Tour by Luis Miguel | |
Associated album | Amarte Es Un Placer |
---|---|
Start date | September 9, 1999 |
End date | May 6, 2000 |
Legs | 2 |
No. of shows |
|
Attendance | 1,500,000 |
Luis Miguel concert chronology |
The Amarte Es Un Placer Tour (English: Loving You Is a Pleasure Tour) was a concert tour by Luis Miguel to promote his album Amarte Es Un Placer . This tour had a length of 8 months and ran through Mexico, US, Argentina, Chile, Uruguay, Venezuela, Brazil and Spain between 1999 and 2000. It was the highest-grossing tour ever made by a Spanish-speaking artist, as well as the most extended. [1] The tour consisted of 99 concerts, [2] and was attended by approximately 1.5 million fans. [3] These two records have been broken by another tour of the same artist, the Mexico En La Piel Tour .
To promote Amarte Es un Placer, Luis Miguel began his Amarte Es Un Placer Tour on 9 September 1999 in Gijón, Spain. [4] In Madrid, he performed three sold-out shows, [5] and spent a month touring in Spain. His performances in Madrid, Barcelona, Sevilla, Tenerife, and Marbella were among the country's highest grossing shows of 1999. [6] Miguel then toured South America where he performed in Argentina, Brazil, Chile, Uruguay, and Venezuela. [7] [8] In Argentina, he drew more than 50,000 attendees per show at his three concerts in Buenos Aires, [9] and more than 101,800 spectators attended his five shows in Chile, the largest audiences of the year for an artist. [10] [11] The first leg of the tour ended on 11 December 1999 in Maracaibo, Venezuela. [12] A concert was planned for the San Jose Arena in California on New Year's Eve, but was canceled because the gross income would not meet Miguel's requirements. [13]
Miguel commenced the second leg of his tour at the Centennial Garden in Bakersfield, California on 1 February 2000. [14] [15] Two days later, he performed at the Universal Amphitheatre in Los Angeles, California for five consecutive nights drawing more than 24,000 spectators. In the same month, he performed four shows at Radio City Music Hall in New York City and grossed $1.4 million. [16] He also appeared in Minneapolis on 12 February and in Fairfax on 14 February. [17] [18] Following his concerts at Radio City Music Hall, Miguel performed 21 consecutive shows at the National Auditorium in Mexico City beginning on 24 February; beating the previous record of 20 set by Mexican group Timbiriche, and set the record for most attendees with an overall count of 255,000 patrons, another record for the artist. [19] Miguel returned to touring in the United States on 24 March 2000, performed in several cities including Miami, [20] Chicago, [21] Atlantic City, [22] and Houston. [23] He later presented five shows in Monterrey, Mexico from 13 to 17 April 2000, [24] [25] and after a few more performances in the US, ended the tour in San Diego on 6 May 2000. [26] [27] Miguel had the 23rd highest-grossing tour in the country with more than $15.7 million earned from his 44 shows in the US. [28] The tour was recognized by the William Morris Agency as the highest-grossing tour by a Spanish-speaking artist. [29] Miguel was accompanied by a 13-piece band during his tour which included horns, keyboards, guitars, and three female backup singers. [17] [30] His hour-and-a-half show consisted mainly of pop songs and ballads from Amarte Es un Placer and his earlier career, as well as medleys of boleros from the Romance-themed albums. [31] During his concerts in Monterrey, he was joined by Cutberto Pérez's band Mariachi 2000 and performed live covers of Mario De Jesús Báez "Y" and Rubén Fuentes "La Bikina". [32] The shows included a large live-screen behind the stage and featured fireworks and confetti. [17]
