"48 Crash" | ||||
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Single by Suzi Quatro | ||||
from the album Suzi Quatro | ||||
B-side | "Little Bitch Blue" | |||
Released | 1973 | |||
Genre | ||||
Label | Rak Records | |||
Songwriter(s) |
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Producer(s) |
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Suzi Quatro singles chronology | ||||
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"48 Crash" is Suzi Quatro's third solo single and was released after "Can the Can". It was included on her debut album Suzi Quatro (known as Can the Can in Australia). It later appeared as a track on her 1995 album What Goes Around . The single peaked at number three in the UK in July 1973, [4] and number one in Australia for one week. It also hit number two in Germany, [5] and charted well in other European countries. [6]
This Quatro's third solo single was released after she moved from the United States to Britain. In the United States she had already released two singles with all-female band The Pleasure Seekers. [7]
The song "48 Crash" was written and produced by Mike Chapman and Nicky Chinn. [8] [9] The song "Little Bitch Blue" was written by Quatro and Len Tuckey [9] and produced by Mike Chapman and Nicky Chinn. [8]
The song has long been assumed to be about andropause [10] . However, according to the British writer D. J. Taylor, one alternative theory is that, having boasted of their ability to write "a song about anything", Chapman and Chinn were issued with the challenge to come up with a treatment of the 1848 United States economic crisis. [11]
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Susan Kay Quatro is an American singer, bass guitarist, songwriter, and actress. In the 1970s, she scored a string of singles that found success in Europe and Australia, with both "Can the Can" (1973) and "Devil Gate Drive" (1974) reaching number one in several countries.
Michael Peter Hayes, known as Mickie Most, was an English record producer behind acts such as the Animals, Herman's Hermits, the Nashville Teens, Donovan, Lulu, Suzi Quatro, Hot Chocolate, Arrows, Racey and the Jeff Beck Group, often issued on his own RAK Records label.
If You Knew Suzi... is the fifth studio album by Suzi Quatro, released at the end of 1978, but with a 1979 copyright date. By August 2012 this was still Quatro's highest-charting album in the United States. The album also yielded Quatro's biggest US single hit, a duet with Chris Norman named "Stumblin' In" (which reached number 4 on both the Billboard Hot 100 and the Billboard Adult Contemporary charts. It also had an advertising billboard on Sunset Boulevard.
Nicholas Barry Chinn is an English-American songwriter and record producer. Together with Mike Chapman he had a long string of hit singles in the US and UK in the 1970s and early 1980s, including several international number-one records. The duo wrote hits for the Sweet, Suzi Quatro, Mud, New World, Arrows, Racey, Smokie, Tina Turner, Huey Lewis and the News, Exile and Toni Basil.
Michael Donald Chapman is an Australian record producer and songwriter who was a major force in the British pop music industry in the 1970s. He created a string of hit singles for artists including the Sweet, Suzi Quatro, Smokie, Mud and Racey with business partner Nicky Chinn, creating a sound that became identified with the "Chinnichap" brand. He later produced breakthrough albums for Blondie and the Knack. Chapman received a Medal of the Order of Australia (OAM) in the 2014 Australia Day Honours.
"Touch Too Much" is the debut single by the British band Arrows sung by lead vocalist Alan Merrill, and composed by Mike Chapman and Nicky Chinn. It was a top 10 hit on the UK Singles Chart, peaking at No. 8 in June 1974. Merrill told Songfacts that the song was turned down by David Cassidy, Suzi Quatro and Sweet.
"Can the Can" is the second solo single by American singer-songwriter Suzi Quatro and her first to reach number one in the UK, spending a single week at the top of the chart in June 1973. It also reached number one on the European and Australian charts; Quatro achieved her most consistent success throughout her career in these markets. The single belatedly became a hit in the US peaking at number 56 on the Billboard Hot 100 in 1976. It was re-released as a single in the UK, with "Devil Gate Drive" as the B-side, in 1984, but failed to chart. The single made the charts again in 1987 in the UK at number 87, it also appeared on her 1995 album What Goes Around.
"Devil Gate Drive" is a song by American singer Suzi Quatro. It was Quatro's second solo number one single in the UK, spending two weeks at the top of the chart in February 1974. According to ukcharts.20m.com, she only reached number one again, in the UK, 13 years and 26 days later.
"Tobacco Road" is a blues song written and first recorded by John D. Loudermilk in December 1959 and released in 1960. This song became a hit for The Nashville Teens in 1964 and has since become a standard across several musical genres.
"Fox on the Run" is a 1975 song by the British glam rock band Sweet, first recorded in 1974. It was the first Sweet single with the A-side written by the band, rather than by producers Nicky Chinn and Mike Chapman, and was their 14th single overall. The song became the best charting single in Australia in 1975, with six weeks at number one. It is about the band's groupie. She was unnamed on purpose.
Suzi Quatro is the debut solo studio album by the American singer-songwriter and bass guitarist of the same name. The LP was originally released in October 1973, by the record label Rak in most territories. The album was released under Bell Records in the United States and Canada, EMI Records in Japan, and Columbia Records in some European countries. It was titled Can the Can in Australia.
"Stumblin' In" is a song written by Mike Chapman and Nicky Chinn, performed by Chris Norman and Suzi Quatro. Originally released as a standalone single, it was later added to some editions of the Quatro album If You Knew Suzi... It was Norman's first single as a solo artist.
"Dyna-mite" is a 1973 single, written by the songwriting team of Mike Chapman and Nicky Chinn. It was originally written for the Sweet, who rejected it, and later inherited by the English glam rock band Mud. Chapman and Chinn produced the song as well.
Your Mamma Won't Like Me is the third studio album by Suzi Quatro. Released in May 1975 by record label Rak in most countries, in the US the album was released through Arista Records, the label that had recently succeeded Bell Records which distributed Quatro's first two previous releases in that country. The LP marked a change in the hard rock sound from the singer's previous albums Suzi Quatro and Quatro, instead displaying a more funk-oriented rock sound.
Aggro-Phobia is the fourth studio album by Suzi Quatro, recorded in the autumn of 1976. It is the only one of her albums to be co-produced by Mickie Most.
Suzi ... and Other Four Letter Words, released in 1979, is the sixth studio album by American singer-songwriter, bass guitar player, and actress Suzi Quatro. By August 2012 this was still Quatro's highest-charting album in Norway and her second-highest-charting album in the United States .
"Daytona Demon" is the fourth solo single and third UK hit by Suzi Quatro, released in 1973. The song is frequently believed to be a revision of Freddy Cannon's "Tallahassee Lassie" and a reference to Daytona Beach in Florida in which Quatro's lover is equated with a fast car.
"I'll Meet You at Midnight" is a song by the British rock band Smokie from their 1976 studio album Midnight Café. In September of the same year it was released as a single. It was the third and final single from the album, after "Something's Been Making Me Blue" and "Wild Wild Angels".
"It's Your Life" is a song by the British rock band Smokie from their 1977 studio album Bright Lights & Back Alleys. It first came out in June 1977 as a single and later appeared on the album, which was released in late September.
"If You Can't Give Me Love" is a 1978 song written by Mike Chapman and Nicky Chinn, performed by Suzi Quatro from her album If You Knew Suzi.... It became an international hit in the spring of the year, reaching number four in the United Kingdom and number five in Germany. It also reached the Top 10 in Australia.
Suzi Quatro (...) sound hinged mostly on a hard rock chug beneath lyrics in which scansion overruled meaning ('the 48 crash/is a silken sash bash').