Bamum | |
---|---|
Script type | |
Time period | c. 1896, moribund c. 1931, revived c. 2007 |
Direction | Left-to-right |
Languages | Bamum |
Related scripts | |
Child systems | Bagam? |
ISO 15924 | |
ISO 15924 | Bamu(435),Bamum |
Unicode | |
Unicode alias | Bamum |
| |
The Bamum scripts are an evolutionary series of six scripts created for the Bamum language by Ibrahim Njoya, King of Bamum (now western Cameroon). They are notable for evolving from a pictographic system to a semi-syllabary in the space of fourteen years, from 1896 to 1910. Bamum type was cast in 1918, but the script fell into disuse around 1931. A project began around 2007 to revive the Bamum script. [1]
The Bamum script is also used to write the Shümom language, also invented by Njoya. [2]
In its initial form, Bamum script was a pictographic mnemonic aid (proto-writing) of 500 to 600 characters. As Njoya revised the script, he introduced logograms (word symbols). The sixth version, completed by 1910, is a syllabary with 80 characters. It is also called a-ka-u-ku after its first four characters. The version in use by 1906 was called mbima. [3]
The script was further refined in 1918, when Njoya had copper sorts cast for printing. The script fell into disuse in 1931 with the exile of Njoya to Yaoundé, Cameroon. [4]
At present, Bamum script is not in any significant use. However, the Bamum Scripts and Archives Project is attempting to modernize and revive the script. The project is based in the old Bamum capital of Foumban. [5]
The initial form of Bamum script, called Lewa ("book"), was developed in 1896–1897. It consisted of 465 pictograms (511 according to some sources) and 10 characters for the digits 1–10. The writing direction could be top-to-bottom, left-to-right, or bottom-to-top. (Right-to-left was avoided because that was the direction of the Arabic script used by the neighboring Hausa people.)
The second system, called Mbima ("mixed"), was developed in 1899–1900. It was a simplification of the first; Njoya omitted 72 characters but added 45 new ones. The writing direction was left-to-right in this and all subsequent phases.
The third system, called Nyi Nyi Nfa' after its first three characters, was developed around 1902. This simplification omitted 56 characters, leaving 371 and 10 digits. Njoya used this system to write his History of the Bamun People and in correspondence with his mother.
The fourth system, called Rii Nyi Nsha Mfw' after its first four characters, was developed around 1907–1908. It has 285 characters and 10 digits and is a further simplification of the previous version.
The fifth system, called Rii Nyi Mfw' Men, was also developed around 1907–1908. It has 195 characters and 10 digits and was used for a Bible translation. These first five systems are closely related: All were progressively simplified pictographic protowriting with logographic elements.
The sixth system, called A Ka U Ku after its first four characters, was developed around 1910. It has 82 characters and 10 digits. This phase marks a shift to a full syllabic writing system able to distinguish 160 syllables. It was used to record births, marriages, deaths, and court rulings.
The seventh and final system, called Mfemfe ("new") or A Ka U Ku Mfemfe, was developed around 1918. It has only 80 characters, ten of which double as both syllables and digits. Like the previous system, missing syllables are written using combinations of similar syllables plus the desired vowel, or with a diacritic.
The 80 glyphs of modern Bamum are not enough to represent all of the consonant-vowel syllables (C V syllables) of the language. This deficiency is made up for with a diacritic or by combining glyphs having CV1 and V2 values, for CV2. This makes the script alphabetic for syllables not directly covered by the syllabary. Adding the inherent vowel of the syllable voices a consonant: tu + u = /du/, fu + u = /vu/, ju + u = /ʒu/, ja + a = /ʒa/, ʃi + i = /ʒi/, puə + u = /bu/.
