"All My Trials" | |
---|---|
Song by Bob Gibson | |
from the album Offbeat Folksongs | |
Released | 1956 |
Genre | American folk song |
Label | Riverside |
Songwriter(s) | Unknown |
"All My Trials" is a folk song which became popular during the social protest movements of the late 1950s and 1960s. Alternative titles it has been recorded under include "Bahamian Lullaby" and "All My Sorrows." The origins of the song are unclear, [1] [2] [3] as it appears to not have been documented in any musicological or historical records (such as the Roud Folk Song Index, Archive of American Folk Song, or an ethnomusicologist's field recordings or notes) until after the first commercial recording was released (as "Bahamian Lullaby") on Bob Gibson's 1956 debut album Offbeat Folksongs. [4]
In the first commercial release on the 1956 album Offbeat Folksongs, Gibson did not mention the history of the song. The next two artists to release it, Cynthia Gooding (as "All My Trials" in 1957 [5] ) and Billy Faier (as "Bahaman Lullaby" in 1959 [6] ), both wrote in their albums' liner notes that they each learned the song from Erik Darling. Gooding explained it was "supposed to be a white spiritual that went to the British West Indies [7] and returned with the lovely rhythm of the Islands," presumably as told to her by Darling. [5] Faier wrote that he heard Darling sing the song "four or five times in spring 1954," when Darling would have been performing with his folk group The Tarriers. [8] However, bibliographic folk song indexes, such as the Traditional Ballad Index [9] do not mention the Bahamas as an origin, listing it as unknown. [1]
The Joan Baez Songbook (published 1964; Baez released the song as "All My Trials" in 1960) suggests it began as a pre–Civil War era American Southern gospel song, which was introduced to the Bahamas where it became a lullaby, and was forgotten in the US until it was brought back from the Bahamas and popularized during the roots revival. [10]
The song tells the story of a mother on her death bed, comforting her children, "Hush little baby, don't you cry./You know your mama's bound to die," because, as she explains, "All my trials, Lord,/Soon be over." The message—that no matter how bleak the situation seemed, the struggle would "soon be over"—propelled the song to the status of an anthem, recorded by many of the leading artists of the era.[ original research? ]
The song is usually classified as a Spiritual because of its biblical and religious imagery. There are references to the "Lord", "a little book" with a message of "liberty", "brothers", "religion", "paradise", "pilgrims" and the "tree of life" awaiting her after her hardships, referred to as "trials". There is an allegory of the river Jordan, the crossing of which represents the Christian experience of death as something which "...chills the body but not the soul." The river/death allegory was popularized by John Bunyan in his classic, The Pilgrim's Progress and the wording echoes the teaching of Jesus, to "...fear not them which kill the body, but are not able to kill the soul." (Matthew 10:28)[ original research? ]
"All My Trials" | ||||
---|---|---|---|---|
Single by Paul McCartney | ||||
from the album Tripping the Live Fantastic: Highlights! | ||||
B-side | "C Moon" | |||
Released | 26 November 1990 | |||
Recorded | 27 October 1989 | |||
Venue | Palatrussardi, Via Antonio Sant'Elia [11] | |||
Genre | Rock | |||
Label | Parlophone | |||
Songwriter(s) | Traditional, arranged by McCartney | |||
Paul McCartney singles chronology | ||||
|
Paul McCartney issued the song as a single from the "Highlights" version of the Tripping the Live Fantastic live album.
Two versions of the CD single were released, having white and black covers. The b-sides of the black cover single are identical to the "The Long and Winding Road" single, while the white cover single features an exclusive John Lennon tribute medley recorded in Liverpool on 28 June 1990.
The single debuted at No. 35 in December 1990 and spent six weeks on the UK Singles Chart. [12]
"John Riley" is a traditional English folk song. It is also known as "Johnny Riley", "The Broken Token" and "A Fair Young Maid All in Her Garden", among other titles.
"Babe I'm Gonna Leave You" is a folk song written by Anne Bredon in the late 1950s. Joan Baez, who learned the song from a student at Oberlin College, recorded the first published version for her 1962 album Joan Baez in Concert and a variety of musicians subsequently adapted it to a variety of styles, including the Association (1965), Quicksilver Messenger Service (1968), and Led Zeppelin (1969). Following the credit on Baez's 1962 release as "traditional, arranged by Baez", subsequent releases did not name Bredon until 1990 when, following Bredon's approach to Led Zeppelin, she received credit and royalties.