The Dallas Morning News writer Mario Tarradell found Miguel's show at the Starplex Pavilion in Dallas to be underwhelming. He panned Miguel's performance of the first bolero medley as "rushed" and "erratic" and observed that the artist "spat out the lyrics, swallowed a few of them, and displayed a childlike hyperactivity in the midst of lush ballads". Tarradell also remarked that Miguel displayed a bizarre behavior during the concert such as using high notes on power ballads (which Tarradell deemed as "totally unnecessary") and was confused by Miguel's decision to do an air guitar while "Bésame Mucho" was being played. [30]
Of Miguel's performances in Los Angeles, The Orange County Register editor Daniel Chang commented that he "delivered a classy show that was as much fun to watch as it was to hear". Chang noted that Miguel "emotes a contagious energy through dramatic facial expressions, fetal-position-like contortions and physical outbursts in time with the music" and complimented his dance moves and the visual sets. [33] Regarding his concert in Houston, Michael D. Clark of the Houston Chronicle said that Miguel "proved, once again, that it isn't necessary to change languages to reach U.S. audiences". He observed that Miguel seemed "determined to balance the upbeat with the overwrought" in contrast to his previous concerts, which were dominated by ballads. Clark was disappointed that the boleros were sung in medleys which did not allow any of them to stand out. [23]
Jon Bream commented in the Star Tribune that Miguel's presentation in Minneapolis was "one of the most ambitious concert spectacles ever presented at the theater" and that the singer had a "captivating presence", but added that Miguel's music was "not particularly distinctive". He likened Miguel's uptempo songs to Earth, Wind & Fire albeit without the "rhythmic and jazzy sophistication", considered his ballads to be "conservative pop, bathed in synthesized strings with Chicago-like horn filigree," and felt let down by Miguel's choice to perform his boleros in medleys. [17]
On 24 October 2000, WEA released the Vivo live album and video from Miguel's concerts in Monterrey. [34] AllMusic editor Perry Seibert gave the video album two-out-of-five stars and criticized its lack of subtitles, closed captions, and supplemental materials, but stated that it should not "dissuade fans of Latino music from checking out this entertaining DVD from Warner Bros". [35]
Was launched a CD and DVD, titled Vivo, the CD was released on October 3, 2000, while the video album was released on October 24. It was filmed at the Auditorio Coca-Cola concert hall in Monterrey, Mexico, where Miguel performed from 13 to 17 April 2000, as part of the second leg of his tour. Vivo is the first Spanish-language live album to be released on NTSC, PAL, and DVD formats. The audio version was produced by Miguel while David Mallet directed the video album. Miguel's renditions of "Y" and "La Bikina", which he specifically performed during the concert shows in Mexico where he was joined by Cutberto Pérez's band Mariachi 2000, made available as singles for the album. [36] [37]
Miguel received several accolades, including a Grammy nomination for Best Latin Pop Album [38] and a Latin Grammy nomination for Best Male Pop Vocal Album. [39] Commercially, the album peaked at number two on the albums chart in Spain and on the Billboard Top Latin Albums chart in the United States. [40] [41] It also topped the albums chart in Argentina and was certified double Platinum [42] and triple Platinum and Gold in Mexico. [43]