The two diacritics are a circumflex (ko'ndon) that may be added to any of the 80 glyphs, and a macron (tukwentis) that is restricted to a dozen. The circumflex generally has the effect of adding a glottal stop to the syllable, for instance kâ is read /kaʔ/, though the vowel is shortened and any final consonant is dropped in the process, as in pûə/puʔ/ and kɛ̂t/kɛʔ/. Prenasalization is also lost: ɲʃâ/ʃaʔ/, ntê/teʔ/, ntûu/tuʔ/. Sometimes, however, the circumflex nasalizes the vowel: nî/nɛn/, pî/pin/, rê/rɛn/, jûʔ/jun/, mɔ̂/mɔn/, ɲʒûə/jun/ (loss of NC as with glottal stop). Others are idiosyncratic: ɲʒə̂m/jəm/ (simple loss of NC), tə̂/tɔʔ/ (vowel change), ɲî/ɲe/, riê/z/, m̂/n/, ʃɯ̂x/jɯx/, nûə/ŋuə/, kɯ̂x/ɣɯ/, rə̂/rɔ/, ŋkwə̂n/ŋuət/, fɔ̂m/mvɔp/, mbɛ̂n/pɛn/, tî/tɯ/, kpâ/ŋma/, vŷ/fy/, ɣɔ̂m/ŋɡɔm/. [6]
The macron is a 'killer stroke' that deletes the vowel from a syllable and so forms consonants and NC clusters (/nd,ŋɡ/) that can be used for syllable codas. Consonantal /n/ is used both as a coda and to prenasalize an initial consonant. The two irregularities with the macron are ɲʒūə, read as /j/, and ɔ̄, read as /ə/.
The script has distinctive punctuation, including a 'capitalization' mark (nʒɛmli), visually similar to an inverted question mark, for proper names, and a decimal system of ten digits; the old glyph for ten has been refashioned as a zero.
ꚠ | ꚡ | ꚢ | ꚣ | ꚤ | ꚥ | ꚦ | ꚧ | ꚨ | ꚩ | ꚪ | ꚫ | ꚬ | ꚭ | ꚮ | ꚯ |
a | ka | u | ku | e | re | tə | ɔ | nyi | i | la | pa | rii | rie | lee | mee |
ꚠ꛰ | ꚡ꛰ | ꚢ꛰ | ꚣ꛰ | ꚤ꛰ | ꚥ꛰ | ꚦ꛰ | ꚧ꛰ | ꚨ꛰ | ꚩ꛰ | ꚪ꛰ | ꚫ꛰ | ꚬ꛰ | ꚭ꛰ | ꚮ꛰ | ꚯ꛰ |
aʔ | kaʔ | wuʔ | kuʔ | eʔ | rɛn | tɔʔ | ɔʔ | nye | iʔ | laʔ | paʔ | riʔ | z | leʔ | meʔ |
ꚧ꛱ | |||||||||||||||
ə | |||||||||||||||
ꚰ | ꚱ | ꚲ | ꚳ | ꚴ | ꚵ | ꚶ | ꚷ | ꚸ | ꚹ | ꚺ | ꚻ | ꚼ | ꚽ | ꚾ | ꚿ |
taa | ndaa | nʒəm | m | suu | mu | ʃii | si | ʃɯx | sɯx | kye | kɛt | nuə | nu | nʒuə | yɔʔ |
ꚰ꛰ | ꚱ꛰ | ꚲ꛰ | ꚳ꛰ | ꚴ꛰ | ꚵ꛰ | ꚶ꛰ | ꚷ꛰ | ꚸ꛰ | ꚹ꛰ | ꚺ꛰ | ꚻ꛰ | ꚼ꛰ | ꚽ꛰ | ꚾ꛰ | ꚿ꛰ |
taʔ | ndaʔ | yəm | n | suʔ | muʔ | ʃiʔ | siʔ | yɯx | sɯʔ | kyeʔ | keʔ | ŋuə | nuʔ | yuən | yɔʔ |
ꚱ꛱ | ꚶ꛱ | ꚷ꛱ | ꚾ꛱ | ||||||||||||
nd | ʃ | s | y | ||||||||||||
ꛀ | ꛁ | ꛂ | ꛃ | ꛄ | ꛅ | ꛆ | ꛇ | ꛈ | ꛉ | ꛊ | ꛋ | ꛌ | ꛍ | ꛎ | ꛏ |
ʃu | yu | ya | nʃa | kɯx | pɯx | nʒe | nte | pü | wü | pe | fe | ru | lu | mi | ni |
ꛀ꛰ | ꛁ꛰ | ꛂ꛰ | ꛃ꛰ | ꛄ꛰ | ꛅ꛰ | ꛆ꛰ | ꛇ꛰ | ꛈ꛰ | ꛉ꛰ | ꛊ꛰ | ꛋ꛰ | ꛌ꛰ | ꛍ꛰ | ꛎ꛰ | ꛏ꛰ |
ʃuʔ | yun | yaʔ | ʃaʔ | ɣɯ | pɯʔ | nʒeʔ | teʔ | püʔ | üʔ | peʔ | feʔ | ruʔ | luʔ | miʔ | nɛn |
ꛐ | ꛑ | ꛒ | ꛓ | ꛔ | ꛕ | ꛖ | ꛗ | ꛘ | ꛙ | ꛚ | ꛛ | ꛜ | ꛝ | ꛞ | ꛟ |
rɯx | rə | kɛn | ŋkwən | ŋga | ŋa | ʃɔ | puə | fu | fɔm | wa | na | li | pi | lɔʔ | kɔ |
ꛐ꛰ | ꛑ꛰ | ꛒ꛰ | ꛓ꛰ | ꛔ꛰ | ꛕ꛰ | ꛖ꛰ | ꛗ꛰ | ꛘ꛰ | ꛙ꛰ | ꛚ꛰ | ꛛ꛰ | ꛜ꛰ | ꛝ꛰ | ꛞ꛰ | ꛟ꛰ |
rɯʔ | rɔ | kɛn | ŋuət | ŋgaʔ | ŋaʔ | ʃɔʔ | puʔ | fuʔ | mvɔp | waʔ | naʔ | liʔ | pin | lɔʔ | kɔʔ |
ꛔ꛱ | ꛖ꛱ | ꛘ꛱ | ꛛ꛱ | ꛜ꛱ | ꛟ꛱ | ||||||||||
ŋg | ʃ | f | n | l | k | ||||||||||
ꛠ | ꛡ | ꛢ | ꛣ | ꛤ | ꛥ | ꛦ | ꛧ | ꛨ | ꛩ | ꛪ | ꛫ | ꛬ | ꛭ | ꛮ | ꛯ |
mbɛn | rɛn | mɛn | ma | ti | ki | mɔ 1 | mbaa 2 | tɛt 3 | kpa 4 | tɛn 5 | ntuu 6 | sa 7 | faa 8 | vü 9 | ɣɔm 0 |
ꛠ꛰ | ꛡ꛰ | ꛢ꛰ | ꛣ꛰ | ꛤ꛰ | ꛥ꛰ | ꛦ꛰ | ꛧ꛰ | ꛨ꛰ | ꛩ꛰ | ꛪ꛰ | ꛫ꛰ | ꛬ꛰ | ꛭ꛰ | ꛮ꛰ | ꛯ꛰ |
pɛn | rɛn | mɛn | maʔ | tɯ | kiʔ | mɔn | mbaʔ | tɛt | ŋma | tɛn | tuʔ | saʔ | faʔ | fü | ŋgɔm |
ꛤ꛱ | ꛦ꛱ | ||||||||||||||
t | m |
꛲ | ꛳ | ꛴ | ꛵ | ꛶ | ꛷ |
nʒɛmli: introduces proper names or changes the meaning of a word [6] | . period | : colon | , comma | ; semicolon | ? question mark |
The last ten base characters in the syllabary are used for both letters and numerals: [7]
ꛯ | ꛦ | ꛧ | ꛨ | ꛩ | ꛪ | ꛫ | ꛬ | ꛭ | ꛮ |
ɣɔm 0 | mɔ 1 | mbaa 2 | tɛt 3 | kpa 4 | tɛn 5 | ntuu 6 | sa 7 | faa 8 | vü 9 |
Historically, ꛯ was used for ten but was changed to zero when the numeral system became a decimal one . [7]
Phase A | Interpretation | Phase A | Interpretation | Phase A | Interpretation | Phase A | Interpretation | |||
---|---|---|---|---|---|---|---|---|---|---|
𖠀 | ŋkü mfɔn | 𖠒 | ntɔʔpɛn | 𖠤 | mgbasa | 𖠶 | mɔɔmɯt | |||
𖠁 | gbie fɔn | 𖠓 | kɯkɯtnda | 𖠥 | mɯnʒɔmndɯʔ | 𖠷 | ʃum | |||
𖠂 | pɔn mfɔn pipəmgbie | 𖠔 | nkindi | 𖠦 | mɔɔmpuʔ | 𖠸 | lɔmmə | |||
𖠃 | pɔn mfɔn pipəmba | 𖠕 | suu | 𖠧 | kafa | 𖠹 | fir'i | |||
𖠄 | naa mfɔn | 𖠖 | ŋkünzɯm | 𖠨 | pa lerəwa | 𖠺 | rɔm | |||
𖠅 | ʃünʃüt | 𖠗 | lapaʔ | 𖠩 | nda lerəwa | 𖠻 | kpɔʔ | |||
