962.
The Office of the Dead or Office for the Dead is a prayer cycle of the Canonical Hours in the Catholic Church, Anglican Church and Lutheran Church, said for the repose of the soul of a decedent. It is the proper reading on All Souls' Day for all departed souls (Purgatory), and can be a votive office on other days when said for a particular decedent. The work is composed of different psalms, scripture, prayers and other parts, divided into The Office of Readings, Lauds, Daytime Prayer, Vespers and Compline.
Luke 1 is the first chapter of the Gospel of Luke in the New Testament of the Christian Bible. With 80 verses, it is one of the longest chapters in the New Testament. This chapter describes the birth of John the Baptist and the events leading up to the birth of Jesus. Two canticles, the canticle of Mary and the canticle of Zechariah, are both contained within this chapter. The unnamed author of Luke names its recipient, Theophilus, who is most likely a real person, but the term could simply mean a fellow believer, since theophilus is Greek for God lover. Early Christian tradition uniformly affirms that Luke composed this Gospel as well as the Acts of the Apostles, the companion volume to Luke, which is addressed to Theophilus in the same way. The title "The Gospel of Luke", found in many Bibles and some manuscripts, was added later with no indication that it was originally part of the text.
A canon is a structured hymn used in a number of Eastern Orthodox services. It consists of nine odes, based on the Biblical canticles. Most of these are found in the Old Testament, but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament.
Acolouthia in the Eastern Orthodox and Eastern Catholic churches, signifies the arrangement of the Divine Services, perhaps because the parts are closely connected and follow in order. In a more restricted sense, the term "acolouth" refers to the fixed portion of the Office. The portions of the Office that are variable are called the Sequences. While the structure and history of the various forms of the Divine Office in the numerous ancient Christian rites is exceedingly rich, the following article will restrict itself to the practice as it evolved in the Eastern Roman (Byzantine) Empire.
The Book of Odes, also known as the Biblical Odes, refers to a collection of hymns and prayers referencing the Bible and used as a part of liturgies in some denominations. The biblical odes form the basis for the Eastern Orthodox canon sung during matins and other services.
The Ambrosian Rite is a Latin Catholic liturgical Western Rite used in the area of Milan. The Traditional Ambrosian Rite is the form of this rite as it was used before the changes that followed the Second Vatican Council.
Evensong is a church service traditionally held near sunset focused on singing psalms and other biblical canticles. It is loosely based on the canonical hours of vespers and compline. Old English speakers translated the Latin word vesperas as æfensang, which became 'evensong' in modern English. Typically used in reference to the Anglican daily office's evening liturgy, it can also refer to the pre-Reformation form of vespers or services of evening prayer from other denominations, particularly within the Anglican Use of the Catholic Church.
Arvo Pärt's Nunc dimittis is a setting of the Latin canticle Nunc dimittis for mixed choir a cappella, written in 2001. It was published by Universal Edition.
Magnificat and Nunc dimittis in D is a choral setting by the Irish composer Charles Wood of the Magnificat and Nunc dimittis for the Anglican service of Evening Prayer. Scored for four-part choir and organ, it was written in 1898. It is also known as Evening Service in D major.
The Daily Office is a term used primarily by members of the Episcopal Church. In Anglican churches, the traditional canonical hours of daily services include Morning Prayer and Evening Prayer, usually following the Book of Common Prayer. As in other Christian traditions, either clergy or laity can lead the daily office. Most Anglican clergy are required to pray Morning and Evening Prayer daily.
Collegium Regale is a collection of choral settings by the English composer Herbert Howells of the canticles for the Anglican services of Mattins, Holy Communion and Evening Prayer. Scored for four-part choir, solo tenor and organ, the pieces were written between 1944 and 1956 "for the King's College, Cambridge". The first of the pieces were first published by Novello in 1947, and they have become a popular piece of music in the Anglican church music repertoire.