On the first leg of the tour, in Argentina Canal 13 aired a 90-minute special with the complete show of November 5, 1999 at José Amalfitani Stadium, with a 50,000 sold-out. [44] Also in Chile the November 20 show at Estadio Nacional was fully recorded, for a partial 60-minute transmission a few days later by UC13. [45]
No. | Title | Original album | Length |
---|---|---|---|
1. | "Intro" | ||
2. | "Quiero" | Amarte Es Un Placer | |
3. | "Tú, Solo Tú" | Amarte Es Un Placer | |
4. | "J.C. Calderón" (Entrégate / Tengo Todo Excepto a Ti / La Incondicional) | 20 Años , Busca Una Mujer | |
5. | "Up-tempo Medley" (Un Hombre Busca Una Mujer / Cuestión De Piel / Oro De Ley) | Busca Una Mujer , 20 Años | |
6. | "Romance" (No Me Platiques Más / No Sé Tú / La Puerta / La Barca / Inolvidable) | Romance | |
7. | "Suave" | Aries | |
8. | "Dame" | Nada Es Igual | |
9. | "Interlude [Armonica]" | ||
10. | "Dormir Contigo (only in selected dates in South America)" | Amarte Es Un Placer | |
11. | "Segundo Romance" (El Día Que Me Quieras / Solamente Una Vez / Somos Novios / Todo Y Nada / Nosotros) | Segundo Romance | |
12. | "O Tú o Ninguna" | Amarte Es Un Placer | |
13. | "Sol, Arena y Mar" | Amarte Es Un Placer | |
14. | "Romances" (Voy A Apagar La Luz / Contigo Aprendi / Por Debajo de la Mesa / El Reloj / Sabor a Mí / La Gloria Eres Tú / Bésame Mucho) | Romances | |
15. | "Cómo Es Posible Que a Mi Lado" | Nada Es Igual | |
16. | "Será Que No Me Amas" | 20 Años | |
17. | "Te Propongo Esta Noche" | Amarte Es Un Placer |
No. | Title | Original album | Length |
---|---|---|---|
1. | "Intro" | ||
2. | "Quiero" | Amarte Es Un Placer | |
3. | "Tú, Solo Tú" | Amarte Es Un Placer | |
4. | "J.C. Calderón" (Entrégate / Tengo Todo Excepto A Ti / La Incondicional) | 20 Años , Busca Una Mujer | |
5. | "Up-tempo Medley" (Un Hombre Busca Una Mujer / Cuestión De Piel / Oro De Ley) | Busca Una Mujer , 20 Años | |
6. | "Romance" (No Me Platiques Más / No Sé Tú / La Puerta / La Barca / Inolvidable) | Romance | |
7. | "Suave" | Aries | |
8. | "Interlude [Armonica]" | ||
9. | "Segundo Romance" (El Día Que Me Quieras / Solamente Una Vez / Somos Novios / Todo Y Nada / Nosotros) | Segundo Romance | |
10. | "O Tú, O Ninguna" | Amarte Es Un Placer | |
11. | "Sol, Arena Y Mar" | Amarte Es Un Placer | |
12. | "Romances" (Voy A Apagar La Luz / Contigo Aprendi / Por Debajo De La Mesa / El Reloj / Sabor A Mi / La Gloria Eres Tú / Bésame Mucho) | Romances | |
13. | "Y (only in Mexico)" | never released by the artist | |
14. | "La Bikina (only in Mexico)" | never released by the artist | |
15. | "Cómo Es Posible Que A Mi Lado" | Nada Es Igual | |
16. | "Será Que No Me Amas" | 20 Años | |
17. | "Te Propongo Esta Noche" | Amarte Es Un Placer |
Date | City | Country | Venue | Attendance | Revenue | |
---|---|---|---|---|---|---|
Europe - Leg 1 | ||||||
September 9, 1999 | Gijón | Spain | Palacio de Deportes de Gijón [4] | — | — | |
September 11, 1999 | Pamplona | Plaza de Toros de Pamplona [49] | ||||
September 15, 1999 | Madrid | Plaza de Toros Las Ventas [50] | 44,641 | |||
September 16, 1999 | ||||||
September 17, 1999 | ||||||
September 20, 1999 | Vigo | Auditorio de Castrelos | — | |||
September 22, 1999 | Valladolid | Estadio José Zorrilla | ||||
September 25, 1999 | Marbella | Estadio Municipal de Marbella | 12,000 | |||
September 26, 1999 | Cartagena | Estadio Cartagonova | — | |||