𖠆 | tita mfɔn | 𖠘 | lɛt kut | 𖠪 | pɛt | 𖠼 | sɔʔ | |||
𖠇 | nza mfɔn | 𖠙 | ntap mfaa | 𖠫 | məmkpɛn | 𖠽 | map piet | |||
𖠈 | ʃinda pa nʒi | 𖠚 | məkɯp | 𖠬 | nika | 𖠾 | ʃirə | |||
𖠉 | pɔn pa nʒi pipəmgbie | 𖠛 | paʃə | 𖠭 | pup | 𖠿 | ntap | |||
𖠊 | pɔn pa nʒi pipəmba | 𖠜 | ɣɯərə | 𖠮 | tuəp | 𖡀 | ʃɔʔ nʃut yum | |||
𖠋 | məmgbie | 𖠝 | pamʃə | 𖠯 | luəp | 𖡁 | nyit mɔŋkɯəʔ | |||
𖠌 | tu məmba | 𖠞 | mɔn ŋgɯət | 𖠰 | sɔnʒam | 𖡂 | paarə | |||
𖠍 | ŋaŋu | 𖠟 | nzun mɯt | 𖠱 | tɯtɯwɛn | 𖡃 | nkaarə | |||
𖠎 | məmvɯx | 𖠠 | u yuʔ nə | 𖠲 | mənyi | 𖡄 | (unknown) | |||
𖠏 | mansuə | 𖠡 | ɣɯəɣɯə | 𖠳 | kɛt | |||||
𖠐 | mvɯəŋam | 𖠢 | ntap ntaa | 𖠴 | ndaaŋgɯət | |||||
𖠑 | sɯnyam | 𖠣 | sisa | 𖠵 | kuɔʔ | |||||
A | Interpretation | A | Interpretation | A | Interpretation | A | Interpretation |
Phase | Interpretation | Phase | Interpretation | Phase | Interpretation | |||||
---|---|---|---|---|---|---|---|---|---|---|
A | B | A | B | A | B | |||||
𖡗 | 𖡗 | nʃüt | 𖡨 | 𖡨 | tu nsie | 𖡹 | 𖡹 | mɯʔ | ||
𖡘 | 𖡘 | tu məmgbie | 𖡩 | 𖡩 | ʃɛt nʒaʔ | 𖡺 | 𖡺 | ŋguɔʔ ("small termite") | ||
𖡙 | 𖡙 | sie | 𖡪 | 𖡪 | ʃɯəʔtu | 𖡻 | 𖡻 | ŋguɔʔ ("large termite") | ||
𖡚 | 𖡚 | sɛt tu | 𖡫 | 𖡫 | mfɔn tɯəʔ | 𖡼 | mfiyaʔ | |||
𖡛 | 𖡛 | lɔm ntɯm | 𖡬 | mbit mbaakɛt | 𖡽 | 𖡽 | sü | |||
𖡜 | 𖡜 | mba məle | 𖡭 | 𖡭 | nyi ntɯm | 𖡾 | 𖡾 | mbɯri | ||
𖡝 | 𖡝 | kiem | 𖡮 | kɯpuʔ | 𖡿 | 𖡿 | mɔntien | |||
𖡞 | 𖡞 | yɯrə | 𖡯 | 𖡯 | ɣɯɣɛn | 𖢀 | 𖢀 | nyəmə | ||
𖡟 | 𖡟 | mbaarə | 𖡰 | 𖡰 | kɯyɯx | 𖢁 | 𖢁 | puŋaam | ||
𖡠 | 𖡠 | kam | 𖡱 | 𖡱 | laanə | 𖢂 | 𖢂 | mɯt ŋget | ||
𖡡 | 𖡡 | peʃi | 𖡲 | 𖡲 | parum | 𖢃 | 𖢃 | fɯx | ||
𖡢 | 𖡢 | yafu lerəwa | 𖡳 | 𖡳 | vɯm | 𖢄 | 𖢄 | mbuɔʔ | ||
𖡣 | 𖡣 | lam nʃut nyam | 𖡴 | 𖡴 | ŋkindi mvɔp | 𖢅 | 𖢅 | fe | ||
𖡤 | 𖡤 | ntie ʃɯɔʔ | 𖡵 | 𖡵 | ŋgɯ mbu | 𖢆 | kɯəm | |||
𖡥 | 𖡥 | ndu nʒaa | 𖡶 | 𖡶 | wuət | 𖢇 | 𖢇 | ma nʒɯəna | ||
𖡦 | 𖡦 | ɣɯɣɯəm | 𖢈 | 𖢈 | ma nʒuʔa | 𖡷 | 𖡷 | sakɯə | ||
𖡧 | 𖡧 | pit | 𖡸 | 𖡸 | taam | |||||
A | B | Interpretation | A | B | Interpretation | A | B | Interpretation |
Phase | Interpretation | Phase | Interpretation | Phase | Interpretation | ||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A | B | C | A | B | C | A | B | C | |||||
𖢏 | 𖢏 | 𖢏 | ŋkü məmba | 𖢫 | 𖢫 | 𖢫 | ndida | 𖣇 | 𖣇 | 𖣇 | nsuɔt ŋɔm | ||
𖢐 | 𖢐 | 𖢐 | nza | 𖢬 | 𖢬 | 𖢬 | taaʃə | 𖣈 | 𖣈 | 𖣈 | nʒee | ||
𖢑 | 𖢑 | 𖢑 | yum | 𖢭 | 𖢭 | 𖢭 | nʒüʔ | 𖣉 | 𖣉 | 𖣉 | kɛt | ||
𖢒 | 𖢒 | 𖢒 | waŋkuɔʔ | 𖢮 | 𖢮 | 𖢮 | tita yü | 𖣊 | 𖣊 | 𖣊 | ŋgu | ||
𖡅 | 𖢓 | 𖢓 | ŋgɛn | 𖢯 | 𖢯 | 𖢯 | suət | 𖡆 | 𖣋 | 𖣋 | məsi | ||
𖢔 | 𖢔 | 𖢔 | ndɯəre | 𖢰 | 𖢰 | 𖢰 | ŋguən nyam | 𖣌 | 𖣌 | mbuəm | |||
𖢕 | 𖢕 | 𖢕 | ŋkaʔ | 𖢱 | 𖢱 | 𖢱 | vɯx | 𖣍 | 𖣍 | 𖣍 | lu | ||
𖢖 | 𖢖 | 𖢖 | ɣarə | 𖢲 | 𖢲 | 𖢲 | nansanaʔ | 𖣎 | 𖣎 | 𖣎 | kut | ||
𖢗 | 𖢗 | 𖢗 | mbeket | 𖢳 | 𖢳 | 𖢳 | ma kɯəri | 𖡇 | 𖣏 | 𖣏 | nʒam | ||
𖢘 | 𖢘 | 𖢘 | gbayi | 𖢴 | 𖢴 | 𖢴 | ntaa | 𖣐 | 𖣐 | 𖣐 | ŋɔm | ||
𖢙 | 𖢙 | 𖢙 | nyir mkparaʔ mɯn | 𖢵 | 𖢵 | 𖢵 | ŋguɔn | 𖣑 | 𖣑 | 𖣑 | wup | ||
𖢚 | 𖢚 | 𖢚 | ntu mbit | 𖢶 | 𖢶 | 𖢶 | lap | 𖣒 | 𖣒 | 𖣒 | ŋguet | ||
𖢛 | 𖢛 | 𖢛 | mbɯm | 𖢷 | 𖢷 | 𖢷 | mbirien | 𖣓 | 𖣓 | 𖣓 | nsɔm | ||
𖢜 | 𖢜 | 𖢜 | pirien | 𖢸 | 𖢸 | 𖢸 | mgbasaʔ | 𖣔 | 𖣔 | 𖣔 | ntɛn | ||
𖢝 | 𖢝 | 𖢝 | ndɔmbu | 𖢹 | 𖢹 | 𖢹 | ntɯngba | 𖣕 | 𖣕 | 𖣕 | kuɔp nkaarə | ||
𖢞 | 𖢞 | 𖢞 | mbaa | 𖢺 | 𖢺 | 𖢺 | tɯtɯx | 𖣖 | 𖣖 | 𖣖 | nsun | ||
𖢟 | 𖢟 | 𖢟 | kɯʃɯəp | 𖢻 | 𖢻 | 𖢻 | ŋgum | 𖣗 | 𖣗 | 𖣗 | ndam | ||
𖢠 | 𖢠 | 𖢠 | ɣap | 𖢼 | 𖢼 | 𖢼 | fü | 𖣘 | 𖣘 | 𖣘 | ma nsie | ||
𖢡 | 𖢡 | 𖢡 | kɯkaʔ | 𖢽 | 𖢽 | 𖢽 | ndɯt | 𖣙 | 𖣙 | 𖣙 | yaa | ||
𖢢 | 𖢢 | 𖢢 | yu muɔmə | 𖢾 | 𖢾 | 𖢾 | nsa | 𖣚 | 𖣚 | ndap | |||
𖢣 | 𖢣 | 𖢣 | nzɯm | 𖢿 | 𖢿 | 𖢿 | nʃaʔ | 𖣛 | 𖣛 | 𖣛 | ʃüʔ | ||
𖢤 | 𖢤 | 𖢤 | mbü | 𖣀 | 𖣀 | 𖣀 | buŋ | 𖣜 | 𖣜 | 𖣜 | ʃɛtfɔn | ||
𖢥 | 𖢥 | 𖢥 | nsɯən | 𖣁 | 𖣁 | 𖣁 | vɯəpɛn | 𖣝 | 𖣝 | mbi | |||
𖢦 | 𖢦 | 𖢦 | mbit | 𖣂 | 𖣂 | 𖣂 | mbɛrə | 𖣞 | 𖣞 | 𖣞 | məmba | ||
𖢧 | 𖢧 | 𖢧 | yɯʔ | 𖣃 | 𖣃 | 𖣃 | ru | 𖡈 | 𖣟 | 𖣟 | mbanyi | ||
𖢨 | 𖢨 | 𖢨 | kparaʔ | 𖣄 | 𖣄 | 𖣄 | nʒəm | 𖣠 | 𖣠 | 𖣠 | kɯsɯx | ||
𖢩 | 𖢩 | 𖢩 | kaa | 𖣅 | 𖣅 | 𖣅 | lam | 𖣡 | 𖣡 | mbɯx | |||
𖢪 | 𖢪 | 𖢪 | sɯx | 𖣆 | 𖣆 | 𖣆 | tituəp | 𖣢 | 𖣢 | kɯm | |||
A | B | C | Interpretation | A | B | C | Interpretation | A | B | C | Interpretation |
Phase | Interpretation | Phase | Interpretation | |||||||
---|---|---|---|---|---|---|---|---|---|---|
A | B | C | D | A | B | C | D | |||
𖣱 | 𖣱 | 𖣱 | 𖣱 | mbuɔ | 𖤝 | 𖤝 | 𖤝 | 𖤝 | mfo | |
