Norman Granz was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve, and Pablo. Granz was acknowledged as "the most successful impresario in the history of jazz". He was also a champion of racial equality, insisting, for example, on integrating audiences at concerts he promoted.
Jean-Baptiste Illinois Jacquet was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Jazz at the Philharmonic, or JATP (1944–1983), was the title of a series of jazz concerts, tours and recordings produced by Norman Granz.
Mitchell Herbert Ellis was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
Boniface Ferdinand Leonard "Buddy" DeFranco was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s.
Like Someone in Love is a 1957 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra arranged and conducted by Frank DeVol. This album represents a fine example of Ella's singing from this period, recorded at the same time as her albums with Louis Armstrong.
Get Happy! is a 1959 album by the American jazz singer Ella Fitzgerald, recorded with various studio orchestras over a two-year period.
Ella Swings Brightly with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle.
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
Nice Work If You Can Get It is a 1983 studio album by Ella Fitzgerald and André Previn, with accompaniment from the double bassist Niels-Henning Ørsted Pedersen.
Ella and Basie! is a 1963 studio album by Ella Fitzgerald, accompanied by Count Basie and his orchestra, with arrangements by Quincy Jones and Benny Carter. It was later reissued with slightly different cover art as On the Sunny Side of the Street.
Discography for jazz double-bassist and cellist Ray Brown.
"Cotton Tail" is a 1940 composition by Duke Ellington. It is based on the rhythm changes from George Gershwin's "I Got Rhythm". The first Ellington recording is notable for the driving tenor saxophone solo by Ben Webster. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington. Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross.
The recordings of American jazz saxophonist Stan Getz from 1944 to 1991.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Stan Getz and J.J. Johnson at the Opera House is a 1957 live album by Stan Getz and J. J. Johnson. They were accompanied by the Oscar Peterson trio and Connie Kay on drums. Two different versions of the same material, one recorded in Chicago and one recorded in Los Angeles by the same musicians, were released by Verve under the same title. One recording was mono and the other was stereo.
Jazz at the Philharmonic – Yoyogi National Stadium, Tokyo 1983: Return to Happiness is a live album that was released in 1983. The album includes Louie Bellson, Eddie "Lockjaw" Davis, Harry "Sweets" Edison, Ella Fitzgerald, Al Grey, J. J. Johnson, Joe Pass, Niels-Henning Ørsted Pedersen, Oscar Peterson, Zoot Sims, and Clark Terry.
The Modern Jazz Quartet and the Oscar Peterson Trio at the Opera House is a live album by American jazz group the Modern Jazz Quartet and the Oscar Peterson Trio featuring performances recorded in Chicago in 1957 and released as a split album on the Verve label. The tracks by Oscar Peterson were subsequently released on Peterson's 1957 album Oscar Peterson at the Concertgebouw.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.
