Agbada is the flowing robe traditionally worn by the Yoruba people across West Africa. It comes with an inner cloth of varying lengths and it also comes with a pair of bottom wear in form of native trousers called Shokoto. It also is worn most times with different caps like fila or abeti aja. Traditional Yoruba beads are often worn with it. The agbada is a male attire worn for special events and everyday life, depending on the extravagance of the garment. It is a distinct robe that comes in different styles and designs. [1]
Many Agbada are made with aso oke or aso ofi fabric, but they can be made in other different fabrics including adire. Agbada is somewhat similar to the boubou/ babanriga, but is different in looks, style, shape, fabrics and materials used and are quite distinguishable. Agbada usually features native Yoruba embroidery as many times alongside the Grand knot native to the Yoruba culture. Agbada is one of the attires of Yoruba men, alongside others like Gbariye, Sulia, Oyala, Kembe. [2] Gbariye is close in looks to Agbada and many times considered a type of Agbada.
Agbada is a four-piece male attire found among the Yoruba of southwestern Nigeria, Togo and the Republic of Benin, West Africa.
It consists of a large, free-flowing outer robe (awosoke), an undervest (awotele), a pair of long trousers (sokoto), and a hat (fìla).
The outer robe—from which the entire outfit derives the name Agbada, meaning "voluminous attire"—is a big, loose-fitting, ankle-length garment. In which the centerpiece is usually covered front and back with an elaborated embroidery.
By 1772, the Agbada was recorded as a Yoruba-made cloth, showcasing the craftsmanship of the Yoruba weavers, particularly in the production of Aso-Oke, a hand-woven fabric used in its creation.
During the height of the Oyo Empire circa 1772, which held sway over much of present-day southwestern Nigeria and beyond, the Agbada became more than a local garment. It was often gifted to neighboring rulers and elites, including the people of Dahomey (modern-day Benin), who were under the influence of the Oyo Empire at the time. This cultural exchange helped solidify the dominance of Yoruba fashion, art, and politics across the region. [3]
The presentation of the Agbada to the Dahomey people under the Oyo Empire symbolized more than just fashion—it was a diplomatic gesture, emphasizing the power and reach of the Oyo Empire, as well as the integration of Yoruba cultural elements into the broader political landscape of West Africa. [4]
Contrary to popular belief, the Agbada was not introduced or imported from the Sahel region. Historical records from as early as 1826 document that Yoruba-made Agbada was regarded as superior in quality and design compared to Sahelian garments. [5] This distinction is important, as the Agbada, while sharing some broad similarities with the boubou in terms of flowing design, should not be confused with it. The Agbada represents a unique and intricate part of Yoruba heritage, standing apart in its sophistication, symbolism, and craftsmanship, demonstrating the advanced textile artistry of the Yoruba well before external influences reached the region.
Egungun, in the broadest sense is any Yoruba masquerade or masked, costumed figure. More specifically, it is a Yoruba masquerade for ancestor reverence, or the ancestors themselves as a collective force. Eégún is the reduced form of the word egúngún and has the same meaning. There is a misconception that Egun or Eegun is the singular form, or that it represents the ancestors while egúngún is the masquerade or the plural form. This misconception is common in the Americas by Orisa devotees that do not speak Yorùbá language as a vernacular. Egungun is a visible manifestation of the spirits of departed ancestors who periodically revisit the human community for remembrance, celebration, and blessings.
A folk costume expresses a national identity through clothing or costume, which is associated with a specific region and period of time in history. Furthermore it can indicate social, marital, or religious status. If the costume is used to represent the culture or identity of a specific ethnic group, it is usually known as ethnic costume. Folk costumes often come in two forms: one for everyday occasions, the other for traditional festivals and formal wear. The word "costume" in this context is sometimes considered pejorative due to the multiple senses of the word, and in such cases "clothing", "garments" or "regalia" can be substituted without offense.
The Oyo Empire was a Yoruba empire in West Africa. It was located in present-day southern Benin and western Nigeria. The empire grew to become the largest Yoruba-speaking state through the organizational and administrative efforts of the Yoruba people, trade, as well as the military use of cavalry. The Oyo Empire was one of the most politically important states in Western Africa from the mid-17th to the late 18th century and held sway not only over most of the other kingdoms in Yorubaland, but also over nearby African states, notably the Fon Kingdom of Dahomey in the modern Republic of Benin on its west.
The dashiki is a colorful garment that covers the top half of the body, worn mostly in West Africa. It has formal and informal versions and varies from simple draped clothing to fully tailored suits. A common form is a loose-fitting pullover garment, with an ornate V-shaped collar, and tailored and embroidered neck and sleeve lines. It is frequently worn with a brimless kufi cap and pants. It has been popularized and claimed by communities in the African diaspora, especially African Americans.
A kufi or kufi cap is a brimless, short, and rounded cap worn by men in many populations in North Africa, East Africa, West Africa, South Asia, and the Middle East. It is also worn by men throughout the African diaspora. The cap has strong associations with many Islamic cultures and pan-African pride. In the United States and the United Kingdom, it is also called a "taqiyah".
Iseyin is a city located in Oyo, Nigeria. It is approximately 100 km (62 mi) north of Ibadan. The city was estimated to have a population of 236,000, according to United Nations 2005 estimate, which increased to 362,990 in 2011, and has a total land mass of 2,341 km2 (904 sq mi). Its inhabitants are mostly of Yoruba origin and its ruler is the Aseyin of Iseyin, with the current being Oba Sefiu Oyebola Adeyeri III, Ajirotutu I.
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Aso oke hat, known as fila gobi in the Yoruba language, is a soft hat traditionally worn by the Yoruba people of Western Africa. It is made of hand-woven aso oke fabric, cotton, velvet, or damask. They are usually lined with cotton, but can be unlined if crafted to be worn for a single event.
Aso oke fabric, is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo. Usually woven by men and women, the fabric is used to make men's gowns, called agbada and hats, called fila, as well as Yoruba women's wrappers called Iro and a Yoruba women's blouse called Buba and a gown called Komole, as well as an head tie, called gele and so on.
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