𖣲 | 𖣲 | 𖣲 | 𖣲 | wap | 𖤞 | 𖤞 | 𖤞 | lum | ||
𖣳 | 𖣳 | 𖣳 | 𖣳 | nʒi | 𖤟 | 𖤟 | 𖤟 | 𖤟 | nsiep | |
𖣴 | 𖣴 | 𖣴 | 𖣴 | mfɔn | 𖣣 | 𖣣 | 𖣣 | 𖤠 | mbaa | |
𖣵 | 𖣵 | 𖣵 | 𖣵 | nʒie | 𖤡 | 𖤡 | 𖤡 | 𖤡 | kwət | |
𖣶 | 𖣶 | 𖣶 | 𖣶 | lie | 𖡉 | 𖤢 | 𖤢 | 𖤢 | nyɛt | |
𖣷 | 𖣷 | 𖣷 | nʒɯt | 𖡊 | 𖤣 | tɯən | ||||
𖣸 | 𖣸 | 𖣸 | nʃe | 𖡋 | 𖤤 | 𖤤 | 𖤤 | sɔt | ||
𖣹 | 𖣹 | 𖣹 | 𖣹 | ŋgaamə | 𖣤 | 𖣤 | 𖣤 | 𖤥 | yuwɔʔ | |
𖣺 | 𖣺 | 𖣺 | 𖣺 | nyam | 𖤦 | 𖤦 | 𖤦 | 𖤦 | kɯm | |
𖣻 | 𖣻 | 𖣻 | 𖣻 | wuən | 𖤧 | 𖤧 | 𖤧 | 𖤧 | rəm | |
𖣼 | 𖣼 | 𖣼 | 𖣼 | ŋkun | 𖤨 | 𖤨 | 𖤨 | 𖤨 | tee | |
𖣽 | 𖣽 | 𖣽 | 𖣽 | ʃe | 𖤩 | 𖤩 | 𖤩 | 𖤩 | ŋkɯəʔ | |
𖣾 | 𖣾 | 𖣾 | 𖣾 | ŋkap | 𖤪 | 𖤪 | 𖤪 | 𖤪 | mfɯə | |
𖣿 | 𖣿 | 𖣿 | 𖣿 | kɯətmɯn | 𖤫 | 𖤫 | 𖤫 | 𖤫 | nsiet | |
𖤀 | 𖤀 | 𖤀 | tɯt | 𖤬 | 𖤬 | 𖤬 | 𖤬 | kɯp | ||
𖤁 | 𖤁 | 𖤁 | 𖤁 | ʃɯə | 𖤭 | 𖤭 | 𖤭 | 𖤭 | pip | |
𖤂 | 𖤂 | 𖤂 | 𖤂 | nʒap | 𖤮 | 𖤮 | 𖤮 | 𖤮 | pɯtə | |
𖤃 | 𖤃 | 𖤃 | 𖤃 | sü | 𖤯 | 𖤯 | 𖤯 | 𖤯 | nyü | |
𖤄 | 𖤄 | 𖤄 | 𖤄 | kɛt | 𖢉 | 𖢉 | 𖤰 | 𖤰 | lɛt | |
𖤅 | 𖤅 | 𖤅 | yəmmə | 𖢊 | 𖤱 | 𖤱 | ŋgaam | |||
𖤆 | 𖤆 | 𖤆 | kuɔm | 𖤲 | 𖤲 | 𖤲 | 𖤲 | mfie | ||
𖤇 | 𖤇 | 𖤇 | 𖤇 | sap | 𖤳 | 𖤳 | 𖤳 | ŋgwən | ||
𖤈 | 𖤈 | 𖤈 | 𖤈 | mfɯt | 𖤴 | 𖤴 | 𖤴 | yuɔm | ||
𖤉 | 𖤉 | 𖤉 | 𖤉 | ndɯx | 𖤵 | 𖤵 | 𖤵 | pap | ||
𖤊 | 𖤊 | 𖤊 | 𖤊 | maleri | 𖤶 | 𖤶 | 𖤶 | 𖤶 | yuɔp | |
𖤋 | 𖤋 | 𖤋 | 𖤋 | mɯt | 𖤷 | 𖤷 | 𖤷 | 𖤷 | ndam | |
𖤌 | 𖤌 | 𖤌 | 𖤌 | sɯəʔ | 𖤸 | 𖤸 | 𖤸 | 𖤸 | ntɯm | |
𖤍 | 𖤍 | 𖤍 | 𖤍 | yɛn | 𖤹 | 𖤹 | 𖤹 | 𖤹 | suə | |
𖤎 | 𖤎 | 𖤎 | 𖤎 | nʒɯəm | 𖤺 | 𖤺 | 𖤺 | 𖤺 | kun | |
𖤏 | 𖤏 | 𖤏 | 𖤏 | kɯɔt mbuə | 𖤻 | 𖤻 | 𖤻 | 𖤻 | ŋgɯx | |
𖤐 | 𖤐 | 𖤐 | 𖤐 | ŋkɯri | 𖤼 | 𖤼 | 𖤼 | 𖤼 | ŋkie | |
𖤑 | 𖤑 | 𖤑 | tu | 𖤽 | 𖤽 | 𖤽 | 𖤽 | tuɔt | ||
𖤒 | 𖤒 | 𖤒 | 𖤒 | ɣaa | 𖤾 | 𖤾 | 𖤾 | 𖤾 | mɯn | |
𖤓 | 𖤓 | 𖤓 | 𖤓 | ŋkye | 𖤿 | 𖤿 | 𖤿 | kuʔ | ||
𖤔 | 𖤔 | 𖤔 | 𖤔 | fɯfɯət | 𖥀 | 𖥀 | 𖥀 | nsum | ||
𖤕 | 𖤕 | 𖤕 | 𖤕 | nde | 𖥁 | 𖥁 | 𖥁 | 𖥁 | tɯn | |
𖤖 | 𖤖 | 𖤖 | 𖤖 | mgbɔfum | 𖥂 | 𖥂 | 𖥂 | 𖥂 | mənʒɛt | |
𖤗 | 𖤗 | 𖤗 | lɯəp | 𖥃 | 𖥃 | 𖥃 | 𖥃 | ŋgap | ||
𖤘 | 𖤘 | 𖤘 | 𖤘 | ndɔn | 𖥄 | 𖥄 | 𖥄 | lɯm | ||
𖤙 | 𖤙 | 𖤙 | 𖤙 | mɔni | 𖥅 | 𖥅 | 𖥅 | 𖥅 | ŋguɔm | |
𖤚 | 𖤚 | 𖤚 | mgbɯn | 𖥆 | 𖥆 | 𖥆 | 𖥆 | nʃut | ||
𖤛 | 𖤛 | 𖤛 | 𖤛 | puut | 𖥇 | 𖥇 | 𖥇 | 𖥇 | nʒüʔ | |
𖤜 | 𖤜 | 𖤜 | 𖤜 | mgbie | ||||||
A | B | C | D | Interpretation | A | B | C | D | Interpretation |
Phase | Interpretation | Phase | Interpretation | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
A | B | C | D | E | A | B | C | D | E | |||
𖥦 | 𖥦 | 𖥦 | 𖥦 | 𖥦 | ndap | 𖦝 | 𖦝 | 𖦝 | 𖦝 | 𖦝 | vɯə | |
𖥧 | 𖥧 | 𖥧 | 𖥧 | 𖥧 | tɔɔn | 𖦞 | 𖦞 | 𖦞 | 𖦞 | 𖦞 | wɯx | |
𖥨 | 𖥨 | 𖥨 | 𖥨 | 𖥨 | mbɯm | 𖦟 | 𖦟 | 𖦟 | 𖦟 | 𖦟 | laam | |
𖥩 | 𖥩 | 𖥩 | 𖥩 | 𖥩 | lap | 𖦠 | 𖦠 | 𖦠 | 𖦠 | 𖦠 | pu | |
𖥪 | 𖥪 | 𖥪 | 𖥪 | 𖥪 | vɔm | 𖦡 | 𖦡 | 𖦡 | 𖦡 | 𖦡 | taaʔ | |
𖥫 | 𖥫 | 𖥫 | 𖥫 | 𖥫 | lɔn | 𖦢 | 𖦢 | 𖦢 | 𖦢 | 𖦢 | ɣaamə | |
𖥬 | 𖥬 | 𖥬 | 𖥬 | 𖥬 | paa | 𖦣 | 𖦣 | 𖦣 | 𖦣 | ŋɯrɯt | ||
𖥭 | 𖥭 | 𖥭 | 𖥭 | 𖥭 | sɔm | 𖦤 | 𖦤 | 𖦤 | 𖦤 | 𖦤 | ʃɯəʔ | |
𖥮 | 𖥮 | 𖥮 | 𖥮 | 𖥮 | raʔ | 𖦥 | 𖦥 | 𖦥 | 𖦥 | 𖦥 | mgbɛn | |
𖥯 | 𖥯 | 𖥯 | 𖥯 | 𖥯 | nʃuɔp | 𖦦 | 𖦦 | 𖦦 | 𖦦 | mbe | ||
𖥰 | 𖥰 | 𖥰 | 𖥰 | 𖥰 | ndun | 𖦧 | 𖦧 | 𖦧 | 𖦧 | 𖦧 | nzaʔ | |
𖥱 | 𖥱 | 𖥱 | 𖥱 | 𖥱 | puə | 𖦨 | 𖦨 | 𖦨 | 𖦨 | 𖦨 | nkɔm | |
𖥲 | 𖥲 | 𖥲 | 𖥲 | 𖥲 | tam | 𖦩 | 𖦩 | 𖦩 | 𖦩 | 𖦩 | gbɛt | |
𖥳 | 𖥳 | 𖥳 | 𖥳 | 𖥳 | ŋka | 𖦪 | 𖦪 | 𖦪 | 𖦪 | 𖦪 | tum | |
𖥴 | 𖥴 | 𖥴 | 𖥴 | 𖥴 | kpɯx | 𖦫 | 𖦫 | 𖦫 | 𖦫 | 𖦫 | küt | |
𖥵 | 𖥵 | 𖥵 | 𖥵 | 𖥵 | wuɔ | 𖦬 | 𖦬 | 𖦬 | 𖦬 | yap | ||
𖥶 | 𖥶 | 𖥶 | 𖥶 | se | 𖡏 | 𖦭 | 𖦭 | 𖦭 | 𖦭 | nyi | ||
𖥷 | 𖥷 | 𖥷 | 𖥷 | 𖥷 | ŋgɯət | 𖦮 | 𖦮 | 𖦮 | 𖦮 | 𖦮 | yit | |
𖡌 | 𖥸 | 𖥸 | 𖥸 | 𖥸 | paam | 𖦯 | 𖦯 | 𖦯 | 𖦯 | mfɯʔ | ||
𖥹 | 𖥹 | 𖥹 | 𖥹 | 𖥹 | tɔɔ | 𖦰 | 𖦰 | 𖦰 | 𖦰 | 𖦰 | ndiaʔ | |
𖥺 | 𖥺 | 𖥺 | 𖥺 | 𖥺 | kuɔp | 𖦱 | 𖦱 | 𖦱 | 𖦱 | 𖦱 | pieʔ | |
𖥻 | 𖥻 | 𖥻 | 𖥻 | 𖥻 | lɔm | 𖦲 | 𖦲 | 𖦲 | 𖦲 | 𖦲 | yüʔ | |
𖡍 | 𖥼 | 𖥼 | 𖥼 | 𖥼 | nʃie | 𖦳 | 𖦳 | 𖦳 | 𖦳 | 𖦳 | lɯəm | |
𖥽 | 𖥽 | 𖥽 | 𖥽 | 𖥽 | ŋgɔp | 𖦴 | 𖦴 | 𖦴 | 𖦴 | 𖦴 | fü | |
𖡎 | 𖥾 | 𖥾 | 𖥾 | 𖥾 | məm | 𖦵 | 𖦵 | 𖦵 | 𖦵 | 𖦵 | gbɯx | |
𖥿 | 𖥿 | 𖥿 | 𖥿 | 𖥿 | ŋkɯx | 𖦶 | 𖦶 | 𖦶 | 𖦶 | 𖦶 | ŋkup | |
𖦀 | 𖦀 | 𖦀 | 𖦀 | 𖦀 | ŋɔʔ | 𖦷 | 𖦷 | 𖦷 | 𖦷 | 𖦷 | kɛt | |
𖦁 | 𖦁 | 𖦁 | 𖦁 | 𖦁 | nʃü | 𖦸 | 𖦸 | 𖦸 | 𖦸 | 𖦸 | mə | |
𖦂 | 𖦂 | 𖦂 | 𖦂 | 𖦂 | rimgba | 𖦹 | 𖦹 | 𖦹 | 𖦹 | ŋkaami | ||
𖣥 | 𖣥 | 𖣥 | 𖦃 | 𖦃 | nʒɯx | 𖦺 | 𖦺 | 𖦺 | 𖦺 | 𖦺 | ɣɛt | |
𖢋 | 𖢋 | 𖡲 | 𖡲 | 𖡲 | nsɛn | 𖦻 | 𖦻 | 𖦻 | 𖦻 | 𖦻 | fa | |
𖦄 | 𖦄 | 𖦄 | 𖦄 | 𖦄 | pem | 𖦼 | 𖦼 | 𖦼 | 𖦼 | 𖦼 | ntum | |
𖦅 | 𖦅 | 𖦅 | 𖦅 | 𖦅 | saa | 𖦽 | 𖦽 | 𖦽 | 𖦽 | 𖦽 | pɯt | |
𖦆 | 𖦆 | 𖦆 | 𖦆 | 𖦆 | ŋgurə | 𖦾 | 𖦾 | 𖦾 | 𖦾 | 𖦾 | yɯm | |
𖦇 | 𖦇 | 𖦇 | 𖦇 | 𖦇 | mgba | 𖦿 | 𖦿 | 𖦿 | 𖦿 | 𖦿 | ŋgɯə | |
