Kenneth Lam’s Still Living reimagines domestic spaces, blending history, identity, and memory through evocative still-life photography, transforming ordinary objects into storytellers at the Museum of the Home, until June 2025.
MUSÉE 29 – EVOLUTION
Evolution explores the concepts of progress, transformation, growth, and advancement in an age when images are taking a dramatic shift in the role they play in our lives.
All in Reviews
Kenneth Lam’s Still Living reimagines domestic spaces, blending history, identity, and memory through evocative still-life photography, transforming ordinary objects into storytellers at the Museum of the Home, until June 2025.
The Saltzman-Leibovitz Photography Prize, a collaboration between Lisa Saltzman and Annie Leibovitz, celebrates emerging photographers with a $20,000 fund. Shortlisted finalists created work inspired by the Life at Home Report, presented at Paris Fashion Week. Artists like Ka’Vozia Glynn explore identity through vibrant storytelling, while Toma Hurduc captures the Balkans’ struggles in poetic black-and-white imagery. Winners will be announced in April, marking a vital platform for next-generation talent and the transformative power of photography.
For nearly six decades, Saul Leiter roamed the streets of New York City, capturing everyday moments and transforming them into striking works of visual poetry.
Published in Spring 2025, Clark Winter’s photobook, Here to There: Photographs from the Road Ahead, showcases the universal experience of car culture throughout several decades.
Rocket Gallery in London will be presenting No Smoking by Martin Parr, its thirteenth solo exhibition of the British photographer, whose career spans over 55 years. Featuring photographs from 1970 to 2019, the exhibit aims to highlight smoking culture and its evolution in the UK. Open from December 11, 2024, to May 31, 2025, the exhibit is accompanied by a photobook edited and designed by Sid Stephenson.
The International Center of Photography (ICP), opens exhibition, American Job: 1940-2011, a photojournalistic collection depicting the strife of labor unions, gender discrimination and the politically contentious relationship between labor and corporations.
My Sister, My Self at CPW features the work of identical twins Colleen and Kathleen Kenyon, exploring themes of identity, familial bonds, and individuality through contrasting photographic styles and collaborative narratives.
The 2024 Saltzman Prize winner’s exhibition, Recess, part of the inaugural program at CPW in Kingston, New York, awaits for you to “make” and “unmake” “meanings.” It is on display through May 4, 2025. The photographs converge to diverge, interact to deconstruct.