Agbada

Last updated
Yoruba man in Agbada A Yoruba man garbed in traditional clothing (2).png
Yoruba man in Agbada

Agbada is the flowing robe traditionally worn by the Yoruba people across West Africa, specifically among the Yoruba of Nigeria, the Republic of Benin, and Togo. [1] . It comes with an inner cloth of varying lengths and it also comes with a pair of bottom wear in form of native trousers called Shokoto. It also is worn most times with different caps like fila or abeti aja. Traditional Yoruba beads are often worn with it. The agbada is a male attire worn for special events and everyday life, depending on the extravagance of the garment. It is a distinct robe that comes in different styles and designs. [2]

A Yoruba man acting in a traditional drama, wearing an Agbada Typical yoruba man outfit.jpg
A Yoruba man acting in a traditional drama, wearing an Agbada

Its design consists of four-sections: a large, free-flowing outer robe (awosoke); an undervest (awotele); a pair of long trousers (sokoto); and a hat (fìla). [3] The outer robe, from which the entire outfit derives the name "Agbada", means "voluminous attire" in Yoruba. [4] The design of the agbada, with its wide sleeves and intricate embroidery, signified the wearer’s prestige and was often used in important ceremonies and public appearances.

Yoruba man in a type of Agbada Giwa Nurudeen.jpeg
Yoruba man in a type of Agbada

Many Agbada are made with aso oke or aso ofi fabric, but they can be made in other different fabrics including adire. The Agbada has similarities with the Boubou or Babanriga, as these attires evolved from the medieval West African cultures, but is different in looks, style, shape, fabrics and materials used and are quite distinguishable. Agbada usually features native Yoruba embroidery as many times alongside the Grand knot native to the Yoruba culture. Agbada is one of the attires of Yoruba men, alongside others like Gbariye, Sulia, Oyala, Kembe. [5] Gbariye is close in looks to Agbada and many times considered a type of Agbada.

History

The clothing style was influenced by the ancient African cultures in the Sahel, where it evolved as a practical yet regal attire suitable for the region’s climate and social hierarchy. [6] The Sahel, during the medieval period, was home to several influential kingdoms, including the Ghana, Mali, and Songhai empires. [7] These empires were centers of trade, wealth, and culture, facilitating interactions between North African, Sub-Saharan, and Middle Eastern civilizations.

Yoruba man in Gbariye A Yoruba man garbed in traditional clothing.png
Yoruba man in Gbariye

Related Research Articles

<span class="mw-page-title-main">Folk costume</span> Expression of identity through clothing, usually associated with a geographic area

Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress. Traditional clothing often has two forms: everyday wear, and formal wear. The word "costume" in this context is sometimes considered pejorative, as the word has more than one meaning, and thus "clothing", "dress", "attire" or "regalia" can be substituted without offense.

<span class="mw-page-title-main">Barong tagalog</span> Filipino embroidered long-sleeved formal shirt

The barong tagalog, more commonly known simply as barong, is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines. Barong tagalog combines elements from both the precolonial native Filipino and colonial Spanish clothing styles. It is traditionally made with sheer textiles (nipis) woven from piña or abacá; although in modern times, cheaper materials like organza silk, ramie or polyester are also used.

<span class="mw-page-title-main">Clothing in Africa</span> Traditional clothing and fashion of Africa

African clothing is the traditional clothing worn by the people of Africa.

<span class="mw-page-title-main">Culture of Nigeria</span>

The culture of Nigeria is shaped by Nigeria's multiple ethnic groups. The country has 527 languages, seven of which are extinct. Nigeria also has over 1,150 dialects and ethnic groups. The three largest ethnic groups are the Hausas that are predominantly in the north, the Yorubas who predominate in the southwest, and the Igbos in the southeast. There are many other ethnic groups with sizeable populations across the different parts of the country. The Kanuri people are located in the northeast part of Nigeria, the Tiv people are in the north central, and the Efik-Ibibio are in the south South. The Bini people are most frequent in the region between Yorubaland and Igboland.

<span class="mw-page-title-main">Dashiki</span> Colorful mens garment widely worn in West Africa that covers the top half of the body

The dashiki is a colorful garment that covers the top half of the body, worn mostly in West Africa. It has formal and informal versions and varies from simple draped clothing to fully tailored suits. A common form is a loose-fitting pullover garment, with an ornate V-shaped collar, and tailored and embroidered neck and sleeve lines. It is frequently worn with a brimless kufi cap and pants. It has been popularized and claimed by communities in the African diaspora, especially African Americans.

<span class="mw-page-title-main">Wrapper (clothing)</span> West African dress

The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.

<span class="mw-page-title-main">African textiles</span> Textiles originating in and around continental Africa or through the African Diaspora

African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.

<span class="mw-page-title-main">Malaysian cultural outfits</span> Malaysian clothing

Pakaian is the term for clothing in Malaysia's national language. It is referring to things to wear such as shirts, pants, shoes etc. Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and religious articles of clothing all of which are gender-specific and may be adapted to local influences and conditions. Previously, traditional clothes were worn daily. However, by excluding Baju Melayu, Baju Kurung many are now only worn on special occasions such as marriage ceremonies and cultural events.

<span class="mw-page-title-main">Fila (hat)</span> Traditional Yoruba hat

Fila gobi is a soft hat traditionally worn by the Yoruba people of Western Africa. It is made of hand-woven aso oke fabric, cotton, velvet, or damask. They are usually lined with cotton, but can be unlined if crafted to be worn for a single event.