𖦈 | 𖦈 | 𖦈 | 𖦈 | 𖦈 | ɣɯx | 𖧀 | 𖧀 | 𖧀 | 𖧀 | 𖧀 | nyi | |
𖦉 | 𖦉 | 𖦉 | 𖦉 | 𖦉 | ŋkɯəm | 𖧁 | 𖧁 | 𖧁 | 𖧁 | 𖧁 | nzuʔ | |
𖦊 | 𖦊 | 𖦊 | 𖦊 | 𖦊 | nʒəmli | 𖧂 | 𖧂 | 𖧂 | 𖧂 | 𖧂 | pɔɔn | |
𖦋 | 𖦋 | 𖦋 | 𖦋 | 𖦋 | map | 𖣦 | 𖣦 | 𖣦 | 𖧃 | 𖧃 | mie | |
𖦌 | 𖦌 | 𖦌 | 𖦌 | 𖦌 | lɔɔt | 𖧄 | 𖧄 | 𖧄 | 𖧄 | 𖧄 | füt | |
𖦍 | 𖦍 | ŋgee | 𖧅 | 𖧅 | 𖧅 | 𖧅 | 𖧅 | nə | ||||
𖦎 | 𖦎 | 𖦎 | 𖦎 | 𖦎 | ndiʔ | 𖣧 | 𖣧 | 𖣧 | 𖧆 | 𖧆 | muə | |
𖦏 | 𖦏 | 𖦏 | 𖦏 | 𖦏 | tən ntɯm | 𖥈 | 𖥈 | 𖥈 | 𖥈 | 𖧇 | ɣɯə | |
𖦐 | 𖦐 | 𖦐 | 𖦐 | 𖦐 | sɛt | 𖧈 | 𖧈 | 𖧈 | 𖧈 | 𖧈 | fu i | |
𖦑 | 𖦑 | 𖦑 | 𖦑 | 𖦑 | pum | 𖧉 | 𖧉 | 𖧉 | 𖧉 | 𖧉 | mvi | |
𖦒 | 𖦒 | ndaa | 𖧊 | 𖧊 | 𖧊 | 𖧊 | 𖧊 | puaʔ | ||||
𖦓 | 𖦓 | 𖦓 | 𖦓 | 𖦓 | ŋguəʃə nyam | 𖧋 | 𖧋 | 𖧋 | ŋkum | |||
𖦔 | 𖦔 | 𖦔 | 𖦔 | 𖦔 | yie | 𖧌 | 𖧌 | 𖧌 | 𖧌 | kut | ||
𖦕 | 𖦕 | 𖦕 | 𖦕 | 𖦕 | ɣɯn | 𖧍 | 𖧍 | 𖧍 | 𖧍 | 𖧍 | piɛt | |
𖦖 | 𖦖 | 𖦖 | 𖦖 | 𖦖 | tuə | 𖧎 | 𖧎 | 𖧎 | 𖧎 | 𖧎 | ntap | |
𖦗 | 𖦗 | 𖦗 | 𖦗 | 𖦗 | yɯə | 𖧏 | 𖧏 | 𖧏 | 𖧏 | 𖧏 | yɯət | |
𖦘 | 𖦘 | 𖦘 | 𖦘 | 𖦘 | pɔ | 𖧐 | 𖧐 | 𖧐 | 𖧐 | 𖧐 | ŋgup | |
𖦙 | 𖦙 | 𖦙 | 𖦙 | 𖦙 | tumə | 𖧑 | 𖧑 | 𖧑 | 𖧑 | 𖧑 | pa | |
𖦚 | 𖦚 | 𖦚 | 𖦚 | 𖦚 | kɯə | 𖧒 | fu | |||||
𖦛 | 𖦛 | 𖦛 | 𖦛 | suən | 𖧓 | 𖧓 | 𖧓 | 𖧓 | fɔm | |||
𖦜 | 𖦜 | 𖦜 | 𖦜 | 𖦜 | tɯəʔ | 𖧔 | nʒe | |||||
A | B | C | D | E | Interpretation | A | B | C | D | E | Interpretation |
Phase | Interpretation | Phase | Interpretation | |||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A | B | C | D | E | F | G | A | B | C | D | E | F | G | |||
𖧕 | 𖧕 | 𖧕 | 𖧕 | 𖧕 | 𖧇 | ꚠ | a | 𖧪 | 𖧪 | 𖧪 | 𖧪 | 𖧪 | 𖨡 | ꛉ | wü | |
ꚠ꛰ | ꚠ꛰ | a | 𖨡꛰ | ꛉ꛰ | üʔ | |||||||||||
𖨃 | 𖨃 | 𖨃 | 𖨃 | 𖨃 | 𖨃 | ꚡ | ka | 𖥚 | 𖥚 | 𖥚 | 𖥚 | 𖨢 | 𖨢 | ꛊ | pe | |
𖡐 | 𖨃꛰ | ꚡ꛰ | kaʔ | 𖨢꛰ | ꛊ꛰ | peʔ | ||||||||||
𖨄 | 𖨄 | 𖨄 | 𖨄 | 𖨄 | 𖨄 | ꚢ | u | 𖧫 | 𖧫 | 𖧫 | 𖧫 | 𖧫 | 𖦓 | ꛋ | fe | |
𖨄꛰ | ꚢ꛰ | wuʔ | 𖡒 | 𖧬 | 𖧬 | 𖧬 | 𖧬 | ve | ||||||||
𖥉 | 𖥉 | 𖥉 | 𖥉 | 𖨅 | 𖨅 | ꚣ | ku | 𖦓꛰ | ꛋ꛰ | feʔ | ||||||
𖨅꛰ | ꚣ꛰ | kuʔ | ||||||||||||||
𖨆 | 𖨆 | 𖨆 | 𖨆 | 𖨆 | 𖨆 | ꚤ | e | 𖨣 | 𖨣 | 𖨣 | 𖨣 | 𖨣 | 𖨣 | ꛌ | ru | |
𖨆꛰ | ꚤ꛰ | eʔ | 𖨣꛰ | ꛌ꛰ | ruʔ | |||||||||||
𖨇 | 𖨇 | 𖨇 | 𖨇 | 𖨇 | ꚥ | re | 𖡓 | 𖧭 | 𖧭 | 𖧭 | 𖧭 | 𖧂? | ꛍ | lu | ||
𖥊 | 𖥊 | 𖥊 | 𖥊 | 𖨇꛰ | ꚥ꛰ | rɛn | ꛍ꛰ | ꛍ꛰ | luʔ | |||||||
𖥋 | 𖥋 | 𖥋 | 𖥋 | 𖨈 | ꚦ | tə | 𖧮 | 𖧮 | 𖧮 | 𖧮 | 𖧮 | ꛎ | ꛎ | mi | ||
𖥌 | 𖥌 | 𖥌 | 𖥌 | 𖧖 | 𖨈꛰ | ꚦ꛰ | tɔʔ | ꛎ꛰ | ꛎ꛰ | miʔ | ||||||
𖧗 | 𖧗 | 𖧗 | 𖧗 | 𖧗 | 𖦑 | ꚧ | ɔ | 𖥛 | 𖥛 | 𖥛 | 𖥛 | 𖨤 | 𖨤 | ꛏ | n'i | |
𖦑꛰ | ꚧ꛰ | ɔʔ | 𖡔 | 𖨤꛰ | ꛏ꛰ | nɛn | ||||||||||
𖥍 | 𖥍 | 𖥍 | 𖥍 | 𖧀 | 𖨉 | ꚨ | nyi | 𖧯 | 𖧯 | 𖧯 | 𖧯 | 𖧯 | 𖨥 | ꛐ | rɯx | |
𖨉꛰ | ꚨ꛰ | nye | 𖨥꛰ | ꛐ꛰ | rɯʔ | |||||||||||
𖧘 | 𖧘 | 𖧘 | 𖧘 | 𖧘 | 𖥦 | ꚩ | i | 𖧰 | 𖧰 | 𖧰 | 𖧰 | 𖧰 | 𖥱 | ꛑ | rə | |
𖥦꛰ | ꚩ꛰ | iʔ | 𖥱꛰ | ꛑ꛰ | rɔ | |||||||||||
𖨊 | ꚪ | la | 𖣩 | 𖣩 | 𖣩 | 𖨦 | 𖨦 | 𖨦 | ꛒ | kɛn | ||||||
𖧙 | 𖧙 | 𖧙 | 𖧙 | 𖧙 | 𖨊꛰ | ꚪ꛰ | laʔ | 𖣪 | 𖣪 | 𖣪 | 𖨦꛰ | ꛒ꛰ | kɛn (with high tone) | |||
𖧚 | 𖧚 | 𖧚 | 𖧚 | 𖧚 | 𖥯 | ꚫ | pa | 𖨧 | 𖨧 | 𖨧 | 𖨧 | ꛓ | ŋkwən | |||
𖥯꛰ | ꚫ꛰ | paʔ | 𖧱 | 𖧱 | 𖧱 | 𖧱 | 𖧱 | 𖨧꛰ | ꛓ꛰ | ŋuət | ||||||
𖥎 | 𖥎 | 𖥎 | 𖥎 | 𖨋 | 𖨋 | ꚬ | rii | 𖨨 | 𖨨 | 𖨨 | 𖨨 | 𖨨 | 𖨨 | ꛔ | ŋga | |
𖨋꛰ | ꚬ꛰ | riʔ | 𖨨꛰ | ꛔ꛰ | ŋgaʔ | |||||||||||
𖨌 | 𖨌 | 𖨌 | 𖨌 | 𖨌 | 𖨌 | ꚭ | rie | 𖧲 | 𖧲 | 𖧲 | 𖧲 | 𖧲 | 𖥮 | ꛕ | ŋa | |
𖨌꛰ | ꚭ꛰ | z | 𖣫 | 𖣫 | 𖣫 | 𖥮꛰ | ꛕ꛰ | ŋaʔ | ||||||||
𖥏 | 𖥏 | 𖥏 | 𖥏 | 𖤰 | 𖤰 | ꚮ | lee | 𖧳 | 𖧳 | 𖧳 | 𖨩 | ꛖ | ʃɔ | |||
𖤰꛰ | ꚮ꛰ | leʔ | 𖥜 | 𖥜 | 𖥜 | 𖥜 | 𖧴 | 𖨩꛰ | ꛖ꛰ | ʃɔʔ | ||||||
𖥐 | 𖥐 | 𖥐 | 𖥐 | 𖨍 | 𖨍 | ꚯ | mee | 𖨪 | 𖨪 | 𖨪 | 𖨪 | 𖨪 | 𖨪 | ꛗ | puə | |
𖥐 | 𖨍꛰ | ꚯ꛰ | meʔ | 𖥝 | 𖥝 | 𖥝 | 𖥝 | 𖦠 | 𖨪꛰ | ꛗ꛰ | puʔ | |||||
𖧛 | 𖧛 | 𖧛 | 𖧛 | 𖧛 | 𖨎 | ꚰ | taa | 𖧵 | 𖧵 | 𖧵 | 𖧵 | 𖧵 | 𖧒 | ꛘ | fu | |
𖧜 | 𖧜 | 𖧜 | 𖧜 | 𖧜 | 𖨎꛰ | ꚰ꛰ | taʔ | 𖧒꛰ | ꛘ꛰ | fuʔ | ||||||
𖧝 | 𖧝 | 𖧝 | 𖧝 | 𖧝 | 𖨏 | ꚱ | ndaa | 𖨫 | 𖨫 | ꛙ | fɔm | |||||
𖨏꛰ | ꚱ꛰ | ndaʔ | 𖥞 | 𖥞 | 𖥞 | 𖥞 | 𖨫꛰ | ꛙ꛰ | mvɔp | |||||||
𖨐 | 𖨐 | 𖨐 | 𖨐 | 𖨐 | 𖨐 | ꚲ | nʒəm | 𖨬 | 𖨬 | 𖨬 | 𖨬 | 𖨬 | ꛚ | wa | ||
𖨐꛰ | ꚲ꛰ | yəm | 𖨬꛰ | ꛚ꛰ | waʔ | |||||||||||
𖥑 | 𖥑 | 𖥑 | 𖥑 | 𖨑 | 𖨑 | ꚳ | m | 𖧶 | 𖧶 | 𖧶 | 𖧶 | 𖧶 | 𖥭 | ꛛ | na | |
𖨑 | ꚳ꛰ | n | 𖡕 | 𖣬 | 𖣬 | ꛛ꛰ | ꛛ꛰ | naʔ | ||||||||
𖥒 | 𖥒 | 𖥒 | 𖥒 | 𖨒 | 𖨒 | ꚴ | suu | 𖨭 | 𖨭 | 𖨭 | 𖨭 | 𖨭 | 𖨭 | ꛜ | li | |
𖨒꛰ | ꚴ꛰ | suʔ | 𖣭 | 𖣭 | 𖣭 | 𖨭꛰ | ꛜ꛰ | liʔ | ||||||||
𖥓 | 𖥓 | 𖥓 | 𖥓 | 𖤱 | 𖤱 | ꚵ | mu | 𖧷 | 𖧷 | 𖧷 | 𖧷 | 𖧷 | 𖧡 | ꛝ | pi | |
𖤱꛰ | ꚵ꛰ | muʔ | 𖣮 | 𖣮 | 𖣮 | 𖧡꛰ | ꛝ꛰ | pin | ||||||||
𖥔 | 𖥔 | 𖥔 | 𖥔 | 𖨓 | 𖨓 | ꚶ | ʃii | 𖥟 | 𖥟 | 𖥟 | 𖥟 | 𖨮 | 𖨮 | ꛞ | lɔʔ | |
𖣨 | 𖣨 | 𖣨 | 𖧞 | 𖧞 | 𖨓꛰ | ꚶ꛰ | ʃiʔ | 𖧸 | 𖧸 | 𖧸 | 𖧸 | 𖧸 | 𖨮꛰ | ꛞ꛰ | lɔʔ | |
𖨔 | 𖨔 | 𖨔 | 𖨔 | 𖨔 | 𖨔 | ꚷ | si | 𖧹 | 𖧹 | 𖧹 | 𖧹 | 𖨯 | ꛟ | kɔ | ||