October 1, 1999 | Valencia | Plaza de Toros de Valencia | ||||
October 2, 1999 | ||||||
October 5, 1999 | Barcelona | Palau Sant Jordi | 26,297 | |||
October 6, 1999 | ||||||
October 9, 1999 [lower-alpha 1] | Seville | Estadio Olímpico de la Cartuja [52] | 20,150 | |||
October 11, 1999 | Zaragoza | Pabellón Príncipe Felipe | — | |||
October 12, 1999 | ||||||
October 16, 1999 | Tenerife | Recinto Portuario | 16,000 | |||
South America | ||||||
October 28, 1999 | São Paulo | Brazil | Credicard Hall | — | — | |
October 29, 1999 | ||||||
October 30, 1999 | ||||||
November 1, 1999 | Rio de Janeiro | Arena Metropolitan | ||||
November 2, 1999 | ||||||
November 5, 1999 | Buenos Aires | Argentina | Estadio Vélez Sarsfield [53] | |||
November 6, 1999 | ||||||
November 7, 1999 | ||||||
November 10, 1999 | Rosario | Estadio Rosario Central [54] | ||||
November 12, 1999 | Córdoba | Estadio Chateau Carrera | ||||
November 14, 1999 | Salta | Estadio El Gigante del Norte | ||||
November 16, 1999 | Mendoza | Estadio Malvinas Argentinas | ||||
November 18, 1999 | San Juan | Estadio 27 de Septiembre | ||||
November 20, 1999 | Santiago | Chile | Estadio Nacional | |||
November 21, 1999 | Viña del Mar | Anfiteatro de la Quinta Vergara | ||||
November 22, 1999 [lower-alpha 2] | Santiago | Estadio San Carlos de Apoquindo | ||||
November 24, 1999 | Antofagasta | Estadio Regional de Antofagasta | ||||
November 27, 1999 | Temuco | Estadio Municipal Germán Becker | ||||
December 1, 1999 | Quilmes | Argentina | Estadio Quilmes | |||
December 3, 1999 | Montevideo | Uruguay | Estadio Centenario | |||
December 8, 1999 | Caracas | Venezuela | Poliedro de Caracas [55] [56] | |||
December 9, 1999 | ||||||
December 11, 1999 | Maracaibo | Plaza Monumental | ||||
North America - Leg 2 [57] | ||||||
February 1, 2000 | Bakersfield | United States | Centennial Garden | 3,477 / 4,411 | $107,560 | |
February 3, 2000 | Los Angeles | Universal Amphitheater | 24,012 / 27,416 | $1,580,042 | ||
February 4, 2000 | ||||||
February 5, 2000 | ||||||
February 6, 2000 | ||||||
February 7, 2000 | ||||||
February 12, 2000 | Minneapolis | Orpheum Theatre | 1,770 / 2,161 | $113,660 | ||
February 14, 2000 | Fairfax | Patriot Center | 3,173 / 5,823 | $122,550 | ||
February 16, 2000 | New York City | Radio City Music Hall | 18,947 / 24,052 | $1,367,140 | ||
February 17, 2000 | ||||||
February 18, 2000 | ||||||
February 19, 2000 | ||||||
February 24, 2000 | Mexico City | Mexico | National Auditorium | 183,688 / 203,343 | $8,340,209 | |
February 25, 2000 | ||||||
February 26, 2000 | ||||||
February 27, 2000 | ||||||
March 1, 2000 | ||||||
March 2, 2000 | ||||||
March 3, 2000 | ||||||
March 4, 2000 | ||||||
March 5, 2000 | ||||||
March 6, 2000 | ||||||
March 8, 2000 | ||||||
March 9, 2000 | ||||||
March 10, 2000 | ||||||
March 11, 2000 | ||||||
March 12, 2000 | ||||||
March 15, 2000 | ||||||
March 16, 2000 | ||||||
March 17, 2000 | ||||||
March 18, 2000 | ||||||
March 19, 2000 | ||||||
March 20, 2000 | ||||||
March 24, 2000 | Miami | United States | American Airlines Arena | 18,849 / 20,000 | $1,177,437 | |
March 25, 2000 | ||||||
March 26, 2000 | Lakeland | Jenkins Arena | 2,269 / 2,269 | $128,526 | ||
March 28, 2000 | Chicago | United Center | 7,328 / 10,000 | $550,075 | ||
March 31, 2000 | Lowell | Tsongas Arena | 4,175 / 6,161 | $214,480 | ||
April 1, 2000 | Atlantic City | Mark G. Etess Arena | — | — | ||
April 5, 2000 | South Padre Island | SP Convention Center | ||||
April 6, 2000 | ||||||
April 7, 2000 | San Antonio | Alamodome | 9,539 / 15,000 | $577,486 | ||
