Awards
Winners are listed first and highlighted in boldface: [8] [16]
| 29th Genie Awards | |
|---|---|
| Date | April 4, 2009 |
| Site | Canadian Aviation Museum Ottawa, Ontario |
| Hosted by | Dave Foley |
| Highlights | |
| Best Picture | Passchendaele |
| Most awards | Passchendaele (5) |
| Most nominations | The Necessities of Life (Ce qu'il faut pour vivre) (8) |
| Television coverage | |
| Network | Global, IFC |
The 29th Genie Awards were held on April 4, 2009, to honour Canadian films released in 2008. The ceremony was held at the Canadian Aviation Museum in Ottawa, Ontario, and was broadcast on Global and IFC. The ceremony was hosted by Dave Foley. [1]
Nominations were announced on February 10, 2009, [2] and were led by Quebec films. The Necessities of Life (French : Ce qu'il faut pour vivre) received eight nominations followed by Everything Is Fine (French: Tout est parfait ) with seven. [3] [4] Historical epic Passchendaele had the most wins at five Genies and was also recognized with the Golden Reel as the highest-grossing Canadian film. [5]
The 29th Genie Awards were held in Ottawa, Canada's capital, in a move suggested by the National Capital Commission (NCC). The awards had previously only been held in Toronto, aside from two ceremonies in Montreal in the mid-1990s. [6] The Ontario provincial government invested $150,000 to help the NCC host the Genie Awards and Genie Week, to bring national attention to tourist attractions in the capital region. [7]
The venue chosen for the awards ceremony was the Canadian Aviation Museum (now the Canada Aviation and Space Museum). Gordon Pinsent and Caroline Neron announced the nominations at the museum on February 10, 2009. [8] On March 30, Dave Foley was named to host the ceremony. [4]
A new feature of this year's awards was Genie Week [6] of 20 events over 8 days, leading up to the awards ceremony on April 4. [9] Events were arranged by the Genie Host Organizing Committee, the NCC and the Academy of Canadian Cinema & Television (ACCT). [10]
The Canadian War Museum presented a free screening of Passchendaele , followed by a question and answer session and a tour of trench warfare exhibits. [11] The Canadian Aviation Museum was transformed into a drive-in theatre for a screening of Amal . [10] Screenings of other best-picture nominees were held at Centrepointe Theatre, Arts Court, the Canadian Museum of Civilization, and the Canadian Museum of Nature, [9] along with talks and cultural events.
Library and Archives Canada (LAC) hosted lunchtime screenings of Best Animated Short and Best Live Action Short nominees throughout the week, and offered tours of its film preservation centre and extensive film collections. [12]
Specially designated Via Rail Genie trains brought nominees, industry members and special guests from Toronto and Montreal, with a red carpet reception on their arrival in Ottawa on April 3. [6] [9]
While lacking the extravagance of the Toronto events, [13] [1] the Ottawa ceremony was considered a smart and stylish event. Guy Buller, president of ACTRA's Ottawa chapter, wrote that the museum's collection of vintage aircraft lent a sense of "history, endeavour and pride" to the ceremony. [13]
The awards ceremony was followed by a gala at the Canadian War Museum. [9]
On the red carpet, one presenter suggested that they had dressed down in response to Prime Minister Stephen Harper's election comment that his constituents didn't care about fancy art galas. [1]
The venue was located minutes from Parliament Hill, [10] and there were calls from presenters and other celebrities for Harper's Conservative government to increase support for Canadian film and other cultural industries, particularly for the Canadian Broadcasting Corporation (CBC). On the red carpet, Foley advocated that Canadian theatres be required to show a proportion of domestic films, as is the case in France and Great Britain. [14]
Presenter Wendy Crewson joked that the after party would be held at the Prime Minister's residence, where she would be on a barricade with a bullhorn. [1]
Heritage Minister James Moore received an invitation but declined to attend. A writer for The Globe and Mail noted no Conservative politicians at the event, though Liberal MPs Pablo Rodríguez and Martha Hall Findlay were at the ceremony. [1] Rodriguez was a vocal critic of Heritage policy. [14]
Jay Stone of The National Post wrote that Kristin Booth's supporting actress win was a "vindication" for Young People Fucking , a film which was at the centre of the Bill C-10 controversy of the previous year. [5] During the previous year's ceremony, several speakers had criticized the bill. [15]
Winners are listed first and highlighted in boldface: [8] [16]
The awards were broadcast on Global and IFC on April 4 at 9 pm (ET). [4] The broadcast was lengthened to ninety minutes, compared to the previous year's one-hour show. [6]
The ACTRA Awards were first presented in 1972 to celebrate excellence in Canada's television and radio industries. Organized and presented by the Association of Canadian Television and Radio Artists, which represented performers, writers and broadcast journalists, the Nellie statuettes were presented annually until 1986. They were the primary national television award in Canada until 1986, when they were taken over by the Academy of Canadian Cinema and Television to create the new Gemini Awards, although ACTRA continued to present Nellies in radio categories.