𖨔꛰ | ꚷ꛰ | siʔ | 𖨯꛰ | ꛟ꛰ | kɔʔ | |||||||||||
𖥕 | 𖥕 | 𖥕 | 𖥕 | 𖧁 | ꚸ | ʃɯx | 𖨰 | 𖨰 | 𖨰 | 𖨰 | 𖨰 | 𖨰 | ꛠ | mbɛn | ||
𖧟 | 𖧟 | 𖧟 | 𖧟 | 𖧟 | ꚸ꛰ | ꚸ꛰ | yɯx | 𖣯 | 𖣯 | 𖣗 | 𖨰꛰ | ꛠ꛰ | pɛn | |||
𖨕 | 𖨕 | 𖨕 | 𖨕 | 𖨕 | 𖨕 | ꚹ | sɯx | 𖥠 | 𖥠 | 𖥠 | 𖥠 | 𖨱 | 𖨱 | ꛡ | rɛn | |
𖨕꛰ | ꚹ꛰ | sɯʔ | 𖨱꛰ | ꛡ꛰ | rɛn | |||||||||||
𖥖 | 𖥖 | 𖥖 | 𖥖 | 𖨖 | 𖨖 | ꚺ | kye | 𖧺 | 𖧺 | 𖧺 | 𖧺 | 𖧺 | 𖥩 | ꛢ | mɛn | |
𖨖꛰ | ꚺ꛰ | kyeʔ | 𖥩꛰ | ꛢ꛰ | mɛn | |||||||||||
𖨗 | 𖨗 | 𖨗 | 𖨗 | 𖨗 | 𖨗 | ꚻ | kɛt | 𖢌 | 𖧻 | 𖧻 | 𖧻 | 𖨲 | ꛣ | ma | ||
𖨗꛰ | ꚻ꛰ | keʔ | 𖧼 | 𖧼 | 𖧼 | 𖧼 | 𖧼 | 𖨲꛰ | ꛣ꛰ | maʔ | ||||||
𖨘 | 𖨘 | 𖨘 | 𖨘 | 𖨘 | 𖨘 | ꚼ | nuə | 𖥡 | 𖥡 | 𖥡 | 𖥡 | 𖣻 | 𖣻 | ꛤ | ti | |
𖧠 | 𖧠 | 𖧠 | 𖧠 | 𖧠 | 𖨘꛰ | ꚼ꛰ | ŋuə | 𖧽 | 𖧽 | 𖧽 | 𖧽 | 𖧽 | 𖣻꛰ | ꛤ꛰ | tɯ | |
𖥗 | 𖥗 | 𖥗 | 𖨙 | 𖨙 | ꚽ | nu | 𖧾 | 𖧾 | 𖧾 | 𖧾 | 𖧾 | ꛥ | ꛥ | ki | ||
𖨙 | ꚽ꛰ | nuʔ | 𖢍 | 𖢍 | ꛥ꛰ | ꛥ꛰ | kiʔ | |||||||||
𖨚 | 𖨚 | 𖨚 | 𖨚 | 𖨚 | 𖨚 | ꚾ | nʒuə | 𖨳 | 𖨳 | 𖨳 | 𖨳 | 𖨳 | 𖨳 | ꛦ | mɔ | |
𖧡 | 𖧡 | 𖧡 | 𖧡 | 𖧡 | 𖨚꛰ | ꚾ꛰ | yuən | 𖧿 | 𖧿 | 𖧿 | 𖨳꛰ | ꛦ꛰ | mɔn | |||
𖧢 | 𖧢 | 𖧢 | 𖧢 | 𖨛 | ꚿ | yɔʔ ("swimming") | 𖨴 | 𖨴 | 𖨴 | 𖨴 | 𖨴 | 𖨴 | ꛧ | mbaa | ||
𖧣 | 𖧣 | 𖧣 | 𖧣 | 𖧣 | 𖨛꛰ | ꚿ꛰ | yɔʔ ("cover") | 𖡖 | 𖨴꛰ | ꛧ꛰ | mbaʔ | |||||
𖥘 | 𖥘 | 𖥘 | 𖥘 | 𖨜 | 𖨜 | ꛀ | ʃu | 𖨵 | 𖨵 | 𖨵 | 𖨵 | 𖨵 | 𖨵 | ꛨ | tɛt | |
𖨜꛰ | ꛀ꛰ | ʃuʔ | 𖣰 | 𖣰 | 𖨵꛰ | ꛨ꛰ | tɛt (with high tone) | |||||||||
𖧤 | 𖧤 | 𖧤 | 𖧤 | 𖧤 | ꛁ | ꛁ | yuʔ | 𖨶 | 𖨶 | 𖨶 | 𖨶 | 𖨶 | 𖨶 | ꛩ | kpa | |
𖧥 | 𖧥 | 𖧥 | 𖧥 | 𖧥 | ꛁ꛰ | ꛁ꛰ | yun | 𖨶꛰ | ꛩ꛰ | ŋma | ||||||
𖨝 | 𖨝 | 𖨝 | 𖨝 | 𖨝 | 𖨝 | ꛂ | ya | 𖨀 | 𖨀 | 𖨀 | 𖨀 | 𖨀 | 𖦨 | ꛪ | tɛn | |
𖨝꛰ | ꛂ꛰ | yaʔ | 𖦨꛰ | ꛪ꛰ | tɛn | |||||||||||
𖡑 | 𖨞 | 𖨞 | 𖨞 | 𖨞 | 𖨞 | ꛃ | nʃa | 𖥢 | 𖥢 | 𖥢 | 𖥢 | 𖥣 | 𖥣 | ꛫ | ntuu | |
𖨞꛰ | ꛃ꛰ | ʃaʔ | 𖥣꛰ | ꛫ꛰ | tuʔ | |||||||||||
𖧦 | 𖧦 | 𖧦 | 𖧦 | 𖧳 | ꛄ | kɯx | 𖦅𖥣 | 𖦅𖥣 | 𖦅𖥣 | 𖦅𖥣 | 𖨷 | 𖨷 | ꛬ | samba | ||
𖧳꛰ | ꛄ꛰ | ɣɯ | 𖥤 | 𖥤 | 𖥤 | 𖥤 | 𖨷꛰ | ꛬ꛰ | saʔ | |||||||
𖧧 | 𖧧 | 𖧧 | 𖧧 | 𖧧 | 𖨟 | ꛅ | pɯx | 𖥥𖦸 | 𖥥𖦸 | 𖥥𖦸 | 𖥥𖦸 | ꛭ | 𖤩 | ꛭ | faamə | |
𖨟꛰ | ꛅ꛰ | pɯʔ | 𖨁 | 𖨁 | 𖨁 | 𖨁 | 𖨁 | 𖤩꛰ | ꛭ꛰ | faʔ | ||||||
𖧨 | 𖧨 | 𖧨 | 𖧨 | 𖧨 | 𖧔 | ꛆ | nʒe | 𖧹𖨸 | 𖧹𖨸 | 𖧹𖨸 | 𖧹𖨸 | 𖨸 | 𖨸 | ꛮ | kɔvü | |
𖧔꛰ | ꛆ꛰ | nʒeʔ | 𖨸꛰ | ꛮ꛰ | fü | |||||||||||
𖥙 | 𖥙 | 𖥙 | 𖥙 | 𖨠 | 𖨠 | ꛇ | nte | 𖧹𖨂 | 𖧹𖨂 | 𖧹𖨂 | 𖧹𖨂 | 𖨂 | 𖧾 | ꛯ | ɣɔm | |
𖨠꛰ | ꛇ꛰ | teʔ | 𖢎 | 𖢎 | 𖧾꛰ | ꛯ꛰ | ŋgɔm | |||||||||
𖧩 | 𖧩 | 𖧩 | 𖧩 | 𖧩 | 𖥰 | ꛈ | pü | |||||||||
𖥰꛰ | ꛈ꛰ | püʔ | ||||||||||||||
A | B | C | D | E | F | G | Interpretation | A | B | C | D | E | F | G | Interpretation |
Bamum's 88 characters were added to the Unicode standard in October, 2009 with the release of version 5.2. Bamum Unicode character names are based on the International Phonetic Alphabet forms given in L’écriture des Bamum (1950) by Idelette Dugast and M.D.W. Jeffreys: [7]
Usage | Letters | |||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Dugast & Jeffreys | a | b | d | ɛ | e | ǝ | f | ɣ | g | i | k | l | m | n | ŋ | ɔ |
Unicode name | A | B | D | EE | EA | E | F | GH | G | I | K | L | M | N | NG | O |
French | a | b | d | è | é | e | f | gh | g | i | k | l | m | n | ng | o |
Dugast & Jeffreys | p | r | s | ʃ | t | u | ü | ɯ | v | w | x | y | z | ʒ | ʔ | |
Unicode name | P | R | S | SH | T | U | UE | EU | V | W | X | Y | Z | J | Q | |
French | p | r | s | sh | t | u | ü | ù | v | w | x | y | z | j | ’ |
The Unicode block for Bamum is U+A6A0–U+A6FF:
Bamum [1] [2] Official Unicode Consortium code chart (PDF) | ||||||||||||||||
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | |
U+A6Ax | ꚠ | ꚡ | ꚢ | ꚣ | ꚤ | ꚥ | ꚦ | ꚧ | ꚨ | ꚩ | ꚪ | ꚫ | ꚬ | ꚭ | ꚮ | ꚯ |
U+A6Bx | ꚰ | ꚱ | ꚲ | ꚳ | ꚴ | ꚵ | ꚶ | ꚷ | ꚸ | ꚹ | ꚺ | ꚻ | ꚼ | ꚽ | ꚾ | ꚿ |
U+A6Cx | ꛀ | ꛁ | ꛂ | ꛃ | ꛄ | ꛅ | ꛆ | ꛇ | ꛈ | ꛉ | ꛊ | ꛋ | ꛌ | ꛍ | ꛎ | ꛏ |
U+A6Dx | ꛐ | ꛑ | ꛒ | ꛓ | ꛔ | ꛕ | ꛖ | ꛗ | ꛘ | ꛙ | ꛚ | ꛛ | ꛜ | ꛝ | ꛞ | ꛟ |
U+A6Ex | ꛠ | ꛡ | ꛢ | ꛣ | ꛤ | ꛥ | ꛦ | ꛧ | ꛨ | ꛩ | ꛪ | ꛫ | ꛬ | ꛭ | ꛮ | ꛯ |
U+A6Fx | ꛰ | ꛱ | ꛲ | ꛳ | ꛴ | ꛵ | ꛶ | ꛷ | ||||||||
Notes |
Historical stages of Bamum script were added to Unicode in October, 2010 with the release of version 6.0. These are encoded in the Bamum Supplement block as U+16800–U+16A3F. The various stages of script development are dubbed "Phase-A" to "Phase-E". The character names note the last phase in which they appear. For example, U+168EE𖣮BAMUM LETTER PHASE-C PIN is attested through Phase C but not in Phase D.