Farewell, Angelina is the sixth studio album by American folk singer Joan Baez, released in late 1965. It peaked at #10 on the Billboard Pop Albums chart.
Joan Baez, also known as Joan Baez, Vol. 1, is the debut solo album by folk singer Joan Baez. The album was recorded in the summer of 1960 and released the same year. The original release featured 13 traditional folk songs. Later reissues included three additional songs.
Joan Baez in Concert is a live album taken from Joan Baez's 1962 concert tours. It peaked at #10 on the Billboard Pop Albums chart.
Joan Baez in Concert, Part 2 was a second installment of live material, recorded during Joan Baez' concert tours of early 1963. It peaked at number 7 on the Billboard Pop Albums chart.
"Silver Dagger", with variants such as "Katy Dear", "Molly Dear", "The Green Fields and Meadows", "Awake, Awake, Ye Drowsy Sleepers" and others, is an American folk ballad, whose origins lie possibly in Britain. These songs of different titles are closely related, and two strands in particular became popular in commercial country music and folk music recordings of the twentieth century: the "Silver Dagger" version popularised by Joan Baez, and the "Katy Dear" versions popularised by close harmony brother duets such as The Callahan Brothers, The Blue Sky Boys and The Louvin Brothers.
"Banks of the Ohio", also known as "Down on the Banks of the Ohio" and "I'll Never Be Yours", is a 19th-century murder ballad, written by unknown authors. The lyrics tell of "Willie" who invites his young lover for a walk during which she rejects his marriage proposal, and once they are alone on the river bank, he murders the young woman.
"The Unquiet Grave" is an Irish / English folk song in which a young man's grief over the death of his true love is so deep that it disturbs her eternal sleep. It was collected in 1868 by Francis James Child as Child Ballad number 78. One of the more common tunes used for the ballad is the same as that used for the English ballad "Dives and Lazarus" and the Irish pub favorite "Star of the County Down".
The First Ten Years is the second compilation album by Joan Baez, released in October 1970. It rounds up highlights of her first decade with the Vanguard label.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. It was titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
"The Riddle Song", also known as "I Gave My Love a Cherry", is an English-language folk song, a lullaby most likely originating in England and carried over by settlers to the American Appalachians.
"The Last Thing on My Mind" is a song written by American musician and singer-songwriter Tom Paxton in the early 1960s and recorded first by Paxton in 1964. It is based on the traditional lament song "The Leaving of Liverpool". The song was released on Paxton's 1964 album Ramblin' Boy, which was his first album released on Elektra Records.
This is a discography for American folk singer and songwriter Joan Baez.
"There but for Fortune" is a song by American folk musician Phil Ochs. Ochs wrote the song in 1963 and recorded it twice, for New Folks Volume 2 and Phil Ochs in Concert. Joan Baez also recorded "There but for Fortune" in 1964, and her version of the song became a chart hit.
"Fountain of Sorrow" is a song written and performed by American singer-songwriter Jackson Browne. Released as the second single from his 1974 album Late for the Sky, at 6:42, it was the longest song on the album, and the longest song Browne had yet released. Two minutes were removed from the single release of "Fountain of Sorrow", but the song still failed to chart on Billboard's Hot 100.
"Never Let Me Go" is a blues ballad song by American R&B/blues singer Johnny Ace, written by Joseph Scott and released in 1954 under Duke Records. The song is featured on the albums My Songs and Memorial. "Never Let Me Go" was one of his eighth consecutive top ten R&B hits in a row, including "My Song", "Cross My Heart," "Please Forgive Me," "The Clock," "Pledging My Love," "Saving My Love for You," and "Anymore". The song was R&B hit and peaked to No. 9 in October 1954 on Billboards Rhythm & Blues Records chart.
Whistle Down the Wind is the 26th studio album by American folk singer and musician Joan Baez, released on March 2, 2018, her first studio album in almost a decade. The album features songs written by such composers as Tom Waits, Josh Ritter and Mary Chapin Carpenter. Joe Henry produced the album.