<span class="mw-page-title-main">Aso oke</span> A Yoruba handwoven fabric

Aso oke fabric, is a hand-woven cloth that originated from the ijebu people of western Nigeria. Usually woven by men, the fabric is used to make men's gowns, called agbada and hats, called fila, as well as Yoruba women's wrappers called Iro and a Yoruba women's blouse called Buba and a gown called Komole, as well as a head tie, called gele and so on.

<span class="mw-page-title-main">Kanzu</span>

A kanzu is a white or cream coloured robe worn by men in the African Great Lakes region. It is referred to as a tunic in English, and as the Thawb in Arab countries. The kanzu is an ankle or floor length garment. It serves as the national costume of Tanzania as well as the Comoros, where it is called/pronounced 'Kandu' as well as thawb. The robe is also worn in some coastal Muslim regions of Tanzania and Kenya. The men of Uganda consider it their most important dress. Kanzu is a Ganda word of Swahili origin, which means "robe" or "tunic". In Tanzania, the term is used interchangeably with kaftan.

<span class="mw-page-title-main">Croatian national costume</span> Traditional clothing in Croatian communities

Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.

<span class="mw-page-title-main">Kazakh clothing</span> Clothing worn by the Kazakh people

Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.

<span class="mw-page-title-main">Boubou (clothing)</span> Flowing wide-sleeved robe in Africa

The boubou or grand boubou is a flowing wide-sleeved robe worn across West Africa, and to a lesser extent in North Africa, related to the dashiki suit.

A thawb is an Arab garment mainly worn by inhabitants of the Middle East and North Africa. The thawb is long-sleeved ankle-length traditional robe; it is worn by men and women with regional variations in name and style. Depending on local traditions, a thawb can be worn in formal or informal settings; in the Gulf states thawbs are the main formal attire for men. It is also worn by Muslim men in the Indian subcontinent due to its modest appearance, and is believed to be a sunnah, and it is commonly referred to as a jubbah there. The etymology of the word “thawb,” the history and origin of the robe, its regional styles and versions, and its modern use help to characterize and differentiate the thawb from other traditional Arabic clothes.

<span class="mw-page-title-main">Aso ebi</span> Yoruba dressing style

Asọ-Ẹbí (Yoruba), sometimes spelt as Asọẹbí in Nigeria is a uniform dress or dressing code/style that is traditionally worn by the Yoruba People is an indicator of cooperation, camaraderie and solidarity during ceremonies, events and festive periods. The purpose of wearing the dress can be to serve as self-identification with age mates, relatives or friends during social occasions or funerals.

<span class="mw-page-title-main">Fashion in Nigeria</span>

The fashion industry in Nigeria plays an important cultural role and contributes significantly to the country's economy. Clothing incorporates a variety of colours, fabrics, and embellishments. Many of the component cultures of Nigeria wear styles that are characteristic of their tribal society and customs. Nigeria produces fashionable textiles and finished garments and has designers who have achieved international recognition.

<span class="mw-page-title-main">Gele (head tie)</span> Traditional head tie native to Yoruba women

Gele is a traditional head tie native to Yoruba people of Nigeria, Benin and Togo. The gele comes in specific shapes and designs. Gele is worn with other Yoruba women's outfits, like Iro ati buba, Komole and Asoebi.

<span class="mw-page-title-main">Yoruba clothing</span> Yoruba traditional clothing

Yoruba clothing is the traditional clothing worn by people of the Yoruba ethnic group in parts of Nigeria, Benin and Togo in a region called Yorubaland. The clothing reflects the rich culture, history and aesthetic preferences of the Yoruba people.

Aso Olona is a traditional Yoruba textile known for its intricate geometric patterns and cultural significance, particularly among the Ijebu subgroup. The term "Aso Olona" translates to "cloth with patterns" in the Yoruba language. Aso Olona is an handwoven fabrics that can come with motifs like the chameleon.

References

  1. Ogunsanya, Adeola Oladele (2015). "Changing patterns in feeding, dressing and naming among Yoruba of south-western Nigeria since 1960". Nigerian Journal of Social Studies. 17 (2): 33–47.
  2. Anokam, Stella (2016-07-15). "Latest Agbada Styles with Embroidery Designs for Men (2022)". NaijaGlamWedding. Retrieved 2023-09-25.
  3. Oladejo, Adekunle I.; Olateju, Taibat T.; Okebukola, Peter A.; Agboluaje, Taiwo M.; Sanni, Rasheed; Shabani, Juma; Akinola, Victor O.; Ebisin, Aderonke (2023). "The convergence of culture, technology and context: A pathway to reducing Mathophobia and improving achievement in mathematics". School Science and Mathematics. 123 (2): 82–96.
  4. Fakunle, Oluwadara (2022). "Colonialism and Transformations in Yoruba Traditional Attires: The Lagos Experience". Ihafa: A Journal of African Studies. 13 (1): 132–156.
  5. Lawal, Babatunde. "Agbada Clothing". LoveToKnow. Retrieved 2023-09-25.
  6. Dogbe, Esi (2003). "Warped identities: dress in popular West African video films". African Identities. 1 (1): 95–117.
  7. Rovine, Victoria L. (2011). "Continuity, innovation, fashion: Three genres of Malian embroidery". African Arts. 44 (3): 58–67.