Bamum Supplement [1] [2] Official Unicode Consortium code chart (PDF) | ||||||||||||||||
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | |
U+1680x | 𖠀 | 𖠁 | 𖠂 | 𖠃 | 𖠄 | 𖠅 | 𖠆 | 𖠇 | 𖠈 | 𖠉 | 𖠊 | 𖠋 | 𖠌 | 𖠍 | 𖠎 | 𖠏 |
U+1681x | 𖠐 | 𖠑 | 𖠒 | 𖠓 | 𖠔 | 𖠕 | 𖠖 | 𖠗 | 𖠘 | 𖠙 | 𖠚 | 𖠛 | 𖠜 | 𖠝 | 𖠞 | 𖠟 |
U+1682x | 𖠠 | 𖠡 | 𖠢 | 𖠣 | 𖠤 | 𖠥 | 𖠦 | 𖠧 | 𖠨 | 𖠩 | 𖠪 | 𖠫 | 𖠬 | 𖠭 | 𖠮 | 𖠯 |
U+1683x | 𖠰 | 𖠱 | 𖠲 | 𖠳 | 𖠴 | 𖠵 | 𖠶 | 𖠷 | 𖠸 | 𖠹 | 𖠺 | 𖠻 | 𖠼 | 𖠽 | 𖠾 | 𖠿 |
U+1684x | 𖡀 | 𖡁 | 𖡂 | 𖡃 | 𖡄 | 𖡅 | 𖡆 | 𖡇 | 𖡈 | 𖡉 | 𖡊 | 𖡋 | 𖡌 | 𖡍 | 𖡎 | 𖡏 |
U+1685x | 𖡐 | 𖡑 | 𖡒 | 𖡓 | 𖡔 | 𖡕 | 𖡖 | 𖡗 | 𖡘 | 𖡙 | 𖡚 | 𖡛 | 𖡜 | 𖡝 | 𖡞 | 𖡟 |
U+1686x | 𖡠 | 𖡡 | 𖡢 | 𖡣 | 𖡤 | 𖡥 | 𖡦 | 𖡧 | 𖡨 | 𖡩 | 𖡪 | 𖡫 | 𖡬 | 𖡭 | 𖡮 | 𖡯 |
U+1687x | 𖡰 | 𖡱 | 𖡲 | 𖡳 | 𖡴 | 𖡵 | 𖡶 | 𖡷 | 𖡸 | 𖡹 | 𖡺 | 𖡻 | 𖡼 | 𖡽 | 𖡾 | 𖡿 |
U+1688x | 𖢀 | 𖢁 | 𖢂 | 𖢃 | 𖢄 | 𖢅 | 𖢆 | 𖢇 | 𖢈 | 𖢉 | 𖢊 | 𖢋 | 𖢌 | 𖢍 | 𖢎 | 𖢏 |
U+1689x | 𖢐 | 𖢑 | 𖢒 | 𖢓 | 𖢔 | 𖢕 | 𖢖 | 𖢗 | 𖢘 | 𖢙 | 𖢚 | 𖢛 | 𖢜 | 𖢝 | 𖢞 | 𖢟 |
U+168Ax | 𖢠 | 𖢡 | 𖢢 | 𖢣 | 𖢤 | 𖢥 | 𖢦 | 𖢧 | 𖢨 | 𖢩 | 𖢪 | 𖢫 | 𖢬 | 𖢭 | 𖢮 | 𖢯 |
U+168Bx | 𖢰 | 𖢱 | 𖢲 | 𖢳 | 𖢴 | 𖢵 | 𖢶 | 𖢷 | 𖢸 | 𖢹 | 𖢺 | 𖢻 | 𖢼 | 𖢽 | 𖢾 | 𖢿 |
U+168Cx | 𖣀 | 𖣁 | 𖣂 | 𖣃 | 𖣄 | 𖣅 | 𖣆 | 𖣇 | 𖣈 | 𖣉 | 𖣊 | 𖣋 | 𖣌 | 𖣍 | 𖣎 | 𖣏 |
U+168Dx | 𖣐 | 𖣑 | 𖣒 | 𖣓 | 𖣔 | 𖣕 | 𖣖 | 𖣗 | 𖣘 | 𖣙 | 𖣚 | 𖣛 | 𖣜 | 𖣝 | 𖣞 | 𖣟 |
U+168Ex | 𖣠 | 𖣡 | 𖣢 | 𖣣 | 𖣤 | 𖣥 | 𖣦 | 𖣧 | 𖣨 | 𖣩 | 𖣪 | 𖣫 | 𖣬 | 𖣭 | 𖣮 | 𖣯 |
U+168Fx | 𖣰 | 𖣱 | 𖣲 | 𖣳 | 𖣴 | 𖣵 | 𖣶 | 𖣷 | 𖣸 | 𖣹 | 𖣺 | 𖣻 | 𖣼 | 𖣽 | 𖣾 | 𖣿 |
U+1690x | 𖤀 | 𖤁 | 𖤂 | 𖤃 | 𖤄 | 𖤅 | 𖤆 | 𖤇 | 𖤈 | 𖤉 | 𖤊 | 𖤋 | 𖤌 | 𖤍 | 𖤎 | 𖤏 |
U+1691x | 𖤐 | 𖤑 | 𖤒 | 𖤓 | 𖤔 | 𖤕 | 𖤖 | 𖤗 | 𖤘 | 𖤙 | 𖤚 | 𖤛 | 𖤜 | 𖤝 | 𖤞 | 𖤟 |
U+1692x | 𖤠 | 𖤡 | 𖤢 | 𖤣 | 𖤤 | 𖤥 | 𖤦 | 𖤧 | 𖤨 | 𖤩 | 𖤪 | 𖤫 | 𖤬 | 𖤭 | 𖤮 | 𖤯 |
U+1693x | 𖤰 | 𖤱 | 𖤲 | 𖤳 | 𖤴 | 𖤵 | 𖤶 | 𖤷 | 𖤸 | 𖤹 | 𖤺 | 𖤻 | 𖤼 | 𖤽 | 𖤾 | 𖤿 |
U+1694x | 𖥀 | 𖥁 | 𖥂 | 𖥃 | 𖥄 | 𖥅 | 𖥆 | 𖥇 | 𖥈 | 𖥉 | 𖥊 | 𖥋 | 𖥌 | 𖥍 | 𖥎 | 𖥏 |
U+1695x | 𖥐 | 𖥑 | 𖥒 | 𖥓 | 𖥔 | 𖥕 | 𖥖 | 𖥗 | 𖥘 | 𖥙 | 𖥚 | 𖥛 | 𖥜 | 𖥝 | 𖥞 | 𖥟 |
U+1696x | 𖥠 | 𖥡 | 𖥢 | 𖥣 | 𖥤 | 𖥥 | 𖥦 | 𖥧 | 𖥨 | 𖥩 | 𖥪 | 𖥫 | 𖥬 | 𖥭 | 𖥮 | 𖥯 |
U+1697x | 𖥰 | 𖥱 | 𖥲 | 𖥳 | 𖥴 | 𖥵 | 𖥶 | 𖥷 | 𖥸 | 𖥹 | 𖥺 | 𖥻 | 𖥼 | 𖥽 | 𖥾 | 𖥿 |
U+1698x | 𖦀 | 𖦁 | 𖦂 | 𖦃 | 𖦄 | 𖦅 | 𖦆 | 𖦇 | 𖦈 | 𖦉 | 𖦊 | 𖦋 | 𖦌 | 𖦍 | 𖦎 | 𖦏 |
U+1699x | 𖦐 | 𖦑 | 𖦒 | 𖦓 | 𖦔 | 𖦕 | 𖦖 | 𖦗 | 𖦘 | 𖦙 | 𖦚 | 𖦛 | 𖦜 | 𖦝 | 𖦞 | 𖦟 |
U+169Ax | 𖦠 | 𖦡 | 𖦢 | 𖦣 | 𖦤 | 𖦥 | 𖦦 | 𖦧 | 𖦨 | 𖦩 | 𖦪 | 𖦫 | 𖦬 | 𖦭 | 𖦮 | 𖦯 |
U+169Bx | 𖦰 | 𖦱 | 𖦲 | 𖦳 | 𖦴 | 𖦵 | 𖦶 | 𖦷 | 𖦸 | 𖦹 | 𖦺 | 𖦻 | 𖦼 | 𖦽 | 𖦾 | 𖦿 |
U+169Cx | 𖧀 | 𖧁 | 𖧂 | 𖧃 | 𖧄 | 𖧅 | 𖧆 | 𖧇 | 𖧈 | 𖧉 | 𖧊 | 𖧋 | 𖧌 | 𖧍 | 𖧎 | 𖧏 |
U+169Dx | 𖧐 | 𖧑 | 𖧒 | 𖧓 | 𖧔 | 𖧕 | 𖧖 | 𖧗 | 𖧘 | 𖧙 | 𖧚 | 𖧛 | 𖧜 | 𖧝 | 𖧞 | 𖧟 |
U+169Ex | 𖧠 | 𖧡 | 𖧢 | 𖧣 | 𖧤 | 𖧥 | 𖧦 | 𖧧 | 𖧨 | 𖧩 | 𖧪 | 𖧫 | 𖧬 | 𖧭 | 𖧮 | 𖧯 |
U+169Fx | 𖧰 | 𖧱 | 𖧲 | 𖧳 | 𖧴 | 𖧵 | 𖧶 | 𖧷 | 𖧸 | 𖧹 | 𖧺 | 𖧻 | 𖧼 | 𖧽 | 𖧾 | 𖧿 |
U+16A0x | 𖨀 | 𖨁 | 𖨂 | 𖨃 | 𖨄 | 𖨅 | 𖨆 | 𖨇 | 𖨈 | 𖨉 | 𖨊 | 𖨋 | 𖨌 | 𖨍 | 𖨎 | 𖨏 |
U+16A1x | 𖨐 | 𖨑 | 𖨒 | 𖨓 | 𖨔 | 𖨕 | 𖨖 | 𖨗 | 𖨘 | 𖨙 | 𖨚 | 𖨛 | 𖨜 | 𖨝 | 𖨞 | 𖨟 |
U+16A2x | 𖨠 | 𖨡 | 𖨢 | 𖨣 | 𖨤 | 𖨥 | 𖨦 | 𖨧 | 𖨨 | 𖨩 | 𖨪 | 𖨫 | 𖨬 | 𖨭 | 𖨮 | 𖨯 |
U+16A3x | 𖨰 | 𖨱 | 𖨲 | 𖨳 | 𖨴 | 𖨵 | 𖨶 | 𖨷 | 𖨸 | |||||||
Notes |
The Bamum Scripts and Archives Project at the Bamum Palace is engaged in a variety of initiatives concerning the Bamum script, including collecting and photographing threatened documents, translating and in some cases hand-copying documents, creating a fully usable Bamum computer font for the inventory of documents, and creating a safe environment for the preservation and storage of documents.