April 10, 2000 | Houston | Compaq Center | 9,241 / 10,843 | $571,885 | ||
April 13, 2000 [lower-alpha 3] | Monterrey | Mexico | Auditorio Coca-Cola | 56,754 / 75,000 | $1,954,548 | |
April 14, 2000 | ||||||
April 15, 2000 | ||||||
April 16, 2000 | ||||||
April 17, 2000 | ||||||
April 19, 2000 | Dallas | United States | Starplex Amphitheatre | 4,369 / 5,200 | $298,264 | |
April 21, 2000 | El Paso | Don Haskins Center | 11,352 / 18,000 | $740,411 | ||
April 22, 2000 | ||||||
April 25, 2000 [lower-alpha 4] | Denver | Magness Arena | 2,561 / 5,000 | $149,985 | ||
April 27, 2000 | Anaheim | Arrowhead Pond | 8,760 / 10,352 | $385,520 | ||
April 28, 2000 | San Jose | San Jose Arena | 6,264 / 11,647 | $450,245 | ||
April 29, 2000 | Las Vegas | Mandalay Bay Events Center | 5,779 / 7,988 | $474,410 | ||
May 2, 2000 | Tucson | TCC Arena | 3,011 / 6,000 | $219,248 | ||
May 3, 2000 | Phoenix | Desert Sky Pavilion | 10,944 / 19,634 | $142,984 | ||
May 5, 2000 [lower-alpha 5] | San Diego | Cox Arena | 8,398 / 8,398 | $541,656 | ||
May 6, 2000 | Chula Vista | Coors Amphitheatre | 6,613 / 10,000 | $407,047 | ||
Total | 411,273 / 508,698 (80,8%) | $20,615,368 |
Date | City | Country | Venue | Reason |
---|---|---|---|---|
October 29, 1999 | San Bernardino | Paraguay | Anfiteatro José Asunción Flores | Logistical Problems [60] |
December 9, 1999 | Valencia | Venezuela | Forum de Valencia | Vargas tragedy [61] |
April 30, 2000 | Fresno | United States | Selland Arena | Unknown [62] |
Personnel adapted from Allmusic and as per Vivo DVD end credits. [63] [64]
Band
| Mariachi 2000
|
Vuelve is the fourth studio album by Puerto Rican singer Ricky Martin. Sony Discos and Columbia Records released it on February 12, 1998. Martin worked with producers KC Porter, Robi Draco Rosa, and Desmond Child to create the album. Following the worldwide success of the song "María" from his previous album, A Medio Vivir (1995), Martin returned to the studio and began recording material while on tour. Vuelve is a Latin record with Latin dance numbers and pop ballads. "María" caught the attention of FIFA, who asked Martin to write an anthem for the 1998 FIFA World Cup being held in France. Martin subsequently recorded "La Copa de la Vida", composed by Porter, Rosa, and Desmond Child for the World Cup.
Mexican recording artist Luis Miguel has released 21 studio albums, 30 compilation albums, three extended plays (EP) two live albums, two soundtrack albums and five box set. Luis Miguel has sold over 60 million records, making him one of the best-selling Latin music artists of all time. Luis Miguel is also the artist with the second-most number ones on the Billboard Top Latin Albums chart with nine albums. At the age of 11, he released his debut studio album, Un Sol (1982), which was certified platinum and gold in Mexico. The artist would release four more studio albums under the record label EMI: Directo al Corazón (1982), Decídete (1983), También es Rock (1984), and Palabra de Honor (1984). A Portuguese-language version of Decídete and Palabra de Honor were released in Brazil as Decide Amor and Meu Sonho Perdido, respectively. Luis Miguel made his acting debut in the film as the lead role on Ya nunca más (1984) and recorded its soundtrack. In 1985, he participated in the Sanremo Music Festival 1985 with the song "Noi ragazzi di oggi"; it placed second in the Big Artist category and was later included on the Italian-language edition of Palabra de Honor. In the same year, Luis Miguel recorded the soundtrack for the film Fiebre de amor, which he co-starred with fellow Mexican singer Lucero.
