Balidan

Alam Ara is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a fakir tells the king that the former wife will give birth to a boy, later named Qamar, but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the senapati Adil, leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida).

Fatma Begum (1892–1983) was an Indian actress, director, producer and screenwriter. She was the first female film director of Indian cinema. Within four years, she went on to write, produce and direct many films. She launched her own production house, Fatma Films, which later became Victoria-Fatma Films, and directed her first film, Bulbul-e-Paristan, in 1926.

Ruby Myers, better known by her stage name Sulochana, was an Indian silent film actress of Jewish ancestry, from the community of Baghdadi Jews in India.

Zubeida Begum Dhanrajgir was an Indian actress. Early in her career, she starred in a number of silent films, which were followed by a breakthrough in the first Indian talkie Alam Ara (1931). Her other notable works include Sagar Movietone's Meri Jaan (1931) and Devdas (1937).

Sultana, also known as Sultana Razzaq, was one of the earliest film actresses from India who acted both in silent films and later in sound films. She was one of the most popular actress during 1920s, 1930s and 1940s in Indian Cinema in both silent films and later in the talkies. She was the daughter of India's first female film director, Fatma Begum. She was the elder sister of Zubeida a leading actress of India's first talkie film Alam Ara in 1931.

Master Vithal or Vithal (1906-1969) was an actor in Indian cinema, best known as the hero of India's first talkie Alam Ara (1931) and of Marathi and Hindi silent stunt films, which gave him the epithet as the Douglas Fairbanks of India.

Hind Kesari is a 1935 Hindi action adventure film directed by Homi Wadia, and starring Husn Banu, Sardar Mansoor, Gulshan, Jal Khambatta, Tarapore and Master Mohammed. The film was a remake of the 1932 film of the same name, directed by Homi Master for Jayant Pictures. The film did well for a "stunt film" breaking "records" at the box office.

Munna also called The Lost Child is a 1954 Hindi social drama film produced and directed by K. A. Abbas for the Naya Sansar banner. The story was written by Abbas with photography by Ramchandra. The music director was Anil Biswas though there were no songs in the film. Master Romi played Munna and the actor Jagdeep appeared as a child artist in the film. The rest of the cast included Sulochana Chatterjee, Shammi, Tripti Mitra, Achala Sachdev, David, Manmohan Krishna, Johnny Walker, Rashid Khan and Nana Palsikar.

Do Boond Pani is a 1971 Hindi social drama film produced and directed by Khwaja Ahmad Abbas. Made under the "Naya Sansar" banner; the story, screenplay and dialogues were by Abbas, with additional dialogues by Inder Raj Anand. The music was composed by Jaidev. The cast included Simi Garewal, Jalal Agha and Madhu Chanda and was the debut film of actor Kiran Kumar. The film won the award for Best Feature film on National integration.

Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.