In 2006, the Bamum Scripts and Archives Project embarked on a project to create the first usable Bamum computer font. In order to do this, the Project examined hundreds of important documents transcribed in the current and most widely employed variant of the Bamum script: A-ka-u-ku (after its first four characters). The goal of the project team was to identify the most prominent forms of the various Bamum characters, as there have been many different styles employed by literates over the years. In particular, the Project examined documents in the script known to have been written by the three most famous Bamum script literates: King Njoya and his colleagues, Nji Mama and Njoya Ibrahimou (younger brother of Nji Mama, also a well known Bamum artist).
An abugida – sometimes also called alphasyllabary, neosyllabary, or pseudo-alphabet – is a segmental writing system in which consonant–vowel sequences are written as units; each unit is based on a consonant letter, and vowel notation is secondary, similar to a diacritical mark. This contrasts with a full alphabet, in which vowels have status equal to consonants, and with an abjad, in which vowel marking is absent, partial, or optional – in less formal contexts, all three types of the script may be termed "alphabets". The terms also contrast them with a syllabary, in which a single symbol denotes the combination of one consonant and one vowel.
A diacritic is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek διακριτικός, from διακρίνω. The word diacritic is a noun, though it is sometimes used in an attributive sense, whereas diacritical is only an adjective. Some diacritics, such as the acute ⟨ó⟩, grave ⟨ò⟩, and circumflex ⟨ô⟩, are often called accents. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters.
In the linguistic study of written languages, a syllabary is a set of written symbols that represent the syllables or moras which make up words.
The circumflex is a diacritic in the Latin and Greek scripts that is also used in the written forms of many languages and in various romanization and transcription schemes. It received its English name from Latin: circumflexus "bent around"—a translation of the Greek: περισπωμένη.
The Burmese alphabet is an abugida used for writing Burmese. It is ultimately adapted from a Brahmic script, either the Kadamba or Pallava alphabet of South India. The Burmese alphabet is also used for the liturgical languages of Pali and Sanskrit. In recent decades, other, related alphabets, such as Shan and modern Mon, have been restructured according to the standard of the Burmese alphabet
The Soyombo script is an abugida developed by the monk and scholar Zanabazar in 1686 to write Mongolian. It can also be used to write Tibetan and Sanskrit.
Telugu script, an abugida from the Brahmic family of scripts, is used to write the Telugu language, a Dravidian language spoken in the Indian states of Andhra Pradesh and Telangana as well as several other neighbouring states. It is one of the official scripts of the Indian Republic. The Telugu script is also widely used for writing Sanskrit texts and to some extent the Gondi language. It gained prominence during the Eastern Chalukyas also known as Vengi Chalukya era. It shares extensive similarities with the Kannada script, as both of them evolved from the Bhattiprolu and Kadamba scripts of the Brahmi family.
The Cherokee syllabary is a syllabary invented by Sequoyah in the late 1810s and early 1820s to write the Cherokee language. His creation of the syllabary is particularly noteworthy as he was illiterate until its creation. He first experimented with logograms, but his system later developed into the syllabary. In his system, each symbol represents a syllable rather than a single phoneme; the 85 characters provide a suitable method for writing Cherokee. The letters resemble characters from other scripts, such as Latin, Greek, Cyrillic, and Glagolitic, however, these are not used to represent the same sounds.
Canadian syllabic writing, or simply syllabics, is a family of writing systems used in a number of indigenous Canadian languages of the Algonquian, Inuit, and (formerly) Athabaskan language families. These languages had no formal writing system previously. They are valued for their distinctiveness from the Latin script and for the ease with which literacy can be achieved. For instance, by the late 19th century the Cree had achieved what may have been one of the highest rates of literacy in the world. Syllabics are an abugida, where glyphs represent consonant–vowel pairs, determined by the rotation of the glyphs. They derive from the work of linguist and missionary James Evans.
The Yi scripts are two scripts used to write the Yi languages; Classical Yi, and the later Yi syllabary. The script is historically known in Chinese as Cuan Wen or Wei Shu and various other names (夷字、倮語、倮倮文、畢摩文), among them "tadpole writing" (蝌蚪文).
Japanese Braille is the braille script of the Japanese language. It is based on the original braille script, though the connection is tenuous. In Japanese it is known as tenji (点字), literally "dot characters". It transcribes Japanese more or less as it would be written in the hiragana or katakana syllabaries, without any provision for writing kanji.
Mandombe or Mandombé is a script proposed in 1978 in Mbanza-Ngungu in the Bas-Congo province of the Democratic Republic of the Congo by Wabeladio Payi, who related that it was revealed to him in a dream by Simon Kimbangu, the prophet of the Kimbanguist Church. Mandombe is based on the sacred shapes and , and intended for writing African languages such as Kikongo, as well as the four national languages of the Congo, Kikongo ya leta, Lingala, Tshiluba and Swahili, though it does not have enough vowels to write Lingala fully. It is taught in Kimbanguist church schools in Angola, the Republic of the Congo, and the Democratic Republic of the Congo. It is also promoted by the Kimbanguist Centre de l’Écriture Négro-Africaine (CENA). The Mandombe Academy at CENA is currently working on transcribing other African languages in the script. It has been classified as the third most viable indigenous script of recent indigenous west African scripts, behind only the Vai syllabary and the N'Ko alphabet.
Standard Sundanese script is a writing system which is used by the Sundanese people. It is built based on Old Sundanese script which was used from the 14th to the 18th centuries.
Yi Syllables is a Unicode block containing the 1,165 characters of the Liangshan Standard Yi script for writing the Nuosu language.
A semi-syllabary is a writing system that behaves partly as an alphabet and partly as a syllabary. The main group of semi-syllabic writing are the Paleohispanic scripts of ancient Spain, a group of semi-syllabaries that transform redundant plosive consonants of the Phoenician alphabet into syllabograms.
Sultan Ibrahim Njoyac. 1860 – c. 1933 in Yaoundé, was seventeenth in a long dynasty of kings that ruled over Bamum and its people in western Cameroon dating back to the fourteenth century. He succeeded his father Nsangu, and ruled from 1886 or 1887 until his death in 1933, when he was succeeded by his son, Seidou Njimoluh Njoya. He ruled from the ancient walled city of Fumban.
The Woleai or Caroline Island script, thought to have been a syllabary, was a partially Latin-based script indigenous to Woleai Atoll and nearby islands of Micronesia and used to write the Woleaian language until the mid-20th century. At the time the script was first noticed by Europeans, this part of Micronesia was known as the Caroline Islands, hence the name Caroline Island script.
Pahawh Hmong is an indigenous semi-syllabic script, invented in 1959 by Shong Lue Yang, to write two Hmong languages, Hmong Daw (Hmoob Dawb White Miao) and Hmong Njua AKA Hmong Leng (Moob Leeg Green Miao).
Inuktitut Braille is a proposed braille alphabet of the Inuktitut language based on Inuktitut syllabics. Unlike syllabics, it is a true alphabet, with separate letters for consonants and vowels, though vowels are written before the consonants they follow in speech. It was published in 2012 by Tamara Kearney, Manager of Braille Research and Development at the Commonwealth Braille and Talking Book Cooperative. The book ᐃᓕᐊᕐᔪᒃ ᓇᓄᕐᓗ The Orphan and the Polar Bear was the first work transliterated into Inuktitut Braille.
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