The Canadian Film Awards were the leading Canadian cinema awards from 1949 until 1978. These honours were conducted annually, except in 1974 when a number of Quebec directors withdrew their participation and prompted a cancellation. In the 1970s they were also sometimes known as the Etrog Awards for sculptor Sorel Etrog, who designed the statuette.
The 7th Genie Awards were held on March 20, 1986, at the Metro Toronto Convention Centre to honour achievements in Canadian film in 1985. The ceremony was co-hosted by actors Leslie Nielsen and Catherine Mary Stewart.
The Canadian Comedy Awards (CCA) is an annual ceremony that awards the Beaver for achievements in Canadian comedy in live performance, radio, film, television, and Internet media. The awards were founded and produced by Tim Progosh in 2000.
The Academy of Canadian Cinema and Television presents an annual award for Best Motion Picture to the best Canadian film of the year.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actor in a Leading Role to the best performance by a lead actor in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema & Television presents an annual award for Best Performance by an Actress in a Leading Role to the best performance by a lead actress in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
Jo Vannicola, formerly known as Joanne Vannicola, is a Canadian actor. They are most noted for their roles as Dr. Naadiah in Being Erica, Dr. Mia Stone in PSI Factor, Jerri in Love and Human Remains, Sam in Stonewall, Renee in Slasher: Guilty Party, Amber Ciotti in Slasher: Solstice and Slasher: Flesh and Blood, as well as voice roles in Crash Canyon and My Dad the Rock Star.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actor in a Supporting Role to the best performance by a supporting actor in a Canadian film. The award was first presented in 1970 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actress in a Supporting Role to the best performance by a supporting actress in a Canadian film. The award was first presented in 1970 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema and Television presents an annual award for Best Achievement in Direction to the best work by a director of a Canadian film.
The Academy of Canadian Cinema & Television presents one or more annual awards for the Best Screenplay for a Canadian film. Originally presented in 1968 as part of the Canadian Film Awards, from 1980 until 2012 the award continued as part of the Genie Awards ceremony. As of 2013, it is presented as part of the Canadian Screen Awards.
The Academy of Canadian Cinema and Television presents an annual award for Best Achievement in Cinematography, to honour the best Canadian film cinematography.
The Canadian Screen Award for Best Live Action Short Drama is awarded by the Academy of Canadian Cinema and Television to the best Canadian live action short film. Formerly part of the Genie Awards, since 2012 it has been presented as part of the Canadian Screen Awards.
The Canadian Screen Award for Best Actress in a Continuing Leading Dramatic Role is an annual Canadian television award, presented by the Academy of Canadian Cinema & Television to the best leading performance by an actress in a Canadian television series. Previously presented as part of the Gemini Awards, since 2013 it has been presented as part of the Canadian Screen Awards.
The Canadian Screen Awards are awards given for artistic and technical merit in the film industry recognizing excellence in Canadian film, English-language television, and digital media productions. Given annually by the Academy of Canadian Cinema & Television, the awards recognize excellence in cinematic achievements, as assessed by the Academy's voting membership.
The Academy of Canadian Cinema and Television presents an annual award for Best Feature Length Documentary. First presented in 1968 as part of the Canadian Film Awards, it became part of the Genie Awards in 1980 and the contemporary Canadian Screen Awards in 2013.
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