Romance is the eighth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 19 November 1991. Although the production was originally intended as another collaboration with Juan Carlos Calderón, that plan was scrapped when Calderón was unable to compose songs for the album. Facing a new-material deadline in his recording contract, at his manager's suggestion Miguel chose bolero music for his next project. Mexican singer-songwriter Armando Manzanero was hired by WEA Latina to co-produce the album with Miguel. Recording began in August 1991 at Ocean Way Recording in Hollywood, California, with Bebu Silvetti the arranger.
Amarte Es un Placer is the thirteenth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 13 September 1999. Produced by Miguel, it is a pop album with R&B and jazz influences. Miguel was more involved with the songwriting on this record than on earlier albums and was assisted by composers including Arturo Pérez, Armando Manzanero, and Juan Carlos Calderón. Despite the popularity of his contemporaries Ricky Martin and Enrique Iglesias who crossed over to the English-language market, Miguel preferred to sing and record in Spanish at the time.
"Sol, Arena y Mar" is a song written by Arturo Perez, Francisco Loyo, and Salo Loyo and co-written, produced, and performed by Mexican singer Luis Miguel. It is a horn-driven uptempo pop song with jazz influence which deals with a strained relationship. The song's lyrics were rumored to have been influenced by Miguel's previous relationship with Daisy Fuentes. It was released as the lead single from the album Amarte Es un Placer on 19 July 1999.
"Amarte Es un Placer" is a song recorded by Mexican singer Luis Miguel and the fourth and final single from his album of the same name (1999). Released in 2000, it was written by Juan Carlos Calderón, while production was handled by Miguel. Lyrically, "Amarte Es un Placer" deals with a narrator describing the pleasures of being enamored with his lover.
"Dormir Contigo" is a song written by Armando Manzanero and produced and performed by Mexican singer Luis Miguel. The song is a pop ballad in which the protagonist expresses the joy of sleeping with his partner. It was released as the third single from the album Amarte Es un Placer in January 2000. The track peaked at number 11 Billboard Hot Latin Songs chart in the United States and number two on the Latin Pop Songs chart.
Mis Romances is the fourteenth studio album of Mexican singer Luis Miguel, released on 20 November 2001 by Warner Music Latina. It is the fourth album in the Romance series wherein Luis Miguel covers bolero standards from Latin America and includes two original compositions. Produced by Luis Miguel, the album was recorded at the Record Plant in Los Angeles, California with the participation of the Royal Philharmonic Orchestra at the Abbey Road Studios in London, England. The recording was promoted by three singles: "Amor, Amor, Amor", "Cómo Duele", and "Al Que Me Siga". It was further promoted by a tour in 2002 that had Luis Miguel performing in the United States, Latin America, and Spain. It was the highest-grossing tour of the year by a Latin artist in the U.S.
México en la Piel is the sixteenth studio album by Mexican singer Luis Miguel. Released on 9 November 2004 by Warner Music Latina, it is Miguel's first mariachi album. The record contains thirteen mariachi covers, accompanied by the Vargas de Tecalitlán folk ensemble. Armando Manzanero was its musical director, and Miguel its producer. The album was recorded at Ocean Way Recording in Hollywood, California in July 2004. A special edition, México en la Piel: Edición Diamante, was released on 5 September 2005 with two additional songs and a DVD with five music videos. Four singles were released from the album: "El Viajero", "Que Seas Feliz", "Sabes una Cosa", and "Échame a Mí la Culpa". "Mi Ciudad" was released as a single from the special edition.
33 is the fifteenth studio album by Mexican singer Luis Miguel. It was released through Warner Music Latina on 30 September 2003. It is a pop record which contains pop ballads and uptempo disco numbers. The album was produced by Miguel and recorded in Hollywood, California. 33 was promoted by two singles: "Te Necesito" and "Un Te Amo". It was also promoted by a tour which lasted from 2003 to 2004. Several songwriters including Armando Manzanero, Juan Luis Guerra, and Kike Santander contributed to the compositions in the record.
Vivo is the third live album by Mexican singer Luis Miguel. It was filmed at the Auditorio Coca-Cola concert hall in Monterrey, Mexico, where Miguel performed from 13 to 17 April 2000, as part of the second leg of his Amarte Es Un Placer Tour. Vivo was released in a live audio CD, DVD and VHS format. Vivo is the first Spanish-language live album to be released on NTSC, PAL, and DVD formats. The audio version was produced by Miguel while David Mallet directed the video album. The audio disc was released on 3 October 2000, while the video album was released on 24 October. Miguel's renditions of "Y" and "La Bikina", which he specifically performed during the concert shows in Mexico where he was joined by Cutberto Pérez's band Mariachi 2000, made available as singles for the album.
Me Estoy Enamorando is the sixth studio album by Mexican singer Alejandro Fernández. It was released by Sony Music Mexico on 23 September 1997. It marks a musical style change where Fernández performs pop ballads and boleros as opposed to ranchera music. His decision to record a pop album transpired after having aspirations to expand his audience. Fernández asked Emilio Estefan to produce his next project after listening to Mi Tierra (1993) by his wife Gloria Estefan. Recording took place at Estefan's Crescent Moon Studios in Miami, Florida. Estefan's partner Kike Santander co-produced the recording along with Estefan and composed most of the album's tracks. The musical style consists of pop-boleros with ranchera influences while the lyrics reflect the theme of love. Four singles were released from the album: "Si Tú Supieras", "En El Jardín", "No Sé Olvidar", and "Yo Nací Para Amarte". Each of them reached number one on the Billboard Hot Latin Songs chart in the United States. A tour to promote the album was launched in the US and Latin America.
The 33 Tour was a concert tour performed by Luis Miguel during the years 2003 and 2004 to promote his last album 33. He sang 89 concerts during this tour of a duration about 95 minutes. Luis Miguel performed at Mexico's National Auditorium, as well as other prestigious international venues such as Plaza de Toros de Las Ventas in Spain and José Amalfitani Stadium in Argentina.
The Mis Romances Tour was a concert tour performed by Luis Miguel during the year 2002 to promote his 2001 album Mis Romances. The tour consisted in 63 concerts and ran through US, Mexico, Argentina, Spain, Chile, Uruguay, Peru, Dominican Republic and Puerto Rico. In February he performed at the Universal Amphitheatre in Los Angeles, California for six consecutive sold-out nights drawing more than 32,000 spectators, beating his previous record of five consecutive concerts in this venue, he played also two more concerts in September. Miguel performed at Mexico's Aztec Stadium for first time in his career in front of 80,000 spectators, and also gave twelve nights at National Auditorium in Mexico City.
The Romances Tour was a concert tour performed by Luis Miguel during the years 1997 and 1998 to promote his new album Romances. To present this album, two press conferences were held, one at the Rainbow Room in New York City and another at the Casino de Madrid, Spain.
"Por Debajo de la Mesa" is a song written by Armando Manzanero and performed by Mexican recording artist Luis Miguel. Arranged by Bebu Silvetti, it was one of the two original compositions written for Miguel's fifteenth studio album Romances. It was released as the lead single from the album on 15 July 1997 and it became his thirteenth number-one single on the Billboard Hot Latin Songs chart in the United States. The music video features Miguel performing at a fine-dining restaurant in New York City.
"O Tú o Ninguna" is a song written by Juan Carlos Calderón and produced and performed by Mexican singer Luis Miguel. The song is a bolero in which the protagonist cannot envision his life without anyone else besides his love interest. It was released as the second single from the album Amarte Es un Placer on 6 September 1999. The track topped the US Billboard Hot Latin Songs chart; and reached the top-five in Guatemala, Nicaragua and Panama.
"Yo Nací Para Amarte" is a song written by Kike Santander and performed by Mexican recording artist Alejandro Fernández. It was co-produced by Santander and Emilio Estefan and was released as the fourth and final single by Sony Music Mexico from Me Estoy Enamorando in 1998. The song is a bolero-pop ballad with ranchera influences and portrays the singer confessing his love which he admits "goes beyond reason".
El sencillo ya se escucha en las estaciones de Estados Unidos, México y Latinoamérica y su lanzamiento pareció intentar un tono patriótico al realizarse el 15 de septiembre para celebrar la Independencia de México.